Peter Vronsky

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Peter Vronsky
Peter Vronsky in 2015
Peter Vronsky in 2015
BornToronto, Ontario, Canada
OccupationAuthor, historian, film director, professor
EducationPhD in espionage in international relations and criminal justice history
Alma materUniversity of Toronto
GenreTrue crime, military history
SubjectSerial killers, history, international relations
Notable worksSerial Killers: The Method and Madness of Monsters (2004), Female Serial Killers: How and Why Women Become Monsters (2007), Ridgeway: The American-Fenian Invasion and the 1866 Battle that made Canada (2011), Sons of Cain: A History of Serial Killers from the Stone Age to the Present (2018), American Serial Killers: The Epidemic Years, 1950–2000 (2021)
Website
petervronsky.org
 Literature portal

Peter Vronsky is a Canadian author, filmmaker, and investigative historian. He holds a PhD in criminal justice history and espionage in international relations from the University of Toronto. He is the author of the bestseller true crime histories Serial Killers: The Method and Madness of Monsters (2004), Female Serial Killers: How and Why Women Become Monsters and Sons of Cain: A History of Serial Killers From the Stone Age to the Present (2018), a New York Times Editors' Choice,[1] and most recently American Serial Killers: The Epidemic Years 1950–2000 (2021), a history exploring the epidemic surge of serial killers in the second half of the 20th century. He is the director of several feature films, including Bad Company (1980) and Mondo Moscow (1992). Vronsky is the creator of a body of formal video and electronic artworks and new media.[2] He has also worked professionally in the motion picture and television industry as a producer and cinematographer in the field of documentary production and news broadcasting with CNN, CTV, CBC, RAI and other global television networks in North America and overseas.[3] Vronsky's 2011 book, Ridgeway: The American Fenian Invasion and the 1866 Battle That Made Canada, is the definitive history of Canada's first modern battle – the Battle of Ridgeway fought against Irish American Fenian insurgents who invaded across the border from the United States on the eve of Canadian Confederation shortly after the American Civil War. He currently lectures at Toronto Metropolitan University's History Department in the history of international relations, terrorism, espionage, American Civil War, and the Third Reich. He consults as an investigative criminal historian to a number of law enforcement cold case homicide units including the NYPD, New York State Police, and Bergen County Prosecutor's Office New Jersey.

1970s[edit]

Peter Vronsky was a writer and film reviewer for Canada's national film magazine Cinema Canada and University of Toronto's The Varsity. He was a member of Toronto Filmmakers Coop and University of Toronto Film Board (Hart House). He studied with Canadian film directors Don Shebib, Clarke Mackey, and Peter Pearson at the Toronto Filmmakers Coop. Vronsky dropped out of the University of Toronto at the end of his second year to pursue filmmaking full-time. He wrote and directed two thirty-minute short drama films starring Paul Young from the Cardboard Brains: American Nights (1976) and The Sheep-Eaters (1977). He received several Canada Council and Ontario Arts Council Grants and directed and produced a thirty-minute music documentary special on punk rock for CBC television Crash'n'Burn (Dada's Boys) (1977) with the Viletones, Teenage Head, Dishes, The Ramones and The Deadboys, filmed at CBGB in New York and the New Yorker Theater and Crash'n'Burn in Toronto;[4] (Not to be confused with Ross McLaren's independent Crash 'n' Burn made the same year on the same subject). Vronsky produced and directed a feature film, Bad Company (1980). He worked as an assistant-director on Canadian feature films: Nothing Personal (1979), The Last Chase (1979) and Screwballs (1981). Vronsky frequently collaborated with documentary filmmaker Peter Lynch on Video Culture International projects and with horror film director Tibor Takacs who before he left for Hollywood worked as a D.O.P. and Art Director on several Vronsky films.[5]

1980s[edit]

