Melanie Tem

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Melanie Tem (née Kubachko; April 11, 1949 – February 9, 2015) was an American horror and dark fantasy author.

Melanie Kubachko grew up in Saegertown, Pennsylvania. She attended Allegheny College as an undergrad, and earned her master's in social work at the University of Denver in Colorado.

She married Steve Rasnic and the couple took the joint surname Tem. She developed breast cancer in 1997. In 2013, it recurred, and metastasized to her bones, bone marrow, and organs. She died at age 65 on February 9, 2015. She is survived by her husband, Steve Rasnic Tem, four children and six grandchildren.[1]

Personal life[edit]

Melanie Tem met her husband, Steve Rasnic Tem, at a writer's workshop and they were married for 35 years.[2][3] Tem also mentored students through critiquing and private workshops.[4] When Tem wasn't writing, she worked as a social worker and administrator with the elderly, disabled, and children.[5]

Melanie and her husband have collaborated on several novels such as Daughters (2001), and The Man on the Ceiling (2008). On collaborating with her husband, Melanie stated, “Steve and I have been each other’s first editor for more than thirty-four years now. Nothing leaves the house until the other has read and commented on it”.[6]


Tem has been featured in numerous essays and anthologies.[7][8] Tem said that she prefers the term “dark fantasy” instead of being described as a horror author because she wants to disturb people, not scare them.[9] Tem also has a theme of transformation in her writings. In a 1993 interview with Cemetery Dance Publications, Tem elaborated on this stating “one of the things that interests me is how dark, disturbing experiences in our lives can transform us for the better, how we can come through those things . . . I like the idea of how we confront things”.[10] Tem often used traditional horror and supernatural motifs to express psychological truth (i.e. using a werewolf to symbolize anger).[11] Tem found inspiration working as a social worker and has explained how it has impacted her writing.[12] When connecting her writing and social work, Tem said, “I went into social work probably for one of the same reasons why I write. And that is, again, to try to understand somebody whose life experience I don't have. Another is that social work brings one into contact with all kinds of stories that can be told. I have never written whole cloth about a particular client, but very often I will come into contact with someone, and something in my mind will say, "'There's a story in that'".[13]

The grieving process following the passing of her son inspired Melanie Tem’s short story, Lightning Rod.[14] Tem described the writing process for Lightning Rod as therapeutic and how she felt the responsibility to protect her family from “feeling the pain”.[15]

Oral storytelling[edit]

In addition to her short stories and novels, Tem also performed oral storytelling.[16] Tem began her storytelling with a small memory then improvised the remainder of the story.[17]

In one of her stories, Come Live with Me, Tem tells the story of her relationship with her father growing up and into her adult life. As a child, she describes her father as a “guarded man” and “distant”.[18] In her story, Tem explains how her father would correct her voice, pronunciation, and speaking, and as a child. Tem then moves into the end of her father's life where he begins to lose his memory. Tem and her father would use poetry to bond. Her father would repeat the line, “Come live with me and be my love,” referencing Christopher Marlowe’s poem, the Passionate Shepherd to His Love. In addition to her father’s memory loss, his speech begins to fail. Tem finds herself having to correct her father’s pronunciation, just as he did to her as a child.

Melanie Tem’s oral story Cousins tells the story of the competitive nature that her and her cousin, Claudette, encountered with each other while growing up. Tem and Claudette’s tensions first started when Claudette claims that Tem’s mother “stole her name” from her family and often teased Melanie growing up.[19] Tem describes a photo of the two as children coloring with both of their tongues sticking out indicating their concentration, which Tem referred to as a “family trait”.[20] Tem continues with a story of a road trip to Quebec, Canada where they talk about their family history that they cannot agree on. On this trip, Melanie and Claudette run into a bachelor's party where Tem loses Claudette and doesn't find her until late at night back at their hotel. Claudette explains that she ran into a street artist, despite Melanie not remembering any street artists in the area. The street artist inspires Claudette to become an artist and Melanie visits her at an art festival years later. Tem recalls an awkward conversation between her and Claudette asking her why she always made fun of her as a child. She ends the story quoting her cousin saying, “I wasn’t making fun of you. I wanted to be you…you're my hero”.[21]

