User:LazyStarryNights/Lists of compositions by Johannes Brahms
Appearance
Project
[edit]Purpose
[edit]This is work in progress with the ultimate goal of:
- Merging these:
- List of compositions by Johannes Brahms by genre
- List of compositions by Johannes Brahms by opus number
- Lists of compositions by Johannes Brahms
- Enriching with data from IMSLP if possible
- Make further progress on this general initiative: Wikipedia_talk:WikiProject_Classical_music#Improving "List of compositions" articles
Current status
[edit]- All data of the current Brahms lists on WP and IMSLP combined in one overview.
- Added "Genre (Proposed)"
TODO
[edit]- Add Title (proposed)
- Wikify Intrumentation and Notes columns
- Merge into the actual articles
Draft article
[edit]The following is a list of compositions by the composer Johannes Brahms classified by opus number (Op.) and including works without opus numbers (WoO) and appendix works (Anh.).
List
[edit]ID | Title | Key | Genre | Scored for | Composed | IMSLP | Notes |
---|---|---|---|---|---|---|---|
Op. 1 | Piano Sonata No. 1 | C major | Sonata | Piano | 1852–53 | ♫ | |
Op. 2 | Piano Sonata No. 2 | F♯ minor | Sonata | Piano | ♫ | ||
Op. 3 | Six Songs | Lied | Soprano or tenor, and piano | 1852–53 | ♫ | ||
Op. 3/1 | Liebestreu | E♭ minor | Lied | Soprano or tenor, and piano | 1853 | ||
Op. 3/2 | Liebe und Frühling No. 1 | B major | Lied | Soprano or tenor, and piano | 1853, rev.1882 | ||
Op. 3/3 | Liebe und Frühling No. 2 | B major | Lied | Soprano or tenor, and piano | 1853 | ||
Op. 3/4 | Lied | E♭ major | Lied | Soprano or tenor, and piano | 1853 | ||
Op. 3/5 | In der Fremde | F♯ minor | Lied | Soprano or tenor, and piano | 1852 | ||
Op. 3/6 | Lied | A major | Lied | Soprano or tenor, and piano | 1852 | ||
Op. 4 | Scherzo | E♭ minor | Scherzo | Piano | 1851 | ♫ | |
Op. 5 | Piano Sonata No. 3 | Sonata | Piano | 1853 | ♫ | ||
Op. 6 | Six Songs | Lied | Soprano or tenor, and piano | 1852–53 | ♫ | ||
Op. 6/1 | Spanisches Lied | A minor | Lied | Soprano or tenor, and piano | 1852 | ||
Op. 6/2 | Der Frühling | E major | Lied | Soprano or tenor, and piano | 1852 | ||
Op. 6/3 | Nachwirkung | A♭ major | Lied | Soprano or tenor, and piano | 1852 | ||
Op. 6/4 | Juche | E♭ major | Lied | Soprano or tenor, and piano | 1852 | ||
Op. 6/5 | Wie die Wolke nach der Sonne | B major | Lied | Soprano or tenor, and piano | 1853 | ||
Op. 6/6 | Nachtigallen schwingen lustig | A♭ major | Lied | Soprano or tenor, and piano | 1853 | ||
Op. 7 | Six Songs | Lied | Voice and piano | 1851–53 | ♫ | ||
Op. 7/1 | Treue Liebe | F♯ minor | Lied | Voice and piano | 1852 | ||
Op. 7/2 | Parole | E minor | Lied | Voice and piano | 1852 | ||
Op. 7/3 | Anklänge | A minor | Lied | Voice and piano | 1853 | ||
Op. 7/4 | Volkslied | E minor | Lied | Voice and piano | 1852 | ||
Op. 7/5 | Die Trauernde | A minor | Lied | Voice and piano | 1852 | ||
Op. 7/6 | Heimkehr | B minor | Lied | Voice and piano | 1851 | ||
Op. 8 | Piano Trio No. 1 | B major | Trio | Violin, piano, and cello | 1853–54, rev.1889 | ♫ | |
Op. 9 | Variations on a Theme by Robert Schumann | F♯ minor | Variation | Piano | 1854 | ♫ | |
Op. 10 | Four Ballades | Ballade | Piano | 1854 | ♫ | ||
Op. 10/1 | Ballade No.1 | D minor | Ballade | Piano | 1854 | ||
Op. 10/2 | Ballade No.2 | D major | Ballade | Piano | 1854 | ||
Op. 10/3 | Ballade No.3 | B minor | Ballade | Piano | 1854 | ||
Op. 10/4 | Ballade No.4 | B major | Ballade | Piano | 1854 | ||
Op. 11 | Serenade No. 1 | D major | Serenade | Orchestra | 1857–58 | ♫ | |
Op. 11 | Serenade No. 1 | D major | Serenade | Piano four hands | 1861? | ♫ | |
Op. 12 | Ave Maria | F major | Roman Catholic Marian music | Female choir and orchestra | 1858 | ♫ | |
Op. 12 | Ave Maria | F major | Roman Catholic Marian music | Female choir and piano or organ | 1858? | ♫ | |
Op. 13 | Begräbnisgesang | C minor | Funeral Music? | Choir, clarinet, bassoon, horn, 3 trombones, tuba, and 2 timpani | 1858 | ♫ | |
Op. 13 | Begräbnisgesang | C minor | Funeral Music? | Choir and piano | 1858–59? | ♫ | |
Op. 14 | Eight Songs and Romances | Lied | Voice and piano | 1858 | ♫ | ||
Op. 14/1 | Vor dem Fenster | G minor–G major | Lied | Voice and piano | 1858 | ||
Op. 14/2 | Vom verwundeten Knaben | A minor | Lied | Voice and piano | 1858 | ||
Op. 14/3 | Murrays Ermordung | E minor | Lied | Voice and piano | 1858 | ||
Op. 14/4 | Ein Sonnett | A♭ major | Lied | Voice and piano | 1858 | ||
Op. 14/5 | Trennung | F major | Lied | Voice and piano | 1858 | ||
Op. 14/6 | Gang zur Liebsten | E minor | Lied | Voice and piano | 1858 | ||
Op. 14/7 | Ständchen | F major | Lied | Voice and piano | 1858 | ||
Op. 14/8 | Sehnsucht | E minor | Lied | Voice and piano | 1858 | ||
Op. 14/8 | Sehnsucht | E minor | Lied | Female choir | |||
Op. 15 | Piano Concerto No. 1 | D minor | Concerto | Piano and orchestra | 1854–59 | ♫ | |
Op. 15 | Piano Concerto No. 1 | D minor | Concerto | 2 pianos | 1859 | ♫ | |
Op. 15 | Piano Concerto No. 1 | D minor | Concerto | Piano four hands | 1859 | ♫ | |
Op. 16 | Serenade No. 2 | A major | Serenade | Orchestra | 1858–59 , rev.1875 | ♫ | |
Op. 16 | Serenade No. 2 | A major | Serenade | Piano four hands | 1875 | ♫ | |
Op. 17 | Four Gesänge | Lied | Female choir, 2 horns, and harp | 1860 | ♫ | ||
Op. 17/1 | Es tönt ein voller Harfenklang | Lied | Female choir, 2 horns, and harp | 1860 | |||
Op. 17/2 | Lied von Shakespeare | Lied | Female choir, 2 horns, and harp | 1860 | |||
Op. 17/3 | Der Gärtner | Lied | Female choir, 2 horns, and harp | 1860 | |||
Op. 17/4 | Gesang aus Fingal | Lied | Female choir, 2 horns, and harp | 1860 | |||
Op. 18 | String Sextet No. 1 | B♭ major | Sextet | 2 violins, 2 violas, and 2 cellos | 1859–60 | ♫ | |
Op. 18 | String Sextet No. 1 | B♭ major | Sextet | Piano four hands | 1861? | ♫ | |
Op. 18b | Theme and Variations | D minor | Sextet | Piano | 1860 | ♫ | |
Op. 19 | Five Poems | Lied | Voice and piano | 1858–59 | ♫ | ||
Op. 19/1 | Der Kuss | B♭ major | Lied | Voice and piano | 1858 | ||
Op. 19/2 | Scheiden und meiden | D minor | Lied | Voice and piano | 1858 | ||
Op. 19/3 | In der Ferne | D minor–D major | Lied | Voice and piano | 1858 | ||
Op. 19/4 | Der Schmied | B♭ major | Lied | Voice and piano | 1859 | ||
Op. 19/5 | An eine Aeolsharfe | A♭ minor–A♭ major | Lied | Voice and piano | 1858 | ||
Op. 20 | Three Duets | Duet | Soprano, alto, and piano | 1858–60 | ♫ | ||
Op. 20/1 | Weg der Liebe No.1 | Duet | Soprano, alto, and piano | 1858 | |||
Op. 20/2 | Weg der Liebe No.2 | Duet | Soprano, alto, and piano | 1858 | |||
Op. 20/3 | Die Meere | Duet | Soprano, alto, and piano | 1860 | |||
Op. 21 | Two Sets of Variations | Variation | Piano | ||||
Op. 21/1 | Eleven Variations on an Original Theme | D major | Variation | Piano | 1857 | ♫ | |
Op. 21/2 | Fourteen Variations on a Hungarian Melody | D major | Variation | Piano | 1854 | ♫ | |
Op. 22 | Seven Marienlieder | Roman Catholic Marian music | Choir | ♫ | |||
Op. 22/1 | Der Englische Gruß | Roman Catholic Marian music | Choir | 1859 | |||
Op. 22/1 | Der Englische Gruß | Roman Catholic Marian music | Female choir | ||||
Op. 22/2 | Marias Kirchgang | Roman Catholic Marian music | Choir | 1859 | |||
Op. 22/2 | Marias Kirchgang | Roman Catholic Marian music | Female choir | ||||
Op. 22/3 | Marias Wallfahrt | Roman Catholic Marian music | Choir | 1859 | |||
Op. 22/4 | Der Jäger | Roman Catholic Marian music | Choir | 1859 | |||
Op. 22/4 | Der Jäger | Roman Catholic Marian music | Female choir | ||||
Op. 22/5 | Ruf zur Maria | Roman Catholic Marian music | Choir | 1859 | |||
Op. 22/5 | Ruf zur Maria | Roman Catholic Marian music | Female choir | ||||
Op. 22/6 | Magdalena | Roman Catholic Marian music | Choir | 1859 | |||
Op. 22/6 | Magdalena | Roman Catholic Marian music | Female choir | ||||
Op. 22/7 | Marias Lob | Roman Catholic Marian music | Choir | 1859 | |||
Op. 22/7 | Marias Lob | Roman Catholic Marian music | Female choir | ||||
Op. 23 | Variations on a Theme by Robert Schumann | E♭ major | Variation | Piano four hands | 1861 | ♫ | |
Op. 24 | Variations and Fugue on a Theme by Handel | B♭ major | Variation | Piano | 1861 | ♫ | |
Op. 25 | Piano Quartet No. 1 | G minor | Quartet | Violin, viola, cello, and piano | 1861 | ♫ | |
Op. 25 | Piano Quartet No. 1 | G minor | Quartet | Piano four hands | 1870? | ♫ | |
Op. 26 | Piano Quartet No. 2 | A major | Quartet | Violin, viola, cello, and piano | 1861 | ♫ | |
Op. 26 | Piano Quartet No. 2 | A major | Quartet | Piano four hands | 1872? | ♫ | |
Op. 27 | Psalm 13 | G minor–G major | Psalm | Female choir and piano or organ | 1859 | ♫ | Version 1 |
Op. 27 | Psalm 13 | G minor–G major | Psalm | Female choir, piano or organ, and strings ad lib. | ♫ | Version 2 | |
Op. 28 | Four Duets | Duet | Alto, baritone, and piano | 1860–62 | ♫ | ||
Op. 28/1 | Die Nonne und der Ritter | Duet | Alto, baritone, and piano | 1860 | |||
Op. 28/2 | Vor der Tür | Duet | Alto, baritone, and piano | 1862 | |||
Op. 28/3 | Es rauschet das Wasser | Duet | Alto, baritone, and piano | 1862 | |||
Op. 28/4 | Der Jäger und sein Liebchen | Duet | Alto, baritone, and piano | 1860 | |||
Op. 29 | Two Motets | Motet | Choir | 1860 | ♫ | ||
Op. 29/1 | Es ist das Heil uns kommen her | Motet | Choir | 1856–60? | |||
Op. 29/2 | Schaffe in mir, Gott, ein rein Herz | Motet | Choir | 1856–60? | |||
Op. 30 | Geistliches Lied | Lied | Choir and piano or organ | 1856 | ♫ | ||
Op. 31 | Three Quartets | Quartet | Soprano, alto, tenor, bass, and piano | ♫ | |||
Op. 31/1 | Wechsellied zum Tanze | Quartet | Soprano, alto, tenor, bass, and piano | 1859 | |||
Op. 31/2 | Neckereien | Quartet | Soprano, alto, tenor, bass, and piano | 1863 | |||
Op. 31/3 | Der Gang zum Liebchen | Quartet | Soprano, alto, tenor, bass, and piano | 1863 | |||
Op. 32 | Nine Songs | Lied | Voice and piano | 1864 | ♫ | ||
