From Wikipedia, the free encyclopedia
Jump to navigation Jump to search

Mieville Embassytown 2011 UK.jpg
UK first edition cover
AuthorChina Miéville
CountryUnited Kingdom
GenreScience fiction
PublisherPan Macmillan
Publication date
28 April 2011
Media typePrint (hardcover)
AwardsLocus Award for Best Science Fiction Novel (2012)
China Miéville on Bookbits radio talks about Embassytown.

Embassytown is a science fiction novel by British author China Miéville. It was published in the UK by Pan Macmillan on 6 May 2011, and in the US by Del Rey Books on 17 May 2011. A limited edition was released by Subterranean Press. The plot of the novel surrounds the town of Embassytown, the native alien residents known as Ariekei, their Language, and the human interaction with them. The novel was well reviewed and won the 2012 Locus Award for Best Science Fiction Novel.


Embassytown takes place mostly in the city of the title, on the planet Arieka. It exists on the very edge of the known universe, which given its distance from everything else, is only accessible by sailing through the "immer" (see § Style below for the meaning of Miéville's neologisms). Embassytown is a colony of a state called Bremen; and its trade goods (precious metal and, especially, alien-influenced biotech), along with Embassytown's unique position at the edge of the known universe, make it a particularly important colony.

Avice Benner Cho, an "Immerser" (a traveller on the Immer), has returned to her childhood home from her adventures in the "Out". On the planet of Arieka humans and "exots" co-exist with the indigenous, enigmatic Ariekei—otherwise known as the Hosts. Few people can speak the language of the Hosts (referred to only as "Language"), as it requires the orator to speak two words at once; those humans (Terre) who can are genetically-engineered twins known as Ambassadors, bred solely for this purpose. The Ambassadors speak with two mouths and one mind and as such can be understood by the Ariekei (who do not recognise any other form of communication) allowing for trade in their valuable biotechnology. The Hosts' Language does not allow for lying or even speculation, the Language reflects both their state of mind and reality as they perceive it; they create literal similes by recruiting individuals to perform bizarre ordeals that can then become allusions in Language. Avice herself serves as a human simile, “the girl who was hurt in the dark and ate what was given to her". Ariekei compete at Festivals of Lies to see who can most closely approximate speaking an untruth, an act both thrilling and highly taboo.

The relationship between humans and Ariekei has proceeded in relative tranquillity for many years (kilohours). However when a new Ambassador arrives, named Ez/Ra, who has not been genetically engineered to speak Language, yet can still manage to, everything changes. The speech of the new, Bremen-engineered Ambassador intoxicates the Hosts and results in the entire Ariekei population becoming addicted to the Ambassador's speech regardless of content, to the extent that they cannot live without it. The situation deteriorates, and Avice is drawn into a search for a solution, having a special relationship with the Hosts as a human simile. With assistance from sympathetic Ambassadors, she trains a small group of Hosts to be able to use metaphors and eventually utter lies. Due to the interconnectedness of thought and Language, this has the effect of altering their minds and now the words of Ez/Ra lose their addictive properties.


Often described as a book about language, Embassytown also employs fictional language, or neologisms, as a means of building its world.[1][2] The author Ursula K. Le Guin describes this as follows: "When everything in a story is imaginary and much is unfamiliar, there's far too much to explain and describe, so one of the virtuosities of SF is the invention of box-words that the reader must open to discover a trove of meaning and implication".[3] Their effect on the reader has been described as disorienting, with The Guardian's James Purdon remarking on "a slow accretion of detail and implication until a universe coheres".[4]

