Sense and Sensibility

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This article is about the novel. For other uses, see Sense and Sensibility (disambiguation).
Sense and Sensibility
SenseAndSensibilityTitlePage.jpg
Title page from the original 1811 edition
Author Jane Austen
Country United Kingdom
Language English
Genre Romance novel
Publisher Thomas Egerton, Military Library (Whitehall, London)
Publication date
1811
OCLC 44961362
Followed by Pride and Prejudice

Sense and Sensibility is a novel by Jane Austen, published in 1811. It was published anonymously; By A Lady appears on the cover page where the author's name might have been. It tells the story of the Dashwood sisters, Elinor and Marianne, both of age to marry.

The novel follows the young women to their new home with their widowed mother, a meagre cottage on the property of a distant relative, where they experience love, romance and heartbreak. The novel is set in southwest England, London and Kent between 1792 and 1797.[1]

The novel sold out its first print run of 750 copies in the middle of 1813, marking a success for its author, who then had a second print run later that year. The novel continued in publication throughout the 19th, 20th and 21st centuries.

Plot summary[edit]

When Mr Henry Dashwood dies, his house, Norland Park, passes directly to his only son John, the child of his first wife. His second wife, Mrs Dashwood, and their daughters, Elinor, Marianne and Margaret, inherit only a small income. On his deathbed, Mr Dashwood extracts a promise from his son, that he will take care of his half-sisters; however, John's greedy wife, Fanny, soon persuades him to renege on the promise. John and Fanny immediately move in as the new owners of Norland, while the Dashwood women are treated as unwelcome guests. Mrs Dashwood begins looking for somewhere else to live.

In the meantime, Fanny's brother, Edward Ferrars, a pleasant and reserved young man, visits Norland and soon forms an attachment with Elinor. Fanny disapproves of the match and offends Mrs Dashwood with the implication that Elinor is motivated by money. Mrs Dashwood finds a new home.

Mrs Dashwood moves her family to Barton Cottage in Devonshire, near the home of her cousin, Sir John Middleton. Their new home is modest; they are warmly received by Sir John, and welcomed into local society — meeting his wife, Lady Middleton, his mother-in-law, Mrs Jennings and his friend, the grave and gentlemanly Colonel Brandon. Colonel Brandon is attracted to Marianne, and Mrs Jennings teases them about it. Marianne is not pleased as she considers the thirty-five-year-old Colonel Brandon an old bachelor, incapable of falling in love or inspiring love in anyone else.

A 19th-century illustration by Hugh Thomson showing Willoughby cutting a lock of Marianne's hair

Marianne, out for a walk, gets caught in the rain, slips and sprains her ankle. The dashing John Willoughby sees the accident and assists her. Marianne quickly comes to admire his good looks and outspoken views on poetry, music, art and love. Mr Willoughby's attentions are so overt that Elinor and Mrs Dashwood suspect that the couple are secretly engaged. Elinor cautions Marianne against her unguarded conduct, but Marianne refuses to check her emotions. Unexpectedly, Mr Willoughby informs the Dashwoods that his aunt is sending him to London on business, indefinitely. Marianne is distraught and abandons herself to her sorrow.

Edward Ferrars then pays a short visit to Barton Cottage but seems unhappy. Elinor fears that he no longer has feelings for her, but feels compelled to protect her family from knowing her heartache. Soon after Edward departs, Anne and Lucy Steele, the cousins of Lady Middleton, come to stay at Barton Park. Lucy informs Elinor of her secret four-year engagement to Edward Ferrars, displaying proofs. Elinor understands Edward's recent behaviour towards her and acquits him of blame. She pities Edward for being held to a loveless engagement by his sense of honour.

Elinor and Marianne accompany Mrs Jennings to London. On arriving, Marianne rashly writes a series of personal letters to Willoughby, which go unanswered. When they finally meet, Mr Willoughby greets Marianne reluctantly and coldly, to her extreme distress. Soon Marianne receives a curt letter enclosing their former correspondence and love tokens, including a lock of her hair and informing her of his engagement to a young lady with a large fortune. Marianne is devastated, and admits to Elinor that she and Willoughby were never engaged, but she loved him and he led her to believe he loved her. Colonel Brandon reveals to Elinor that Willoughby had seduced Brandon's fifteen-year-old ward, Miss Williams, then abandoned her when she became pregnant. Brandon had been in love with her mother, who had been his father's ward and who had been forced into an unhappy marriage to his brother; Marianne strongly reminds him of her.