"Dhost" (2007)[edit]

The short story "Dhost" exemplifies Tem's identification as a dark fantasy writer instead of horror. Tem got the inspiration for the title from the idea of a child mispronouncing the word “ghost”.[22]


The story begins with Gail talking to her three-year-old granddaughter, Corry, on the phone discussing Halloween costumes. Corry announces that she is going to be a “dhost” just like her father. Gail becomes confused because Corry's father, Bryce, is not dead. However, Bryce's absence in Corry's life confuses her into thinking that he is dead. While trick-or-treating in her ghost costume, Corry claims that she saw her father. This concerns Gail and her husband, Dennis, because Bryce is in jail and they haven't heard from him despite Gail writing him weekly letters.

Around Thanksgiving time, Corry still wears her ghost costume and claims that she saw her father again. This happens well into Christmas and Corry receives a present from her father along with a Christmas card simply reading “love, Bryce.” Shortly after the New Year, Dennis takes Corry to a movie where she suddenly disappears from the checkout counter. After searching the entire theatre, Dennis finds her back at the checkout counter where she asks, “Where’d you go, Grandpa? Did you get lost?” Relieved, Dennis asks Corry where she ran off to and she tells him that she was with her father.

After failing to acknowledge Corry's fourth birthday, Gail writes to Bryce scolding him for not writing his daughter on her birthday. After this, Gail begins to notice stranger things happening to Corry. Corry claims that her father has cut her hair, her butterfly-shaped birthmark disappears, she no longer has a shadow, loses the power of speech, loses weight, and forgets simple tasks such as counting or writing her name. Being unable to talk, Corry draws a picture of a stick-figure person to explain what is happening to her. Gail asks her who she is drawing and she starts to spell out the words “daddy.” Gail then asks Corry if her father is the one causing all these strange things happening to her. Corry nods with a fearful look in her eyes.

On the Saturday before Father's Day, Gail receives a letter from Bryce that he has written to Corry. The letter reads, “Baby girl, This is the hardest thing I ever had to do. I’m saying good-bye. I have to stay away from you. I’m bad for you. All I do is hurt you, even when I try not to. I love you so much. You won’t ever hear from me again. I’m letting you go. Corazon. My heart. Daddy.” Gail and Dennis read this letter to Corry. For the remainder of the summer, Corry learns to read, regains weight, grows her hair out, and witnesses the return of her birthmark and shadow. Corry now says, “my daddy’s a ghost,” correctly pronouncing the word.[23]


Well-known horror author, Stephen King, described her work as “spectacular, far better than anything by new writers in the hardcover field”.[24] On Tem's novel Prodigal(1991), Dan Simmons applauded it saying, “Melanie Tem may be the literary successor to Shirley Jackson”.[25] Edward Bryant described Prodigal as being written “surely and precisely” and compared it to Stephen King's Pet Sematary but she "digs even deeper into the disturbing, layered, complex, collective psyche of a family in deep trouble”.[26] "Dhost"(2007) has been praised because ” small twists of this short story can trace a parallel to distant parent figures, to the loss of self in search and yearn for another. It is penned to be as bittersweet as it is eerie”.[27]



  • Prodigal (1991)
  • Blood Moon (1992)
  • Wilding (1992)
  • Making Love (1993) (with Nancy Holder)
  • Revenant (1994)
  • Desmodus (1995)
  • Witch-Light (1996) (with Nancy Holder)
  • The Tides (1996)
  • Black River (1997)
  • Daughters (2001) (with Steve Rasnic Tem)
  • Slain in the Spirit (2002)
  • The Deceiver (2003)
  • The Man on the Ceiling (2008) (with Steve Rasnic Tem)
  • What You Remember I Did (2011) (with Janet Berliner)
  • The Yellow Wood (2015)


  • Daddy's Side (1991)
  • Beautiful Stranger (1992) (with Steve Rasnic Tem)
  • The Ice Downstream: A Short Story Collection (2001)
  • In Concert (2010) (with Steve Rasnic Tem)
  • The Devil's Coattails: More Dispatches From the Dark Frontier (2011)

