Hills Like White Elephants

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"Hills Like White Elephants"
AuthorErnest Hemingway
CountryUnited States
LanguageEnglish
Genre(s)short story
Published inMen Without Women
Publication typeshort story collection
Publication date1927
Preceded by"In Another Country"
Followed by"The Killers"

"Hills Like White Elephants" is a short story by Ernest Hemingway. It was first published in August 1927, in the literary magazine transition, then later in the 1927 short story collection Men Without Women.

Synopsis[edit]

The story focuses on a conversation between an American man and a young woman, described as a "girl," at a Spanish train station while waiting for a train to Madrid. The girl compares the nearby hills to white elephants. The pair indirectly discuss an "operation" that the man wants the girl to have, which is implied to be an abortion.

Analysis[edit]

There is little context or background information about the characters. Readers must come to their own conclusions based on the dialogue. This has led to varying interpretations of the story. One point of debate is whether or not the woman decides to get an abortion. Critics like Stanley Renner assert that the details in the story imply that the woman decides to keep the baby: "The logic of the story's design enjoins the conclusion that she smiles brightly at the waitress's announcement of the train because she is no longer headed in the direction of having the abortion that she has contemplated only with intense distress".[1] Other critics conclude that the woman ultimately decides to get an abortion.[2] Furthermore, most critics acknowledge that the story has several possible interpretations: "The two organizing questions of the narrative—will they have the abortion or the baby? Will they break up or stay together?—imply four possible outcomes: 1) they will have the abortion and break up; 2) they will have the abortion and stay together; 3) they will have the baby and break up; and 4) they will have the baby and stay together".[3] There are many essays written which argue for all of these possibilities and more. There is no universal consensus because of the nature of the story; the reader is simply not given much information.

Symbolism[edit]

The description of the valley of Ebro, in the opening paragraph, is often seen as having deeper meanings: "It has long been recognized that the two sides of the valley of the Ebro represent two ways of life, one a sterile perpetuation of the aimless hedonism the couple have been pursuing, the other a participation in life in its full natural sense."[1] Critics also point to the various positions of the characters, with relation to the train tracks and the valley, to show a wide variety of possible symbolic interpretations.[1]

Doris Lanier writes about the significance of Absinthe (also called "Anis del Toro") in the story. She explains the drink "was alluring not only because of its narcotic effects but also because of its reputation as an aphrodisiac."[2] Lanier asserts that every detail in "Hills Like White Elephants" is intentionally placed by Hemingway, and the Absinthe could have several possible connotations. She postulates that "the addictive quality of the drink…is meant to emphasize the addictive nature of the couple's lifestyle…It is an empty, meaningless existence that revolves around traveling, sex, drinking, looking at things, and having pointless conversations about these things".[2] Another possible interpretation of the Absinthe relates to its appeal and effects. Like the man and woman's relationship, it is alluring at first, but "It becomes a destroyer of the child, who is aborted; a destroyer of the girl, who endures the physical and emotional pain of aborting the child she wants; and a destroyer of the couple's relationship".[2] It is important to note that this interpretation assumes the couple have the abortion and end their relationship, as well as that the young woman wants to continue the pregnancy; none of these are certain, due to the ambiguity of the story.

Dialogue[edit]

"They look like white elephants," she said.
"I've never seen one," the man drank his beer.
"No, you wouldn't have."
"I might have," the man said. "Just because you say I wouldn't have doesn't prove anything."
The girl looked at the bead curtain. "They've painted something on it," she said. "What does it say?"
"Anis del Toro. It's a drink."
"Could we try it?"

The reader must interpret their dialogue and body language to infer their backgrounds and their attitudes with respect to the situation at hand, and their attitudes toward one another. From the outset of the story, the contentious nature of the couple's conversation indicates resentment and unease. Some critics have written that the dialogue is a distillation of the contrasts between stereotypical male and female relationship roles: in the excerpt above, for instance, the woman draws the comparison with white elephants, but the hyper-rational male immediately denies it, dissolving the bit of poetry into objective realism with "I've never seen one." By saying, "No, you wouldn't have" she implies he hadn't had a child before, or hadn't allowed birth in the past. She also asks his permission to order a drink. Throughout the story, the woman is distant; the American is rational.[4] There may be more serious problems with the relationship than the purely circumstantial. Though the immediate problem is the unwanted pregnancy, the experience has revealed that the relationship is a shallow one. While most critics have espoused relatively straightforward interpretations of the dialogue, a few have argued for alternate scenarios.[5]

Reception[edit]

"Hills Like White Elephants" has been criticized for being anti-feminist; it has also been interpreted as being pro-feminist. The anti-feminist perspective emphasizes the notion that the man dominates the woman in the story, and she ultimately succumbs to his will by getting the abortion. Frederick Busch asserts that the woman "'buries her way of seeing as she will bury her child.'"[6] However, critics also argue that the female character makes her own decision in the end, and the story is actually pro-feminist.[1] Stanley Renner claims that "Hills Like White Elephants" is primarily empathetic towards the female character: "So firmly does the story's sympathy side with the girl and her values, so strong is her repugnance toward the idea of abortion, and so critical is the story of the male's self-serving reluctance to shoulder the responsibility of the child he has begotten that the reading I have proposed seems the most logical resolution to its conflict."[1] There is evidence for both possibilities, and there is no clear consensus.

References[edit]

  1. ^ a b c d e Renner, Stanley (Fall 1995). "Moving to the Girl's Side of "Hills Like White Elephants"". The Hemingway Review. 15 (1): 27–41 – via Gale Cengage Literature Resource Center.
  2. ^ a b c d Lanier, Doris (Summer 1989). "The Bittersweet Taste of Absinthe in Hemingway's "Hills Like White Elephants."". Studies in Short Fiction. 26: 279–288 – via EBSCOhost.
  3. ^ Gillette, Meg (Spring 2007). "Making Modern Parents in Ernest Hemingway's "Hills Like White Elephants" and Viña Delmar's Bad Girl". MFS Modern Fiction Studies. 53: 50–69 – via Project MUSE.
  4. ^ Smiley, P. "Gender-linked Miscommunication in 'Hills Like White Elephants.'" Hemingway Review, Fall 1988. Vol. 8 No. 1. p. 2
  5. ^ Renner, S. "Moving to the Girl's (sic) Side of 'Hills Like White Elephants.'" Hemingway Review, Fall 1995. Vol. 15 No. 1. p. 27
  6. ^ Rankin, Paul (2005). "Hemingway's Hills Like White Elephants". The Explicator. 63: 234–237 – via EBSCOhost.