Op. 32/1 | Wie rafft ich mich auf in der Nacht | F minor | Lied | Voice and piano | 1864 | ||
Op. 32/2 | Nicht mehr zu dir zu gehen | D minor | Lied | Voice and piano | 1864 | ||
Op. 32/3 | Ich schleich umher | D minor | Lied | Voice and piano | 1864 | ||
Op. 32/4 | Der Strom, der neben mir verrauschte | C♯ minor | Lied | Voice and piano | 1864 | ||
Op. 32/5 | Wehe, so willst du mich wieder | B minor | Lied | Voice and piano | 1864 | ||
Op. 32/6 | Du sprichst, dass ich mich täuschte | C minor | Lied | Voice and piano | 1864 | ||
Op. 32/7 | Bitteres zu sagen denkst du | F major | Lied | Voice and piano | 1864 | ||
Op. 32/8 | So stehn wir, ich und meine Weide | A♭ major | Lied | Voice and piano | 1864 | ||
Op. 32/9 | Wie bist du, meine Königin | E♭ major | Lied | Voice and piano | 1864 | ||
Op. 33 | Fifteen Romances | Lied | Voice and piano | 1861–69 | ♫ | From Liebesgeschichte der schönen Magelone ("Magelone-Lieder") by Ludwig Tieck. | |
Op. 33/1 | Keinen hat es noch gereut | E♭ major | Lied | Voice and piano | 1861 | ||
Op. 33/2 | Traun! Bogen und Pfeil sind gut für den Feind | C minor | Lied | Voice and piano | 1861 | ||
Op. 33/3 | Sind es Schmerzen, sind es Freuden | A♭ major | Lied | Voice and piano | 1861 | ||
Op. 33/4 | Liebe kam aus fernen Landen | D♭ major | Lied | Voice and piano | 1861 | ||
Op. 33/5 | So willst du des Armen? | F major | Lied | Voice and piano | 1862 | ||
Op. 33/6 | Wie soll ich die Freude, die Wonne denn tragen? | A major | Lied | Voice and piano | 1862 | ||
Op. 33/7 | War es dir, dem diese Lippen bebten | D major | Lied | Voice and piano | 1864? | ||
Op. 33/8 | Wir müssen uns trennen | G♭ major | Lied | Voice and piano | 1865? | ||
Op. 33/9 | Ruhe, Süßliebchen | A♭ major | Lied | Voice and piano | 1868? | ||
Op. 33/10 | Verzweiflung | C minor | Lied | Voice and piano | 1866? | ||
Op. 33/11 | Wie schnell verschwindet so Licht als Glanz | F minor | Lied | Voice and piano | 1869? | ||
Op. 33/12 | Muß es eine Trennung geben | G minor | Lied | Voice and piano | 1862 | ||
Op. 33/13 | Sulima | E major | Lied | Voice and piano | 1862 | ||
Op. 33/14 | Wie froh und frisch | G major | Lied | Voice and piano | 1869 | ||
Op. 33/15 | Treue Liebe dauert lange | E♭ major | Lied | Voice and piano | 1869 | ||
Op. 34 | Piano Quintet | F minor | Quintet | 2 violins, viola, cello, and piano | 1862–64 | ♫ | Version 3. (Version 1 was for string sextet and version 2 is Op. 34b). |
Op. 34b | Sonata | F minor | Sonata | 2 pianos | ♫ | Version 2 of the Piano Quintet (Op. 34). | |
Op. 35 | Variations on a Theme of Paganini | A minor | Variation | Piano | 1862–63 | ♫ | |
Op. 36 | String Sextet No. 2 | G major | Sextet | 2 violins, 2 violas, and 2 cellos | 1864–65 | ♫ | |
Op. 36 | String Sextet No. 2 | G major | Sextet | Piano four hands | 1865–66? | ♫ | |
Op. 37 | Three Sacred Choruses | Sacred chorus? | Female choir | 1859–63 | ♫ | ||
Op. 37/1 | O bone Jesu | Sacred chorus? | Female choir | 1859 | |||
Op. 37/2 | Adoramus | Sacred chorus? | Soprano, alto, and female choir | 1859 | |||
Op. 37/3 | Regina Coeli | Sacred chorus? | Female choir | 1863 | |||
Op. 38 | Cello Sonata No. 1 | E minor | Sonata | Cello and piano | 1862–65 | ♫ | |
Op. 39 | Sixteen Waltzes | Waltz | Piano four hands | 1865 | ♫ | Also arranged in two versions for solo piano and, in some cases, for two pianos. | |
Op. 39/1 | Waltz No.1 | B major | Waltz | Piano four hands | 1865 | ||
Op. 39/1 | Waltz No.1 | B major | Waltz | Piano | 1865 | ||
Op. 39/1 | Waltz No.1 | B major | Waltz | 2 pianos | 1867 | ||
Op. 39/2 | Waltz No.2 | E major | Waltz | Piano four hands | 1865 | ||
Op. 39/2 | Waltz No.2 | E major | Waltz | Piano | 1865 | ||
Op. 39/2 | Waltz No.2 | E major | Waltz | 2 pianos | 1867 | ||
Op. 39/3 | Waltz No.3 | G♯ minor | Waltz | Piano four hands | 1865 | ||
Op. 39/3 | Waltz No.3 | G♯ minor | Waltz | Piano | 1865 | ||
Op. 39/4 | Waltz No.4 | E minor | Waltz | Piano four hands | 1865 | ||
Op. 39/4 | Waltz No.4 | E minor | Waltz | Piano | 1865 | ||
Op. 39/5 | Waltz No.5 | E major | Waltz | Piano four hands | 1865 | ||
Op. 39/5 | Waltz No.5 | E major | Waltz | Piano | 1865 | ||
Op. 39/6 | Waltz No.6 | C♯ major | Waltz | Piano four hands | 1865 | ||
Op. 39/6 | Waltz No.6 | C major | Waltz | Piano | 1865 | ||
Op. 39/7 | Waltz No.7 | C♯ minor | Waltz | Piano four hands | 1865 | ||
Op. 39/7 | Waltz No.7 | C♯ minor | Waltz | Piano | 1865 | ||
Op. 39/8 | Waltz No.8 | B♭ major | Waltz | Piano four hands | 1865 | ||
Op. 39/8 | Waltz No.8 | B♭ major | Waltz | Piano | 1865 | ||
Op. 39/8 | Waltz No.8 | B♭ major | Waltz | 2 pianos | 1867 | ||
Op. 39/9 | Waltz No.9 | D minor | Waltz | Piano four hands | 1865 | ||
Op. 39/9 | Waltz No.9 | D minor | Waltz | Piano | 1865 | ||
Op. 39/10 | Waltz No.10 | G major | Waltz | Piano four hands | 1865 | ||
Op. 39/10 | Waltz No.10 | G major | Waltz | Piano | 1865 | ||
Op. 39/11 | Waltz No.11 | B minor | Waltz | Piano four hands | 1865 | ||
Op. 39/11 | Waltz No.11 | B minor | Waltz | Piano | 1865 | ||
Op. 39/11 | Waltz No.11 | B minor | Waltz | 2 pianos | 1867 | ||
Op. 39/12 | Waltz No.12 | E major | Waltz | Piano four hands | 1865 | ||
Op. 39/12 | Waltz No.12 | E major | Waltz | Piano | 1865 | ||
Op. 39/13 | Waltz No.13 | C major | Waltz | Piano four hands | 1865 | ||
Op. 39/13 | Waltz No.13 | B major | Waltz | Piano | 1865 | ||
Op. 39/14 | Waltz No.14 | A minor | Waltz | Piano four hands | 1865 | ||
Op. 39/14 | Waltz No.14 | G♯ minor | Waltz | Piano | 1865 | ||
Op. 39/14 | Waltz No.14 | G♯ minor | Waltz | 2 pianos | 1867 | ||
Op. 39/15 | Waltz No.15 | A major | Waltz | Piano four hands | 1865 | ||
Op. 39/15 | Waltz No.15 | A♭ major | Waltz | Piano | 1865 | ||
Op. 39/15 | Waltz No.15 | A♭ major | Waltz | 2 pianos | 1867 | ||
Op. 39/16 | Waltz No.16 | D minor | Waltz | Piano four hands | 1865 | ||
Op. 39/16 | Waltz No.16 | C♯ minor | Waltz | Piano | 1865 | ||
Op. 40 | Horn Trio | E♭ major | Trio | Natural horn or cello, violin, and piano | 1865 | ♫ | Version 1 |
Op. 40 | Horn Trio | E♭ major | Trio | Horn or viola or cello, violin, and piano | 1891 | ♫ | Version 2 |
Op. 41 | Five Songs | Lied | Men's chorus | 1861–62 | ♫ | ||
Op. 41/1 | Ich schwing mein Horn ins Jammerthal | Lied | Men's chorus | 1861–62 | |||
Op. 41/1 | Ich schwing mein Horn ins Jammerthal | Lied | Female choir | ||||
Op. 41/2 | Freiwillige Her! | Lied | Men's chorus | 1861–62 | |||
Op. 41/2 | Freiwillige Her! | Lied | Female choir | ||||
Op. 41/3 | Geleit | Lied | Men's chorus | 1861–62 | |||
Op. 41/4 | Marschieren | Lied | Men's chorus | 1861–62 | |||
Op. 41/5 | Gebt Acht! | Lied | Men's chorus | 1861–62 | |||
Op. 42 | Three Gesänge | Lied | Choir and piano ad lib. | ♫ | |||
Op. 42/1 | Abendständchen | Lied | Choir and piano ad lib. | 1859 | |||
Op. 42/2 | Vineta | Lied | Choir and piano ad lib. | 1860 | |||
Op. 42/2 | Vineta | Lied | Female choir | ||||
Op. 42/3 | Darthulas Grabgesang | Lied | Choir and piano ad lib. | 1861 | |||
Op. 43 | Four Songs | Lied | Voice and piano | 1857–64 | ♫ | ||
Op. 43/1 | Von ewiger Liebe | B minor–B major | Lied | Voice and piano | 1864 | ||
Op. 43/2 | Die Mainacht | E♭ major | Lied | Voice and piano | 1866 | ||
Op. 43/3 | Ich schell mein Horn ins Jammerthal | B♭ major | Lied | Voice and piano | 1860? | ||
Op. 43/4 | Das Lied vom Herrn von Falkenstein | C minor | Lied | Voice and piano | 1857 | ||
Op. 44 | Twelve Songs and Romances | Lied | Female choir and piano ad lib. | 1859–60 | ♫ | ||
Op. 44/1 | Minnelied | Lied | Female choir and piano ad lib. | 1859–60 | |||
Op. 44/1 | Minnelied | Lied | Female choir | ||||
Op. 44/2 | Der Bräutigam | Lied | Female choir and piano ad lib. | 1859–60 | |||
Op. 44/3 | Barcarole | Lied | Female choir and piano ad lib. | 1859–60 | |||
Op. 44/4 | Fragen | Lied | Female choir and piano ad lib. | 1859–60 | |||
Op. 44/5 | Die Müllerin | Lied | Female choir and piano ad lib. | 1859–60 | |||
Op. 44/5 | Die Müllerin | Lied | Female choir | ||||
Op. 44/6 | Die Nonne | Lied | Female choir and piano ad lib. | 1859–60 | |||
Op. 44/6 | Die Nonne | Lied | Female choir | ||||
Op. 44/7 | Nun stehn die Rosen in Blüte | Lied | Female choir and piano ad lib. | 1859–60 | |||
Op. 44/8 | Die Berge sind spitz | Lied | Female choir and piano ad lib. | 1859–60 | |||
Op. 44/9 | Am Wildbach die Weiden | Lied | Female choir and piano ad lib. | 1859–60 | |||
Op. 44/9 | Am Wildbach die Weiden | Lied | Female choir | ||||
Op. 44/10 | Und gehst du über den Kirchof | Lied | Female choir and piano ad lib. | 1859–60 | |||
Op. 44/11 | Die Braut | Lied | Female choir and piano ad lib. | 1859–60 | |||
Op. 44/12 | Märznacht | Lied | Female choir and piano ad lib. | 1859–60 | |||
Op. 45 | Ein deutsches Requiem | Requiem | Soprano, baritone, choir, orchestra, and organ ad lib. | 1865–68 | ♫ | ||
Op. 45 | Ein deutsches Requiem | Requiem | Piano four hands | 1868 | ♫ | ||
Op. 46 | Four Songs | Lied | Voice and piano | 1864–68 | ♫ | ||
Op. 46/1 | Die Kränze | D♭ major | Lied | Voice and piano | 1864–68 | ||
Op. 46/2 | Magyarisch | A major | Lied | Voice and piano | 1864–68 | ||
Op. 46/3 | Die Schale der Vergessenheit | E major | Lied | Voice and piano | 1864–68 | ||
Op. 46/4 | An die Nachtigall | E major | Lied | Voice and piano | 1864–68 | ||
Op. 47 | Five Songs | Lied | Voice and piano | 1858–68 | ♫ | ||
Op. 47/1 | Botschaft | D♭ major | Lied | Voice and piano | 1868 | ||
Op. 47/2 | Liebesglut | F minor–F major | Lied | Voice and piano | 1868? | ||
Op. 47/3 | Sonntag | F major | Lied | Voice and piano | 1859–60? | ||
Op. 47/3 | Sonntag | F major | Lied | Female choir | |||
Op. 47/4 | O liebliche Wangen | D major | Lied | Voice and piano | 1868 | ||
Op. 47/5 | Die liebende Schreibt | E♭ major | Lied | Voice and piano | 1858 | ||
Op. 48 | Seven Songs | Lied | Voice and piano | 1853–68 | ♫ | ||
