1960s publicity photo
|Birth name||Joseph Levitch|
March 16, 1926 |
Newark, New Jersey, United States
|Medium||Stage, film, television, radio|
|Genres||Character comedy, physical comedy|
|Children||7 (including: Gary Lewis)|
Jerry Lewis AM (born Joseph Levitch, March 16, 1926) is an American actor, comedian, singer, film producer, film director, screenwriter and humanitarian. He is known for his slapstick humor in film, television, stage, music and radio.
He and Dean Martin were partners as the hit popular comedy duo of Martin and Lewis. Following that success, he was a solo star in films, nightclubs, concert stages, television, and recordings. Lewis also served as national chairman of the Muscular Dystrophy Association and host of the live Labor Day broadcast of the Jerry Lewis MDA Telethon for 40 years.
Lewis won several awards for lifetime achievements from the American Comedy Awards, Los Angeles Film Critics Association, Venice Film Festival and the Academy of Motion Picture Arts and Sciences. He has also been honored with two stars on the Hollywood Walk of Fame.
- 1 Early life
- 2 Career
- 3 Personal life
- 4 Other ventures
- 5 Filmography
- 6 Awards and other honors
- 7 Bibliography
- 8 Documentary
- 9 References
- 10 Further reading
- 11 External links
Lewis was born on March 16, 1926 in Newark, New Jersey to Russian Jewish parents. His father, Daniel Levitch (1902–80), was a master of ceremonies and vaudeville entertainer who used the professional name Danny Lewis. His mother, Rachel ("Rae") Levitch ( Brodsky), was a piano player for a radio station. Lewis started performing at age five and would often perform alongside his parents in the Catskill Mountains in New York State. By 15, he had developed his "Record Act" in which he exaggeratedly mimed the lyrics to songs on a phonograph.
He used the professional name Joey Lewis but soon changed it to Jerry Lewis to avoid confusion with comedian Joe E. Lewis and heavyweight boxing champion Joe Louis. Lewis then dropped out of Irvington High School in the tenth grade. He was a "character" even in his teenage years pulling pranks in his neighborhood including sneaking into kitchens to steal fried chicken and pies. During World War II, he was rejected for military service because of a heart murmur.
Teaming with Dean Martin
Lewis initially gained attention as part of a double act with singer Dean Martin, who served as straight man to Lewis' zany antics in the Martin and Lewis comedy team. The performers were different from most other comedy acts of the time because they relied on their interaction instead of planned skits. They quickly rose to national prominence, first with their popular nightclub act, next as stars of their own radio program.
The two men made many appearances on early live television, their first on the June 20, 1948, debut broadcast of Toast of the Town on CBS (later as The Ed Sullivan Show). This was followed on October 3, 1948, by an appearance on the NBC series Welcome Aboard, then a stint as the first of a series of hosts of The Colgate Comedy Hour in 1950. The duo began their Paramount film careers as ensemble players in My Friend Irma (1949), based on the popular radio series of the same name. This was followed by a sequel My Friend Irma Goes West (1950).
Starting with At War with the Army (1950), Martin and Lewis were the stars of their own vehicles in fourteen additional titles, That's My Boy (1951), Sailor Beware (1952), Jumping Jacks (1952), (plus appearing in the Crosby and Hope film, Road to Bali (1952) as cameos) The Stooge (1952), Scared Stiff (1953), The Caddy (1953), Money from Home (1953), Living It Up (1954), 3 Ring Circus (1954), You're Never Too Young (1955), Artists and Models (1955) and Pardners (1956) at Paramount, ending with Hollywood or Bust (1956).
All sixteen movies were produced by Hal B. Wallis. Attesting the comedy team's popularity, DC Comics published the best-selling The Adventures of Dean Martin and Jerry Lewis comics from 1952 to 1957. As Martin's roles in their films became less important over time the partnership came under strain. Martin's participation became an embarrassment in 1954 when Look magazine used a publicity photo of the team for the magazine cover but cropped Martin out of the photo. The partnership ended on July 24, 1956.
