Theatrical release poster
|Directed by||Yorgos Lanthimos|
|Narrated by||Rachel Weisz|
|Edited by||Yorgos Mavropsaridis|
|Box office||$18 million|
The Lobster is a 2015 absurdist dystopian black comedy film directed, co-written, and co-produced by Yorgos Lanthimos, co-produced by Ceci Dempsy, Ed Guiney, and Lee Magiday, and co-written by Efthimis Filippou. In the film's setting, single people are given 45 days to find a romantic partner or otherwise be turned into animals. It stars Colin Farrell as a newly single man trying to find someone so he can remain human, and Rachel Weisz as a woman who is also looking for a relationship, so they attempt to form one together. The film is a co-production by Ireland, the United Kingdom, Greece, France and the Netherlands.
It was selected to compete for the Palme d'Or at the 2015 Cannes Film Festival and won the Jury Prize. It was shown in the Special Presentations section of the 2015 Toronto International Film Festival. The film was nominated for Best Original Screenplay at the 89th Academy Awards and for Outstanding British Film at the 69th British Academy Film Awards.
David is escorted to a hotel after his wife has left him for another man. The hotel manager reveals that single people have 45 days to find a partner, or they will be transformed into an animal of their choice; the dog accompanying David is his brother. David chooses to become a lobster, because of their life cycle and his love of the sea. David makes acquaintances with Robert, a man with a lisp, and John, a man with a limp, who become his quasi-friends. John explains that he was injured in an attempt to reconnect with his mother, who had been transformed into a wolf.
The hotel has many rules and rituals: masturbation is banned, but sexual stimulation by the hotel maid is mandatory, and guests attend dances and watch propaganda extolling the advantages of partnership.
Robert is caught masturbating, and the hotel manager burns his fingers in a toaster. Relationships require partners to have a distinguishing trait in common. John is told a woman has arrived with a limp, but he says that she limps from an injury that will heal and is not a suitable match.
Residents can extend their deadline by hunting and tranquilizing the single people who live in the forest; each captured "loner" earns them a day. On one hunt, a woman with a fondness for biscuits offers David sexual favours, which he declines. She tells him that if she fails to find a mate, she will kill herself by jumping from a hotel window.
John then wins the affections of a woman with constant nosebleeds by purposely smashing his nose in secret. They move to the couples section to begin a month-long trial partnership. David later decides to court a notoriously cruel woman who has tranquilized more loners than anyone else. Their initial conversation is interrupted by the screams of the biscuit-loving woman, who has injured herself by jumping from a first floor window. Although troubled by the incident, David pretends to enjoy the woman's suffering to gain the heartless woman's interest. He later joins her in a jacuzzi where she feigns choking to test him. Noticing that he makes no attempt to help her, she decides that they are a match, and the two are shifted to the couples' suite. David wakes up one morning and finds that she has kicked his brother to death. As David cries in response to losing his canine sibling, she concludes that their relationship is a lie and attempts to drag him to the hotel manager to have him punished. However, he escapes and, with the help of a sympathetic maid, tranquilizes and transforms his partner into an unspecified animal.
Escaping the hotel, David joins the loners in the woods. Contrary to the hotel's rules, they forbid any romance with mutilation as punishment. The hotel maid is a mole for the loners. The leader of the loners takes loners to visit the city to get some supplies.
The loners launch a mini-raid to sabotage the hotel's work. David reveals to the nosebleed woman that John has been faking. John forces David to leave. Other loners hold the hotel manager and her husband at gunpoint, tricking him into shooting his wife to save himself, but the gun is not loaded, leaving the couple to face each other.
Soon David and another loner, who are both shortsighted, begin a secret relationship together. They develop a gestural code for communication. They plan to escape together, but the mole, who is now with the camp, finds the shortsighted woman's journal and discovers she has a secret plan. She reveals the plan to the leader, who takes the woman to the city, ostensibly to have an operation to cure her shortsightedness, but blinds her instead. In anger, the woman kills the hotel maid, thinking she is killing the leader.
She tells David about her blindness. They try to find something else that they have in common, to no avail. He says that they'll figure it out and tells her to continue with their plan. Early the next morning, David overpowers the leader, leaving her tied up in his grave to be eaten by wild dogs. He and the blind woman escape to the city, stopping at a restaurant. Seeking to reestablish sameness, David goes to the restroom and prepares to blind himself with a steak knife while his partner awaits his return, but he hesitates twice and his decision is left unshown.