The Steele sisters have come to London as guests of John and Fanny Dashwood. Lucy sees her invitation to the Dashwoods' as a personal compliment, rather than what it is, a slight to Elinor. In the false confidence of their popularity, Anne Steele betrays Lucy's secret. As a result, the Misses Steele are turned out of the house, and Edward is ordered to break off the engagement on pain of disinheritance. Edward, refuses to comply and is immediately disinherited in favour of his brother, gaining widespread respect for his conduct, and sympathy from Elinor and Marianne who understand how much he has sacrificed. Colonel Brandon shows his admiration by offering Edward the living of Delaford parsonage.

Mrs Jennings takes Elinor and Marianne to the country to visit her second daughter. In her misery over Willoughby's marriage, Marianne becomes dangerously ill. Willoughby arrives to repent and reveals to Elinor that his love for Marianne was genuine. When his aunt learned of his behaviour towards Miss Williams and disinherited him, he felt he had to marry for money rather than love. He elicits Elinor's pity because his choice has made him unhappy.

When Marianne recovers, Elinor tells her of Willoughby's visit. Marianne comes to see that she could never have been happy with Willoughby's immoral and expansive nature. She comes to value Elinor's conduct in a similar situation and resolves to model herself after Elinor's courage and good sense. On learning that Lucy has married 'Mr Ferrars', Elinor grieves, until Edward arrives and reveals that, after his disinheritance, Lucy jilted him in favour of his now wealthy brother, Robert. Edward and Elinor soon marry, and later Marianne marries Colonel Brandon, having gradually come to love him.

Characters[edit]

Main characters[edit]

  • Elinor Dashwood — the sensible and reserved eldest daughter of Mr and Mrs Henry Dashwood. She is 19 years old at the beginning of the book. She becomes attached to Edward Ferrars, the brother-in-law of her elder half-brother, John. Always feeling a keen sense of responsibility to her family and friends, she places their welfare and interests above her own, and suppresses her own strong emotions in a way that leads others to think she is indifferent or cold-hearted.
  • Marianne Dashwood — the romantically inclined and eagerly expressive second daughter of Mr and Mrs Henry Dashwood. She is 16 years old at the beginning of the book. She is the object of the attentions of Colonel Brandon and Mr Willoughby. She is attracted to young, handsome, romantically spirited Willoughby and does not think much of the older, more reserved Colonel Brandon. Marianne undergoes the most development within the book, learning her sensibilities have been selfish. She decides her conduct should be more like that of her elder sister, Elinor.
  • Edward Ferrars — the elder of Fanny Dashwood's two brothers. He forms an attachment to Elinor Dashwood. Years before meeting the Dashwoods, Ferrars proposed to Lucy Steele, the niece of his tutor. The engagement has been kept secret owing to the expectation that Ferrars' family would object to his marrying Miss Steele. He is disowned by his mother on discovery of the engagement after refusing to give it up.
  • John Willoughby — a philandering nephew of a neighbour of the Middletons, a dashing figure who charms Marianne and shares her artistic and cultural sensibilities. It is generally presumed by many of their mutual acquaintances that he is engaged to marry Marianne (partly due to her own overly familiar actions, i.e., addressing personal letters directly to him).
  • Colonel Brandon — a close friend of Sir John Middleton. He is 35 years old at the beginning of the book. He falls in love with Marianne at first sight, as she reminds him of his father's ward whom he had fallen in love with when he was young. He is prevented from marrying the ward because his father was determined she marry his older brother. He was sent into the military abroad to be away from her, and while gone, the girl suffered numerous misfortunes—partly as a consequence of her unhappy marriage. She finally dies penniless and disgraced, and with a natural (i.e., illegitimate) daughter, who becomes the ward of the Colonel. He is a very honourable friend to the Dashwoods, particularly Elinor, and offers Edward Ferrars a living after Edward is disowned by his mother.

Minor characters[edit]

