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The Bunker (1981 film)

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The Bunker
GenreDrama
History
War
Based onThe Bunker
by James P. O'Donnell
Written byJohn Gay
Directed byGeorge Schaefer
Starring
Music byBrad Fiedel
Country of originUnited States
Original languageEnglish
Production
Executive producerBernard Sofronski
Producers
CinematographyJean-Louis Picavet
EditorGreyfox
Running time154 minutes
Production companyTime-Life Productions
Original release
NetworkCBS
ReleaseJanuary 27, 1981 (1981-01-27)

The Bunker is a 1981 American made-for-television historical war film produced by Time-Life Productions based on the 1975 book The Bunker by James P. O'Donnell.[1]

The film, directed by George Schaefer and adapted for the screen by John Gay, is a dramatization depicting the events surrounding Adolf Hitler's last weeks in and around his underground bunker in Berlin before and during the Battle of Berlin. The film stars Anthony Hopkins as Hitler, plus a cast including Richard Jordan, Susan Blakely, and Cliff Gorman.

At the 33rd Primetime Emmy Awards in 1981, Anthony Hopkins won the Primetime Emmy Award for Outstanding Lead Actor in a Miniseries or a Movie beating out two actors from the miniseries Shogun (Richard Chamberlain and Toshiro Mifune) and two actors from the miniseries Masada (Peter O'Toole and Peter Strauss).

Plot

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The film opens in July 1945, with American correspondent James O'Donnell (James Naughton) gaining entry to the now dark and flooded Führerbunker by bribing a Soviet sentry with a packet of cigarettes. The film then tells the story of the occupants of the bunker between January and May 1945 as an extended flashback. A number of historical events and the reactions of the bunker's residents are presented, including the encirclement of Berlin, Hitler's last meeting with Albert Speer and the attempts by Speer to sabotage Hitler's scorched earth policy, Speer's abortive plan to kill Hitler in the bunker, Hitler's dismissal of Heinz Guderian, Hitler's firing of Heinrich Himmler and Hermann Goering, the failure of German forces to lift the siege, the murder of the Goebbels children, Hitler's wedding to Eva Braun, and the suicides of Hitler, Braun and the Goebbels.

The film ends as groups of survivors are leaving the bunker complex of the Reich Chancellery. The final scene depicts the bunker's mechanic and final occupant, Hentschel, listening to a radio announcement that Hitler has died fighting. He throws a set of papers at the radio in disgust and the scene dissolves to a series of still images with voiceover explaining the fate of the remaining survivors. The last still image is of Hitler giving a speech during his rise to power, with O'Donnel's voiceover:

It was Thomas Hardy who said 'While much is too strange to be believed, nothing is too strange to have happened.'

The still then comes to life briefly, depicting Hitler giving a political speech. The scene dissolves into the final still image of the ruined bunker as the credits roll.

Production

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The actors' interpretations of the events differ in ways from the traditional accounts. For example, during the final meeting between Hitler and Albert Speer, Hopkins adopts a sarcastic tone and gestures (including mock applause) that suggest that Hitler was already aware of Speer's betrayal, even though he uses the exact words recounted by the witnesses.[citation needed] This became a fairly controversial scene due to a perception in some circles that the resemblance to Jesus Christ's legendary foreseeing of Judas's betrayal was intentional. These accusations were consistently denied,[by whom?] as were reports regarding a rumoured on-set romance between Piper Laurie (Magda Goebbels) and Cliff Gorman (Joseph Goebbels).

The film shifts the point-of-view character regularly, and characters who are not known to have left their experiences on record often tell the story. Dr. Werner Haase is used in this manner, even though he was never interviewed (having died in 1950). Likewise, two scenes are written from the viewpoint of Hitler's cook, Constanze Manziarly, and in one scene, Manziarly actually has a flashback, remembering happier days. However, Manziarly disappeared while escaping from the bunker, so neither O'Donnell nor any other person was able to interview her or get her viewpoint.

The ending is also influenced by O'Donnell's book and its focus on the bunker itself, ending just as the main surviving characters are leaving the bunker.

Cast

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In a short scene at the beginning of the film, a younger O'Donnell is played by actor James Naughton. O'Donnell himself provided brief voice-over narrations at the beginning and end of the film.

Anthony Hopkins won an Emmy for his portrayal of Adolf Hitler. Actors on the set claimed his performance was so convincing[by whom?] that those playing German soldiers snapped to attention whenever Hopkins came onto the set, even if he wasn't in character.

Actors Michael Sheard (Himmler) and Tony Steedman (Jodl) reprised their characters from the 1973 British television film The Death of Adolf Hitler.

Awards and nominations

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Year Award Category Nominee(s) Result Ref.
1981
 Primetime Emmy Awards Outstanding Lead Actor in a Limited Series or a Special Anthony Hopkins Won [2]
Outstanding Supporting Actress in a Limited Series or a Special Piper Laurie Nominated
Outstanding Film Sound Mixing René Magnol, Robert L. Harman,
William McCaughey, and Howard S. Wollman 		Nominated

See also

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References

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  1. ^ J. O'Connor, John (January 27, 1981). "TV: 'Bunker,' On Hitler's Last Days". The New York Times.
  2. ^ "The Bunker". Academy of Television Arts & Sciences. Retrieved October 15, 2023.
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