Happy Mother's Day, Love George
| Happy Mother's Day, Love George | |
|---|---|
 Theatrical poster | |
| Directed by | Darren McGavin |
| Written by | Robert Clouse |
| Produced by | Darren McGavin Hans Ulrich Rinderknecht |
| Starring | Patricia Neal Cloris Leachman Bobby Darin |
| Cinematography | Walter Lassally |
| Edited by | George Grenville |
| Music by | Don Vincent |
Production company | |
| Distributed by | Cinema 5 Distributing (USA theatrical) Ambassador Film Distributors (Canada) Cinefear (USA VHS) Columbia Pictures (video) |
Release date |
|
Running time | 90 minutes |
| Country | United States |
| Language | English |
Happy Mother's Day, Love George (also known Run Stranger, Run)[1][2] is a 1973 American mystery film produced and directed by Darren McGavin. The film stars Patricia Neal,[3][4][5] Cloris Leachman,[5][6] Bobby Darin,[5] Tessa Dahl,[5][3][4] Ron Howard,[5] Kathie Browne,[4][5] Joe Mascolo,[4][5] Simon Oakland,[5][7][8] and Thayer David.[5][9]
Plot
Teenager Johnny returns to his hometown in New England to try to find out who his father is. There has recently been a string of murders, so Johnny is immediately suspect. In the process of trying to find out who his father is, Johnny discovers that there was an entire story that he did not know.
Cast
- Patricia Neal as Cara
- Cloris Leachman as Ronda
- Bobby Darin as Eddie
- Tessa Dahl as Celia
- Ron Howard as Johnny
- Kathie Browne as Crystal
- Joe Mascolo as Piccolo
- Simon Oakland as Sheriff Roy
- Thayer David as Minister Pollard
Reception
Critical response
Roger Greenspun of The New York Times wrote in his review: "Anybody who has seen half a movie in his life will instantly recognize that a title like Happy Mothers' Day, Love George has to indicate gothic horror. In this case, coastal gothic horror, as young Johnny (Ron Howard) returns to the New England fishing village of his childhood, in search of a father he has never known. It is one of those towns where everyone seems to have a skeleton in the closet. Actually, a skeleton in the closet would be a blessing. This town has two skeletons on the beach (under the beach, to be precise), a corpse in the master bedroom, another corpse in the summer house's upstairs bathtub, two more in guest rooms, a third in the overgrown front yard, a fourth fresh-killed in the garage, and still another fouling up the nets in the nearby fishing grounds. There may have been more. I didn't notice. Johnny never finds his father — mainly because his father, what is left of his father, can be found only at low spring tides during a strong offshore wind. But he does find his mother (Cloris Leachman), and his aunt (Patricia Neal), the local down-at-the heels aristocrat, who is also his father's widow. Eventually he finds the identity of the murderer, an identity that should keep you guessing for at least the first six minutes of the movie. Happy Mothers' Day, Love George makes use of several distinguished performers. Cloris Leachman was seen to better advantage in Last Picture Show. Ron Howard is currently seen to better advantage in American Graffiti. And Patricia Neal may be seen to better advantage any time in Maxim Coffee television commercials. In this, his first directorial assignment, Darren McGavin has come up to just about the level of his material, which is very low. The locations, actually in Nova Scotia, are predictably lovely. There is some sense of place (the great gift of the provincial horror movie), but no sense of purpose, or of a reasonable inevitable doom. Happy Mothers' Day, Love George, opened yesterday at the Plaza and New Embassy theaters.[10]
Production
Happy Mother's Day, Love George was produced and directed by Darren McGavin. The film was written by Robert Clouse. Cinematography was done by Walter Lassally. Film editing was done by George Grenville. The score was composed by Don Vencent.[2]
Release
Happy Mother's Day, Love George was released in theatres on August 17, 1973.[10] The film was released on VHS on August 2, 1989.[1]
References
- ^ a b "Run Stranger, Run". RCA/Columbia Pictures Home Video. Culver City, California: Sony Pictures. August 2, 1989. ISBN 6300137341. Retrieved December 10, 2016.
{{cite web}}: Check|isbn=value: invalid group id (help) - ^ a b Gray 2003, p. 240. sfn error: multiple targets (2×): CITEREFGray2003 (help)
- ^ a b Shearer 2006, p. 302.
- ^ a b c d Meyers 2011, p. 102. sfn error: multiple targets (2×): CITEREFMeyers2011 (help)
- ^ a b c d e f g h i Gray 2003, p. 241. sfn error: multiple targets (2×): CITEREFGray2003 (help)
- ^ Meyers 2011, p. 101. sfn error: multiple targets (2×): CITEREFMeyers2011 (help)
- ^ Monush 2003, p. 556.
- ^ Maltin 2008, p. 578.
- ^ "Happy Mother's Day, Love George". Turner Classic Movies. Atlanta: Turner Broadcasting System (Time Warner). Retrieved December 10, 2016.
- ^ a b Greenspun, Roger (August 18, 1973). "'Happy Mothers' Day' Arrives:The Cast". The New York Times. New York City: The New York Times Company. Retrieved December 10, 2016.
Sources
- Gray, Beverly (2003). Ron Howard: From Mayberry to the Moon...and Beyond (1st ed.). Nashville, Tennessee: Thomas Nelson. p. 240. ISBN 978-1558539709.
- Shearer, Stephen (2006). Patricia Neal: An Unquiet Life. Lexington, Kentucky: University Press of Kentucky. p. 302. ISBN 978-0813123912.
- Meyers, Ric (2011). For One Week Only: The world of exploitation film. Contoocook, New Hampshire: Eirini Press. p. 102. ISBN 978-0979998935.
{{cite book}}: templatestyles stripmarker in|publisher=at position 1 (help) - Gray, Beverly (2003). Ron Howard: From Mayberry to the Moon...and Beyond (1st ed.). Nashville, Tennessee: Thomas Nelson. p. 241. ISBN 978-1558539709.
- Meyers, Ric (2011). For One Week Only: The world of exploitation film. Contoocook, New Hampshire: Eirini Press. p. 101. ISBN 978-0979998935.
{{cite book}}: templatestyles stripmarker in|publisher=at position 1 (help) - Monush, Barry (2003). Encyclopedia of Hollywood Film Actors, Vol. 1: From the Silent Era to 1965. Milwaukee: Applause Theatre and Cinema Books. p. 556. ISBN 978-1557835512.
- Maltin, Leonard (2008). Leonard Maltin's 2009 Movie Guide. New York City: Plume. p. 578. ISBN 978-0452289789.