Op. 48/1 | Der Gang zum Liebchen | E minor | Lied | Voice and piano | 1859–62 | ||
Op. 48/1 | Der Gang zum Liebchen | E minor | Lied | Female choir | |||
Op. 48/2 | Der Überläufer | F♯ minor | Lied | Voice and piano | 1853 | ||
Op. 48/3 | Liebesklage des Mädchen | B major | Lied | Voice and piano | 1859–60? | ||
Op. 48/4 | Gold überwiegt die Liebe | E minor | Lied | Voice and piano | 1868? | ||
Op. 48/5 | Trost in Tränen | E major–E minor | Lied | Voice and piano | 1858 | ||
Op. 48/6 | Vergangen ist mir Glück und Heil | D minor | Lied | Voice and piano | 1859–60? | ||
Op. 48/7 | Herbstgefühl | F minor | Lied | Voice and piano | 1867 | ||
Op. 49 | Five Songs | Lied | Voice and piano | 1867–68? | ♫ | ||
Op. 49/1 | Am Sonntag Morgen | E minor | Lied | Voice and piano | 1868? | ||
Op. 49/2 | An ein Veilchen | E major | Lied | Voice and piano | 1868? | ||
Op. 49/3 | Sehnsucht | A♭ major | Lied | Voice and piano | 1868? | ||
Op. 49/4 | Wiegenlied | E♭ major | Lied | Voice and piano | 1868 | ||
Op. 49/5 | Abenddämmerung | E major | Lied | Voice and piano | 1867 | ||
Op. 50 | Rinaldo | Cantata | Tenor, men's chorus, and orchestra | ♫ | |||
Op. 51 | Two String Quartets | Quartet | 2 violins, viola, and cello | 1873 | |||
Op. 51/1 | String Quartet No. 1 | C minor | Quartet | 2 violins, viola, and cello | 1873 | ♫ | |
Op. 51/1 | String Quartet No. 1 | C minor | Quartet | Piano four hands | 1873? | ♫ | |
Op. 51/2 | String Quartet No. 2 | A minor | Quartet | 2 violins, viola, and cello | 1873 | ♫ | |
Op. 51/2 | String Quartet No. 2 | A minor | Quartet | Piano four hands | 1873? | ♫ | |
Op. 52 | Liebeslieder-Walzer | Waltz | Soprano, alto, tenor, bass, and piano four hands | ♫ | |||
Op. 52/1 | Rede, Mädchen, allzu liebes | Waltz | Soprano, alto, tenor, bass, and piano four hands | 1868 | |||
Op. 52/1 | Rede, Mädchen, allzu liebes | Waltz | Soprano, alto, tenor, bass, and orchestra | 1869–70 | |||
Op. 52/1 | Rede, Mädchen, allzu liebes | Waltz | Soprano, alto, tenor, bass, and piano | 1875 | |||
Op. 52/2 | Am Gesteine rauscht die Flut | Waltz | Soprano, alto, tenor, bass, and piano four hands | 1868 | |||
Op. 52/2 | Am Gesteine rauscht die Flut | Waltz | Soprano, alto, tenor, bass, and orchestra | 1869–70 | |||
Op. 52/2 | Am Gesteine rauscht die Flut | Waltz | Soprano, alto, tenor, bass, and piano | 1875 | |||
Op. 52/3 | O die Frauen | Waltz | Tenor, bass, and piano four hands | 1868 | |||
Op. 52/3 | O die Frauen | Waltz | Tenor, bass, and piano | 1875 | |||
Op. 52/4 | Wie des Abends schöne Röte | Waltz | Soprano, alto, and piano four hands | 1868 | |||
Op. 52/4 | Wie des Abends schöne Röte | Waltz | Soprano, alto, and orchestra | 1869–70 | |||
Op. 52/4 | Wie des Abends schöne Röte | Waltz | Soprano, alto, and piano | 1875 | |||
Op. 52/5 | Die grüne Hopfenranke | Waltz | Soprano, alto, tenor, bass, and piano four hands | 1868 | |||
Op. 52/5 | Die grüne Hopfenranke | Waltz | Soprano, alto, tenor, bass, and orchestra | 1869–70 | |||
Op. 52/5 | Die grüne Hopfenranke | Waltz | Soprano, alto, tenor, bass, and piano | 1875 | |||
Op. 52/6 | Ein kleiner, hübsche Vogel nahm den Flug | Waltz | Soprano, alto, tenor, bass, and piano four hands | 1868 | |||
Op. 52/6 | Ein kleiner, hübsche Vogel nahm den Flug | Waltz | Soprano, alto, tenor, bass, and orchestra | 1869–70 | |||
Op. 52/6 | Ein kleiner, hübsche Vogel nahm den Flug | Waltz | Soprano, alto, tenor, bass, and piano | 1875 | |||
Op. 52/7 | Wohl schön bewandt | Waltz | Soprano or alto, and piano four hands | 1868 | |||
Op. 52/7 | Wohl schön bewandt | Waltz | Soprano or alto, and piano | 1875 | |||
Op. 52/8 | Wenn so lind dein Augen mir | Waltz | Soprano, alto, tenor, bass, and piano four hands | 1868 | |||
Op. 52/8 | Wenn so lind dein Augen mir | Waltz | Soprano, alto, tenor, bass, and orchestra | 1869–70 | |||
Op. 52/8 | Wenn so lind dein Augen mir | Waltz | Soprano, alto, tenor, bass, and piano | 1875 | |||
Op. 52/9 | Am Donaustrande, da steht ein Haus | Waltz | Soprano, alto, tenor, bass, and piano four hands | 1868 | |||
Op. 52/9 | Am Donaustrande, da steht ein Haus | Waltz | Soprano, alto, tenor, bass, and orchestra | 1869–70 | |||
Op. 52/9 | Am Donaustrande, da steht ein Haus | Waltz | Soprano, alto, tenor, bass, and piano | 1875 | |||
Op. 52/10 | O wie sanft die Quelle | Waltz | Soprano, alto, tenor, bass, and piano four hands | 1868 | |||
Op. 52/11 | Nein, est ist nicht auszukommen | Waltz | Soprano, alto, tenor, bass, and piano four hands | 1868 | |||
Op. 52/11 | Nein, est ist nicht auszukommen | Waltz | Soprano, alto, tenor, bass, and orchestra | 1869–70 | |||
Op. 52/11 | Nein, est ist nicht auszukommen | Waltz | Soprano, alto, tenor, bass, and piano | 1875 | |||
Op. 52/12 | Schlosser auf, und mache Schlösser | Waltz | Soprano, alto, tenor, bass, and piano four hands | 1868 | |||
Op. 52/12 | Schlosser auf, und mache Schlösser | Waltz | Soprano, alto, tenor, bass, and piano | 1875 | |||
Op. 52/13 | Vöglein durchrauscht die Luft | Waltz | Soprano, alto, and piano four hands | 1868 | |||
Op. 52/13 | Vöglein durchrauscht die Luft | Waltz | Soprano, alto, and piano | 1875 | |||
Op. 52/14 | Sieh, wie ist die Welle klar | Waltz | Tenor, bass, and piano four hands | 1868 | |||
Op. 52/14 | Sieh, wie ist die Welle klar | Waltz | Tenor, bass, and piano | 1875 | |||
Op. 52/15 | Nachtigall, sie singt so schön | Waltz | Soprano, alto, tenor, bass, and piano four hands | 1868 | |||
Op. 52/15 | Nachtigall, sie singt so schön | Waltz | Soprano, alto, tenor, bass, and piano | 1875 | |||
Op. 52/16 | Ein dunkeler Schacht ist Liebe | Waltz | Soprano, alto, tenor, bass, and piano four hands | 1868 | |||
Op. 52/16 | Ein dunkeler Schacht ist Liebe | Waltz | Soprano, alto, tenor, bass, and piano | 1875 | |||
Op. 52/17 | Nicht wandle, mein Licht dort außen | Waltz | Tenor and piano four hands | 1868 | |||
Op. 52/17 | Nicht wandle, mein Licht dort außen | Waltz | Tenor and piano | 1875 | |||
Op. 52/18 | Es bebet das Gesträuche | Waltz | Soprano, alto, tenor, bass, and piano four hands | 1868 | |||
Op. 52/18 | Es bebet das Gesträuche | Waltz | Soprano, alto, tenor, bass, and piano | 1868 | |||
Op. 52a | Liebeslieder-Walzer | Waltz | Piano | 1874 | ♫ | ||
Op. 52a/1 | Liebeslieder Waltz No.1 | E major | Waltz | Piano | 1874 | ||
Op. 52a/2 | Liebeslieder Waltz No.2 | A minor | Waltz | Piano | 1874 | ||
Op. 52a/3 | Liebeslieder Waltz No.3 | B♭ major | Waltz | Piano | 1874 | ||
Op. 52a/4 | Liebeslieder Waltz No.4 | F major | Waltz | Piano | 1874 | ||
Op. 52a/5 | Liebeslieder Waltz No.5 | A minor | Waltz | Piano | 1874 | ||
Op. 52a/6 | Liebeslieder Waltz No.6 | A major–F minor | Waltz | Piano | 1874 | ||
Op. 52a/7 | Liebeslieder Waltz No.7 | C minor | Waltz | Piano | 1874 | ||
Op. 52a/8 | Liebeslieder Waltz No.8 | A♭ major | Waltz | Piano | 1874 | ||
Op. 52a/9 | Liebeslieder Waltz No.9 | E major | Waltz | Piano | 1874 | ||
Op. 52a/10 | Liebeslieder Waltz No.10 | G major | Waltz | Piano | 1874 | ||
Op. 52a/11 | Liebeslieder Waltz No.11 | C minor | Waltz | Piano | 1874 | ||
Op. 52a/12 | Liebeslieder Waltz No.12 | C minor | Waltz | Piano | 1874 | ||
Op. 52a/13 | Liebeslieder Waltz No.13 | A♭ major | Waltz | Piano | 1874 | ||
Op. 52a/14 | Liebeslieder Waltz No.14 | E♭ major | Waltz | Piano | 1874 | ||
Op. 52a/15 | Liebeslieder Waltz No.15 | A♭ major | Waltz | Piano | 1874 | ||
Op. 52a/16 | Liebeslieder Waltz No.16 | F minor | Waltz | Piano | 1874 | ||
Op. 52a/17 | Liebeslieder Waltz No.17 | D♭ major | Waltz | Piano | 1874 | ||
Op. 52a/18 | Liebeslieder Waltz No.18 | B♭ minor | Waltz | Piano | 1874 | ||
Op. 53 | "Alto Rhapsody" | Rhapsody | Alto, men's chorus, and orchestra | ♫ | |||
Op. 54 | Schicksalslied | Lied | Choir and orchestra | 1868–71 | ♫ | ||
Op. 55 | Triumphlied | Lied | Baritone, 2 choirs, and orchestra | 1870–71 | ♫ | ||
Op. 55 | Triumphlied | Lied | Piano four hands | 1871 | ♫ | ||
Op. 56a | Variations on a Theme by Haydn | B♭ major | Variation | Orchestra | 1873 | ♫ | |
Op. 56b | Variations on a Theme by Haydn | B♭ major | Variation | 2 pianos | 1873 | ♫ | |
Op. 57 | Eight Songs | Lied | Voice and piano | 1871? | ♫ | ||
Op. 57/1 | Von waldbekränzter Höhe | G major | Lied | Voice and piano | 1871 | ||
Op. 57/2 | Wenn du nur zuweilen Lächelst | E♭ major | Lied | Voice and piano | 1871? | ||
Op. 57/3 | Es träumte mir, ich sei dir teuer | B major | Lied | Voice and piano | 1871 | ||
Op. 57/4 | Ach, wende diesen Blick | F minor | Lied | Voice and piano | 1871 | ||
Op. 57/5 | In meiner Nächte Sehnen | E minor | Lied | Voice and piano | 1871? | ||
Op. 57/6 | Strahlt zuweilen auch ein mildes Licht | E major | Lied | Voice and piano | 1871? | ||
Op. 57/7 | Die Schnur, die Perl an Perle | B major | Lied | Voice and piano | 1871 | ||
Op. 57/8 | Unbewegte laue Luft | E major | Lied | Voice and piano | 1871 | ||
Op. 58 | Eight Songs | Lied | Voice and piano | 1871 | ♫ | ||
Op. 58/1 | Blinde Kuh | G minor | Lied | Voice and piano | 1871 | ||
Op. 58/2 | Während des Regens | D♭ major | Lied | Voice and piano | 1871 | ||
Op. 58/3 | Die Spröde | A major | Lied | Voice and piano | 1871 | ||
Op. 58/4 | O Komme, holde Sommernacht | F♯ major | Lied | Voice and piano | 1871 | ||
Op. 58/5 | Schwermut | E♭ minor | Lied | Voice and piano | 1871 | ||
Op. 58/6 | In der Gasse | D minor | Lied | Voice and piano | 1871 | ||
Op. 58/7 | Vorüber | F major | Lied | Voice and piano | 1871 | ||
Op. 58/8 | Serenade | A minor | Lied | Voice and piano | 1868, rev.1871 | ||
Op. 59 | Eight Songs | Lied | Voice and piano | 1870–73 | ♫ | ||
Op. 59/1 | Dämmerung senkte sich von oben | G minor | Lied | Voice and piano | 1870–71 | ||
Op. 59/2 | Auf dem See | E major | Lied | Voice and piano | 1873 | ||
Op. 59/3 | Regenlied | F♯ minor | Lied | Voice and piano | 1873 | ||
Op. 59/4 | Nachklang | F♯ minor | Lied | Voice and piano | 1873 | ||