Post Martin and Lewis-era
While both Martin and Lewis went on to successful solo careers, neither would comment on the split nor consider a reunion. They did however make occasional public appearances together up until 1961, but were not seen together again until a surprise television appearance by Martin on a Muscular Dystrophy Telethon in 1976, arranged by Frank Sinatra. The pair eventually reconciled in the late 1980s after the death of Martin's son, Dean Paul Martin, in 1987.
The two men were seen together on stage for the last time when Martin was making what would be his final live performance at Bally's Hotel and Casino in Las Vegas. Lewis pushed out a birthday cake for Martin's 72nd birthday in 1989 and sang "Happy Birthday" to him, and joking, "why we broke up, I'll never know."
1957 to 1976
After the split from Martin, Lewis remained at Paramount and became a comedy star in his own right with his first film as a solo comic, The Delicate Delinquent (1957). Meanwhile, DC Comics published a new comic book series The Adventures of Jerry Lewis from 1957 to 1971. Teaming with director Frank Tashlin, whose background as a Warner Bros. Looney Tunes cartoon director suited Lewis's brand of humor, he starred in five more films, The Sad Sack (1957), Rock-A-Bye Baby (1958), The Geisha Boy (1958), Don't Give Up The Ship (1959) and even appeared uncredited as Itchy McRabbitt in Li'l Abner (1959).
Lewis tried his hand at releasing music during the 1950s, having a chart hit with the song "Rock-a-Bye Your Baby with a Dixie Melody" (a song largely associated with Al Jolson and later re-popularized by Judy Garland) as well as the song, "It All Depends on You" in 1958. He eventually released his own album titled, Jerry Lewis Just Sings. By the end of his contract with producer Hal B. Wallis, Lewis had several productions of his own under his belt. In 1959, a contract between Paramount Pictures and Jerry Lewis Productions was signed specifying a payment of $10 million plus 60% of the profits for 14 films over a seven-year period.
In 1960, Lewis finished his contract with Wallis with Visit to a Small Planet (1960), and wrapped up work on his own production, Cinderfella, which was postponed for a Christmas 1960 release, and Paramount, needing a quickie feature film for its summer 1960 schedule, held Lewis to his contract to produce one. Lewis came up with The Bellboy (1960). Using the Fontainebleau Hotel in Miami as his setting—and on a small budget, with a very tight shooting schedule, and no script—Lewis shot the film by day and performed at the hotel in the evenings. Bill Richmond collaborated with him on the many sight gags. Lewis later revealed that Paramount was not happy financing a 'silent movie' and withdrew backing. Lewis used his own funds to cover the $950,000 budget.
During production Lewis developed the technique of using video cameras and multiple closed circuit monitors, which allowed him to review his performance instantly. His techniques and methods, documented in his book and his USC class, enabled him to complete most of his films on time and under budget. Lewis followed The Bellboy by directing several more films that he co-wrote with Richmond while some were directed by Tashlin, including The Ladies Man (1961), The Errand Boy (1961), It's Only Money (1962) and The Nutty Professor (1963). Lewis did a cameo in It's a Mad, Mad, Mad, Mad World (1963). Further Lewis films were Who's Minding the Store? (1963), The Patsy (1964) and The Disorderly Orderly (1964).
Lewis directed and co-wrote The Family Jewels (1965) about a young heiress who must choose among six uncles, one of whom is up to no good and out to harm the girl's beloved bodyguard who practically raised her. Lewis played all six uncles and the bodyguard. On television, Lewis hosted two different programs called The Jerry Lewis Show. The first was a two-hour Saturday night variety show on ABC in the fall of 1963. The lavish, big-budget production failed to find an audience and was canceled after 13 weeks. Then, his second was a one-hour variety show on NBC from 1967 to 1969.
By 1966, Lewis, then 40, was no longer an angular juvenile, his routines seemed more labored and his box office appeal waned to the point where Paramount Pictures new executives felt no further need for the Lewis comedies and did not wish to renew his 1959 profit sharing contract. Undaunted, Lewis packed up and went to Columbia Pictures, where he made Three On A Couch (1966), then appeared in Way...Way Out (1966) for 20th Century Fox followed by The Big Mouth (1967), Don't Raise the Bridge, Lower the River (1968) and Hook, Line & Sinker (1969).