"Ubiquitous" English; the most widely spoken language on the planet, and a far-future descendant of Terre English.[5] The scholar of English Carl Freedman views this also as a reference to Philip K. Dick's Ubik, which the novel alludes to in other parts of its worldbuilding.[5]
Living houses, furniture and organic weapons; a technology proprietary to the Ariekei, and central to their commerce with Bremen. Reminiscent of the setting of Ubik, with Freedman noting that Miéville once wrote a critical essay about Ubik on this theme.[6]
exot or exoterre
Alien, or from outside Terre,[7] the long-lost, mythical home planet of humans.[2] Freedman views the remote, forgotten Earth and uncommonness of space travel as sharing an affinity with Samuel R. Delany's linguistic SF, Stars in My Pocket Like Grains of Sand.[8]
immer and manchmal
Borrowed from German, meaning "always" and "sometimes". The immer is hyperspace (also called warpspace[2] or subspace[7]), while manchmal refers to normal spacetime.[9] The book describes the current manchmal as the "third universe", born after the heat-death of the previous two (each with different laws of physics); the immer, in contrast, is never-changing.[10] Le Guin calls the relationship between the manchmal and immer as akin to the land and the sea, so that "to travel through space is to immerse".[3] Joseph Weakland notes that the immer is associated with nautical language, such as tides, currents and shipwrecks; he describes it as reflecting the "sublime unpredictability and hostility of the sea". It even contains sea monsters that arrive in a "miab".[9] The scholar and critic Gary K. Wolfe compares them to the subspace predators of Cordwainer Smith's The Game of Rat and Dragon. He also highlights Avice's description of the immer: "langue of which our actuality is a parole" [French: language of which our actuality is a word], and interprets the universe as being "a kind of deep-structured grammar", a foreshadowing of the novel’s themes.[7]
Acronym for "message in a bottle".[11] The world of Embassytown does not have faster-than-light communication, but it does have FTL travel, resulting in "miabs" sent through the immer as the means of communication. The presence of sea monsters ("stichlings") makes their reliability a concern; this matches the book's central theme, that of a crisis in communication.[9]
Greek for "lighthouse". Refers to beacons placed in the immer by an unknown alien entity, to warn immersers against hyperspace hazards. The lighthouse maker is referred to as the "Pharotekton" and worshipped by humans as a deity, as part of the "Church of Christ Uploaded",[12] a form of space-adapted monotheism.[2]
Refers to a family structure with cooperative/group parenting of children.[13]

Another stylistic quirk employed by Miéville is the use of fractions such as Cal/Vin to display alien language, which takes the form of two words spoken simultaneously (by two alien mouths).[1]


The names in Embassytown which are presented in fractional notation are supposed to be spoken simultaneously, by two mouths.[14]

  • Avice Benner Cho – Embassytown native and Immerser, wife to Scile and lover of CalVin
  • Scile – non-native linguist and husband to Avice; believes that Language should remain as it is regardless of the consequences
  • Cal/Vin — Ambassador of high standing, lover of Avice Benner Cho
  • Mag/Da — head Ambassador
  • Ez/Ra — new, Bremen-engineered Ambassador consisting of two non-identical people. Becomes known as the "God Drug".
  • Bren – ex-Ambassador still living in Embassytown and advisor to Avice, one half of the "cleaved" Ambassador BrenDan
  • Ehrsul – an "autom" (from automaton), best friend of Avice
  • Wyatt – Bremen's contact in Embassytown
  • Hasser – a human "simile" used by the Ariekei as part of Language. Killer of Surl/Tesh-echer.
  • Surl/Tesh-echer (or Beehive) — the most successful Ariekei liar. Hasser murders it during a Festival of Lies.
  • Spanish Dancer – an Ariekei with markings reminiscent of a Spanish dancer. A follower of Surl/Tesh-echer with an interest in the similes.
  • YlSib (formerly Sib/Yl) — ex-Ambassador living in the Host city; Bren's contact.


The Ariekei have two speaking orifices and utter their language through both simultaneously; for them, language, thought and reality are inseparable, hence they cannot understand the speech of individual humans, tell lies or speculate.

Kirkus Reviews[14]

Miéville originally had the idea for the Ariekei at age 11, in "an early draft of what became Embassytown", written while he was in school.[15][16] They next featured in a short story he wrote eight years later, which Miéville intended to get published in Interzone magazine.[16] In attempting to portray an authentically "alien" alien race, Miéville commented that he finds it almost impossible, stating "if you are a writer who happens to be a human, I think it's definitionally beyond your ken to describe something truly inhuman, psychologically, something alien."[17]

Publication history[edit]


Ursula K. Le Guin, reviewing the book for The Guardian, wrote "Embassytown is a fully achieved work of art...works on every level, providing compulsive narrative, splendid intellectual rigour and risk, moral sophistication, fine verbal fireworks and sideshows, and even the old-fashioned satisfaction of watching a protagonist become more of a person than she gave promise of being".[3] Publishers Weekly said "Miéville's brilliant storytelling shines most when Avice works through problems and solutions that develop from the Hosts' unique and convoluted linguistic evolution, and many of the most intriguing characters are the Hosts themselves. The result is a world masterfully wrecked and rebuilt."[19] The Scotsman stated that "Embassytown features aliens that are genuinely and thrillingly alien" and suggested "a book fundamentally concerned with the role of language as an imaginative liberation. Miéville has taken the theoretical and philosophical insights of thinkers such as Jacques Derrida and Paul Ricoeur and turned them into story. It is not, however, a tract. There is a genuine emotional transaction at the novel's climax."[20]