  • Henry Dashwood – a wealthy gentleman who dies at the beginning of the story. The terms of his estate — entailment to a male heir — prevent him from leaving anything to his second wife and their children. He asks John, his son by his first wife, to look after (meaning ensure the financial security of) his second wife and their three daughters.
  • Mrs Dashwood – the second wife of Henry Dashwood, who is left in difficult financial straits by the death of her husband. She is 40 years old at the beginning of the book. Much like her daughter Marianne, she is very emotive and often makes poor decisions based on emotion rather than reason.
  • Margaret Dashwood – the youngest daughter of Mr and Mrs Henry Dashwood. She is thirteen at the beginning of the book. She is also romantic and good-tempered but not expected to be as clever as her sisters when she grows older.
  • John Dashwood – the son of Henry Dashwood by his first wife. He intends to do well by his half-sisters, but he has a keen sense of avarice, and is easily swayed by his wife.
  • Fanny Dashwood – the wife of John Dashwood, and sister to Edward and Robert Ferrars. She is vain, selfish, and snobbish. She spoils her son Harry. She is very harsh to her husband's half-sisters and stepmother, especially since she fears her brother Edward is attached to Elinor.
  • Sir John Middleton – a distant relative of Mrs Dashwood who, after the death of Henry Dashwood, invites her and her three daughters to live in a cottage on his property. Described as a wealthy, sporting man who served in the army with Colonel Brandon, he is very affable and keen to throw frequent parties, picnics, and other social gatherings to bring together the young people of their village. He and his mother-in-law, Mrs Jennings, make a jolly, teasing, and gossipy pair.
  • Lady Middleton – the genteel, but reserved wife of Sir John Middleton, she is quieter than her husband, and is primarily concerned with mothering her four spoiled children.
  • Mrs Jennings – mother to Lady Middleton and Charlotte Palmer. A widow who has married off all her children, she spends most of her time visiting her daughters and their families, especially the Middletons. She and her son-in-law, Sir John Middleton, take an active interest in the romantic affairs of the young people around them and seek to encourage suitable matches, often to the particular chagrin of Elinor and Marianne.
  • Robert Ferrars – the younger brother of Edward Ferrars and Fanny Dashwood, he is most concerned about status, fashion, and his new barouche. He subsequently marries Miss Lucy Steele after Edward is disowned.
  • Mrs Ferrars – Fanny Dashwood and Edward and Robert Ferrars' mother. A bad-tempered, unsympathetic woman who embodies all the foibles demonstrated in Fanny and Robert's characteristics. She is determined that her sons should marry well.
  • Charlotte Palmer – the daughter of Mrs Jennings and the younger sister of Lady Middleton, Mrs Palmer is jolly but empty-headed and laughs at inappropriate things, such as her husband's continual rudeness to her and to others.
  • Thomas Palmer – the husband of Charlotte Palmer who is running for a seat in Parliament, but is idle and often rude. He is considerate toward the Dashwood sisters.
  • Lucy Steele – a young, distant relation of Mrs Jennings, who has for some time been secretly engaged to Edward Ferrars. She assiduously cultivates the friendship with Elinor Dashwood and Mrs John Dashwood. Limited in formal education and financial means, she is nonetheless attractive, clever, manipulative, cunning and scheming.
  • Anne/Nancy Steele – Lucy Steele's elder, socially inept, and less clever sister.
  • Miss Sophia Grey – a wealthy and malicious heiress whom Mr Willoughby marries to retain his comfortable lifestyle after he is disinherited by his aunt.
  • Lord Morton – the father of Miss Morton.
  • Miss Morton – a wealthy woman whom Mrs Ferrars wants her eldest son, Edward, and later Robert, to marry.
  • Mr Pratt – an uncle of Lucy Steele and Edward's tutor.
  • Eliza Williams (daughter) – the ward of Col. Brandon, she is about 15 years old and bore an illegitimate child to John Willoughby. She has the same name as her mother.
  • Eliza Williams (mother) – the former love interest of Colonel Brandon. Williams was Brandon's father's ward, and was forced to marry Brandon's older brother. The marriage was an unhappy one, and it is revealed that her daughter was left as Colonel Brandon's ward when he found his lost love dying in a poorhouse.
  • Mrs Smith – the wealthy aunt of Mr Willoughby who disowns him for seducing and abandoning the young Eliza Williams, Col. Brandon's ward.

Development of the novel[edit]

Jane Austen wrote the first draft of the novel in the form of a novel-in-letters (epistolary form) sometime around 1795 when she was about 19 years old, and gave it the title Elinor and Marianne. She later changed the form to a narrative and the title to Sense and Sensibility.[2] The title of the book, and that of her next published novel, Pride and Prejudice (1813), may be suggestive of political conflicts of the 1790s.[3][clarification needed]

Austen drew inspiration for Sense and Sensibility from other novels of the 1790s that treated similar themes, including Adam Stevenson's "Life and Love" (1785) which he had written about himself and a relationship that was not meant to be. A Gossip's Story by Jane West published in 1796, which features two sisters, one full of rational sense and the other of romantic, emotive sensibility is considered to be an inspiration as well. West’s romantic sister-heroine shares a first name with Austen’s: Marianne. There are further textual similarities, described in a modern edition of West's novel.[4]

Title[edit]

"Sense" means good judgment or prudence, and "sensibility" means sensitivity or emotionality. "Sense" is identified with the character of Elinor, while "sensibility" is identified with the character of Marianne. By changing the title, Austen added "philosophical depth" to what began as a sketch of two characters.[5]

Critical views[edit]