Op. 59/5 | Agnes | G minor | Lied | Voice and piano | 1858?, rev.1873 | ||
Op. 59/6 | Eine gute, gute Nacht | A minor | Lied | Voice and piano | 1873 | ||
Op. 59/7 | Mein wundes Herz | E minor–E major | Lied | Voice and piano | 1873 | ||
Op. 59/8 | Dein blaues Auge | E♭ major | Lied | Voice and piano | 1873 | ||
Op. 60 | Piano Quartet No. 3 | C minor | Quartet | Violin, viola, cello, and piano | 1855–75 | ♫ | |
Op. 61 | Four Duets | Duet | Soprano, alto, and piano | 1852–74 | ♫ | ||
Op. 61/1 | Die Schwestern | Duet | Soprano, alto, and piano | 1860–71? | |||
Op. 61/2 | Klosterfräulein | Duet | Soprano, alto, and piano | 1852 | |||
Op. 61/3 | Phänomen | Duet | Soprano, alto, and piano | 1873–74 | |||
Op. 61/4 | Die Boten der Liebe | Duet | Soprano, alto, and piano | 1873–74 | |||
Op. 62 | Seven Lieder | Lied | Soprano and choir | 1874 | ♫ | ||
Op. 62/1 | Rosmarin | Lied | Choir | 1874 | |||
Op. 62/2 | Von alten Liebesliedern | Lied | Choir | 1874 | |||
Op. 62/3 | Waldesnacht | Lied | Choir | 1874 | |||
Op. 62/4 | Dein Herzlein mild | Lied | Choir | 1874 | |||
Op. 62/5 | All meine Herzgedanken | Lied | Choir | 1874 | |||
Op. 62/6 | Es geht ein Wehen | Lied | Choir | 1874 | |||
Op. 62/6 | Es geht ein Wehen | Lied | Female choir | ||||
Op. 62/7 | Vergangen ist mir Glück und Heil | Lied | Choir | 1874 | |||
Op. 62/7 | Vergangen ist mir Glück und Heil | Lied | Soprano and choir | ||||
Op. 63 | Nine Songs | Lied | Voice and piano | 1873–74 | ♫ | ||
Op. 63/1 | Frühlingstrost | Lied | Voice and piano | 1874 | |||
Op. 63/2 | Erinnerung | Lied | Voice and piano | 1874 | |||
Op. 63/3 | An ein Bild | Lied | Voice and piano | 1874 | |||
Op. 63/4 | An die Tauben | Lied | Voice and piano | 1874 | |||
Op. 63/5 | Junge Lieder No. 1 | Lied | Voice and piano | 1873 | |||
Op. 63/6 | Junge Lieder No. 2 | Lied | Voice and piano | 1874 | |||
Op. 63/7 | Heimweh No. 1 | Lied | Voice and piano | 1873–74 | |||
Op. 63/8 | Heimweh No. 2 | Lied | Voice and piano | 1874 | |||
Op. 63/9 | Heimweh No. 3 | Lied | Voice and piano | 1873–74 | |||
Op. 64 | Three Quartets | Quartet | Soprano, alto, tenor, bass, and piano | 1864–74 | ♫ | ||
Op. 64/1 | An die Heimat | Quartet | Soprano, alto, tenor, bass, and piano | 1864 | |||
Op. 64/2 | Der Abend | Quartet | Soprano, alto, tenor, bass, and piano | 1874 | |||
Op. 64/3 | Fragen | Quartet | Soprano, alto, tenor, bass, and piano | 1874? | |||
Op. 65 | Neue Liebeslieder | Quartet | Soprano, alto, tenor, bass, and piano four hands | ♫ | |||
Op. 65/1 | Verzicht, o Herz, auf Rettung | Quartet | Soprano, alto, tenor, bass, and piano four hands | 1874 | |||
Op. 65/2 | Finstere Schatten der Nacht | Quartet | Soprano, alto, tenor, bass, and piano four hands | 1874 | |||
Op. 65/3 | An jeder Hand die Finger | Lied | Soprano and piano four hands | 1874 | |||
Op. 65/4 | Ihr schwarzen Augen | Lied | Bass and piano four hands | 1874 | |||
Op. 65/4 | Ihr schwarzen Augen | Lied | Bass and piano | ||||
Op. 65/5 | Wahre, wahre deinen Sohn | Lied | Alto and piano four hands | 1874 | |||
Op. 65/6 | Rosen steckt mit an die Mutter | Lied | Soprano and piano four hands | 1874 | |||
Op. 65/7 | Vom Gebirge, Well' auf Well' | Lied | Soprano, alto, tenor, bass, and piano four hands | 1874 | |||
Op. 65/8 | Weiche Gräser im Revier | Lied | Soprano, alto, tenor, bass, and piano four hands | 1874 | |||
Op. 65/9 | Nagen am Herzen | Lied | Soprano, alto, tenor, bass, and orchestra | 1869–70 | |||
Op. 65/9 | Nagen am Herzen | Lied | Soprano, alto, tenor, bass, and piano four hands | 1874 | |||
Op. 65/10 | Ich kose süß mit der und der | Lied | Tenor and piano four hands | 1874 | |||
Op. 65/11 | Alles, alles in den Wind | Lied | Soprano and piano four hands | 1874 | |||
Op. 65/12 | Schwarzer Wald, dein Schatten ist so düster | Lied | Soprano, alto, tenor, bass, and piano four hands | 1874 | |||
Op. 65/13 | Nein, Geliebter, setze dich | Lied | Soprano, alto, and piano four hands | 1874 | |||
Op. 65/14 | Flammenauge, dunkles Haar | Lied | Soprano, alto, tenor, bass, and piano four hands | 1874 | |||
Op. 65/15 | Zum Schluß: Nun ihr Musen, genug! | Lied | Soprano, alto, tenor, bass, and piano four hands | 1874 | |||
Op. 65a | Neue Liebeslieder | Lied | Piano four hands | 1875 | ♫ | ||
Op. 65a/1 | Neue Liebeslieder Waltz No.1 | A minor | Lied | Piano four hands | 1875 | ||
Op. 65a/2 | Neue Liebeslieder Waltz No.2 | A minor–A major | Lied | Piano four hands | 1875 | ||
Op. 65a/3 | Neue Liebeslieder Waltz No.3 | A major | Lied | Piano four hands | 1875 | ||
Op. 65a/4 | Neue Liebeslieder Waltz No.4 | D minor | Lied | Piano four hands | 1875 | ||
Op. 65a/5 | Neue Liebeslieder Waltz No.5 | D minor | Lied | Piano four hands | 1875 | ||
Op. 65a/6 | Neue Liebeslieder Waltz No.6 | F major | Lied | Piano four hands | 1875 | ||
Op. 65a/7 | Neue Liebeslieder Waltz No.7 | C major | Lied | Piano four hands | 1875 | ||
Op. 65a/8 | Neue Liebeslieder Waltz No.8 | E♭ major | Lied | Piano four hands | 1875 | ||
Op. 65a/9 | Neue Liebeslieder Waltz No.9 | G minor | Lied | Piano four hands | 1875 | ||
Op. 65a/10 | Neue Liebeslieder Waltz No.10 | G major | Lied | Piano four hands | 1875 | ||
Op. 65a/11 | Neue Liebeslieder Waltz No.11 | G major | Lied | Piano four hands | 1875 | ||
Op. 65a/12 | Neue Liebeslieder Waltz No.12 | G minor–G major | Lied | Piano four hands | 1875 | ||
Op. 65a/13 | Neue Liebeslieder Waltz No.13 | E major | Lied | Piano four hands | 1875 | ||
Op. 65a/14 | Neue Liebeslieder Waltz No.14 | A minor–A major | Lied | Piano four hands | 1875 | ||
Op. 65a/15 | Neue Liebeslieder Waltz No.15 | F major | Lied | Piano four hands | 1875 | ||
Op. 66 | Five Duets | Duet | Soprano, alto, and piano | 1873–75 | ♫ | ||
Op. 66/1 | Klänge | Duet | Soprano, alto, and piano | 1875? | |||
Op. 66/2 | Klänge | Duet | Soprano, alto, and piano | 1875? | |||
Op. 66/3 | Am Strande | Duet | Soprano, alto, and piano | 1875 | |||
Op. 66/4 | Jägerlied | Duet | Soprano, alto, and piano | 1875 | |||
Op. 66/5 | Hüt du dich! | Duet | Soprano, alto, and piano | 1873? | |||
Op. 67 | String Quartet No. 3 | B♭ major | Quartet | 2 violins, viola, and cello | ♫ | ||
Op. 67 | String Quartet No. 3 | B♭ major | Quartet | Piano four hands | 1875 | ♫ | |
Op. 68 | Symphony No. 1 | C minor | Symphony | Orchestra | 1862–76 | ♫ | |
Op. 68 | Symphony No. 1 | C minor | Symphony | Piano four hands | 1876 | ♫ | |
Op. 69 | Nine Songs | Lied | Voice and piano | 1877 | ♫ | ||
Op. 69/1 | Klage | D major | Lied | Voice and piano | 1877 | ||
Op. 69/2 | Klage | A minor | Lied | Voice and piano | 1877 | ||
Op. 69/3 | Abschied | E♭ major | Lied | Voice and piano | 1877 | ||
Op. 69/4 | Des liebsten Schwur | F major | Lied | Voice and piano | 1877 | ||
Op. 69/5 | Tambourliedchen | A major | Lied | Voice and piano | 1877 | ||
Op. 69/6 | Vom Strande | A minor | Lied | Voice and piano | 1877 | ||
Op. 69/7 | Über die See | E minor | Lied | Voice and piano | 1877 | ||
Op. 69/8 | Salome | C major | Lied | Voice and piano | 1877 | ||
Op. 69/9 | Mädchenfluch | A minor–A major | Lied | Voice and piano | 1877 | ||
Op. 70 | Four Songs | Lied | Voice and piano | 1875–77 | ♫ | ||
Op. 70/1 | Im Garten am Seegestade | G minor | Lied | Voice and piano | 1877 | ||
Op. 70/2 | Lerchengesang | B major | Lied | Voice and piano | 1877 | ||
Op. 70/3 | Serenade | B major | Lied | Voice and piano | 1876 | ||
Op. 70/4 | Abendregen | A minor–C major | Lied | Voice and piano | 1875 | ||
Op. 71 | Five Songs | Lied | Voice and piano | 1877 | ♫ | ||
Op. 71/1 | Es liebt sich so lieblich im Lenze! | D major | Lied | Voice and piano | 1877 | ||
Op. 71/2 | An den Mond | B minor | Lied | Voice and piano | 1877 | ||
Op. 71/3 | Geheimnis | G major | Lied | Voice and piano | 1877 | ||
Op. 71/4 | Willst du, dass ich geh? | D minor | Lied | Voice and piano | 1877 | ||
Op. 71/5 | Minnelied | C major | Lied | Voice and piano | 1877 | ||
Op. 72 | Five Songs | Lied | Voice and piano | 1876–77 | ♫ | ||
Op. 72/1 | Alte Liebe | G minor | Lied | Voice and piano | 1876 | ||
Op. 72/2 | Sommerfäden | C minor | Lied | Voice and piano | 1876 | ||
Op. 72/3 | O kühler Wald | A♭ major | Lied | Voice and piano | 1877 | ||
Op. 72/4 | Verzagen | F♯ minor | Lied | Voice and piano | 1877 | ||
Op. 72/5 | Unüberwindlich | A major | Lied | Voice and piano | 1876 | ||
Op. 73 | Symphony No. 2 | D major | Symphony | Orchestra | 1877 | ♫ | |
Op. 73 | Symphony No. 2 | D major | Symphony | Piano four hands | 1877 | ♫ | |
Op. 74 | Two Motets | Motet | Choir | 1863–77 | ♫ | ||
Op. 74/1 | Warum ist das Licht gegeben den Mühseligen | Motet | Choir | ||||
Op. 74/2 | O Heiland, reiß die Himmel auf | Motet | Choir | ||||
Op. 75 | Four Ballades and Romances | Ballade | 2 sopranos, alto, tenor, and piano | 1877–78 | ♫ | ||
Op. 75/1 | Edward | F minor | Ballade | Alto, tenor, and piano | 1877 | ||
Op. 75/2 | Guter Rat | E major | Ballade | Soprano, alto, and piano | 1877 | ||
Op. 75/3 | So lass uns wandern! | D major | Ballade | Soprano, tenor, and piano | 1877 | ||
Op. 75/4 | Walpurgisnacht | A minor | Ballade | 2 sopranos and piano | 1878 | ||
Op. 76 | Eight Pieces | Piano | 1871–78 | ♫ | |||
Op. 76/1 | Capriccio | F♯ minor | Capriccio | Piano | 1871 | ||
Op. 76/2 | Capriccio | B minor | Capriccio | Piano | 1878 | ||
Op. 76/3 | Intermezzo | A♭ major | Intermezzo | Piano | 1878? | ||
Op. 76/4 | Intermezzo | B♭ major | Intermezzo | Piano | 1878? | ||
Op. 76/5 | Capriccio | C♯ minor | Capriccio | Piano | 1878 | ||
Op. 76/6 | Intermezzo | A major | Intermezzo | Piano | 1878 | ||
Op. 76/7 | Intermezzo | A minor | Intermezzo | Piano | 1878 | ||
Op. 76/8 | Capriccio | C major | Capriccio | Piano | 1878 | ||
Op. 77 | Violin Concerto | D major | Concerto | Violin and orchestra | 1878 | ♫ | |
Op. 77 | Violin Concerto | D major | Concerto | Violin and piano | 1878 | ♫ | |
Op. 78 | Violin Sonata No. 1 | G major | Sonata | Violin and piano | 1878–79 | ♫ | |