Short stories[edit]

  • "Aspen Graffiti" (1988)
  • "The Better Half" (1989)
  • "Lightning Rod" (1990)
  • "The Co-Op" (1990)
  • "Daddy's Sid" (1991)
  • "Fry Day" (1991)
  • "Trail of Crumbs" (1992)
  • "Jenny" (1993)
  • "The Changelings" (1993)
  • "Half Grandma" (1995)
  • "Wife of Fifty Years" (1995)
  • "Pandorette's Mother" (1996)
  • "Aunt Libby's Grave" (1997)
  • "Hagoday" (1998)
  • "The Lonely Gorilla" (1999)
  • "Alicia" (2000)
  • "Piano Bar Blues" (2001)
  • "Visits" (2004)
  • "Dhost" (2007)
  • "Monster" (2008)
  • "The Shoes" (2010)
  • "Corn Teeth" (2011)
  • "Dahlias" (2012)
  • "Timbrel and Pipe" (2014)

Anthologies featuring Melanie Tem[edit]


  • Skin of the Soul (1990)
  • Best New Horror 2 (1991)
  • Dark Voices 3 (1991)
  • The Mammoth Book of Vampires (1992)
  • The Year's Best Fantasy and Horror Fifth Annual Collection (1992)
  • Dark Voices 5 (1992)
  • Nursery Crimes (1993)
  • The Best of Whispers (1994)
  • Little Deaths (1994)
  • Love in Vein (1994)
  • Peter S Beagle's Immortal Unicorn 2 (1995)
  • The Best New Horror 5 (1995)
  • Xanadu 3 (1995)
  • Splatterpunks II (1995)
  • Great Writers and Kids Write Spooky Stories (1995)
  • Desire Burn (1995)
  • Peter S Beagle's Immortal Unicorn (1995)
  • Sisters of the Night (1995)
  • 100 Tiny Tales of Terror (1996)
  • Dark Terrors 3 (1997)
  • Going Postal (1998)
  • In the Shadow of the Gargoyle (1998)
  • 100 Twisted Little Tales of Torment (1998)
  • Silver Birch, Blood Moon (1999)
  • Isaac Asimov's Mother's Day (2000)
  • Dark Terrors 5 (2000)



The Man on the Ceiling (with Steve Rasnic Tem)

See also[edit]


  1. ^ "Melanie Tem (1949–2015)". February 9, 2015. Archived from the original on December 21, 2015.
  2. ^ "Melanie Tem (1949-2015)". 2015-02-09.
  3. ^ "Melanie Tem Interview".
  4. ^ "Melanie tem – Odyssey Workshop".
  5. ^ "Melanie Tem Interview".
  6. ^ "Melanie Tem Interview".
  7. ^ "Melanie Tem Interview".
  8. ^ Hantke, Steffen (2008). "The Decline of the Literary Horror Market in the 1990s and Dell's Abyss Series". The Journal of Popular Culture. 41: 56–70. doi:10.1111/j.1540-5931.2008.00492.x.
  9. ^ "Melanie Tem Interview".
  10. ^ "Melanie Tem Interview".
  11. ^ "Melanie Tem Interview".
  12. ^ "Melanie Tem Interview".
  13. ^ "Melanie Tem Interview".
  14. ^ "Melanie Tem Interview".
  15. ^ "Melanie Tem Interview".
  16. ^ "Recent News".
  17. ^ "Recent News".
  18. ^ "Four Stories by Melanie Tem, by Melanie Tem".
  19. ^ "Four Stories by Melanie Tem, by Melanie Tem".
  20. ^ "Four Stories by Melanie Tem, by Melanie Tem".
  21. ^ "Four Stories by Melanie Tem, by Melanie Tem".
  22. ^ "Author Spotlight: Melanie Tem". 2013-11-20.
  23. ^ "Dhost". 2013-11-20.
  24. ^ "Melanie Tem".
  25. ^ "Melanie Tem".
  26. ^ "Melanie Tem".
  27. ^ "At Ease with the Dead".
  28. ^ "Melanie Tem".

External links[edit]