Mark Mangini

Mark Mangini
Mark Mangini
Occupation	Sound editor
Years active	1976–present
Family	Rio Mangini (son)

Mark Mangini is a sound editor with over 125 film credits. He won the 2015 Academy Award for Best Sound Editing along with David White for their work on Mad Max: Fury Road.^[1]

Mangini is renowned for recording and editing a new roar track for Leo the Lion, the MGM lion mascot (ironically, tiger sounds were used for the effect).^[2]

In April 2017, Mangini partnered with Pro Sound Effects to release The Odyssey Collection, developed from his personal sound library built throughout his career with partner Richard L. Anderson.^[3]^[4]

Oscar nominations

Mangini has received the following nominations for Best Sound Editing.

1986 Academy Awards: Nominated for Star Trek IV: The Voyage Home. Lost to Aliens.^[5]
1992 Academy Awards: Nominated for Aladdin. Lost to Bram Stoker's Dracula.^[6]
1997 Academy Awards: Nominated for The Fifth Element. Lost to Titanic.^[7]
88th Academy Awards: Won for Mad Max: Fury Road.^[8]
89th Academy Awards: Nominated for: Blade Runner 2049. Lost to Dunkirk.^[9]

References

^ "Mark Mangini, David White win sound editing Oscar for 'Mad Max: Fury Road'". LA Times. February 28, 2016. Retrieved February 29, 2016.
^ Susan King (2008-11-07). "Updated style for MGM's lion - Los Angeles Times". Articles.latimes.com. Retrieved 2014-03-16.
^ "Pro Sound Effects Announces The Odyssey Collection: Essentials | Mixonline". www.mixonline.com. Retrieved 2017-09-26.
^ "Mark Mangini and Richard Anderson Join the Pro Sound Effects Library | Mixonline". www.mixonline.com. Retrieved 2017-09-26.
^ "The 59th Academy Awards (1987) Nominees and Winners". oscars.org. Retrieved March 16, 2014.
^ "The 65th Academy Awards (1993) Nominees and Winners". Academy of Motion Picture Arts and Sciences. AMPAS. Retrieved March 16, 2014.
^ "The 70th Academy Awards (1998) Nominees and Winners". Academy of Motion Picture Arts and Sciences. AMPAS. Retrieved March 16, 2014.
^ "88th Academy Awards". Retrieved January 14, 2016.
^ "AWARDS". markmangini.com. Retrieved March 31, 2018. {{cite web}}: Cite has empty unknown parameter: |dead-url= (help)

External links

Mark Mangini at IMDb

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[1] "Mark Mangini, David White win sound editing Oscar for 'Mad Max: Fury Road'". LA Times. February 28, 2016. Retrieved February 29, 2016.

[2] Susan King (2008-11-07). "Updated style for MGM's lion - Los Angeles Times". Articles.latimes.com. Retrieved 2014-03-16.

[3] "Pro Sound Effects Announces The Odyssey Collection: Essentials | Mixonline". www.mixonline.com. Retrieved 2017-09-26.

[4] "Mark Mangini and Richard Anderson Join the Pro Sound Effects Library | Mixonline". www.mixonline.com. Retrieved 2017-09-26.

[Oscars1987-5] "The 59th Academy Awards (1987) Nominees and Winners". oscars.org. Retrieved March 16, 2014.

[Oscars1993-6] "The 65th Academy Awards (1993) Nominees and Winners". Academy of Motion Picture Arts and Sciences. AMPAS. Retrieved March 16, 2014.

[Oscars1998-7] "The 70th Academy Awards (1998) Nominees and Winners". Academy of Motion Picture Arts and Sciences. AMPAS. Retrieved March 16, 2014.

[Oscars2016-8] "88th Academy Awards". Retrieved January 14, 2016.

[9] "AWARDS". markmangini.com. Retrieved March 31, 2018. {{cite web}}: Cite has empty unknown parameter: |dead-url= (help)

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v t e Academy Award for Best Sound Editing
Sound Effects 1963–1967	Walter Elliott - It's a Mad, Mad, Mad, Mad World (1963) Norman Wanstall - Goldfinger (1964) Treg Brown - The Great Race (1965) Gordon Daniel - Grand Prix (1966) John Poyner - The Dirty Dozen (1967)
Sound Effects Editing 1982–1999	Charles L. Campbell and Ben Burtt - E.T. the Extra-Terrestrial (1982) Jay Boekelheide - The Right Stuff (1983) Kay Rose - The River (1984) Charles L. Campbell and Robert Rutledge - Back to the Future (1985) Don Sharpe - Aliens (1986) Stephen Hunter Flick and John Pospisil - RoboCop (1987) Charles L. Campbell and Louis Edemann - Who Framed Roger Rabbit (1988) Ben Burtt and Richard Hymns - Indiana Jones and the Last Crusade (1989) Cecelia Hall and George Watters II - The Hunt for Red October (1990) Gary Rydstrom and Gloria Borders - Terminator 2: Judgment Day (1991) Tom McCarthy and David E. Stone - Bram Stoker's Dracula (1992) Gary Rydstrom and Richard Hymns - Jurassic Park (1993) Stephen Hunter Flick - Speed (1994) Lon Bender and Per Hallberg - Braveheart (1995) Bruce Stambler - The Ghost and the Darkness (1996) Tom Bellfort and Christopher Boyes - Titanic (1997) Gary Rydstrom and Richard Hymns - Saving Private Ryan (1998) Dane Davis - The Matrix (1999)
Sound Editing 2000–2019	Jon Johnson - U-571 (2000) George Watters II and Christopher Boyes - Pearl Harbor (2001) Mike Hopkins and Ethan Van der Ryn - The Lord of the Rings: The Two Towers (2002) Richard King - Master and Commander: The Far Side of the World (2003) Michael Silvers and Randy Thom - The Incredibles (2004) Mike Hopkins and Ethan Van der Ryn - King Kong (2005) Bub Asman and Alan Robert Murray - Letters from Iwo Jima (2006) Karen Baker Landers and Per Hallberg - The Bourne Ultimatum (2007) Richard King - The Dark Knight (2008) Paul N. J. Ottosson - The Hurt Locker (2009) Richard King - Inception (2010) Eugene Gearty and Philip Stockton - Hugo (2011) Per Hallberg and Karen Baker Landers - Skyfall / Paul N. J. Ottosson - Zero Dark Thirty (2012) Glenn Freemantle - Gravity (2013) Alan Robert Murray and Bub Asman - American Sniper (2014) Mark Mangini and David White - Mad Max: Fury Road (2015) Sylvain Bellemare - Arrival (2016) Richard King and Alex Gibson - Dunkirk (2017) John Warhurst and Nina Hartstone - Bohemian Rhapsody (2018) Donald Sylvester - Ford v Ferrari (2019)