Op. 79 | Two Rhapsodies | Rhapsody | Piano | 1879 | ♫ | ||
Op. 79/1 | Rhapsody No.1 | B minor | Rhapsody | Piano | 1879 | ||
Op. 79/2 | Rhapsody No.2 | G minor | Rhapsody | Piano | 1879 | ||
Op. 80 | Academic Festival Overture | C minor | Overture | Orchestra | 1880 | ♫ | |
Op. 80 | Academic Festival Overture | C minor | Overture | Piano four hands | 1880 | ♫ | |
Op. 81 | Tragic Overture | D minor | Overture | Orchestra | 1880 | ♫ | |
Op. 81 | Tragic Overture | D minor | Overture | Piano four hands | 1880 | ♫ | |
Op. 82 | Nänie | Overture | Choir, orchestra, and harp ad lib. | 1880–81 | ♫ | ||
Op. 83 | Piano Concerto No. 2 | B♭ major | Concerto | Piano and orchestra | 1881 | ♫ | |
Op. 83 | Piano Concerto No. 2 | B♭ major | Concerto | 2 pianos | 1881 | ♫ | |
Op. 84 | Five Romances and Songs | Voice or 2 voices, and piano | 1881–82 | ♫ | |||
Op. 84/1 | Sommerabend | D minor–D major | Voice or 2 voices, and piano | 1881? | |||
Op. 84/2 | Der Kranz | G minor–G major | Voice or 2 voices, and piano | 1881? | |||
Op. 84/3 | In den Beeren | E♭ major | Voice or 2 voices, and piano | 1881? | |||
Op. 84/4 | Vergebliches Ständchen | A major | Voice or 2 voices, and piano | 1882? | |||
Op. 84/5 | Spannung | A minor–A major | Voice or 2 voices, and piano | 1882? | |||
Op. 85 | Six Songs | Lied | Voice and piano | 1878–82 | ♫ | ||
Op. 85/1 | Sommerabend | B♭ major | Lied | Voice and piano | 1878 | ||
Op. 85/2 | Mondenschein | B♭ major | Lied | Voice and piano | 1878 | ||
Op. 85/3 | Mädchenlied | A minor | Lied | Voice and piano | 1878 | ||
Op. 85/4 | Ade! | B minor | Lied | Voice and piano | 1882? | ||
Op. 85/5 | Frühlingslied | G major | Lied | Voice and piano | 1878 | ||
Op. 85/6 | In Waldeseinsamkeit | B major | Lied | Voice and piano | 1878 | ||
Op. 86 | Six Songs | Lied | Voice and piano | 1877–82? | ♫ | ||
Op. 86/1 | Therese | D major | Lied | Voice and piano | 1878 | ||
Op. 86/2 | Feldeinsamkeit | F major | Lied | Voice and piano | 1882? | ||
Op. 86/3 | Nachtwandler | C major | Lied | Voice and piano | 1877 | ||
Op. 86/4 | Über die Heide | G minor | Lied | Voice and piano | 1882? | ||
Op. 86/5 | Versunken | F♯ major | Lied | Voice and piano | 1878 | ||
Op. 86/6 | Todessehnen | F♯ minor–F♯ major | Lied | Voice and piano | 1878 | ||
Op. 87 | Piano Trio No. 2 | C major | Trio | Violin, piano, and cello | 1880–82 | ♫ | Two versions, 1882 and 1891-edited Georg Schumann. |
Op. 88 | String Quintet No. 1 | F major | Quintet | 2 violins, viola, and cello | 1882 | ♫ | |
Op. 88 | String Quintet No. 1 | F major | Quintet | Piano four hands | 1882 | ♫ | |
Op. 89 | Gesang der Parzen | Lied | Choir and orchestra | 1882 | ♫ | ||
Op. 90 | Symphony No. 3 | F major | Symphony | Orchestra | 1883 | ♫ | |
Op. 90 | Symphony No. 3 | F major | Symphony | 2 pianos | 1883 | ♫ | |
Op. 91 | Two Songs | Lied | Alto, viola, and piano | ♫ | |||
Op. 91/1 | Gestillte Sehnsucht | D major | Lied | Alto, viola, and piano | 1884 | ||
Op. 91/2 | Geistliches Wiegenlied | F major | Lied | Alto, viola, and piano | 1863–64 | ||
Op. 92 | Four Quartets | Quartet | Soprano, alto, tenor, bass, and piano | 1889 | ♫ | ||
Op. 92/1 | O schöne Nacht! | Quartet | Soprano, alto, tenor, bass, and piano | 1877? | |||
Op. 92/2 | Spätherbst | Quartet | Soprano, alto, tenor, bass, and piano | 1884? | |||
Op. 92/3 | Abendlied | Quartet | Soprano, alto, tenor, bass, and piano | 1884? | |||
Op. 92/4 | Warum? | Quartet | Soprano, alto, tenor, bass, and piano | 1884? | |||
Op. 93a | Six Songs and Romances | Choir | 1883 | ♫ | |||
Op. 93a/1 | Der bucklichte Fiedler | Choir | 1883 | ||||
Op. 93a/2 | Das Mädchen | Choir | 1883 | ||||
Op. 93a/3 | O süßer Mai | Choir | 1883 | ||||
Op. 93a/4 | Fahr wohl! | Choir | 1883 | ||||
Op. 93a/5 | Der Falke | Choir | 1883 | ||||
Op. 93a/6 | Beherzigung | Choir | 1883 | ||||
Op. 93b | Tafellied | B♭ major | Lied | Choir (SAATBB) and piano | 1884 | ♫ | |
Op. 94 | Five Songs | Lied | Voice and piano | 1883–84? | ♫ | ||
Op. 94/1 | Mit vierzig Jahren | B minor | Lied | Voice and piano | 1883 | ||
Op. 94/2 | Steig auf, geliebter Schatten | E♭ minor | Lied | Voice and piano | 1883 | ||
Op. 94/3 | Mein Herz ist schwer | G minor | Lied | Voice and piano | 1884? | ||
Op. 94/4 | Sapphische Ode | D major | Lied | Voice and piano | 1884? | ||
Op. 94/5 | Kein Haus, keine Heimat | D minor | Lied | Voice and piano | 1884? | ||
Op. 95 | Seven Songs | Lied | Voice and piano | 1883–84? | ♫ | ||
Op. 95/1 | Das Mädchen | B minor–B major | Lied | Voice and piano | 1883 | ||
Op. 95/2 | Bei dir sind meine Gedanken | A major | Lied | Voice and piano | 1884? | ||
Op. 95/3 | Beim Abschied | D major | Lied | Voice and piano | 1884? | ||
Op. 95/4 | Der Jäger | F major | Lied | Voice and piano | 1884? | ||
Op. 95/5 | Vorschneller Schwur | D minor–D major | Lied | Voice and piano | 1884? | ||
Op. 95/6 | Mädchenlied | F major | Lied | Voice and piano | 1884? | ||
Op. 95/7 | Schön war, das ich dir weihte | F minor | Lied | Voice and piano | 1884? | ||
Op. 96 | Four Songs | Lied | Voice and piano | 1884 | ♫ | ||
Op. 96/1 | Der Tod, das ist die kühle Nacht | C major | Lied | Voice and piano | 1884 | ||
Op. 96/2 | Wir wandelten | D♭ major | Lied | Voice and piano | 1884 | ||
Op. 96/3 | Es schauen die Blumen | B minor | Lied | Voice and piano | 1884 | ||
Op. 96/4 | Meerfahrt | A minor | Lied | Voice and piano | 1884 | ||
Op. 97 | Six Songs | Lied | Voice and piano | 1884 | ♫ | ||
Op. 97/1 | Nachtigall | F minor | Lied | Voice and piano | 1884–85 | ||
Op. 97/2 | Auf dem Schiffe | A major | Lied | Voice and piano | 1884–85 | ||
Op. 97/3 | Entführung | D minor | Lied | Voice and piano | 1884–85 | ||
Op. 97/4 | Dort in den Weiden | D major | Lied | Voice and piano | 1884–85 | ||
Op. 97/5 | Komm bald | A major | Lied | Voice and piano | 1884–85 | ||
Op. 97/6 | Trennung | F major | Lied | Voice and piano | 1884 | ||
Op. 98 | Symphony No. 4 | E minor | Symphony | Orchestra | 1884–85 | ♫ | |
Op. 98 | Symphony No. 4 | E minor | Symphony | 2 pianos | 1885 | ♫ | |
Op. 98 | Symphony No. 4 | E minor | Symphony | Piano four hands | 1885 | ♫ | |
Op. 99 | Cello Sonata No. 2 | F major | Sonata | Cello and piano | 1886 | ♫ | |
Op. 100 | Violin Sonata No. 2 | A major | Sonata | Violin and piano | 1886 | ♫ | |
Op. 101 | Piano Trio No. 3 | C minor | Trio | Violin, cello, and piano | 1886 | ♫ | |
Op. 102 | Double Concerto | A minor | Double concerto | Violin, cello, and orchestra | 1887 | ♫ | |
Op. 103 | Eleven Zigeunerlieder | Lied | Soprano, alto, tenor, bass, and piano | 1887 | ♫ | ||
Op. 103/1 | He, Zigeuner, greife in die Saiten ein! | Lied | Soprano, alto, tenor, bass, and piano | 1887 | |||
Op. 103/1 | He, Zigeuner, greife in die Saiten ein! | Lied | Voice and piano | 1888 | |||
Op. 103/2 | Hochgetürmte Rimaflut, wie bist du trüb | Lied | Soprano, alto, tenor, bass, and piano | 1887 | |||
Op. 103/2 | Hochgetürmte Rimaflut, wie bist du trüb | Lied | Voice and piano | 1888 | |||
Op. 103/3 | Wißt ihr, wann mein Kindchen am allerschönsten ist? | Lied | Soprano, alto, tenor, bass, and piano | 1887 | |||
Op. 103/3 | Wißt ihr, wann mein Kindchen am allerschönsten ist? | Lied | Voice and piano | 1888 | |||
Op. 103/4 | Lieber Gott, du weißt, wie oft bereut ich hab' | Lied | Soprano, alto, tenor, bass, and piano | 1887 | |||
Op. 103/4 | Lieber Gott, du weißt, wie oft bereut ich hab' | Lied | Voice and piano | 1888 | |||
Op. 103/5 | Brauner Bursche führt zum Tanze | Lied | Soprano, alto, tenor, bass, and piano | 1887 | |||
Op. 103/5 | Brauner Bursche führt zum Tanze | Lied | Voice and piano | 1888 | |||
Op. 103/6 | Röslein dreie in der Reihe blühn so rot | Lied | Soprano, alto, tenor, bass, and piano | 1887 | |||
Op. 103/6 | Röslein dreie in der Reihe blühn so rot | Lied | Voice and piano | 1888 | |||
Op. 103/7 | Kommt dir manchmal in den Sinn | Lied | Soprano, alto, tenor, bass, and piano | 1887 | |||
Op. 103/7 | Kommt dir manchmal in den Sinn | Lied | Voice and piano | 1888 | |||
Op. 103/8 | Horch, der Wind klagt in den Zweigen traurig sacht | Lied | Soprano, alto, tenor, bass, and piano | 1887 | |||
Op. 103/9 | Weit und breit schaut niemand mich an | Lied | Soprano, alto, tenor, bass, and piano | 1887 | |||
Op. 103/10 | Mond verhüllt sein Angesicht | Lied | Soprano, alto, tenor, bass, and piano | 1887 | |||
Op. 103/11 | Rote Abendwolken ziehn am Firmament | Lied | Soprano, alto, tenor, bass, and piano | 1887 | |||
Op. 103/11 | Rote Abendwolken ziehn am Firmament | Lied | Voice and piano | 1888 | |||
Op. 104 | Five Gesänge | Lied | Choir | 1886–88 | ♫ | ||
Op. 104/1 | Nachtwache No 1 | Lied | Choir | 1888? | |||
Op. 104/2 | Nachtwache No 2 | Lied | Choir | 1888? | |||
Op. 104/3 | Letztes Glück | Lied | Choir | 1888? | |||
Op. 104/4 | Verlorne Jugend | Lied | Choir | 1888? | |||
Op. 104/5 | Im Herbst | Lied | Choir | 1887 | |||
Op. 105 | Five Songs | Lied | Voice and piano | ♫ | |||
Op. 105/1 | Wie Melodien zieht es mir | A major | Lied | Voice and piano | 1886 | ||
Op. 105/2 | Immer leiser wird mein Schlummer | C♯ minor–D♭ major | Lied | Voice and piano | 1886 | ||
Op. 105/3 | Klage | F major | Lied | Voice and piano | 1888? | ||
Op. 105/4 | Auf dem Kirchhofe | C minor–C major | Lied | Voice and piano | 1888? | ||
Op. 105/5 | Verrat | B minor | Lied | Voice and piano | 1886 | ||
Op. 106 | Five Songs | Lied | Voice and piano | ♫ | |||
Op. 106/1 | Ständchen | G major | Lied | Voice and piano | 1888? | ||
Op. 106/2 | Auf dem See | E major | Lied | Voice and piano | 1885 | ||
Op. 106/3 | Es hing der Reif | A minor | Lied | Voice and piano | 1888? | ||
Op. 106/4 | Mein Lieder | F♯ minor | Lied | Voice and piano | 1888? | ||
Op. 106/5 | Ein Wanderer | F minor | Lied | Voice and piano | 1885 | ||
Op. 107 | Five Songs | Lied | Voice and piano | 1886–88 | ♫ | ||
Op. 107/1 | An die Stolze | A major | Lied | Voice and piano | 1886 | ||
