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Rudy Ray Moore

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Rudy Ray Moore
Moore in 2007
Born
Rudolph Frank Moore

(1927-03-17)March 17, 1927
Fort Smith, Arkansas, U.S.
DiedOctober 19, 2008(2008-10-19) (aged 81)
Akron, Ohio, U.S.
Occupation(s)Actor, comedian, singer, comic, film producer
Years active1950s–2008
Websitewww.ShockingImages.com

Rudolph Frank Moore (March 17, 1927 – October 19, 2008), known as Rudy Ray Moore, was an American comedian, musician, singer, film actor, and film producer.[1] He was perhaps best known as Dolemite (the name derived from the mineral dolomite), the uniquely articulate pimp from the 1975 film Dolemite, and its sequels, The Human Tornado and The Return of Dolemite.[2] The persona was developed during his earlier comedy records,[3][4] for which Moore has been called "the Godfather of Rap".[4]

Biography

Moore was born and raised in Fort Smith, Arkansas, and eventually moved to Cleveland, Ohio, and then Milwaukee, Wisconsin. In Milwaukee, he preached in churches as well as worked as a nightclub dancer.[5] He returned to Cleveland, working in clubs as a singer, dancer, and comedian, often appearing in character as Prince DuMarr.[6] He joined the US Army and served in an entertainment unit in Germany, where he was nicknamed the Harlem Hillbilly for singing country songs in R&B style.[1] He developed an interest in comedy in the Army after expanding on a singing performance for other servicemen.[7]

After his discharge he lived in Seattle, Washington and then Los Angeles, where he continued to work in clubs and was discovered by record producer Dootsie Williams.[5] He recorded rhythm and blues songs for the Federal, Cash, Ball, Kent and Imperial labels between 1955 and 1962, and released his first comedy albums, Below the Belt (1959), The Beatnik Scene (1962), and A Comedian Is Born (1964).[7][8]

By his own account, he was working at a record store in Hollywood in 1970 when he began hearing obscene stories of "Dolemite" recounted by a local man named Rico. Moore began recording the stories, and assumed the role of "Dolemite" in his club act and on recordings.[9] In 1970–71 he recorded three albums of material, Eat Out More Often, This Pussy Belongs To Me, and The Dirty Dozens, where "with jazz and R&B musicians playing in the background, [Moore] would recite raunchy, sexually explicit rhymes that often had to do with pimps, prostitutes, players, and hustlers."[10]

Moore was influenced by more mainstream comedians such as Red Foxx and Richard Pryor, as well as by traditions such as the Dozens. The recordings were usually made in Moore's own house, with friends in attendance to give a party atmosphere. The album covers and contents were often too racy to be put on display in record stores,[9] but the records became popular through word of mouth and were highly successful in disadvantaged black American communities,[1] where his "warped wit and anti-establishment outlook" were embraced.[4]

Moore spent most of his earnings from the records to finance the movie Dolemite, which appeared in 1975 and has been described as "one of the great blaxploitation movies" of the 1970s.[3][4] The character was "the ultimate ghetto hero: a bad dude, profane, skilled at kung-fu, dressed to kill and hell-bent on protecting the community from evil menaces. He was a pimp with a kung-fu-fighting clique of prostitutes and he was known for his sexual prowess."[9]

The film was successful and was followed by sequels, The Human Tornado, The Monkey Hustle, and Petey Wheatstraw: The Devil's Son-in-Law. Moore continued to release albums that appealed to his enduring fanbase through the 1970s and 1980s, but little of his work reached the mainstream white audience. His "rapid-fire rhyming salaciousness exceeded the wildest excesses" of Foxx and Pryor,[1] and his highly explicit style kept him off television and major films.[3][9] At the same time, Moore often spoke in his church and regularly took his mother to the National Baptist Convention. He said that: "I wasn't saying dirty words just to say them... It was a form of art, sketches in which I developed ghetto characters who cursed. I don't want to be referred to as a dirty old man, rather a ghetto expressionist."[9]

He came to be regarded as a major influence by many later rap stars. Snoop Dogg said: "Without Rudy Ray Moore, there would be no Snoop Dogg, and that's for real."[1] Moore appeared on Big Daddy Kane's 1990 album Taste of Chocolate and 2 Live Crew's 1994 album Back at Your Ass for the Nine-4. On an episode of Martin titled "The Players Came Home," he appeared as himself in the Dolemite character. He also reprised his Dolemite character in an appearance on Snoop Dogg's 1999 album No Limit Top Dogg and Busta Rhymes' When Disaster Strikes... and Genesis.