Lewis taught a film directing class at the University of Southern California in Los Angeles for a number of years; his students included Steven Spielberg and George Lucas. In 1968, he screened Spielberg's early film, Amblin' and told his students, "That's what filmmaking is all about." Lewis directed and made his first offscreen voice performance as a bandleader in One More Time (1970). He then produced, directed and starred in Which Way to the Front? (1970), his final released movie.
He would then make and star in the unreleased The Day the Clown Cried (1972), which was a drama set in a Nazi concentration camp. Lewis rarely discusses the experience, but once explained why the film has not been released, suggesting litigation over post-production financial difficulties. However, he admitted during his book tour for Dean and Me that a major factor for the film's burial is that he is not proud of the effort. In 1976, Lewis appeared in a revival of Hellzapoppin' with Lynn Redgrave, but it closed on the road before reaching Broadway.
1981 to 2006
After a long absence from film for 11 years, Lewis made his return to the silver screen in Hardly Working (1981), a movie which he both directed and starred in. Despite being panned by critics, the movie eventually earned $50 million. Lewis next made his critically acclaimed performance in Martin Scorsese's film The King of Comedy (1983), in which he plays a late-night television host plagued by obsessive fans, played by Robert De Niro and Sandra Bernhard. A few more movies Lewis appeared in was Cracking Up (1983) and Slapstick (Of Another Kind) (1984).
In France, Lewis starred in both To Catch a Cop (1984) and How Did You Get In?, We Didn't See You Leave (1984). Lewis states as long as he has control over distribution to those movies, they will never have an American release. Meanwhile, a syndicated talk show Lewis hosted for Metromedia in 1984 was not continued beyond the scheduled five shows. Lewis starred in the ABC televised drama movie Fight For Life (1987) with Patty Duke, then went on to appear in Cookie (1989).
Lewis had a cameo in Mr. Saturday Night (1992) while guest appearing in an episode of season one of Mad About You, as an eccentric billionaire. Lewis made his Broadway debut, as a replacement cast member playing the devil in a revival of Damn Yankees, choreographed by future movie director Rob Marshall (Chicago). while also starring in the film Arizona Dream (1994), as a car salesman uncle.
Lewis next starred as a father of a young comic in Funny Bones (1995). Lewis has remained popular in Europe as he was consistently praised by some French critics in the influential magazine Cahiers du Cinéma for his absurd comedy, in part because he had gained respect as an auteur who had total control over all aspects of his films, comparable to Howard Hawks and Alfred Hitchcock.
In March 2006, the French Minister of Culture awarded Lewis the Légion d'honneur, calling him the "French people's favorite clown". Liking Lewis has long been a common stereotype about the French in the minds of many English-speakers, and is often the object of jokes in Anglosphere pop culture. "That Americans can't see Jerry Lewis's genius is bewildering," says N. T. Binh, a French film magazine critic. Such bewilderment was the basis of the book Why the French Love Jerry Lewis (2001), by Rae Beth Gordon.
2012 to today
In 2012, Lewis directed a musical theatre version of The Nutty Professor (with score by Marvin Hamlisch) at the Tennessee Performing Arts Center in Nashville from July 31st to August 19th over the summer. Lewis returned to cinema, following a 13-year absence, for the film Max Rose (2013), his first leading role since The King of Comedy. He then appeared in the Brazilian film Till Luck Do Us Part 2 (2013). Lewis sold out his one-man show in March 2014 at the La Mirada Theater For The Performing Arts in La Mirada, California. Lewis then appeared in the crime film The Trust (2016), with Nicolas Cage as the lead role.
