Pade and Pawelke live at the 2007 Wave-Gotik-Treffen
Folk rock (recent)
|Labels||Banshee, Noir Records, Polydor|
|Associated acts||Schandmaul, Sava, Folk Noir|
|Members||Oliver s. Tyr|
|Past members||Elisabeth Pawelke|
Margareta Aibl ("Rairda")
Faun is a German band formed in 1998 who play pagan folk, darkwave and medieval music. The originality of their music style is that they fall back to "old" instruments, and the singing is always the center of attention. The vocals are performed in a variety of languages, including German, Latin, Greek, and Scandinavian languages. Their instruments include Celtic harp, Swedish nyckelharpa, hurdy-gurdy, bagpipes, cittern, flutes and many others.
The band was founded in 1998 by Oliver "s. Tyr" Pade, Elisabeth Pawelke, Fiona Rüggeberg and Birgit Muggenthaler. Two years later, Rüdiger Maul got into the band as percussionist. At the same time, Birgit left the band, to continue her musical life with the folk-rock band Schandmaul. In 2002, they released their first album Zaubersprüche. Niel Mitra was a guest musician on this album, and he later became a full-time member of the band, the only one playing only electronic instruments.
In 2003 the band released their second album, Licht, and performed at several festivals in support of this music.
Elisabeth Pawelke left Faun in 2008 to focus on her studies in classical song in Basel, Switzerland. She was succeeded by Sandra Elflein who left Faun in April 2010 due to a pregnancy and health issues. Singer and multi-instrumentalist Rairda replaced her but left the band in 2012. She was succeeded by Katja Moslehner.
In 2013 the band toured Europe, including Berlin.
Also in 2013 the band published their seventh studio album Von den Elben which became the first Faun album to reach top ten positions in the album charts of Germany, Austria, and Switzerland, and was also their first album to chart in the latter two countries. It was nominated for the ECHO award in the categories 'National Rock/Pop Group' and 'National Newcomer of the Year'.
On 19 August, 2016, the band released an album called Midgard. It quickly reached third place in the German album ranking.
- Oliver s. Tyr – vocals, bouzouki, nyckelharpa, Celtic harp, jaw harp
- Fiona Frewert (born Rüggeberg) – vocals, recorders, whistles, bagpipes, seljefloyte
- Rüdiger Maul – tar, riq, davul, panriqello, darabukka, timbau, gaxixi and many other percussion instruments
- Niel Mitra – sequencer, sampler, synthesizer, FL Studio, Buzz, Logic Audio, tascam us 224, boss dr 202, Korg Alpha, granular synthesis, folder synthesis, feedbacks, sounds taken from nature and everyday life
- Stephan Groth – vocals, hurdy-gurdy, flutes, cittern (2012–present)
- Laura Fella – vocals, Framedrum, Mandola (2017–present)
- Elisabeth Pawelke – vocals, hurdy-gurdy (2001–2008)
- Birgit Muggenthaler – whistles, bagpipes, shawm, vocals (1998–2000)
- Sandra Elflein – vocals, violin, hurdy-gurdy (2008–2010)
- Rairda – vocals, harp, flutes, percussion instruments, hurdy-gurdy (2010–2012)
- Sonja Drakulich – vocals, dulcimer, percussion instruments (2012–2013)
- Katja Moslehner – vocals, percussion instruments (2013–2017)
Faun is a prime example of Mittelalter music, a German musical style mixing medieval folk and folk metal. To express their own bond with nature the band coined the term "Pagan Folk" for one style of their concerts. While the term was initially used for electronically amplified concerts only, it is now used by fans and band for their music itself. A quote by Oliver Pade reveals another possibility for having chosen this specific term: "We don't know ourselves what kind of music we play, so we call it paganfolk" (Oliver Pade 2004 in a song announcement at the 2004 Summer Darkness in Utrecht, Netherlands).
Faun's repertoire ranges from melancholic ballads to exuberant dances like the Brittanic An Dro. Thereby they set historical tunes from various periods and regions to music and on the other hand create a lot of their own compositions as well.