In 2000, Moore starred in Big Money Hustlas, a movie created by and starring the hip hop group Insane Clown Posse, in which he played Dolemite for the first time in over 20 years. In 2006, Moore voice acted in the show Sons of Butcher, as Rudy in season 2. In 2008, he reprised the character Petey Wheatstraw on the song "I Live for the Funk," which featured Blowfly and Daniel Jordan. This marked the first time Blowfly and Rudy collaborated on the same record together—and the 30-year anniversary of the movie Petey Wheatstraw and was also the final recording Rudy made before his death.[11]

On October 19, 2008, Moore died in Akron, Ohio, of complications from diabetes. He was never married; his mother, two brothers and one sister, daughter and grandchildren survived him.[9]

Discography

  • Below the Belt (1959)
  • Beatnik Scene (1962)
  • Comedian is Born (1964)
  • Let's Come Together (1970, recorded 1967)
  • Eat Out More Often (1970)
  • This Pussy Belongs To Me
  • Dolemite for President (1972)
  • Merry Christmas, Baby
  • Cockpit
  • Return of Dolemite
  • Sensuous Black Man
  • Zodiac
  • I Can't Believe I Ate the Whole Thing
  • Jokes by Redd Foxx
  • Live in Concert
  • The Player—The Hustler
  • House Party: Dirty Dozens Vol.1
  • The Streaker
  • Dolemite Is Another Crazy Nigger
  • Sweet Peeter Jeeter
  • Turning Point
  • Close Encounter of the Sex Kind
  • Good-Ole Big Ones
  • Hip-Shakin' Papa
  • Greatest Hits (1995)
  • This Ain't No White Christmas
  • Raw, Rude, and Real—More Greatest Hits
  • 21st-Century Dolemite (2002)
  • Hully Gully Fever
  • Genius of Rudy Ray Moore
  • Dolemite For President—Special Edition (2008)
  • 50 Years Of Cussing (2009)

Filmography

Year Title Role Notes
1975 Dolemite Dolemite
1976 The Human Tornado Dolemite
The Monkey Hu$tle Goldie
1977 Petey Wheatstraw Petey
1979 Disco Godfather Tucker Williams
1982 Penitentiary II Husband
1995 Murder Was the Case: The Movie Dolemite short film
1997 Violent New Breed Pastor Williams direct-to-video
B*A*P*S Nate
Fakin' da Funk Larry
1999 Shaolin Dolemite Monk Ru-Dee direct-to-video
Jackie's Back Bad Guy TV
2000 Big Money Hustlas Dolemite
Shoe Shine Boys
2002 The Return of Dolemite Dolemite
2003 The Watermelon Heist Angel of Death
2005 Sons of Butcher (TV series) Rudy the psychic janitor season 2, 1 episode
Vampire Assassin
2007 A Stupid Movie for Jerks Cop
2009 It came from Trafalgar Dangerous Dan

References

  1. ^ a b c d e Douglas Martin, "Rudy Ray Moore, 81, a Precursor of Rap, Dies", NY Times, 22 October 2008. Retrieved February 23, 2014
  2. ^ MTV
  3. ^ a b c Allmusic Biography by Cub Koda. Retrieved February 23, 2014
  4. ^ a b c d Soren Baker, "`Dolemite' star explores mus7ic", The Chicago Tribune, 10 May 2002. Retrieved February 23, 2014
  5. ^ a b Dootsie Williams, Liner notes for Below The Belt. Retrieved February 23, 2014
  6. ^ Obituary, Rudolph Frank "Rudy Ray Moore" Moore, 21 October 2008. Retrieved February 23, 2014
  7. ^ a b Biography by Mark Jason Murray at Rudy Ray Moore website. Retrieved February 23, 2014
  8. ^ Discography at WangDangDula.com. Retrieved February 23, 2014
  9. ^ a b c d e f Jocelyn Y Stewart, "Obituary: Rudy Ray Moore", Los Angeles Times, 21 October 2008. Retrieved February 23, 2014
  10. ^ Alex Henderson, Review of This Pussy Belongs To Me at Allmusic.com. Retrieved February 23, 2014
  11. ^ I Live 4 The Funk – Analog Medium
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