From Wikipedia, the free encyclopedia
Heart Beats is an album by the Keystone Trio – pianist John Hicks , bassist George Mraz , and drummer Idris Muhammad .
Background
The trio of pianist John Hicks , bassist George Mraz , and drummer Idris Muhammad was assembled for a recording led by saxophonist Archie Shepp in 1995.[ 1] That session was produced by Todd Barkan for Venus Records .[ 2] He commented that "It was magic! A telepathy, balance, and cohesiveness that I rarely hear."[ 2]
Recording and music
The album was recorded at Clinton Recording Studios in New York City, on December 4, 1995.[ 3] Barkan was the producer.[ 2] Vocalist Freddy Cole was added for one track – "It Had to Be You".[ 4]
Release
Heart Beats was released by Milestone Records .[ 3]
Reception
The Penguin Guide to Jazz described the album as "piano-trio jazz of the very highest quality".[ 5] AllMusic concluded that "You're not going to find a better trio than this one, and even more impressive is that each tune seems to be just the right length, with no excess or filler."[ 4]
Track listing
"Speak Low"
"I Fall in Love Too Easily"
"If I Should Lose You"
"It Had to Be You"
"How Deep Is the Ocean"
"Bewitched, Bothered, and Bewildered"
"Dancing in the Dark"
"Two Hearts"
"Stay as Sweet as You Are"
Personnel
References
Years given are for the recording(s), not first release, unless stated otherwise.
As leader or co-leader
Hells Bells (1975)
Steadfast (1975)
After the Morning (West 54 , 1979)
Some Other Time (1981)
John Hicks (1982)
In Concert (1984)
Inc. 1 (1985)
Luminous (and Elise Wood , 1985–88)
Two of a Kind (and Ray Drummond , 1986–87)
I'll Give You Something to Remember Me By (1987)
East Side Blues (1988)
Naima's Love Song (1988)
Oleo (New York Unit, 1989)
Rhythm-a-Ning (and Kenny Barron , 1989)
Blue Bossa (New York Unit, 1990)
Is That So? (1990)
Live at Maybeck Recital Hall, Volume Seven (1990)
Power Trio (1990)
St. Thomas: Tribute to Great Tenors (1991)
Tribute to George Adams (1991–92)
After the Morning (Dominic Sciscente Music, 1992)
Blues March: Portrait of Art Blakey (1992)
Crazy for You (1992)
Friends Old and New (1992)
Moanin': Portrait of Art Blakey (1992)
Now's the Time (New York Unit, 1992)
Over the Rainbow (New York Unit, 1992)
Single Petal of a Rose (1992)
The Missouri Connection (and Jay McShann , 1992)
Beyond Expectations (1993)
Lover Man: A Tribute to Billie Holiday (1993)
Akari (New York Unit, 1994)
Duality (and Peter Leitch , 1994)
Gentle Rain (1994)
In the Mix (1994)
Heart Beats (Keystone Trio, 1995)
Piece for My Peace (1995)
Cry Me a River (1997)
Newklear Music (Keystone Trio, 1997)
Nightwind: An Erroll Garner Songbook (1997)
Something to Live For: A Billy Strayhorn Songbook (1997)
Trio + Strings (1997)
Hicks Time (released 1998)
Impressions of Mary Lou (1998)
Beautiful Friendship (and Elise Wood, 2000)
Music in the Key of Clark (2001)
Fatha's Day: An Earl Hines Songbook (2003)
Twogether (with Frank Morgan , 2005–6)
I Remember You (2006)
On the Wings of an Eagle (2006)
Sweet Love of Mine (2006)
WithArt Blakey WithArthur Blythe WithDavid Murray WithPharoah Sanders With others
Solid! (Eric Alexander , 1998)
Sunday in New York (Eric Alexander, 2005)
Eby (Hamiet Bluiett , 1984)
Fast Last! (Lester Bowie , 1974)
Now It's My Turn (Betty Carter , 1976)
The Audience with Betty Carter (1979)
It's Not About the Melody (Betty Carter, 1992)
Gardenias for Lady Day (James Carter , 2003)
The Bassist: Homage to Diversity (Richard Davis , released 2001)
Structurally Sound (Booker Ervin , 1966)
Flying Colors (Ricky Ford , 1980)
Interpretations (Ricky Ford, 1982)
Awakening (Sonny Fortune , 1985)
The Outside Within (Chico Freeman , 1978)
Spirit Sensitive (Chico Freeman, 1978–79)
Habana (Roy Hargrove , 1997)
Again and Again (Oliver Lake , 1991)
52nd Street Themes (Joe Lovano , 1999)
On This Day ... Live at The Vanguard (Joe Lovano, 2002)
Streams of Expression (Joe Lovano, 2005)
Hi Voltage (Hank Mobley , 1967)
Taru (Lee Morgan , 1968)
Staying on the Watch (Sonny Simmons , 1966)
Live at the Loosdrecht Jazz Festival (Charles Tolliver , 1972)
Love Remains (Bobby Watson , 1986)