Lewis has been married twice:
- Patti Palmer (née Esther Grace Calonico), a former singer with Ted Fio Rito; married October 3, 1944, divorced September 1980
- SanDee Pitnick; married February 13, 1983; a 32-year-old Las Vegas dancer; married in Key Biscayne, Florida
He has six sons (one adopted) and one daughter (adopted):
- With Patti Palmer
- Gary Lewis (born July 31, 1945); known for his 1960s pop group Gary Lewis & the Playboys
- Ronald Steven "Ronnie" Lewis (born December 1949 [adopted])
- Scott Anthony Lewis (born February 22, 1956)
- Christopher Lewis (born October 1957)
- Anthony Lewis (born October 1959)
- Joseph Lewis (born January 1964, died October 24, 2009 [from a narcotics overdose])
- With SanDee Pitnick
- Danielle Sara Lewis (adopted March 1992)
Lewis has suffered from a variety of illnesses and addictions related both to aging and a back injury sustained in a comedic pratfall from a piano while performing at the Sands Hotel on the Las Vegas Strip on March 20, 1965. The accident almost left him paralyzed. In its aftermath Lewis became addicted to the pain killer Percodan for thirteen years. He says he has been off the drug since 1978 and has not taken one since. In April 2002, Lewis had a Medtronic "Synergy" neurostimulator implanted in his back, which has helped reduce the discomfort. He is now one of the company's leading spokesmen.
In the 2011 documentary Method to the Madness of Jerry Lewis, Lewis said he suffered his first heart attack while filming Cinderfella in 1960. In December 1982, Lewis suffered a serious heart attack. En route home to San Diego from New York City on a cross-country commercial airline flight he endured a minor heart attack on June 11, 2006. It was then discovered that he had pneumonia as well as a severely damaged heart. He underwent a cardiac catheterization and two stents were inserted into one of his coronary arteries, which had become 90% blocked.
The surgery resulted in a return of blood flow to his heart and has allowed him to continue his rebound from earlier lung problems. Having the cardiac catheterization also meant canceling several major events from his schedule, but Lewis fully recuperated in a matter of weeks. In 1999, his Australian tour was cut short when he had to be hospitalized in Darwin with viral meningitis. He was ill for more than five months. It was reported in the Australian press that he had failed to pay his medical bills.
However, Lewis maintained that the payment confusion was the fault of his health insurer. The resulting negative publicity caused him to sue his insurer for US$100 million. Lewis has had prostate cancer, diabetes, pulmonary fibrosis, and a decades-long history of heart disease. Prednisone treatment in the late 1990s for pulmonary fibrosis resulted in weight gain and a noticeable change in his appearance.
In September 2001, Lewis was unable to perform at a planned London charity event at the London Palladium. He was the headlining act, and his band had taken to the stage, starting up their music while he was introduced, but he didn't appear, as he had suddenly become unwell, apparently with heart problems. He was subsequently taken to the hospital. Some months thereafter, Lewis began an arduous, months-long therapy that weaned him off prednisone and enabled him to return to work. On June 12, 2012, he was treated and released from a hospital after collapsing from hypoglycemia at a New York Friars' Club event. This latest health news forced him to cancel a show in Sydney.
Muscular Dystrophy activism
Throughout his entire lifetime and prolific career, Lewis became a world-renowned humanitarian and has supported fundraising for research into muscular dystrophy. Until 2011, he served as national chairman and spokesman of the Muscular Dystrophy Association (MDA) (formerly, the Muscular Dystrophy Associations of America). Lewis began hosting telethons to benefit the company from 1952 to 1959, then every Labor Day weekend from 1966 to 2010, he hosted the live annual Jerry Lewis MDA Telethon raising over $2.6 billion for the cause in donations, during a nearly half-a-century run. On August 3, 2011, it was announced that Lewis would no longer host telethons and is no longer associated with the Muscular Dystrophy Association.
On May 1, 2015, it was also announced that in view of "the new realities of television viewing and philanthropic giving", the telethon was being discontinued. In early 2016, Lewis made an online video statement for the organization on its website, in honor of its rebranding, marking his first appearance and comeback in support of the Muscular Dystrophy Association since his final Labor Day Telethon, seven years ago.