Year Award Result Ref.
2012 Arthur C. Clarke Award Nominated [21]
BSFA Award Nominated [22]
Hugo Award Nominated [23]
John W. Campbell Memorial Award Nominated [22]
The Kitschies (Red Tentacle) Nominated [24]
Locus Award Won [25]
Nebula Award Nominated [26]
2014 Premio Ignotus Won [22]
Seiun Award Nominated [22]


  1. ^ a b Easterbrook, Neil (26 August 2011). "Language and Monsters". Los Angeles Review of Books.
  2. ^ a b c d Thompson, Sam (16 June 2011). "Monsters You Pay to See". London Review of Books.
  3. ^ a b c Le Guin (2016), pp. 254–256.
  4. ^ Purdon, James (20 May 2011). "Embassytown by China Miéville – review". The Guardian.
  5. ^ a b Freedman (2015), p. 116.
  6. ^ Freedman (2015), p. 115.
  7. ^ a b c Wolfe, Gary K. (18 May 2011). "Gary K. Wolfe reviews China Miéville". Locus Magazine.
  8. ^ Freedman (2015), p. 114.
  9. ^ a b c Weakland (2015), p. 82.
  10. ^ Miéville (2011), chpt. 0.3.
  11. ^ Miéville (2011), chpt. 0.2: "'Miab, miab, message in a bottle!' Mum Berwick would sing as she gathered our letters up."
  12. ^ Weakland (2015), p. 83.
  13. ^ Weakland (2015), p. 88.
  14. ^ a b Bledsoe, Alex. "EMBASSYTOWN by China Miéville | Kirkus Book Reviews". Kirkusreviews.com. Retrieved 26 June 2012.
  15. ^ Jordan, Justine (14 May 2011). "A life in writing: China Miéville | Books". The Guardian. Retrieved 28 June 2012.
  16. ^ a b "Take Five with China Mieville, Author, Embassytown « Del Rey and Spectra". Suvudu. 24 May 2011. Retrieved 28 June 2012.
  17. ^ "A Brief Interview with China Mieville, Author, Embassytown « Del Rey and Spectra". Suvudu. 25 May 2011. Retrieved 28 June 2012.
  18. ^ Embassytown Archived 21 February 2011 at the Wayback Machine at Subterranean Press
  19. ^ "Fiction review". Publishers Weekly. 21 March 2011. Retrieved 27 June 2012.
  20. ^ Kelly, Stuart (26 April 2011). "Embassytown by China Miéville – review". The Scotsman.
  21. ^ Lea, Richard (26 March 2012). "China Miéville heads Arthur C Clarke award shortlist – again". The Guardian. Retrieved 27 March 2012.
  22. ^ a b c d "China Miéville Awards". Science Fiction Awards Database. Locus Science Fiction Foundation. Retrieved 21 September 2021.
  23. ^ "2012 Hugo Awards". The Hugo Awards. Archived from the original on 9 April 2012. Retrieved 9 April 2012.
  24. ^ "The Kitschies: 2011 Finalists". Pornokitsch. 13 January 2012. Retrieved 13 January 2012.
  25. ^ "Locus Online News » 2012 Locus Awards Winners". Locus. 16 June 2012. Archived from the original on 22 June 2012. Retrieved 1 July 2012.
  26. ^ "2011 Nebula Awards Nominees Announced". Science Fiction and Fantasy Writers of America. 20 February 2012. Retrieved 30 March 2012.


Further reading[edit]

  • Edwards, Caroline; Venezia, Tony, eds. (2015). China Miéville: Critical Essays. Gylphi. ISBN 978-1-78024-029-9.
    • De Bruyn, Ben (2015). "'You Should Be Teaching': Creative Writing and Extramural Academics in Perdido Street Station and Embassytown". In Edwards, Caroline; Venezia, Tony (eds.). China Miéville: Critical Essays.
    • Lang, Jr., Anthony F. (2015). "Between: International Law in The City & the City and Embassytown". In Edwards, Caroline; Venezia, Tony (eds.). China Miéville: Critical Essays.
    • Williams, Mark P. (2015). "Abnatural Resources: Collective Experience, Community and Commonality from Embassytown to New Crobuzon". In Edwards, Caroline; Venezia, Tony (eds.). China Miéville: Critical Essays.
  • Głaz, Adam (2015). "Reversals and Paradoxes". Extrapolation. 56 (3): 335–352. doi:10.3828/extr.2015.18. ISSN 0014-5483.

External links[edit]