Op. 107/2 | Salamander | A minor–A major | Lied | Voice and piano | 1888 | ||
Op. 107/3 | Das Mädchen spricht | A major | Lied | Voice and piano | 1886 | ||
Op. 107/4 | Maienkätzchen | E♭ major | Lied | Voice and piano | 1887? | ||
Op. 107/5 | Mädchenlied | B minor | Lied | Voice and piano | 1888? | ||
Op. 108 | Violin Sonata No. 3 | D ninor | Sonata | Violin and piano | ♫ | ||
Op. 109 | Three Fest- und Gedenksprüche | 2 choirs | 1888 | ♫ | |||
Op. 109/1 | Unsere Väter hofften auf dich | 2 choirs | 1888–89? | ||||
Op. 109/2 | Wenn ein starker Gewappneter | 2 choirs | 1888–89? | ||||
Op. 109/3 | Wo ist ein so herrlich Volk | 2 choirs | 1888–89? | ||||
Op. 110 | Three Motets | Motet | 2 choirs and piano ad lib. | 1889 | ♫ | ||
Op. 110/1 | Ich aber bin elend, und mir ist wehe | Motet | 2 choirs and piano ad lib. | 1889 | |||
Op. 110/2 | Ach, arme Welt, du trügst mich | Motet | Choir and piano ad lib. | 1889 | |||
Op. 110/3 | Wenn wir in höchsten Nöten sein | Motet | 2 choirs and piano ad lib. | 1889 | |||
Op. 111 | String Quintet No. 2 ("Prater") | G major | Quintet | 2 violins, viola, and cello | 1890 | ♫ | |
Op. 111 | String Quintet No. 2 ("Prater") | G major | Quintet | Piano four hands | 1890 | ♫ | |
Op. 112 | Six Quartets | Quartet | Soprano, alto, tenor, bass, and piano | 1891 | ♫ | ||
Op. 112/1 | Sehnsucht | Quartet | Soprano, alto, tenor, bass, and piano | 1888? | |||
Op. 112/2 | Nächtens | Quartet | Soprano, alto, tenor, bass, and piano | 1888? | |||
Op. 112/3 | Himmel strahlt so helle | Quartet | Soprano, alto, tenor, bass, and piano | 1891? | |||
Op. 112/4 | Rote Rosenknospen künden | Quartet | Soprano, alto, tenor, bass, and piano | 1891? | |||
Op. 112/5 | Brennessel steht an Weges Rand | Quartet | Soprano, alto, tenor, bass, and piano | 1891? | |||
Op. 112/6 | Liebe Schwalbe, kleine Schwalbe | Quartet | Soprano, alto, tenor, bass, and piano | 1891? | |||
Op. 113 | Thirteen Canons | Canon | Female choir | 1859–91? | ♫ | ||
Op. 113/1 | Göttlicher Morpheus | Canon | Female choir | 1859–62? | Words by Johann Wolfgang von Goethe. | ||
Op. 113/2 | Grausam erweiset sich Amor am mir | Canon | Female choir | 1891? | Words by Johann Wolfgang von Goethe. | ||
Op. 113/3 | Sitzt a schöns Vögerl aufm Dannabaum | Canon | Female choir | 1891? | Words from an Austrian folksong. | ||
Op. 113/4 | Schlaf, Kindlein, schlaf! | Canon | Female choir | 1891? | Words from a Westphalian folksong. | ||
Op. 113/5 | Wille, wille, will | Canon | Female choir | 1891? | Words from a Westphalian folksong. | ||
Op. 113/6 | So lange Schönheit wird bestehn | Canon | Female choir | 1891? | Words by August Heinrich Hoffmann von Fallersleben. | ||
Op. 113/7 | Wenn die Klänge nahn und fliehen | Canon | Female choir | 1868? | Words by Joseph Freiherr von Eichendorff. | ||
Op. 113/8 | Ein Gems auf dem Stein | Canon | Female choir | 1859–62? | Words by Joseph Freiherr von Eichendorff. | ||
Op. 113/9 | Ans Auge des Liebsten | Canon | Female choir | 1870? | Words by Friedrich Rückert. | ||
Op. 113/10 | Leise Töne der Brust | Canon | Female choir | 1859–62? | Words by Friedrich Rückert. | ||
Op. 113/11 | Ich weiss nicht was im Hain die Taube girret | Canon | Female choir | 1859–62? | Words by Friedrich Rückert. | ||
Op. 113/12 | Wenn Kummer hätte zu töten Macht | Canon | Female choir | 1859–62? | Words by Friedrich Rückert. | ||
Op. 113/13 | Einförmig ist der Liebe Gram | Canon | Female choir | 1891? | Words by Friedrich Rückert. | ||
Op. 114 | Clarinet Trio | A minor | Trio | Clarinet or viola, cello, and piano | 1891 | ♫ | |
Op. 115 | Clarinet Quintet | B minor | Quintet | Clarinet or viola, 2 violins, viola, and cello | 1891 | ♫ | |
Op. 116 | Seven Fantasias | [[Fantasia (music)|Fantasia] | Piano | 1892 | ♫ | ||
Op. 116/1 | Capriccio | D minor | Capriccio | Piano | 1892 | ||
Op. 116/2 | Intermezzo | A minor | Intermezzo | Piano | 1892 | ||
Op. 116/3 | Capriccio | G minor | Capriccio | Piano | 1892 | ||
Op. 116/4 | Intermezzo | E major | Intermezzo | Piano | 1892 | ||
Op. 116/5 | Intermezzo | E minor | Intermezzo | Piano | 1892 | ||
Op. 116/6 | Intermezzo | E major | Intermezzo | Piano | 1892 | ||
Op. 116/7 | Capriccio | D minor | Capriccio | Piano | 1892 | ||
Op. 117 | Three Intermezzi | Intermezzo | Piano | 1892 | ♫ | ||
Op. 117/1 | Intermezzo | E♭ major | Intermezzo | Piano | 1892 | ||
Op. 117/2 | Intermezzo | B♭ minor | Intermezzo | Piano | 1892 | ||
Op. 117/3 | Intermezzo | C♯ minor | Intermezzo | Piano | 1892 | ||
Op. 118 | Six Pieces | Piano | 1893 | ♫ | |||
Op. 118/1 | Intermezzo | A minor | Intermezzo | Piano | 1892–93 | ||
Op. 118/2 | Intermezzo | A major | Intermezzo | Piano | 1892–93 | ||
Op. 118/3 | Ballade | G minor | Ballade | Piano | 1892–93 | ||
Op. 118/4 | Intermezzo | F minor | Intermezzo | Piano | 1892–93 | ||
Op. 118/5 | Romance | F major | Romance | Piano | 1892–93 | ||
Op. 118/6 | Intermezzo | E♭ minor | Intermezzo | Piano | 1892–93 | ||
Op. 119 | Four Pieces | Piano | 1893 | ♫ | |||
Op. 119/1 | Intermezzo | B minor | Intermezzo | Piano | 1892–93 | ||
Op. 119/2 | Intermezzo | E minor | Intermezzo | Piano | 1892–93 | ||
Op. 119/3 | Intermezzo | C major | Intermezzo | Piano | 1892–93 | ||
Op. 119/4 | Rhapsody | E♭ major | Rhapsody | Piano | 1892–93 | ||
Op. 120 | Two Clarinet Sonatas | Sonata | Clarinet or viola, and piano | 1894 | |||
Op. 120/1 | Clarinet Sonata No. 1 | F minor | Sonata | Clarinet or viola, and piano | 1894 | ♫ | |
Op. 120/2 | Clarinet Sonata No. 2 | E♭ major | Sonata | Clarinet or viola, and piano | 1894 | ♫ | |
Op. 121 | Vier ernste Gesänge | Lied | Bass and piano | 1896 | ♫ | ||
Op. 121/1 | Denn es gehet dem Menschen | D minor | Lied | Bass and piano | 1896 | ||
Op. 121/2 | Ich wandte mich und sahe an alle | G minor–G major | Lied | Bass and piano | 1896 | ||
Op. 121/3 | O Tod, wie bitter bist du | E minor–E major | Lied | Bass and piano | 1896 | ||
Op. 121/4 | Wenn ich mit Menschen- und mit Engelszungen redete | E♭ major | Lied | Bass and piano | 1896 | ||
Op. 122 | Eleven Chorale Preludes | Prelude | Organ | 1896 | ♫ | ||
Op. 122/1 | Mein Jesu, der du mich | Prelude | Organ | 1896 | |||
Op. 122/2 | Herzliebster Jesu, was hast du verbrochen | Prelude | Organ | 1896 | |||
Op. 122/3 | O Welt, ich muss dich lassen | Prelude | Organ | 1896 | Version 1 | ||
Op. 122/4 | Herzlich tut mich erfreuen | Prelude | Organ | 1896 | |||
Op. 122/5 | Schmücke dich, o Liebe Seele | Prelude | Organ | 1896 | |||
Op. 122/6 | O wie selig seid ihr doch, ihr Frommen | Prelude | Organ | 1896 | |||
Op. 122/7 | O Gott, du frommer Gott | Prelude | Organ | 1896 | |||
Op. 122/8 | Es ist ein Ros' entsprungen | Prelude | Organ | 1896 | |||
Op. 122/9 | Herzlich tut mich verlangen | Prelude | Organ | 1896 | Version 1 | ||
Op. 122/10 | Herzlich tut mich verlangen | Prelude | Organ | 1896 | Version 2 | ||
Op. 122/11 | O Welt, ich muss dich lassen | Prelude | Organ | 1896 | Version 2 | ||
WoO 1 | Twenty one Hungarian Dances | Piano four hands | ♫ | ||||
WoO 1/1 | Hungarian Dance No.1 | G minor | Piano four hands | 1858–68 | |||
WoO 1/1 | Hungarian Dance No.1 | G minor | Piano | 1872 | |||
WoO 1/1 | Hungarian Dance No.1 | G minor | Orchestra | 1873 | ♫ | ||
WoO 1/2 | Hungarian Dance No.2 | D minor | Piano four hands | 1858–68 | |||
WoO 1/2 | Hungarian Dance No.2 | D minor | Piano | 1872 | |||
WoO 1/3 | Hungarian Dance No.3 | F major | Piano four hands | 1858–68 | |||
WoO 1/3 | Hungarian Dance No.3 | F major | Piano | 1872 | |||
WoO 1/3 | Hungarian Dance No.3 | F major | Orchestra | 1873 | ♫ | ||
WoO 1/4 | Hungarian Dance No.4 | F minor | Piano four hands | 1858–68 | |||
WoO 1/4 | Hungarian Dance No.4 | F minor | Piano | 1872 | |||
WoO 1/5 | Hungarian Dance No.5 | F♯ minor | Piano four hands | 1858–68 | |||
WoO 1/5 | Hungarian Dance No.5 | F♯ minor | Piano | 1872 | |||
WoO 1/6 | Hungarian Dance No.6 | D♭ major | Piano four hands | 1858–68 | |||
WoO 1/6 | Hungarian Dance No.6 | D♭ major | Piano | 1872 | |||
WoO 1/7 | Hungarian Dance No.7 | F major | Piano four hands | 1858–68 | |||
WoO 1/7 | Hungarian Dance No.7 | F major | Piano | 1872 | |||
WoO 1/8 | Hungarian Dance No.8 | A minor | Piano four hands | 1858–68 | |||
WoO 1/8 | Hungarian Dance No.8 | A minor | Piano | 1872 | |||
WoO 1/9 | Hungarian Dance No.9 | E minor | Piano four hands | 1858–68 | |||
WoO 1/9 | Hungarian Dance No.9 | E minor | Piano | 1872 | |||
WoO 1/10 | Hungarian Dance No.10 | E major | Piano four hands | 1858–68 | |||
WoO 1/10 | Hungarian Dance No.10 | E major | Piano | 1872 | |||
WoO 1/10 | Hungarian Dance No.10 | F major | Orchestra | 1873 | ♫ | ||
WoO 1/11 | Hungarian Dance No.11 | D minor | Piano four hands | 1879 | |||
WoO 1/12 | Hungarian Dance No.12 | D minor | Piano four hands | 1879 | |||
WoO 1/13 | Hungarian Dance No.13 | D major | Piano four hands | 1879 | |||
WoO 1/14 | Hungarian Dance No.14 | D minor | Piano four hands | 1879 | |||
WoO 1/15 | Hungarian Dance No.15 | B♭ major | Piano four hands | 1879 | |||
WoO 1/16 | Hungarian Dance No.16 | F minor | Piano four hands | 1879 | |||
WoO 1/17 | Hungarian Dance No.17 | F♯ minor | Piano four hands | 1879 | |||
WoO 1/18 | Hungarian Dance No.18 | D major | Piano four hands | 1879 | |||
WoO 1/19 | Hungarian Dance No.19 | B minor | Piano four hands | 1879 | |||
WoO 1/20 | Hungarian Dance No.20 | E minor | Piano four hands | 1879 | |||
WoO 1/21 | Hungarian Dance No.21 | E minor | Piano four hands | 1879 | |||
WoO 2 | Scherzo | C minor | Scherzo | Violin and piano | 1853 | ♫ | From the F-A-E Sonata (the other 3 movements are the work of Robert Schumann and Albert Dietrich) |
WoO 3 | Two Gavottes | Gavotte | Piano | 1855? | |||
WoO 3/1 | Gavotte No.1 | A major | Gavotte | Piano | 1855? | ||
WoO 3/2 | Gavotte No.2 | A minor | Gavotte | Piano | 1855? | ||
WoO 4 | Two Gigues | Gigue | Piano | 1855 | ♫ | ||