Peter Vronsky created numerous video art tapes and formal video installations exhibited in Canada and internationally in Tokyo, Paris, Rome, Amsterdam, New York, and London.[2] He was the Artist-in-Residence with Sony Corporation at Video/Culture International, 1983. He frequently worked as an undercover video specialist – field producer with CBC's The Fifth Estate and CTV's W5. In 1984–1985 during the pioneering period of laserdisc development, Vronsky was the Head of Interactive Laser Optical Software Development, Sony Corporation-Video/Culture and the Project Director of the Berlin Wall Videodisc, Sony Canada-Image Over Time, 1985. He worked as a Field Producer/Cameraman for CNN International, Rome Bureau, 1986–1990. Vronsky was the Producer-director of Russian Rock Underground (1988), a thirty-minute music television special on underground ("unofficial") rock music in the Soviet Union, featuring Boris Grebenshchikov, Televizor, Zvuki Mu and Auktion.[6]

1990s[edit]

Vronsky was the writer-producer-director of Mondo Moscow, a feature-length documentary on incipient Stalinism and underground culture in the USSR, 1990.[7] In 1991, Vronsky investigated Lee Harvey Oswald's activities in the USSR in 1959–1962 and was the first Westerner ever to interview Oswald's friends, lovers and acquaintances in Russia.[8] Vronsky was the cameraman-line producer on The Hunt for Red Mercury, an investigative one-hour documentary (Discovery Channel – CTV) on nuclear weapons material smuggling in Chechnya, 1992. He was the writer-director of The Uncanadians, a NFB feature documentary 1994–1995 (but withdrew his name from the director's credit in a dispute with the National Film Board over the film's controversial contents). Vronsky was the Head of English Language Production, Panavideo, Venice Italy – service producer for Italy's national television network, RAI, 1997–1999.

2000s[edit]

Vronsky was the Queens Park/Toronto Bureau Chief at E-Press, Canada's first online news streaming service, 2000 and the Broadband Content Specialist, Canada-Invest.com, financial news streaming service, 2000–2001. He was the Director of Photography on the feature-length music documentaries, Life Could Be A Dream (Bravo Television, 2002) and I'll Fly Away Home (Bravo Television, 2004). He authored two crime history books, Serial Killers The Method and Madness of Monsters (Berkley-Penguin Books, 2004) and Female Serial Killers: How and Why Women Become Monsters (Berkley-Penguin Books, 2007). Vronsky returned to the University of Toronto as a full-time student from 2003 to 2010, completing the following degrees:

  • University of Toronto, Trinity College, Honours B.A., 2003.
  • University of Toronto, Graduate School, M.A. (History) 2004.
  • University of Toronto, Graduate School, Ph.D. (History), 2010.[9]

In 2015, Leah McLaren, writing in The Globe and Mail, reported on the strange disappearance in Cambodia of Dave Walker, a friend of Vronsky's.[10] According to McLaren, Vronsky was working hard to determine what happened to Walker, when the Canadian government seemed to want his story to be forgotten. Walker had told Vronsky that he had worked as an advisor for the Canadian Security Intelligence Service (CSIS) ferreting out genocidal Khmer Rouge perpetrators infiltrating Canada among legitimate refugees from Cambodia during the 1980s and 1990s. Vronsky suspected this could have played a role in his death in Cambodia.

Currently[edit]

Vronsky is currently writing American Werewolf: The Life and Crimes of Richard Cottingham, the Last Serial Killer on the Left based on a series of prison interviews he is conducting with the notorious serial killer Richard Cottingham. In January 2020, Vronsky revealed that Cottingham who has been incarcerated since 1980 in the Trenton State Prison for six murders committed between 1967–1980, had recently confessed to an additional three unsolved murders of school girls in New Jersey 1968–1969.[11]

Vronsky currently lectures at Toronto Metropolitan University's History Department in international relations, American Civil War, Third Reich, espionage and the history of terrorism. In 2017, he was chosen as the Writer-In-Residence at the Toronto Public Library.[12] He recently appeared in Joe Berlinger's new Netflix show, Crime Scene (Season 2): The Times Square Killer (2021) about the 1979–80 torso murders in New York committed by serial killer Richard Cottingham who Vronsky is in the midst of interviewing since 2018.

