Eastmancolor
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Eastmancolor is a trade name used by Eastman Kodak for a number of related film and processing technologies associated with color motion picture production.
Eastmancolor, first introduced in 1950, was one of the first widely successful "single-strip colour" processes, and eventually displaced the more cumbersome Technicolor. Eastmancolor was known by a variety of names such as Deluxe color (20th Century Fox), Warnercolor, Metrocolor, Pathecolor and Columbiacolor, and others.[1][2][3]
For more information on Eastmancolor, see
- Eastman Color Negative (ECN, ECN-1 and ECN-2), the photographic processing systems associated with Eastmancolor negative motion picture stock, and intermediate motion picture stocks (including interpositive and internegative stocks)
- Eastman Color Positive (ECP, ECP-1 and ECP-2), the photographic processing systems associated with Eastmancolor positive print motion picture stock for direct projection
- Color motion picture film, for background on Eastmancolor and other motion picture processes in general
- Eastman Kodak Fine Grain color negative films (1950 onwards), within the "List of motion picture film stocks" article
Examples of films that use Eastmancolor
This article may lend undue weight to certain ideas, incidents, or controversies. (September 2015) |
Eastmancolor became very popular in the South Indian film industry during early 60's.
- Bad Day at Black Rock - 1955
- Hang Tuah-Malaysia/Singapore 1955
- Kandam Becha Kottu-Malayalam 1961
- Lava Kusha -Telugu 1963
- Amarashilpi Jakkanna-Telugu 1964
- Kathalikka Neramillai-Tamil 1964
- Karnan-Tamil 1964
- Padagotti-Tamil 1964
- Amarasilpi Jakkannachari-Kannada 1964
- Chemmeen-Malayalam 1965
- Thiruvilaiyadal-Tamil 1965
- Aayirathil Oruvan-Tamil 1965
- Enga Veetu Pillai-Tamil 1965
- Idhaya kamalam-Tamil 1965
- Anbe Vaa-Tamil 1966
- Agathiyar 1972
References
- ^ "NFSA Journal" (PDF). 3. Nfsa.gov. 2008. Retrieved 2015-05-06.
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(help) - ^ Peter Lev. Transforming the Screen, 1950-1959. University of California Press, 2003. p. 108.
- ^ Stephen Neale. Contemporary Hollywood Cinema. Psychology Press, 1998. p. 120.