WoO 4/1 | Gigue No.1 | A minor | Gigue | Piano | 1855 | ||
WoO 4/2 | Gigue No.2 | B minor | Gigue | Piano | 1855 | ||
WoO 5 | Two Sarabandes | Sarabande | Piano | 1854–55 | ♫ | ||
WoO 5/1 | Sarabande No.1 | A minor | Sarabande | Piano | 1854–55 | ||
WoO 5/2 | Sarabande No.2 | B minor | Sarabande | Piano | 1854–55 | ||
WoO 6 | Fifty one Exercises | Exercise | Piano | 1850?–93 | ♫ | ||
WoO 7 | Chorale Prelude and Fugue on "O Traurigkeit, o Herzeleid" | A minor | Prelude | Organ | 1856–73 | ♫ | |
WoO 8 | Fugue | A♭ minor | Fugue | Organ | 1856 | ♫ | |
WoO 9 | Prelude and Fugue | A minor | Prelude | Organ | 1856 | ♫ | |
WoO 10 | Prelude and Fugue | G minor | Prelude | Organ | 1857 | ♫ | |
WoO 11 | Cadenza | D minor | Cadenza | Harpsichord or piano | 1855–61? | ♫ | For the Concerto I in D minor (BWV 1052) by Johann Sebastian Bach. |
WoO 12 | Two Cadenzas | G major | Cadenza | Piano | 1855–61? | ♫ | For the Piano Concerto No. 4 (Op. 58) by Ludwig van Beethoven. |
WoO 13 | Two Cadenzas | G major | Cadenza | Piano | 1855–61? | ♫ | For the Piano Concerto No. 17 (K 453) by Wolfgang Amadeus Mozart. |
WoO 14 | Cadenza | D minor | Cadenza | Piano | 1855–61? | ♫ | For the Piano Concerto No. 20 (K 466) by Wolfgang Amadeus Mozart. |
WoO 15 | Cadenza | C minor | Cadenza | Piano | 1855–61? | ♫ | For the Piano Concerto No. 24 (K 491) by Wolfgang Amadeus Mozart. |
WoO 16 | Kleine Hochzeits-Kantate | F major | Cantata | Vocal quartet and piano | 1874 | ♫ | |
WoO 17 | Kyrie | G minor | Kyrie | Vocal quartet and basso continuo | 1856 | ||
WoO 18 | Missa canonica | C major | Mass | Choir | 1856–61 | ||
WoO 19 | Dein Herzlein mild | A major | Lied | Female choir | 1860 | ||
WoO 20 | Dem dunklen Schoss der heilgen Erde | B minor | Lied | Voice and piano | 1880? | ♫ | |
WoO 21 | Mondnacht | A♭ major | Lied | Voice and piano | 1853? | ♫ | |
WoO 22 | Ophelia's Songs | Lied | Soprano and piano ad lib. | 1873 | |||
WoO 22/1 | Wie erkenn' ich dein Treublieb? | G minor | Lied | Soprano and piano ad lib. | 1873 | ||
WoO 22/2 | Sein Leichenhemd weiss wie Schnee | D major–B minor | Lied | Soprano and piano ad lib. | 1873 | ||
WoO 22/3 | Auf morgen ist Sankt Valentins Tag | G major | Lied | Soprano and piano ad lib. | 1873 | ||
WoO 22/4 | Sie trugen ihn auf der Bahre bloss | F major | Lied | Soprano and piano ad lib. | 1873 | ||
WoO 22/5 | Und kommt er nicht mehr zurück? | D minor | Lied | Soprano and piano ad lib. | 1873 | ||
WoO 23 | Regenlied | G minor | Lied | Voice and piano | 1872 | ♫ | |
WoO 24 | Grausam erweiset sich Amor an mir | D major | Canon | Female choir | 1863? | ♫ | |
WoO 25 | Mir lächelt kein Frühling | G minor | Canon | Female choir | 1877? | ♫ | |
WoO 26 | O wie sanft! | G major | Canon | Female choir | 1870? | ♫ | |
WoO 27 | Spruch | D minor | Canon | Voice and viola | 1854–55? | ♫ | |
WoO 28 | Töne, lindernder Klang! | G minor | Canon | Female choir | 1861? | ||
WoO 28 | Töne, lindernder Klang! | E minor | Canon | Choir | 1871? | ♫ | |
WoO 29 | Wann? | G minor | Canon | Soprano and alto | 1881? | ♫ | |
WoO 30 | Zu Rauch muss warden | E♭ major | Canon | Choir | 1870? | ♫ | Version 1 |
WoO 30 | Zu Rauch muss warden | D major | Canon | Choir | 1870? | Version 2 | |
WoO 31 | Fifteen German folk children's songs | Lied | Voice and piano | 1857 | ♫ | ||
WoO 31/1 | Dornröschen | Lied | Voice and piano | 1857 | |||
WoO 31/2 | Die Nachtigall | Lied | Voice and piano | 1857 | |||
WoO 31/3 | Die Henne | Lied | Voice and piano | 1857 | |||
WoO 31/4 | Sandmännchen | Lied | Voice and piano | 1857 | |||
WoO 31/5 | Der Mann | Lied | Voice and piano | 1857 | |||
WoO 31/6 | Heidenröslein | Lied | Voice and piano | 1857 | |||
WoO 31/7 | Das Schlaraffenland | Lied | Voice and piano | 1857 | |||
WoO 31/8a | Beim Ritt auf dem Knie | Lied | Voice and piano | 1857 | Version 1 | ||
WoO 31/8b | Beim Ritt auf dem Knie | Lied | Voice and piano | 1857 | Version 2 | ||
WoO 31/9 | Der Jäger im Walde | Lied | Voice and piano | 1857 | |||
WoO 31/10 | Das Mädchen und die Hasel | Lied | Voice and piano | 1857 | |||
WoO 31/11 | Wiegenlied | Lied | Voice and piano | 1857 | |||
WoO 31/12 | Weihnachten | Lied | Voice and piano | 1857 | |||
WoO 31/13 | Marienwürmchen | Lied | Voice and piano | 1857 | |||
WoO 31/14 | Dem Schutzengel | Lied | Voice and piano | 1857 | |||
WoO 31/15 | Sommerlied | Lied | Voice and piano | 1857 | |||
WoO 32 | Twenty eight German folk songs | Lied | Voice and piano | 1858 | ♫ | ||
WoO 32/1 | Die Schnürbrust | Lied | Voice and piano | 1858 | |||
WoO 32/2 | Der Jäger | Lied | Voice and piano | 1858 | |||
WoO 32/3 | Drei Vögelein | Lied | Voice and piano | 1858 | |||
WoO 32/4 | Auf, gebet uns das Pfingstei | Lied | Voice and piano | 1858 | |||
WoO 32/5 | Des Markgrafen Töchterlein | Lied | Voice and piano | 1858 | |||
WoO 32/6 | Der Reiter | Lied | Voice and piano | 1858 | |||
WoO 32/7 | Die heilige Elisabeth | Lied | Voice and piano | 1858 | |||
WoO 32/8 | Der englische Gruß | Lied | Voice and piano | 1858 | |||
WoO 32/9 | Ich stund an einem Morgen | Lied | Voice and piano | 1858 | |||
WoO 32/10 | Gunhilde | Lied | Voice and piano | 1858 | |||
WoO 32/11 | Der tote Gast | Lied | Voice and piano | 1858 | |||
WoO 32/12 | Tageweis von einer schönen Frauen | Lied | Voice and piano | 1858 | |||
WoO 32/13 | Schifferlied | Lied | Voice and piano | 1858 | |||
WoO 32/14 | Nachtgesang | Lied | Voice and piano | 1858 | |||
WoO 32/15 | Die beiden Königskinder | Lied | Voice and piano | 1858 | |||
WoO 32/16 | Scheiden | Lied | Voice and piano | 1858 | |||
WoO 32/17 | Altes Minnelied | Lied | Voice and piano | 1858 | |||
WoO 32/18a | Der getreue Eckard | Lied | Voice and piano | 1858 | |||
WoO 32/18b | Der getreue Eckard | Lied | Voice and piano | 1858 | |||
WoO 32/19 | Die Versuchung | Lied | Voice and piano | 1858 | |||
WoO 32/20 | Der Tochter Wunsch | Lied | Voice and piano | 1858 | |||
WoO 32/21 | Schnitter Tod | Lied | Voice and piano | 1858 | |||
WoO 32/22 | Marias Wallfahrt | Lied | Voice and piano | 1858 | |||
WoO 32/23 | Das Mädchen und der Tod | Lied | Voice and piano | 1858 | |||
WoO 32/24 | Es ritt ein Ritter | Lied | Voice and piano | 1858 | |||
WoO 32/25 | Liebeslied | Lied | Voice and piano | 1858 | |||
WoO 32/26 | Guten Abend | Lied | Voice and piano | 1858 | |||
WoO 32/27 | Die Wollust in den Maien | Lied | Voice and piano | 1858 | |||
WoO 32/28 | Es reit ein Herr und auch sein Knecht | Lied | Voice and piano | 1858 | |||
WoO 33 | Forty nine German folk songs | Lied | Voice, piano, and choir ad lib. | 1893–94 | ♫ | ||
WoO 33/1 | Sagt mir, o schönste Schäfrin mein | Lied | Voice and piano | 1893–94 | |||
WoO 33/2 | Erlaube mir, feins Mädchen | Lied | Voice and piano | 1893–94 | |||
WoO 33/3 | Gar lieblich hat sich gesellet | Lied | Voice and piano | 1893–94 | |||
WoO 33/4 | Guten Abend, mein tausiger Schatz | Lied | Voice and piano | 1893–94 | |||
WoO 33/5 | Die Sonne scheint nicht mehr | Lied | Voice and piano | 1893–94 | |||
WoO 33/6 | Da unten im Tale | Lied | Voice and piano | 1893–94 | |||
WoO 33/7 | Gunhilde | Lied | Voice and piano | 1893–94 | |||
WoO 33/8 | Ach, englische Schäferin | Lied | Voice and piano | 1893–94 | |||
WoO 33/9 | Es war eine schöne Jüdin | Lied | Voice and piano | 1893–94 | |||
WoO 33/10 | Es ritt ein Ritter | Lied | Voice and piano | 1893–94 | |||
WoO 33/11 | Jungfräulein, soll ich mit euch gehn | Lied | Voice and piano | 1893–94 | |||
WoO 33/12 | Feinsliebchen, du sollst mir nicht barfuss gehn | Lied | Voice and piano | 1893–94 | |||
WoO 33/13 | Wach auf, mein Hort | Lied | Voice and piano | 1893–94 | |||
WoO 33/14 | Maria ging aus wandern | Lied | Voice and piano | 1893–94 | |||
WoO 33/15 | Schwesterlein, Schwesterlein, wann gehn wir | Lied | Voice and piano | 1893–94 | |||
WoO 33/16 | Wach auf, Mein Herzensschöne | Lied | Voice and piano | 1893–94 | |||
WoO 33/17 | Ach Gott, wie weh tut scheiden | Lied | Voice and piano | 1893–94 | |||
WoO 33/18 | So wünsch' ich ihr ein gute Nacht | Lied | Voice and piano | 1893–94 | |||
WoO 33/19 | Nur ein Gesicht auf Erden lebt | Lied | Voice and piano | 1893–94 | |||
WoO 33/20 | Schönster Schatz, mein Engel | Lied | Voice and piano | 1893–94 | |||
WoO 33/21 | Es ging ein Maidlein zarte | Lied | Voice and piano | 1893–94 | |||
WoO 33/22 | Wo gehst du hin, du Stolze? | Lied | Voice and piano | 1893–94 | |||
WoO 33/23 | Der Reiter | Lied | Voice and piano | 1893–94 | |||
WoO 33/24 | Mir ist ein schöns brauns Maidelein | Lied | Voice and piano | 1893–94 | |||
WoO 33/25 | Mein Mädel hat einen Rosenmund | Lied | Voice and piano | 1893–94 | |||
WoO 33/26 | Ach, könnt ich diesen Abend | Lied | Voice and piano | 1893–94 | |||
WoO 33/27 | Ich stand auf hohem Berge | Lied | Voice and piano | 1893–94 | |||
WoO 33/28 | Es reit ein Herr und auch sein Knecht | Lied | Voice and piano | 1893–94 | |||
WoO 33/29 | Es war ein Markgraf überm Rhein | Lied | Voice and piano | 1893–94 | |||
WoO 33/30 | All mein Gedanken | Lied | Voice and piano | 1893–94 | |||
WoO 33/31 | Dort in den Weiden steht ein Haus | Lied | Voice and piano | 1893–94 | |||
WoO 33/32 | Wo will ich frisch und fröhlich sein | Lied | Voice and piano | 1893–94 | |||
WoO 33/33 | Och Moder, ich well en Ding han! | Lied | Voice and piano | 1893–94 | |||
WoO 33/34 | Wie komm ich denn zur Tür herein? | Lied | Voice and piano | 1893–94 | |||
WoO 33/35 | Soll sich der Mond nicht heller scheinen | Lied | Voice and piano | 1893–94 | |||
WoO 33/36 | Es wohnet ein Fiedler zu Frankfurt am Main | Lied | Voice and piano | 1893–94 | |||
WoO 33/37 | Du mein einzig Licht | Lied | Voice and piano | 1893–94 | |||
WoO 33/38 | Des Abends kann ich nicht schlafen gehn | Lied | Voice and piano | 1893–94 | |||
WoO 33/39 | Schöner Augen, schöne Strahlen | Lied | Voice and piano | 1893–94 | |||
WoO 33/40 | Ich weiss mir'n Maidlein hübsch und fein | Lied | Voice and piano | 1893–94 | |||