Austen biographer Claire Tomalin argues that Sense and Sensibility has a "wobble in its approach", which developed because Austen, in the course of writing the novel, gradually became less certain about whether sense or sensibility should triumph.[6] Austen characterises Marianne as a sweet lady with attractive qualities: intelligence, musical talent, frankness, and the capacity to love deeply. She also acknowledges that Willoughby, with all his faults, continues to love and, in some measure, appreciate Marianne. For these reasons, some readers find Marianne's ultimate marriage to Colonel Brandon an unsatisfactory ending.[7]

Other interpretations, however, have argued that Austen's intention was not to debate the superior value of either sense or sensibility in good judgment, but rather to demonstrate that both qualities are equally important, but must be in balance.[citation needed] The novel is an early example of the category romance novel.[8]

Publication history[edit]

The three volumes of the first edition of Sense and Sensibility, 1811

In 1811, Thomas Egerton of the Military Library publishing house in London accepted the manuscript for publication in three volumes. Austen paid to have the book published and paid the publisher a commission on sales. The cost of publication was more than a third of Austen's annual household income of £460 (about £15,000 in 2008 currency).[9] She made a profit of £140 (almost £5,000 in 2008 currency)[9] on the first edition, which sold all 750 printed copies by July 1813. A second edition was advertised in October 1813.

The novel has been in continuous publication through to the 21st century as popular and critical appreciation of all the novels by Jane Austen slowly grew.

Adaptations[edit]

The book has been adapted for film and television a number of times, including a 1981 serial for TV directed by Rodney Bennett; a 1995 movie adapted by Emma Thompson and directed by Ang Lee; a version in Tamil called Kandukondain Kandukondain, released in 2000, starring Aishwarya Rai Bachchan; and a 2008 TV series on BBC adapted by Andrew Davies and directed by John Alexander.

Sense & Sensibility, the Musical (book and lyrics by Jeffrey Haddow and music by Neal Hampton) received its world premiere by the Denver Center Theatre Company in April 2013 staged by Tony-nominated director Marcia Milgrom Dodge. In 2014, the Utah Shakespeare Festival presented Joseph Hanreddy and J.R. Sullivan's adaptation of the novel. In 2016, the Bedlam theatrical troupe mounted a well-received minimalist production, adapted by Kate Hamill and directed by Eric Tucker, from a repertory run in 2014.[10]

In 2013, author Joanna Trollope published Sense & Sensibility: A Novel[11] as a part of series called The Austen Project by the publisher, bringing the characters into the present day and providing modern satire.[12]

See also[edit]

References[edit]

  1. ^ Le Faye, Deirdre (2002). Jane Austen: The World of Her Novels. London: Frances Lincoln Publishers. p. 155. ISBN 0-7112-1677-0. 
  2. ^ Le Faye, Deirdre (2002). Jane Austen: The World of Her Novels. London: Frances Lincoln Publishers. p. 154. ISBN 0-7112-1677-0. 
  3. ^ Murray, Christopher John (2004). Encyclopedia of the Romantic Era: A-K. 1. Taylor and Francis Books. p. 41. ISBN 1-57958-361-X. 
  4. ^ Looser, Devoney (2015). Introduction. A Gossip's Story,. By West, Jane. Looser, Devoney; O'Connor, Melinda; Kelly, Caitlin, eds. Richmond, Virginia: Valancourt Books. ISBN 978-1943910151. 
  5. ^ Bloom, Harold (2009). Bloom's Modern Critical Reviews: Jane Austen. New York: Infobase Publishing. p. 252. ISBN 978-1-60413-397-4. 
  6. ^ Tomalin, Claire (1997). Jane Austen: A Life. New York: Random House. p. 155. ISBN 0-679-44628-1. 
  7. ^ Tomalin, Claire (1997). Jane Austen: A Life. New York: Random House. pp. 156–157. ISBN 0-679-44628-1. 
  8. ^ Regis, Pamela (2007). A Natural History of the Romance Novel. University of Pennsylvania Press. ISBN 978-0-8122-3303-2. 
  9. ^ a b Sanborn, Vic (10 February 2008). "Pride and Prejudice Economics: Or Why a Single Man with a Fortune of £4,000 Per Year is a Desirable Husband". Jane Austen's World. Retrieved 27 August 2016. 
  10. ^ Brantley, Ben. "Review: A Whirlwind of Delicious Gossip in 'Sense & Sensibility'". New York Times. Retrieved 14 April 2016. 
  11. ^ Trollope, Joanna (2013). Sense & Sensibility: A Novel. HarperCollins. ISBN 978-0007461769. 
  12. ^ Craig, Amanda (18 October 2013). "Book review: Sense & Sensibility, By Joanna Trollope". The Independent. Retrieved 15 September 2016. 

External links[edit]