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7 September 1914
|Died||27 October 2000
|Spouse(s)||Jan Kopecky (1947-1956)
Kurt Lundvall (1969-1972)
Born Ludmila Babková, she studied acting at Prague Conservatory and got her first film role in a Czech film at the age of 17. Her mother appeared in several theatre plays and her younger sister, Zorka Janů, was also a film actress. After being discovered by talent scouts for the German film studios, Baarova left Prague for Berlin.
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In Berlin she met Gustav Fröhlich, a German actor, and starred in several films with him. In 1935, following her successful appearance in the German film Barcarole, she received several job offers from Hollywood studios. She turned them down, but later regretted it and claimed to her biographer, Josef Škvorecký: "I could have been as famous as Marlene Dietrich."
After her engagement to Fröhlich, they moved to Schwanenwerder on the outskirts of Berlin, where their house on the (later named) Karl-Marx-Strasse 8 was close to the residence of Joseph Goebbels on Inselstrasse 8. Goebbels was the propaganda minister in Adolf Hitler's National Socialist government, with a decisive voice in German film production. Baarová met Goebbels in 1936, while working for Ufa films.
Gradually, they became closer and started a relationship that lasted over two years. Their love affair caused serious complications between Goebbels and his wife Magda. Magda Goebbels eventually asked Hitler for permission to divorce her husband. Hitler intervened on 16 August 1938. Baarová was told by Count Helldorf, the Police President of Berlin, that she had to quit her relationship with Goebbels and leave Germany, on Hitler's direct order.
The recently completed film A Prussian Love Story which depicted the love affair between William I and Elisa Radziwill was banned. She fled to Prague in 1939 and, in 1942, to Italy, where she starred in such films as Grazia (1943), La Fornarina (1944), Vivere ancora (1945) and others.
After Allied troops occupied Italy, she returned to Prague, where she dated her old friend Hans Albers, another of Germany's film idols. In April 1945, Lída Baarová left Prague for Germany, to join Albers in his country house on the shores of Lake Starnberg. On the way, she was taken into custody by the American military police, imprisoned in Munich, and later extradited to Czechoslovakia.
The post-war years
In Czechoslovakia, 1945, Baarová was taken into custody on suspicion of collaboration with the Germans during the war. She was released after 18 months of custody due to lack of evidence. She had never been convicted or sentenced. While in custody, she was often visited by Jan Kopecký who, like many others, was infatuated with her. Kopecký was a close relative of a prominent politician in the post-war government of Czechoslovakia and hoped he could arrange Baarova's release from custody. Kopecký's prominent relative did not approve of this and Kopecký himself faced persecution. This was one of the reasons why Jan Kopecký and Lída Baarová decided to emigrate in 1948. Prior to their escape to Austria, they married on 27 July 1947, and formed an itinerant troupe playing marionettes. From there, Kopecký emigrated to Argentina, leaving Lída behind to recuperate in the sanatorium of Dr. Lundwall.
In Austria, Lída attempted a comeback, but Anton Walbrook withdrew from a film where he was cast with her. To escape the resulting negative media, she left for Argentina, where she lived in extreme poverty. She decided to return to Italy. Her husband stayed in Argentina and they were divorced in 1956. Back in Italy, she appeared in several films, including Fellini's I Vitelloni (1953), where she played the wife of a rich merchant. In 1958, she moved to Salzburg, where she performed in a theatre. She married Austrian physician Kurt Lundwall in 1969 (d. 1972).
After the fall of Communism
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In the 1990s Baarová reappeared on the cultural scene of the Czech Republic. She published her autobiography and a film, Lída Baarová's Bittersweet Memories, appeared in 1995 and won an award at the 1996 Art Film Festival in Trenčianske Teplice, Slovakia.
Baarová suffered from Parkinson's disease and died in 2000 in Salzburg, while living alone on the estate she inherited after the death of her second husband, Dr. Lundwall. If she ever felt guilt about her past, she rigorously suppressed it. "There's no doubt that Goebbels was an interesting character," she observed in 1997, "a charming and intelligent man and a very good storyteller. You could guarantee that he would keep a party going with his little asides and jokes." Her ashes were interred in Prague's Strašnice Cemetery, where she rests with her parents and sister Zorka Janů.
