Ismael Rivera
 | This article is actively undergoing a major edit for a short while. To help avoid edit conflicts, please do not edit this page while this message is displayed. This page was last edited at 08:18, 5 March 2005 (UTC) (19 years ago) – this estimate is cached, . Please remove this template if this page hasn't been edited for a significant time. If you are the editor who added this template, please be sure to remove it or replace it with {{Under construction}} between editing sessions. |
Ismael Rivera a.k.a. "El Sonero Mayor (The Primiere Improviser)" (October 5, 1931-May 13, 1987) born in Santurce, Puerto Rico, was a renowned composer and singer of salsa music.
Ismael, nicknamed "Maelo", was the first of five children born to Luis and Margarita Rivera. His father, Luis, was a carpenter by profession and his mother a housewife. As a child, Ismael was always singing and banging on cans with sticks. He received his primary education at the Pablo G. Goyco school and then went on to learn the art of carpentry at a vocational school. He shined shoes to help his family financially and when he was 16 years old, he worked as a carpenter. During his free time he would hang around the corner with his best friend Rafael Cortijo and sing songs.
In 1948, Ismael and Rafael joined El Conjunto Monterrey, where Ismael played the conga and Rafael the bongos. Ismael however, was not a full-time musician since he did this part-time because of his job as a carpenter.
In 1952, Ismael joined the U.S. Army but, was quickly discharged from military serve because he didn't speak English. When he returned to Puerto Rico, his friend Cortijo, helped him land a job with the Panamerican Orchestra. Ismael recorded and scored his first "hits" with the songs "El Charlatan", "La Vieja en Camisa" (The Old Lady in a Shirt) and "La Sazon de Abuela". However, an incident between ismael and another band member over a girl, led to his eventual departure from the band.
In 1954, he joined Cortijo's Combo and recorded the following songs which soon became "hits" in the Latino community in the United States: "El Bombon de Elena", "El Negro Bembon", "Juan Jose", "Besitos de Coco", "Palo que tu me Das", "Quitate de la via Perico", "Oriza", "El Chivo de la Campana", "Maquinolandera", "El Yayo", "Maria Teresa" and "Yo Soy del Campo". Cortijo's Combo continued to gain fame and so did Ismael's reputation as the lead singer. Benny More visited the island and was impressd with Ismael's voice to the point that he baptized him with the name "El Sonero Mayor" (The Primiere Improviser). The band went to New York City and played in the famed Pallagium Ballroom, where other the orchestras of Tito Rodriguez, Tito Puente and Charlie Palmiere also palyed. In 1959, Ismael, together with Cortijo and his Combo, participated in the European produced movie titled "Clipso", starring Harry Belafonte. He was to travel with Cortijo's Combo, which also included Rafael Ithier and Roberto Roena, to Europe, Central and South America. Ismael was suspected of being involved with an illegal drug transaction during a trip to Panama. He was arrested upon his arrival to Puerto Rico, convicted and sentenced to spend time in jail. This event led to the break-up of Cortijo's Combo. Shortly after, Rafael Ithier, regrouped some of the former mambers and formed El Gran Combo de Puerto Rico.
Upon his release from jail, Ismael formed his own band called Ismael Rivera and his Cachimbos. The sucessful band lasted for eight years. Ismael reunited with Cortijo and recorded "Juntos Otra Vez" (Together Again). Later, Ismael went solo and did well with the recordings of "El Sonero Mayor" and "Volare (salsa style)". He was to score his greatest "hit" with "Las Cara Lindas (De Mi Gente Negra)" (The Pretty Faces (Of My Black People).
The death of his childhood friend, Rafael Cortijo in 1982, affected him emotionally to the point that he couldn't sing in the tribute to Cortijo celebrated at the Roberto Clemente Colosium. Ismael was actively involved in the creation of a historical museum which depects the contributions to the cultural life of Puerto Rico made by the black Puerto Ricans.
Ismael Rivera died on May 13, 1987 in the arms of his mother Margarita, from a heart attack.
Among the wriiten works about Ismael Rivera are the folowing: "Ismael Rivera, El Sonero Mayor" (1993) by Cesar Pagano (Colombia), "Salsa, sabor y control!, sicologia de la musica tropical"" (1998) by Angel G. Quintero Rivera, "Dos Libros sobre Maelo", "Dialogo" (1998) by francisco Cabarilles (Ohio), "Bailando en casa del Trompo"