- Colin Farrell as David
- Rachel Weisz as Shortsighted Woman
- Léa Seydoux as Loner Leader
- Ariane Labed as the Maid
- Ben Whishaw as Limping Man (John)
- Angeliki Papoulia as Heartless Woman
- John C. Reilly as Lisping Man (Robert)
- Jessica Barden as Nosebleed Woman
- Olivia Colman as Hotel Manager
- Ashley Jensen as Biscuit Woman
- Michael Smiley as Loner Swimmer
- Roger Ashton-Griffiths as Doctor
- Ewen MacIntosh as Hotel Guard
Principal photography began on 24 March 2014, and concluded on 9 May 2014. Filming took place in Dublin, Ireland, which represents "The City" in the film, and also at locations in and around County Kerry, including Sneem, Dromore Woods and Kenmare.
Marketing and distribution
In May 2014, it was announced that Sony Pictures Releasing acquired the distribution rights for Australia, New Zealand, Germany, Scandinavia, Russia, Eastern Europe, and Latin America. A film still featuring Farrell, Whishaw, and Reilly was released around the same time. In May 2015, Alchemy acquired United States distribution rights; however, due to the company's financial struggles at the time, A24 acquired the US rights instead. Originally scheduled for an 11 March 2016 release, it was rescheduled to 13 May 2016.
On Rotten Tomatoes, the film has an approval rating of 87% based on reviews from 234 critics, with an average rating of 7.6/10. The website's critical consensus reads, "As strange as it is thrillingly ambitious, The Lobster is definitely an acquired taste — but for viewers with the fortitude to crack through Yorgos Lanthimos' offbeat sensibilities, it should prove a savory cinematic treat." At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, the film received an average score of 82, based on 44 reviews, indicating "universal acclaim".
Oliver Lyttelton of The Playlist awarded the film an "A" grade and described it as "an atypically rich and substantial comedy" with "an uproarious yet deadpan satire concerning societal constructs, dating mores and power structures that also manages to be a surprisingly moving, gloriously weird love story." He concluded that the film was Lanthimos' "most accessible and purely enjoyable film yet". Chris Nashawaty of Entertainment Weekly gave a positive review and commended the film for being "visually stunning, narratively bold, and totally singular", adding that "it opens [one's] eyes to a new way of storytelling."
Guy Lodge, writing for Variety, called the film "a wickedly funny, unexpectedly moving satire of couple-fixated society", elaborating that Lanthimos' "confounding setup emerges as a brilliant allegory for the increasingly superficial systems of contemporary courtship, including the like-for-like algorithms of online dating sites and the hot-or-not snap judgments of Tinder."
Peter Bradshaw of The Guardian rated the film three stars out of five, and wrote that The Lobster is "elegant and eccentric in Lanthimos' familiar style", but "appears to run out of ideas at its mid-way point". IGN awarded it a score of 8.5 out of 10, saying "Colin Farrell heads up this surreal, hilarious and ultimately quite disturbing tale."
Wai Chee Dimock, writing in the Los Angeles Review of Books, called The Lobster a "fable of purgatory" and saw the ending not as "a romanticism finally let out of the bag, but a romanticism handicapped and disabled." She compared the film to the work of Samuel Beckett, saying that, for this all-Greek team, "absurdist theater is second nature, as it was second nature to the Irish Beckett a century ago."