Peter Vronsky is fluent in English, Russian and Italian and resides in Toronto, Canada, and Venice, Italy.

References[edit]

  1. ^ "9 New Books We Recommend This Week". The New York Times. November 2018.
  2. ^ a b Vanguard Magazine, November 1983, p. 47; Art London Review, Vol IV No. 3, March 15, 1984; John Bentley Mays, "Peter Wronski presents a garage sale of a show, Toronto Globe & Mail, January 21, 1982, p. E3; Lisa Balfour Bowen, "Even Sadat's death becomes stuff of wry comedy for innovative video artist", Toronto Star, January 16, 1982, p. F5; Susan Mackay, "Confession booth among video wizardry", Globe & Mail, August 15, 1984, p. M9; Dan Proudfoot, "The Video Art Vortex", Toronto Sun, October 28, 1984, p. S3; Christina Ritchie and Allan Blaine, Signal Approach, Catalogue to accompany the video series Signal Approach, held at The Funnel Experimental Film Theatre, Toronto, January 9 – March 13, 1985, The Funnel, 1984: http://mikehoolboom.com/thenewsite/wp-content/uploads/2013/08/Signal-Approach.pdf; http://www.rewind.ac.uk/documents/Steve%20Hawley/SHA008.pdf
  3. ^ "Danger Man: The Underground Adventures of Peter Wronski", Metropolis Magazine, Vol. 1, No. 4, June 9, 1988; Enrico Sorrentino, "Due Marine per Lee", L'Espresso, February 23, 1993, p.61.
  4. ^ "Peter Vronsky's Crash 'n' Burn movie". The Last Pogo. October 27, 2013. Retrieved November 5, 2018. 'In 1977 I was living on top of the New Yorker Theater on Yonge Street in a loft below the projection booth. Everybody knew me in the building and when the Ramones and Dead Boys came down to play I grabbed a 16 mm sound film camera from the University of Toronto Hart House Film Board – a big Arriflex BL — and started shooting the concert.'
  5. ^ "a low, low budget". Cinema Canada. Retrieved November 5, 2018. Fast Company is a story of people in jeopardy, a love story set among small time bank robbers aspiring to the big time. The producers, Paul Eichgrun/Steve KJys and director Peter Wronski are not interested at this time , in making an "artistic" mm or a "message" mm. We want Fast Company to be an entertaining, interesting, and at times touching film, free of cumbersome statements on the meaning of life.
  6. ^ Peter Vronsky (August 23, 2010). "Russian Rock Underground Part 1 (1988)". Archived from the original on December 14, 2021 – via YouTube.
  7. ^ "MONDO MOSCOW". www.russianbooks.org.
  8. ^ "Lee Harvey Oswald in Russia Main Menu". www.russianbooks.org.
  9. ^ "Dissertations | Department of History". www.history.utoronto.ca. July 14, 2016.
  10. ^ Leah McLaren (September 11, 2015). "Why a Canadian's death in the jungle is likely to remain a mystery". The Globe and Mail. Retrieved November 5, 2018. As for Dave Walker, friends and family around the world tried to keep the case alive, and a Toronto-based criminal historian and blogger named Peter Vronsky – a close friend of Mr. Walker since the early 1990s – continues to compile an exhaustive account of his death and the subsequent investigation.
  11. ^ https://www.newjerseynewsnetwork.com/story/41523136/author-the-torso-killer-suspect-in-at-least-another-12-murders-in-new-jersey https://www.nj.com/bergen/2020/01/new-jerseys-torso-killer-admits-murdering-3-teenage-girls-over-50-years-ago.html
  12. ^ "Meet Peter Vronsky, Writer in Residence".

External links[edit]

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