|Directed by||Andrzej Wajda|
|Produced by||Zespół Filmowy Kadr|
|Written by||Jerzy Stefan Stawiński|
|Distributed by||Zespół Filmowy Kadr|
Kanał (Polish pronunciation: [ˈkanaw], Sewer) is a 1956 Polish film directed by Andrzej Wajda. It was the first film made about the 1944 Warsaw Uprising, telling the story of a company of Home Army resistance fighters escaping the Nazi onslaught through the city's sewers. Kanał is the second film of Wajda's War Trilogy, preceded by A Generation and followed by Ashes and Diamonds.
It is 25 September 1944, during the last days of the Warsaw Uprising. Lieutenant Zadra leads a unit of 43 soldiers and civilians to a new position amidst the ruins of the now isolated southern Mokotów district of Warsaw.
The composer Michał manages to telephone his wife and child in another part of the city that is being overrun by the Germans. After a few words, she tells him that the Germans are clearing the building and that they are coming for her. Then the line goes dead. The next morning, 23-year-old Officer Cadet Korab apologizes after walking into a room to find the second in command, Lieutenant Mądry, and messenger girl Halinka in bed together (Halinka later reveals that Mądry is her first lover). A German attack is beaten off, but Korab is wounded while disabling a Goliath tracked mine.
Surrounded by the enemy, Zadra is ordered to retreat through the sewers to the city centre. Now down to 27 fit to travel, including Korab, they slog through the filth.
Daisy, their guide, asks Zadra to let her help Korab, claiming that the others can find their way easily enough. Zadra consents. However, the pair fall further and further behind. When they reach the designated exit at Wilcza Street, Korab is too weak to climb the upward sloping tunnel, so they rest for a while. He notices some graffiti on the opposite wall, but cannot quite make it out. Daisy tells him it says "I love Janek", when the name is actually Jacek, Korab's first name. She decides that they should head in the direction of the river, which is only a short distance away and drives him on, not letting him stop. Finally, they see sunlight. By this time, Korab is half blind and at the end of his strength. He cannot see that the exit is closed off by metal bars. Daisy finally reveals her feelings for him, kissing him before telling him that he can rest for a while.
The main group follows Zadra for a while, but they become lost without Daisy. Finally, when Zadra tells Sergeant Kula to order them onward after a brief rest, they remain where they are. Kula lies and tells Zadra they are following in order to get him to keep going. Eventually, the only remaining soldier following Zadra and Kula is the mechanic Smukły.
Meanwhile, Mądry, Halinka and Michał are also lost. Eventually, Michał loses his mind and wanders away, playing an ocarina. Upon reaching a dead end, Mądry cries out that he has somebody to live for. When Halinka asks who, he tells her that he has a wife and child. She asks him to turn off his flashlight, and then shoots herself. Mądry finds an exit, but as soon as he has climbed out of the sewer he is disarmed by a German soldier. He looks around the courtyard he has emerged into and sees others who have come though the same manhole standing in silence guarded by armed German soldiers. Some are lined up against a nearby wall that is stained with blood. Despondent, he kneels beside the bodies of others who have already been executed (this scene is based on an event that really happened during the escape from Mokotów on 26/27 September 1944 - a large group of insurgents climbed out of the sewers at Dworkowa Street, in German-held territory, and 120 of them were executed by the Germans).
Zadra, Kula and Smukły miss the exit at Wilcza Street but find another - however it is booby trapped. Smukły disarms two German grenades, but is killed by the third and last. Zadra and Kula emerge from the sewer to find themselves in a deserted part of the ruined city. When Zadra tells Kula to bring up the rest of the men, Kula admits he lied and that they left them behind a long time ago. Enraged, Zadra shoots Kula and reluctantly heads back down into the sewer to search for his men.
The script was written by Jerzy Stefan Stawiński who himself survived in the sewers as a soldier of Armia Krajowa (the Polish underground resistance army) during the Warsaw Uprising. It was made by P.P. Film Polski at its production unit, Zespół Filmowy "Kadr."
Kanał earned Wajda the Special Jury Prize at the 1957 Cannes Film Festival. The film is largely free of the overt communist propaganda that characterised its predecessor, A Generation. It was released after the fall of the Stalinist regime of Bolesław Bierut, which followed the death of Joseph Stalin. Political censorship remained in force in Poland, but was relaxed to the extent that a film "showing the tragic fate of those who followed the wrong orders", as the press put it at the time,[who?] could be made. Polish critics state that the film paved the way for other films of the Polish School of filmmakers.[who?]
- Teresa Iżewska as "Stokrotka" (Daisy)
- Tadeusz Janczar as Jacek "Korab"
- Wieńczysław Gliński as Lt. "Zadra"
- Tadeusz Gwiazdowski as Sgt. "Kula"
- Stanisław Mikulski as "Smukły"
- Emil Karewicz as Lt. "Mądry"
- Vladek Sheybal as Michał, the composer (credited as Władysław Sheybal)
- Teresa Berezowska as Halinka
- Kanal at the Internet Movie Database
- Kanał at AllMovie
- Kanal essay on the Criterion Collection website
- Kanał on filmpolski.pl database
- Andrzej Wajda on Kanał