King Hedley II
| King Hedley II | |
|---|---|
 | |
| Written by | August Wilson |
| Date premiered | December 11, 1999 |
| Place premiered | Pittsburgh Public Theater Pittsburgh, Pennsylvania |
| Original language | English |
| Series | The Pittsburgh Cycle |
| Subject | a man's salvation and a quest for redemption for a family and a people |
| Genre | Drama |
| Setting | The Hill District, Pittsburgh, Pennsylvania, 1985 |
King Hedley II is a play by American playwright August Wilson, the ninth in his ten-part series, The Pittsburgh Cycle. The play ran on Broadway in 2001 and was revived Off-Broadway in 2007.
Productions
King Hedley II premiered at the Pittsburgh Public Theater in Pittsburgh, Pennsylvania, on December 11, 1999, and played a number of other regional theaters, including Seattle, Boston, Los Angeles, Chicago, and Washington before its Broadway engagement.[1]
The play opened on Broadway at the Virginia Theatre on May 1, 2001 and closed on July 1, 2001, after 72 performances and 24 previews. Directed by Marion McClinton, the cast featured Brian Stokes Mitchell (King), Leslie Uggams (Ruby), Charles Brown (Elmore), Viola Davis (Tonya), Stephen McKinley Henderson (Stool Pigeon), and Monté Russell (Mister).
The play ran off-Broadway at the Peter Norton Space, New York City, in a Signature Theatre Company production, from March 11, 2007, through April 22, 2007, in a season that featured Wilson's work.[2]
Plot synopsis
- Characters
- Tonya
- Ruby
- Elmore
- King
- Mister
- Stool Pigeon
King Hedley II is the eighth play in August Wilson’s ten-play cycle that, decade by decade, examines African American life in the United States during the twentieth century. Set in Pittsburgh, Pennsylvania in 1985, it tells the story of an ex-con in Pittsburgh trying to rebuild his life. The play has been described as one of Wilson's darkest, telling the tale of a man trying to save $10,000 by selling stolen refrigerators so that he can buy a video store, as well as revisiting stories of other characters initially presented in Seven Guitars.
Hedley’s wish, now that he has returned to Pittsburgh from prison, is to support himself by selling refrigerators and to start a family. Set during the Reagan administration, the play comments critically on the supply-side economics theories of the day, examining whether their stated aim of providing trickle-down benefits to all Americans truly improved the lot of urban African Americans.
Some of the characters in this play were presented earlier in Seven Guitars; this leads to a bit of confusion, as Wilson anticipates that audiences will remember these characters from a play produced seven years earlier. If they fail to remember them, then they may at times be bewildered by a lack of information about them in the present play.
Awards and nominations
- 2001 Broadway
- Pulitzer Prize for Drama (2000 finalist)
- Tony Award for Best Play (nomination)
- Tony Award, Best Actor in a Play (Brian Stokes Mitchell)(nomination)
- Tony Award, Best Actress in a Play (Leslie Uggams) (nomination)
- Tony Award, Best Featured Actor in a Play (Charles Brown)(nomination)
- Tony Award, Best Featured Actress in a Play, (Viola Davis) (WINNER)
- Tony Award, Best Direction of a Play (Marion McClinton) (nomination)
- Drama Desk Award for Best Play (nomination)
- Drama Desk Award Outstanding Actor in a Play (Mitchell) (nomination)
- Drama Desk Award Outstanding Featured Actor in a Play (Brown) (nomination)
- Drama Desk Award Outstanding Featured Actress in a Play (Davis) (WINNER)
- Drama Desk Award Outstanding Set Design of a Play (David Gallo) (nomination)
- 2007 Off-Broadway
- Audelco Award Dramatic Production of the Year (nomination)
- Lucille Lortel Award for Outstanding Revival (nomination)
Notes
- ^ Finkle, David."Acting 'King Hedley II': 'It Just Makes You Soar'"The New York Times, June 3, 2001.
- ^ Isherwood, Christopher."At War With Ghosts and History"The New York Times, March 12, 2007.
References
- Wilson, August (2005). TKing Hedley II (First ed.). New York: Theatre Communications Group. ISBN 1-55936-261-8.