- Obraceni Ferdyše Pištory (Conversion of Fred Pištora, 1931)
- Kariéra Pavla Čamrdy (Pavel Čamrda's Career, 1931)
- Zapadlí vlastenci (Forgotten Patriots, 1932)
- Lelíček ve službách Sherlocka Holmese (Lelíček in Sherlock Holmes' Service, 1932)
- Šenkýřka u divoké krásky (Waitress at the Wild Beauty's Bar, 1932)
- Růžové kombiné (The Pink Slip, 1932)
- Malostranští mušketýři (Prague's Musketeers, 1932)
- Funebrák (The Undertaker, 1932)
- Jsem děvče s čertem v těle (Funky Girl, 1933)
- Madla z cihelny (The Brickmaker's Daughter, 1933)
- Okénko (The Window, 1933)
- Sedmá velmoc (The Seventh Superpower, 1933)
- Její lékař (The Physician, 1933)
- Pokušení paní Antonie (Antonia's Temptation, 1934)
- Pán na roztrhání (A Popular Guy, 1934)
- Na růžích ustláno (Easy Life, 1934)
- Zlatá Kateřina (Golden Kate, 1934)
- Dokud máš maminku (As Long as your Mother is Alive, 1934)
- Grandhotel Nevada, (Grand Hotel Nevada, 1934)
- Einer zuviel an Bord (The Fifth-Wheel, 1935)
- Leutnant Bobby, der Teufelskerl, (Lieutenant Bobby, the Daredevil, 1935)
- Barcarole (Boatman's Song, 1935)
- Verräter (Traitor, 1936)
- Die Stunde der Versuchung (The Hour of Temptation, 1936)
- Švadlenka (The Seamstress, 1936)
- Komediantská princezna (Gypsy Princess, 1936)
- Unter Ausschluss der Öffentlichkeit (Private Show, 1937)
- Patrioten (Patriots, 1937)
- Lidé na kře (People on the Floating Ice, 1937)
- Panenství (Virginity, 1937)
- Die Kronzeugin (The Chief Witness, 1937)
- Die Fledermaus (The Bat, 1937)
- Der Spieler - Roman eines Schwindlers (Gambler's Story, 1938)
- Preußische Liebesgeschichte (Love Story, 1938) (Was banned by censors (due to the Goebbels-affaire), came in the cinemas in 1950)
- Maskovaná milenka (Masked Paramour, 1939)
- Ohnivé léto (Fiery Summer, 1939)
- Artur a Leontýna (Arthur and Leontine, 1940)
- Život je krásný (Life Is Beautiful, 1940)
- Dívka v modrém (Girl in Blue, 1940)
- Za tichých nocí (In the Still of the Night, 1941)
- Paličova dcera (Arsonist's Daughter, 1941)
- Turbína (Turbine, 1941)
- Grazia (The Charming Beauty, 1943)
- Ti conosco, mascherina! (Masked Girl, Recognised!, 1943)
- Il Cappello da prete (Priest's Hat, 1944)
- L' Ippocampo (The Sea-Horse, 1944)
- Vivere ancora (Still Alive, 1944)
- La Bisarca (1950)
- Gli amanti di Ravello (The Lovers of Ravello, 1950)
- Carne inquieta (Restless, 1952)
- La vendetta di una pazza (Revenge of a Crazy Girl, 1952)
- I Vitelloni (The Loafers, 1953)
- Gli innocenti pagano (What Price Innocence? 1953)
- Pietà per chi cade (Compassion, 1954)
- Miedo (The Fear, 1956)
- La Mestiza (The Mestiza, 1956)
- Viaje de novios (Honeymoon, 1956)
- Todos somos necesarios (We All Matter, 1956)
- Rapsodia de sangre (Ecstasy, 1957)
- The Battalion in the Shadows (1957)
- Retorno a la verdad (The Truth Will Set You Free, 1957)
- The Sky Burns (1958)
- Života sladké hořkosti Lídy Baarové (Lída Baarová's Bittersweet Memories, 1995)
- Manvell, Roger (2006). Doctor Goebbels: his life and death. Fraenkel, Heinrich. MBI Publishing Company. p. 171. ISBN 978-1-85367-715-1.
- Kreimeier, Klaus (1999). The Ufa story: a history of Germany's greatest film company, 1918-1945. University of California Press. p. 246. ISBN 978-0-520-22069-0.
- ""Toužila po slávě za každou cenu," říká o Lídě Baarové Stanislav Motl" (in Czech). Czech Television. 9 September 2009. Retrieved 29 January 2012.
- Profile cineartistes.com; accessed 14 August 2015.
- Lída Baarová, L. (1992). Života sladké hořkosti. Ostrava, Czech Republic: Sfinga.
- Josef Frais, J. (1998). Trojhvězdí nesmrtelných. Prague, Czech Republic: Formát.
- Motl, S. (2002). Prokleti Lidy Baarove. Praha: Rybka Publishers.
- Škvorecký, J. (1983). Útěky: Vlastní životopis Lídy Baarové, jak jej vyprávela Josefu Škvoreckému. Toronto, Canada: Sixty-Eight Publishers.
- Vávra, O. (1996). Podivný život režiséra: Obrazy vzpominek. Praha: Prostor.
|Wikimedia Commons has media related to Lída Baarová.|
- Lída Baarová at the Internet Movie Database
- Biography and photos of Lída Baarová, virtual-history.com
- Lída Baarová profile, findagrave.com