This article must adhere to the biographies of living persons (BLP) policy, even if it is not a biography, because it contains material about living persons. Contentious material about living persons that is unsourced or poorly sourcedmust be removed immediately from the article and its talk page, especially if potentially libellous. If such material is repeatedly inserted, or if you have other concerns, please report the issue to this noticeboard.If you are a subject of this article, or acting on behalf of one, and you need help, please see this help page.
This article is rated Start-class on Wikipedia's content assessment scale. It is of interest to the following WikiProjects:
This article is within the scope of WikiProject Biography, a collaborative effort to create, develop and organize Wikipedia's articles about people. All interested editors are invited to join the project and contribute to the discussion. For instructions on how to use this banner, please refer to the documentation.BiographyWikipedia:WikiProject BiographyTemplate:WikiProject Biographybiography articles
This article falls within the scope of WikiProject Opera, a group writing and editing Wikipedia articles on operas, opera terminology, opera composers and librettists, singers, designers, directors and managers, companies and houses, publications and recordings. The project discussion page is a place to talk about issues and exchange ideas. New members are welcome!OperaWikipedia:WikiProject OperaTemplate:WikiProject OperaOpera articles
This article is within the scope of WikiProject Women in Music, a collaborative effort to improve the coverage of Women in music on Wikipedia. If you would like to participate, please visit the project page, where you can join the discussion and see a list of open tasks.Women in MusicWikipedia:WikiProject Women in MusicTemplate:WikiProject Women in MusicWomen in music articles
This article reads like a publicity hand-out or a fan page[edit]
Sylvia Sass has had a significant career but is not well-served by this entry which lacks a neutral point of view and is entirely devoid of references. Voceditenore 08:10, 10 June 2007 (UTC)[reply]
For future editors who might wish to improve this article - some suggestions for sources, which are available on the internet:
Géza Fodor, 'Hungaroton's Verdi Recordings- A Decade and a Half On', Hungarian Quarterly, Vol. XLII, No. 161. Spring 2001.
John Rockwell, 'Review: Blue Beard's Castle', New York Times January 9, 1986.
Juan Antonio Muñoz, 'La voz y el pincel', El Mercurio, December 12, 1994. (in Spanish)