In 1969, Lewis agreed to lend his name to "Jerry Lewis Cinemas", offered by National Cinema Corporation as a franchise business opportunity for those interested in theatrical movie exhibition. Jerry Lewis Cinemas stated that their theaters could be operated by a staff of as few as two with the aid of automation and support provided by the franchiser in booking films and in other aspects of film exhibition. A forerunner of the smaller rooms typical of later multi-screen complexes, a Jerry Lewis Cinema was billed in franchising ads as a "mini-theatre" with a seating capacity of between 200 and 350. In addition to Lewis's name, each Jerry Lewis Cinema bore a sign with a cartoon logo of Lewis in profile.
Initially 158 territories were franchised, with a buy-in fee of $10,000 or $15,000 depending on the territory, for what was called an "individual exhibitor". For $50,000, the Jerry Lewis Cinemas offered an opportunity known as an "area directorship", in which investors controlled franchising opportunities in a territory as well as their own cinemas. The success of the chain was hampered by a policy of only booking second-run, family-friendly films. Eventually the policy was changed, and the Jerry Lewis Cinemas were allowed to show more competitive films, but after a decade the chain failed. Both Lewis and National Cinema Corp. declared bankruptcy in 1980.
Awards and other honors
- 1952: Photoplay Award
- 1952: Primetime Emmy Award Nomination for Best Comedian or Comedienne
- 1954: Most Cooperative Actor, Golden Apple Award
- 1965: Golden Laurel, Special Award – Family Comedy King
- 1978: Award for Greatest Public Service Benefiting the Disadvantaged, an award given out annually by Jefferson Awards.
- 1983: British Academy Film Awards (BAFTA) nomination for Best Actor in a Supporting Role for The King of Comedy
- 1984: Chevalier, Ordre national de la Légion d'honneur, France
- 1997: American Comedy Awards Lifetime Achievement Award
- 1999: Golden Lion Honorary Award
- 2004: Los Angeles Film Critics Association's Career Achievement Award
- 2005: Primetime Emmy Governor's Award
- 2005: Goldene Kamera Honorary Award
- 2006: Satellite Award for Outstanding Guest Star on Law & Order: Special Victims Unit
- 2006: Commandeur, Ordre national de la Légion d'honneur, France.
- 2009: Induction into the New Jersey Hall of Fame
- 2009: Jean Hersholt Humanitarian Award at the 81st Academy Awards
- 2010: Honorary Doctorate of Humane Letters from Chapman University during the 2010 MDA Telethon
- 2011: Ellis Island Medal of Honor
- 2013: Homage from the Cannes Film Festival, with the screening of the latest film Lewis stars in, Max Rose
- 2013: Honorary Member of the Order of Australia (AM), For service to the Muscular Dystrophy Foundation of Australia and for his long-time humanitarian contribution to those affected by the disorder.
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- Dean & Me (A Love Story) by Jerry Lewis with James Kaplan. New York: Doubleday, 2005, ISBN 0-7679-2086-4
- King of Comedy: The Life and Art of Jerry Lewis by Shawn Anthony Levy. New York: St. Martin's Press, 1996, ISBN 978-0-312-16878-0
- 2016: Jerry Lewis: The man behind the clown by Gregory Monro
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- Everybody Loves Somebody Sometime (Especially Himself): The Story of Dean Martin and Jerry Lewis by Arthur Marx, New York: Hawthorne Books, 1974, ISBN 978-0-8015-2430-1.
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- Young, Jordan R. (1999). The Laugh Crafters: Comedy Writing in Radio & TV's Golden Age. Beverly Hills: Past Times Publishing. ISBN 0-940410-37-0.
|Wikimedia Commons has media related to Jerry Lewis.|
- Jerry Lewis at the Internet Movie Database
- Jerry Lewis at AllMovie
- Jerry Lewis at the TCM Movie Database
- Jerry Lewis at the Internet Broadway Database
- Jerry Lewis interview video at the Archive of American Television
- Drum Solo Battle (1955) with Buddy Rich at DrummerWorld