Faun combines ancient Perso-Arab melodies with the Swedish nyckelharpa and Middle High German lyrics. Equally distinguishing are Pawelke's and Rüggeberg's singing, mostly in two voices and, on newer recordings, the driving beat by Niel Mitra. Mitra has described the essence of the band as a form of "musical alchemy", due to the different musical interests of the members and how they are combined in Faun's music.
The debut album Zaubersprüche deals mainly with slow ballads from the era between the Late Middle Ages and Romanticism. The instrumentation is kept entirely acoustic and waives modern instruments and electronic beats. The second album features far less ballads but offers considerably more danceable tunes like Andro, Unda or the double song Deva/Punagra.
The lyrics originate from very different languages, Standard German, Middle High German, Old Icelandic, Low German, Old Norse, Latin, Hungarian, Finnish, and Ladino among them. Among lyrics of their own, the group uses or writes lyrics inspired by classical texts such as the Carmina Burana ("Satyros", "Renaissance"), the Cantigas de Santa Maria ("Da que Deus", "Renaissance"), Jenaer Liederhandschrift from Vitslav III, Prince of Rügen ("Loibere Risen", "Renaissance"), Egils Saga ("Licht"), the Poetic Edda ("Sigurdlied", "Buch der Balladen"), Heinrich von Morungen ("Von den Elben", "Licht"), the ballad King Henry, as well as from romantic and modern authors such as John Keats ("Der Wilde Wasermann", "Buch der Balladen"), Baron Munchausen ("2 Falken", "Totem" and "Jahrtausendalt", "Buch der Balladen"), José Melchor Gomis ("Tinta", "Totem"), Joseph Freiherr von Eichendorff ("Der stille Grund", "Totem"), Felicitas Kukuck ("Tanz über die Brücke", Buch der Balladen") and others.
Faun seek to promote a form of paganism they characterize as nature religion. They are however not hostile to Christian culture and are open to performing Christian songs. They have stressed that many Christian traditions have a pagan origin or pagan components. Oliver s. Tyr has said that he is opposed to the church, but regards Christianity as a good religion and thinks it is better to be a Christian than to have no faith at all.
Meaning of the name
The name Faun comes from ancient Greek-Roman mythology, where it equals the herders' deity Faunus or Pan. According to the band, this figure which is often also depicted as a natural or forestal spirit, shall express the members' connection with nature. For the same reason Oliver Pade's pseudonym is the Satyr, who is closely related to Faunus.
|Year||Title||Peak chart positions|
|2009||Buch der Balladen||25||—||—||—|
|2013||Von den Elben||7||9||8||5|
|2018||XV – Best Of||12||—||—||45|
— denotes an album that did not chart
- " Live Review: Faun – Berlin 2013". Reflections of Darkness 08 November 2013 Johannes Steigmann
- "Faun – Biography | Billboard". www.billboard.com. Retrieved 2017-07-03.
- "Suchergebnisse in den deutschen Charts" [Search results from the German charts]. Charts.de (in German). Media Control. Retrieved 7 July 2013.
- "Discographie Faun – austriancharts.at" (in German). Hung Medien. Retrieved 1 September 2016.
- "Faun – hitparade.ch" (in German). Hung Medien. Retrieved 1 September 2016.
- "Nominierte 2014: Gruppe Rock/Pop National". Echo (in German). Bundesverband Musikindustrie. Archived from the original on 30 March 2014. Retrieved 27 March 2014.
- "Nominierte 2014: Newcomer National". Echo (in German). Bundesverband Musikindustrie. Archived from the original on 30 March 2014. Retrieved 27 March 2014.
- "Midgard storms agency presents: Faun (DE)". www.meetfactory.cz (in Czech). Retrieved 2017-07-03.
- Otti. 19 March 2006. Nightshade Interview - Faun. Nightshade.
- "Faun – Luna". Dutchcharts.nl (in Dutch). Hung Medien. Archived from the original on 6 November 2014. Retrieved 25 October 2014.