|Created by||Jin Yong|
|Appearances||The Return of the Condor Heroes,
The Smiling, Proud Wanderer,
The Deer and the Cauldron
|Nickname(s)||"Sword Devil" (劍魔)|
|Skills and abilities|
|Unarmed combat skills||Unarmed Swordplay|
|Armed combat skills||Nine Swords of Dugu,
Heavy Sword Technique
|Weapons||(four unnamed swords)|
Dugu Qiubai, literally "Loner Who Seeks Defeat", is a fictional character who is mentioned by name in three wuxia novels by Jin Yong (Louis Cha). He does not appear in any of the novels because he lived in an era long before the events of the novels took place. Nicknamed "Sword Devil" (劍魔) to reflect his prowess in and devotion to the practice of swordplay, he attains the philosophical level of "swordsmanship without a sword", which means that he uses swordplay techniques in combat without the physical existence of a sword.
Dugu Qiubai's family name "Dugu" (獨孤) is made up of two Chinese characters which literally mean "single and lonely" when put together. His given name "Qiubai" (求敗) literally means "seek defeat". His full name thus roughly translates to "Loner Who Seeks Defeat". It represents his status as an invincible swordsman who is haunted by solitude as no one can defeat or equal him in swordplay.
Roles in the novels
In this novel, set in the late Song dynasty, Yang Guo inherits Dugu Qiubai's 'Heavy Sword Technique'. He encounters the Condor, a giant eagle-like creature that was once a companion of Dugu Qiubai. The Condor saves Yang Guo after he lost his arm, and leads him to Dugu Qiubai's Tomb of Swords. Yang Guo learns Dugu Qiubai's skills with the help of the Condor and inherits the Heavy Iron Sword.
The Heavy Sword Technique has a rigorous requirement on inner energy. It emphasises simple swings and moves accompanied by potent inner energy exertion. Although it lacks the fancy and stylish movements of typical swordplay styles, it is more effective than the most complicated form of sword attacks. When Yang Guo was learning this technique, he commented that average swords would be broken immediately when he channels his inner energy into the sword during fights. The sword's weight would also boost the power of his swings and thrusts. Yang Guo mastered the inner energy technique used by Dugu Qiubai and fulfilled the requirement.
Dugu Qiubai's swordplay technique 'Nine Swords of Dugu' (獨孤九劍) is featured in this novel. The protagonist, Linghu Chong, learns this technique from the reclusive swordsman Feng Qingyang.
In a very brief inner monologue, Chengguan, a knowledgeable but naive Shaolin monk ponders about two great swordsmen in the past who performed swordplay without following any defined stances: Dugu Qiubai and Yang Guo.
Nine Swords of Dugu
Created by Dugu Qiubai, the 'Nine Swords of Dugu' (獨孤九劍) are nine independent sword stances created to overpower all sorts of weapons, including swords, spears, clubs, whips, and arrows, as well as barehanded attacks.
This swordplay has nine stances, each of which is designed to counter a particular form of martial arts. The mastery of all nine forms allows the swordsman to counter a wide range of martial arts moves (including those involving the use of weapons). The first core element of the swordplay is speed: The swordsman is trained to quickly predict and identify the weaknesses in the martial arts moves executed by an opponent, and then attack those weak points. The second core element of the swordplay is its formless nature and adaptability: Unlike typical martial arts styles described in wuxia stories, the moves of the 'Nine Swords of Dugu' do not follow any fixed sequence or pattern. As such, it is impossible for an opponent to predict (and counter correspondingly) the moves of the swordplay.
The key to mastering the swordplay is to understand the two core elements instead of rigidly memorising all the stances. Once the swordsman has grasped the essence of the swordplay, he can use it in endless forms and variations, hence the swordplay has no fixed sequence or pattern. During combat, the less the swordsman remembers, the less restricted he is by the original stances. He is thus able to customise and adapt the swordplay accordingly.
|1||General Index Stance (總訣式)||Has variations to implement the General Index Script. This stance cover all variations and changes of all forms of martial arts in the world.|
|2||Sword-defeating Stance (破劍式)||Used to counter swordplay styles from any sect.|
|3||Saber-defeating Stance (破刀式)||Used to counter single-blade weapons such as the broadsword, willow leaf cutlass, demon beheading saber, large cleaver and pudao.|
|4||Spear-defeating Stance (破槍式)||Used to counter pole weapons such as the spear, halberd, staff, wolf head cudgel and monk's spade.|
|5||Whip-defeating Stance (破鞭式)||Used to counter chain weapons such as the whip, fly whisk, three section staff, rope dart, chain whip and fishing net.|
|6||Mace-defeating Stance (破索式)||Used to counter short weapons such as the club, mace, dianxue peg, tonfa, Emei piercer, dagger, axe, octagonal hammer and awl.|
|7||Palm-defeating Stance (破掌式)||Used to counter unarmed styles of hand-to-hand combat that utilise the fists, legs, fingers and palms. The stance include techniques to overcome boxing and grappling, joint manipulation and dianxue.|
|8||Arrow-defeating Stance (破箭式)||Used in defence against missiles and projectile weapons. The first stage of mastering this stance involves the practitioner learning how to identify the type of missile by listening. Upon mastery, he is capable of blocking the projectiles with his sword, and may redirect the missiles back to the enemy.|
|9||Qi-defeating Stance (破氣式)||Used to counter opponents who have strong inner energy reserves. It is not clearly explained in the novel on how this stance actually works.|
Tomb of Swords
Dugu Qiubai's final resting place is known as the Tomb of Swords. In The Return of the Condor Heroes the Condor leads Yang Guo to the Tomb, where Yang reads a statement which Dugu Qiubai carved in stone:
"Having roamed the jianghu (martial artists' community) for more than 30 years, I have killed all my foes and defeated all champions. Under Heaven no one can be my equal. Without any other choice, I could only retreat and live in seclusion in this deep valley, with only a Condor as my companion. Alas, all my life, I have sought a match but in vain. Unbearable loneliness is my destiny." — "Sword Devil" Dugu Qiubai 
Yang Guo also read this at the Tomb of Swords:
"The "Sword Devil" Dugu Qiubai has become the invincible and unchallenged swordsman under Heaven, hence he buried his swords here. The heroes of the realm bow before me. Now, my Long Sword is of no use anymore. The agony!"
- The first sword (present)
- "My first sword was so sharp, strong and fierce that none could withstand it. With it in hand, I strive for mastery by challenging all the heroes of the Northern Plains in my teenage years."
- The second sword (not present, represented by a wooden tablet)
- "My second sword was violet in hue and flexible in motion. I used it in my 20s. With it, I have mistakenly wounded righteous men. It turned out to be a weapon of doom that caused me to feel remorseful endlessly. I cast it into a deep canyon."
- The third sword (present)
- "My third sword was heavy and blunt. The uttermost cunning is based on simplicity. With it, I roamed all lands under Heaven unopposed in my 30s."
- The fourth sword (represented by a wooden sword)
- "After the age of 40, I was no longer hampered by any weapon. Grass, trees, bamboos and rocks can all be my swords. Since then, I have developed my skills further, such that gradually I can win battles without reaching for weapons."
- An attack move that targets an opponent's acupuncture points
- (in Chinese) Tan, Xianmao (2005). Dugu Qiubai: The Image of a Lonely Genius Comes to Live. In Rankings of Jin Yong's Characters. Chinese Agricultural Press.