|List of awards and nominations|
|Award / film festival||Category||Recipient(s)||Result|
|Academy Awards||Best Original Screenplay||Yorgos Lanthimos and Efthimis Filippou||Nominated|
|ACE Eddie Awards||Best Edited Feature Film – Comedy or Musical||Yorgos Mavropsaridis||Nominated|
|Austin Film Critics Association||Best Film||The Lobster||8th Place|
|Best Actor||Colin Farrell||Nominated|
|Best Original Screenplay||Yorgos Lanthimos and Efthimis Filippou||Nominated|
|Belgian Film Critics Association||Grand Prix||The Lobster||Nominated|
|British Academy Film Awards||Outstanding British Film||The Lobster||Nominated|
|British Independent Film Awards||Best British Independent Film||The Lobster||Nominated|
|Best Director||Yorgos Lanthimos||Nominated|
|Best Actor||Colin Farrell||Nominated|
|Best Supporting Actress||Olivia Colman||Won|
|Best Supporting Actor||Ben Whishaw||Nominated|
|Best Screenplay||Yorgos Lanthimos and Efthimis Filippou||Nominated|
|Producer of the Year||Ceci Dempsey, Ed Guiney, Yorgos Lanthimos, and Lee Magiday||Nominated|
|Cannes Film Festival||Palme d'Or||The Lobster||Nominated|
|Jury Prize||The Lobster||Won|
|Queer Palm – Special Mention||The Lobster||Won|
|Palm Dog Award – Grand Jury Prize||Bob the dog||Won|
|Crested Butte Film Festival||Best Narrative Feature||The Lobster||Won|
|Chicago Film Critics Association||Best Actor||Colin Farrell||Nominated|
|Best Original Screenplay||Yorgos Lanthimos and Efthimis Filippou||Nominated|
|Critics' Choice Awards||Best Original Screenplay||Yorgos Lanthimos and Efthimis Filippou||Nominated|
|Denver Film Critics Society||Best Original Screenplay||Yorgos Lanthimos and Efthimis Filippou||Nominated|
|Dorian Awards||Screenplay of the Year||Yorgos Lanthimos and Efthimis Filippou||Nominated|
|Dublin Film Critics' Circle||Best Irish Film||The Lobster||5th place|
|Best Actor||Colin Farrell||5th place|
|European Film Awards||Best European Film||The Lobster||Nominated|
|Best European Director||Yorgos Lanthimos||Nominated|
|Best European Actor||Colin Farrell||Nominated|
|Best European Screenwriter||Yorgos Lanthimos and Efthimis Filippou||Won|
|Best Costume Designer||Sarah Blenkinsop||Won|
|People's Choice Award||The Lobster||Nominated|
|Evening Standard British Film Awards||Best Film||The Lobster||Nominated|
|Award for Comedy||Olivia Colman||Nominated|
|Film Fest Gent||Georges Delerue Award for Best Sound Design||The Lobster||Won|
|Florida Film Critics Circle||Best Film||The Lobster||Won|
|Best Director||Yorgos Lanthimos||Runner-up|
|Best Original Screenplay||Yorgos Lanthimos and Efthimis Filippou||Won|
|Golden Globe Awards||Best Actor – Motion Picture Musical or Comedy||Colin Farrell||Nominated|
|Golden Tomato Awards||Best Sci-Fi/Fantasy Movie 2016||The Lobster||4th Place|
|IndieWire Critics Poll||Best Actor||Colin Farrell||3rd Place|
|Best Screenplay||The Lobster||5th Place|
|Irish Film & Television Awards||Best Actor in a Lead Role (Film)||Colin Farrell||Nominated|
|London Film Critics' Circle||British / Irish Film of the Year||The Lobster||Nominated|
|Supporting Actress of the Year||Olivia Colman||Nominated|
|British / Irish Actor of the Year||Colin Farrell||Nominated|
|Los Angeles Film Critics Association||Best Screenplay||Yorgos Lanthimos and Efthimis Filippou||Won|
|Miami International Film Festival||Grand Jury Award for Best Director||Yorgos Lanthimos||Won|
|Online Film Critics Society 2015||Best Non-U.S. Films||The Lobster||Won|
|Online Film Critics Society 2016||Best Original Screenplay||Yorgos Lanthimos and Efthimis Filippou||Nominated|
|Rotterdam International Film Festival||ARTE International Prize for Best CineMart 2013 Project||The Lobster||Won|
|San Diego Film Critics Society||Best Original Screenplay||Yorgos Lanthimos and Efthimis Filippou||Runner-up|
|San Francisco Film Critics Circle||Best Original Screenplay||Yorgos Lanthimos and Efthimis Filippou||Nominated|
|Satellite Awards||Best Original Screenplay||Yorgos Lanthimos and Efthimis Filippou||Nominated|
|Washington D.C. Area Film Critics Association||Best Original Screenplay||Yorgos Lanthimos and Efthimis Filippou||Nominated|
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