Hercules (1958 film)
(Le fatiche di Ercole)
|Directed by||Pietro Francisci|
|Produced by||Federico Teti|
|Written by||Ennio De Concini
|Music by||Enzo Masetti|
|Edited by||Mario Serandrei|
|Distributed by||Lux Film (1958, Italy)
Warner Bros. Pictures (1959, USA, dubbed)
|Box office||$4.7 million (est. US/ Canada rentals)|
Le fatiche di Ercole (English: The labours of Hercules; English title: Hercules) is a 1958 Italian epic fantasy, peplum genre film based upon the Hercules and the Quest for the Golden Fleece myths. The film stars Steve Reeves as the titular hero and Sylva Koscina as his love interest Princess Iole. Hercules was directed by Pietro Francisci and produced by Federico Teti. The film spawned a sequel, Hercules Unchained (Italian: Ercole e la Regina di Lidia), that also starred Reeves and Koscina.
Hercules made Reeves an international film star and effectively paved the way for the dozens of 1960s peplum (or "sword and sandal") films featuring bodybuilder actors as mythological heroes and gladiators battling monsters, despots, and evil queens.
Hercules is on the road to the court of King Pelias of Iolcus to tutor Pelias' son Prince Iphitus in the use of arms. Pelias' beautiful daughter Princess Iole updates Hercules on the history of her father's rise to power and the theft of the kingdom's greatest treasure, the Golden Fleece. Some suspect—and it eventually proves true—that King Pelias has acquired the throne through fratricide. Hercules and Iole are attracted to each other and a romance eventually develops.
King Pelias is warned by a seeress about a stranger wearing one sandal who will challenge his power. When his nephew Jason, the rightful King of Iolcus, arrives in town wearing one sandal, Pelias takes fright and packs him off to retrieve the Golden Fleece from the distant land of Colchis. Jason and Hercules sail aboard the Argo with their friends Ulysses and his father, Laertes, Argos, the twins Castor and Pollux, the lyre-strumming Orpheus, the physician Aesculapius and others.
After weathering a tempest at sea, the Argonauts dally in a lush garden-like country with Antea, the Queen of the Amazons and her ladies. Jason falls in love with Antea, but, when the Amazons plot the deaths of the heroes, Hercules forces Jason to board the Argo and secretly set sail in the night. On the shores of Colchis, the heroes battle hairy ape-men while Jason slays a dragon and retrieves the Golden Fleece. The Argonauts embark for home with their prize.
In Iolcus, the populace greet the returning heroes but Pelias and his henchman Eurysteus steal the Golden Fleece, deny Jason's claim, and plot his destruction. A tense battle between Pelias' forces and the heroes follows. Hercules halts Pelias' cavalry dead in its tracks by toppling the portico of the palace upon them. The defeated Pelias drinks poison. Jason ascends the throne while Hercules and Iole set sail for new adventures.
The film's screenplay is based loosely upon the myths of Hercules and the Greek epic poem Argonautica by Apollonius of Rhodes. In both myths and epic poem, Hercules' role in the Quest for the Golden Fleece is marginal; he abandons the expedition early-on when Hylas, his armor-bearer and eromenos (Greek: ἐρώμενος), is lost on an island while searching for water. With Hylas conveniently absent from the film, Hercules' role is greatly expanded: he remains with the expedition for its duration, saves the Argo from destruction in a storm, disciplines the mutinous crew, and overwhelms enemy forces with brute strength in the film's finale. Twists on the sources include the introduction of Iole into the tale as Pelias' daughter, the replacement of Hylas with young Ulysses as Hercules' protégé, and Hercules' renunciation of his immortality in order to experience life as a mortal man.
The film was shot in Eastmancolor, using the French widescreen process Dyaliscope. An American Bison served as the Cretan Bull. Sound effects for some action sequences were lifted from MGM's Forbidden Planet (1956) and the Japanese film Godzilla (1954).
American producer Joseph E. Levine acquired the U.S. distribution rights to the film, and, due in part to his wide release (the film opened in 175 theaters in the New York City area alone) along with an intensive promotional campaign, Hercules became a major box-office hit.
Warners advanced him $300,000 for the privilege of distributing the film in the US.
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