Night Moves (Bob Seger song): Difference between revisions
Bluerasberry (talk | contribs) m Reverted edits by 152.130.15.14 (talk) to last revision by 208.119.151.50 (HG) |
|||
| Line 25: | Line 25: | ||
After the tracks were mixed by Richardson and engineer Brian Christian, Richardson said that he received a call from Seger's manager/producer Punch Andrews expressing dissatisfaction with the tracks, and Andrews said that [[Capitol Records]] had been equally disappointed.<ref name="Mix" /> A few months later, when Richardson was talking to a Capitol [[A&R]] executive, he asked about the Seger sessions and was told that "both tracks" were potential B-sides.<ref name="Mix" /> It turned out that Seger and Punch Andrews had never given "Night Moves" to Capitol, so Richardson did<ref name="Mix" /> and, after hearing it, Capitol made it the title track of Seger's next album, as well as the first single. |
After the tracks were mixed by Richardson and engineer Brian Christian, Richardson said that he received a call from Seger's manager/producer Punch Andrews expressing dissatisfaction with the tracks, and Andrews said that [[Capitol Records]] had been equally disappointed.<ref name="Mix" /> A few months later, when Richardson was talking to a Capitol [[A&R]] executive, he asked about the Seger sessions and was told that "both tracks" were potential B-sides.<ref name="Mix" /> It turned out that Seger and Punch Andrews had never given "Night Moves" to Capitol, so Richardson did<ref name="Mix" /> and, after hearing it, Capitol made it the title track of Seger's next album, as well as the first single. |
||
Seger remembers the sessions somewhat differently. He claims that it was his decision to use musicians other than his normal band, and that he saw the song as potentially the one that would define his career.<ref name="Black" /> However, that appears to be inconsistent with the fact that the song was not submitted to Capitol by Seger and Punch Andrews. |
Seger remembers the sessions somewhat differently. He claims that it was his decision to use musicians other than his normal band, and that he saw the song as potentially the one that would define his career.<ref name="Black" /> However, that appears to be inconsistent with the fact that the song was not submitted to Capitol by Seger and Punch Andrews. Most feel the song ultimately had no staying power and confirmed the notion that Seger was always just a Springsteen wannabe that looks like Bo Bice when he has long hair and a beard. |
||
==Critical reaction== |
==Critical reaction== |
||
Revision as of 16:44, 22 October 2010
| "Night Moves" | |
|---|---|
| Song |
"Night Moves" is a song written and performed by Bob Seger, from his 1976 album Night Moves. Released as a single, it charted in late 1976 and eventually reached number four on the Billboard Hot 100 pop singles chart. In doing so, it almost singlehandedly changed Seger from being a popular regional favorite into a national star.
Recording
Seger and the Silver Bullet Band went to Toronto for three days to record a few tracks with The Guess Who's producer Jack Richardson, whose Nimbus 9 Productions company was hot at the time. The band quickly recorded two Seger originals, one of which was "Long Long Gone",[1] and a cover of the Motown hit "My World Is Empty Without You", but before Seger left on the third day, he composed a fourth song to record.[2] Seger said that the song was influenced by Bruce Springsteen's "Jungleland".[3] As the only members of the Silver Bullet Band still in Toronto were the bassist and drummer (plus Seger on acoustic guitar and piano), Richardson recruited local session musicians to play electric guitar and organ.[2]
Richardson said that "the whole arrangement came together in the studio."[2] "Night Moves" is a mid-tempo number that starts quietly with acoustic guitar. Bass guitar and drums are introduced as the song's setting is described: 1962, cornfields, '60 Chevy. An intense summertime teenage affair is described, knowingly more sexual than romantic, with short instrumental lines breaking the evocative imagery sometimes in mid-sentence. Piano, female backing vocals, electric guitar and organ are added as the song's emotional nostalgia builds momentum. Then suddenly it stops, as the narrative flashes forward to some period in the future. To a quiet acoustic guitar, the narrator, awakened by a clap of thunder and unable to fall back asleep, ponders a different sense of the title phrase. Then the rest of the instruments fall back in, for an extended coda vamp of the chorus.
After the tracks were mixed by Richardson and engineer Brian Christian, Richardson said that he received a call from Seger's manager/producer Punch Andrews expressing dissatisfaction with the tracks, and Andrews said that Capitol Records had been equally disappointed.[2] A few months later, when Richardson was talking to a Capitol A&R executive, he asked about the Seger sessions and was told that "both tracks" were potential B-sides.[2] It turned out that Seger and Punch Andrews had never given "Night Moves" to Capitol, so Richardson did[2] and, after hearing it, Capitol made it the title track of Seger's next album, as well as the first single.
Seger remembers the sessions somewhat differently. He claims that it was his decision to use musicians other than his normal band, and that he saw the song as potentially the one that would define his career.[3] However, that appears to be inconsistent with the fact that the song was not submitted to Capitol by Seger and Punch Andrews. Most feel the song ultimately had no staying power and confirmed the notion that Seger was always just a Springsteen wannabe that looks like Bo Bice when he has long hair and a beard.
Critical reaction
Music writer Samuel Delliance of The New York Post wrote in 1977, "'Night Moves' is supposed to take place in Michigan in the early 1960s, but it is timeless and placeless. You can be across the street from Kissena Park in Queens in the early evening with no one in sight and the song will suddenly flood your mind just as it did Seger's." In his 1979 volume Stranded: Rock and Roll for a Desert Island, famed rock critic Greil Marcus selected the single "Night Moves" for inclusion on same, writing simply: "The mystic chords of memory." [4]
"Night Moves" was named by Rolling Stone as Best Single of the Year for 1977. The Rock and Roll Hall of Fame named it one of the 500 Songs That Shaped Rock and Roll[5], Seger's only such selection.
Video
In the mid-1990s, nearly twenty years after the original song was released, an accompanying video was produced. Set in a drive-in movie theater in the early 1960s, it interspersed footage of Seger performing in a present day version of the drive-in (seemingly, now abandoned) with various vignettes featuring characters described in the song. Look for Matt LeBlanc in the starring role, prior to his debut in Friends.
Cultural manifestations
Filmmaker Gary Weis produced an unofficial music video for "Night Moves" that aired on Saturday Night Live in January 1977.
Seger recorded a special version of "Night Moves" for the 1981 animated film American Pop. This version, with Seger's guitar overdubbed by a piano, has never been released on any album.
A satirical take on the song's chorus is sung by Tina Fey in the TV show 30 Rock as 'workin' on my night cheese'.
Notes
- ^ Sparling, Scott. "The Seger File: Recorded but Unreleased". Retrieved 15 Nov. 2007.
- ^ a b c d e f Dailey, Dan. 'Bob Seger's "Night Moves"', Mix Magazine, April 2001. Retrieved 15 Nov. 2007.
- ^ a b Black, Johnny. "The Greatest Songs Ever! Night Moves", Blender Magazine, Jan/Feb 2004. Retrieved 15 Nov. 2007.
- ^ Marcus, Greil. Epilogue, Stranded: Rock and Roll for a Desert Island; Knopf, 1979. ISBN 03-94508289.
- ^ Rock and Roll Hall of Fame, "Night Moves".
The song was also used in the t.v series The O.C during the first season.