WoO 33/41 | Es steht ein Lind | Lied | Voice and piano | 1893–94 | |||
WoO 33/42 | In stiller Nacht, zur ersten Wacht | Lied | Voice and piano | 1893–94 | |||
WoO 33/43 | Es stunden drei Rosen | Lied | Voice, piano, and choir ad lib. | 1893–94 | |||
WoO 33/44 | Dem Himmel will ich klagen | Lied | Voice, piano, and choir ad lib. | 1893–94 | |||
WoO 33/45 | Es sass ein schneeweiss Vögelein | Lied | Voice, piano, and choir ad lib. | 1893–94 | |||
WoO 33/46 | Es war einmal ein Zimmergesell | Lied | Voice, piano, and choir ad lib. | 1893–94 | |||
WoO 33/47 | Es ging sich unsre Fraue | Lied | Voice, piano, and choir ad lib. | 1893–94 | |||
WoO 33/48 | Nachtigall, sag, was für Grüss | Lied | Voice, piano, and choir ad lib. | 1893–94 | |||
WoO 33/49 | Verstohlen geht der Mond auf | Lied | Voice, piano, and choir ad lib. | 1893–94 | |||
WoO 34 | Fourteen German folk songs | Lied | Choir | 1857–64 | ♫ | ||
WoO 34/1 | Von edler Art | Lied | Choir | 1857 | |||
WoO 34/2 | Mit Lust tät ich ausreiten | Lied | Choir | 1857 | |||
WoO 34/3 | Bei nächtlicher Weil | Lied | Choir | 1857 | |||
WoO 34/4 | Vom heiligen Märtyrer Emmerano | Lied | Choir | 1864? | |||
WoO 34/5 | Täublein weiss | Lied | Choir | 1864? | |||
WoO 34/6 | Ach lieber Herre Jesu Christ | Lied | Choir | 1864? | |||
WoO 34/7 | Sankt Raphael | Lied | Choir | 1864? | |||
WoO 34/8 | In Stiller Nacht, zur ersten Wacht | Lied | Choir | 1857 | |||
WoO 34/9 | Abschiedslied | Lied | Choir | 1857 | |||
WoO 34/10 | Der tote Knabe | Lied | Choir | 1857 | |||
WoO 34/11 | Die Wollust in den Maien | Lied | Choir | 1857 | |||
WoO 34/12 | Morgengesang | Lied | Choir | 1864? | |||
WoO 34/13 | Schnitter Tod | Lied | Choir | 1857 | |||
WoO 34/14 | Der englische Jäger | Lied | Choir | 1857 | |||
WoO 35 | Twelve German folk songs | Lied | Choir and piano ad lib. | 1857–64? | ♫ | ||
WoO 35/1 | Scheiden | Lied | Choir and piano ad lib. | 1857–58? | |||
WoO 35/2 | Wach auf! | Lied | Choir and piano ad lib. | 1857–58? | |||
WoO 35/3 | Erlaube mir | Lied | Choir and piano ad lib. | 1857–58? | |||
WoO 35/4 | Der Fiedler | Lied | Choir and piano ad lib. | 1857–58? | |||
WoO 35/5 | Da unten im Tale | Lied | Female choir and piano ad lib. | 1857–58? | |||
WoO 35/6 | Des Abends | Lied | Choir and piano ad lib. | 1857–58? | |||
WoO 35/7 | Wach auf! | Lied | Choir and piano ad lib. | 1857–58? | |||
WoO 35/8 | Dort in den Weiden | Lied | Choir and piano ad lib. | 1863–64? | |||
WoO 35/9 | Altes Volkslied | Lied | Choir and piano ad lib. | 1863–64? | |||
WoO 35/10 | Der Ritter un die Feine | Lied | Choir and piano ad lib. | 1863–64? | |||
WoO 35/11 | Der Zimmergesell | Lied | Choir and piano ad lib. | 1863–64? | |||
WoO 35/12 | Altdeustches Kamflied | Lied | Choir and piano ad lib. | 1863–64? | |||
WoO 36 | Eight German folk songs | Lied | Female choir and piano ad lib. | 1859–62 | Arrs. of traditional German folk songs | ||
WoO 36/1 | Totenklage | Lied | Female choir and piano ad lib. | 1859–62 | |||
WoO 36/2 | Minnelied | Lied | Female choir and piano ad lib. | 1859–62 | |||
WoO 36/3 | Der tote Knabe | Lied | Female choir and piano ad lib. | 1859–62 | |||
WoO 36/4 | Ich hab die Nacht geträumet | Lied | Female choir and piano ad lib. | 1859–62 | |||
WoO 36/5 | Altdeutches Minnelied | Lied | Female choir and piano ad lib. | 1859–62 | |||
WoO 36/6 | Es waren zwei Königskinder | Lied | Female choir and piano ad lib. | 1859–62 | |||
WoO 36/7 | Spannung | Lied | Female choir and piano ad lib. | 1859–62 | |||
WoO 36/8 | Drei Vögelein | Lied | Female choir and piano ad lib. | 1859–62 | |||
WoO 37 | Sixteen German folk songs | Lied | Female choir and piano ad lib. | 1859–62 | Arrs. of traditional German folk songs | ||
WoO 37/1 | Schwesterlein, wann gehn wir | Lied | Female choir and piano ad lib. | 1859–62 | |||
WoO 37/2 | Ich hörte ein Sichlein rauschen | Lied | Female choir and piano ad lib. | 1859–62 | |||
WoO 37/3 | Der Ritter und die Feine | Lied | Female choir and piano ad lib. | 1859–62 | |||
WoO 37/4 | Ich stand auf hohem Berge | Lied | Female choir and piano ad lib. | 1859–62 | |||
WoO 37/5 | Gunhilde | Lied | Female choir and piano ad lib. | 1859–62 | |||
WoO 37/6 | Der buckligte Fiedler | Lied | Female choir and piano ad lib. | 1859–62 | |||
WoO 37/7 | Die Versuchung | Lied | Female choir and piano ad lib. | 1859–62 | |||
WoO 37/8 | Altes Minnelied | Lied | Female choir and piano ad lib. | 1859–62 | |||
WoO 37/9 | Die Wollust in den Maien | Lied | Female choir and piano ad lib. | 1859–62 | |||
WoO 37/10 | Treninung | Lied | Female choir and piano ad lib. | 1859–62 | |||
WoO 37/11 | Der Jäger | Lied | Female choir and piano ad lib. | 1859–62 | |||
WoO 37/12 | Scheiden | Lied | Female choir and piano ad lib. | 1859–62 | |||
WoO 37/13 | Zu Strassburg auf der Schanz | Lied | Female choir and piano ad lib. | 1859–62 | |||
WoO 37/14 | Wach auf, mein Hort | Lied | Female choir and piano ad lib. | 1859–62 | |||
WoO 37/15 | Der Ritter | Lied | Female choir and piano ad lib. | 1859–62 | |||
WoO 37/16 | Ständchen | Lied | Female choir and piano ad lib. | 1859–62 | |||
WoO 38 | Twenty German folk songs | Lied | Female choir and piano ad lib. | 1859–62 | Arrs. of traditional German folk songs | ||
WoO 38/1 | Die Entführung | Lied | Female choir and piano ad lib. | 1859–62 | |||
WoO 38/2 | Gang zur Liebsten | Lied | Female choir and piano ad lib. | 1859–62 | |||
WoO 38/3 | Schifferlied | Lied | Female choir and piano ad lib. | 1859–62 | |||
WoO 38/4 | Erlaube mir, feins Mädchen | Lied | Female choir and piano ad lib. | 1859–62 | |||
WoO 38/5 | Schnitter Tod | Lied | Female choir and piano ad lib. | 1859–62 | |||
WoO 38/6 | Die Bernauerin | Lied | Female choir and piano ad lib. | 1859–62 | |||
WoO 38/7 | Das Lied vom eifersüchtigen Knaben | Lied | Female choir and piano ad lib. | 1859–62 | |||
WoO 38/8 | Der Baum im Odenwald | Lied | Female choir and piano ad lib. | 1859–62 | |||
WoO 38/9 | Des Markgrafen Töchterlein | Lied | Female choir and piano ad lib. | 1859–62 | |||
WoO 38/10 | Die stolze Jüdin | Lied | Female choir and piano ad lib. | 1859–62 | |||
WoO 38/11 | Der Zimmergesell | Lied | Female choir and piano ad lib. | 1859–62 | |||
WoO 38/12 | Liebesllied | Lied | Female choir and piano ad lib. | 1859–62 | |||
WoO 38/13 | Heimliche Liebe | Lied | Female choir and piano ad lib. | 1859–62 | |||
WoO 38/14 | Altes Liebeslied | Lied | Female choir and piano ad lib. | 1859–62 | |||
WoO 38/15 | Dauernde Liebe | Lied | Female choir and piano ad lib. | 1859–62 | |||
WoO 38/16 | Während der Trennung | Lied | Female choir and piano ad lib. | 1859–62 | |||
WoO 38/17 | Morgen muss ich fort von hier | Lied | Female choir and piano ad lib. | 1859–62 | |||
WoO 38/18 | Scheiden | Lied | Female choir and piano ad lib. | 1859–62 | |||
WoO 38/19 | Vor dem Fenster | Lied | Female choir and piano ad lib. | 1859–62 | |||
WoO 38/20 | Ständchen | Lied | Female choir and piano ad lib. | 1859–62 | |||
Anh.1a/1 | Five Studies | Étude | Piano | 1852–77? | ♫ | ||
Anh.1a/1/1 | Étude | F minor | Étude | Piano | 1862? | Arr. of Étude Op. 25/2 by Frédéric Chopin. | |
Anh.1a/1/2 | Rondo | C major | Étude | Piano | 1852 | Arr. of the finale from Piano Sonata No. 1 (J 138, Op. 24) by Carl Maria von Weber. | |
Anh.1a/1/3 | Presto | G minor | Étude | Piano | 1877? | Arr. of the finale from Violin Sonata No. 1 (BWV 1001) by Johann Sebastian Bach. Version 1. | |
Anh.1a/1/4 | Presto | G minor | Étude | Piano | 1877? | Arr. of the finale from Violin Sonata No. 1 (BWV 1001) by Johann Sebastian Bach. Version 2. | |
Anh.1a/1/5 | Chaconne | D minor | Étude | Piano left hand | 1877? | Arr. of the chaconne from Violin Partita No. 1 (BWV 1004) by Johann Sebastian Bach. | |
Anh.1a/2 | Gavotte | A major | Gavotte | Piano | 1871 | ♫ | Arr. from opera Iphigénie en Aulide by Christoph Willibald Gluck. |
Anh.1a/3 | Overture Hamlet | Overture | Piano four hands | 1853–54 | Arr. of the overture (Op. 4) by Joseph Joachim. | ||
Anh.1a/4 | Overture Demetrius | D major | Overture | 2 pianos | 1856 | Arr. of the overture (Op. 6) by Joseph Joachim. | |
Anh.1a/5 | Overture Henry IV | C major | Overture | 2 pianos | 1855 | ♫ | Arr. of the overture (Op. 7) by Joseph Joachim. |
Anh.1a/6 | Twenty Ländler | Ländler | Piano | 1869? | ♫ | Arrs. of No. 1 to 16 of Seventeen Ländler (D 366) and Four Ländler (D 814) by Franz Schubert. Version 1. | |
Anh.1a/6 | Twenty Ländler | Ländler | Piano four hands | 1869? | ♫ | Arrs. of No. 1 to 16 of Seventeen Ländler (D 366) and Four Ländler (D 814) by Franz Schubert. Version 2. | |
Anh.1a/7 | Scherzo | E♭ major | Scherzo | Piano | 1854 | Arr. of the scherzo from the Piano Quintet (Op. 44) by Robert Schumann. | |
Anh.1a/8 | Piano Quartet | E♭ major | Quartet | Piano four hands | 1855 | ♫ | Arr. of Piano Quartet (Op. 47) by Robert Schumann. |
Anh.1a/9 | Ach Gott, wie manches Herzeleid | Chorale | Soprano and piano | 1877 | ♫ | Arr. of the chorale Ach Gott, wie manches Herzeleid of cantata Sie werden euch in den Bann tun by Johann Sebastian Bach. | |
Anh.1a/10 | Seven Duets and Two Trios | Duet, Trio | 2 sopranos, alto, bass, and piano | 1870? | ♫ | Arrs. of duets and trios by George Frideric Handel. | |
Anh.1a/10/1 | Caro autor di mia doglia | Duet | 2 sopranos and piano | 1870? | ♫ | Arr. of the duet by Reinhard Keiser, which in itself was once misattributed to George Frideric Handel as (HWV 183) . | |
Anh.1a/10/2 | Quando in calma ride il mare | Duet | Soprano, bass, and piano | 1870? | ♫ | Arr. of the duet (HWV 191) by George Frideric Handel. | |
Anh.1a/10/3 | Tacete, ohimè, tacete | Duet | Soprano, bass, and piano | 1870? | ♫ | Arr. of the duet (HWV 196) by George Frideric Handel. | |
Anh.1a/10/4 | Conservate, raddoppiate | Duet | Soprano, alto, and piano | 1870? | ♫ | Arr. of the duet (HWV 185) by George Frideric Handel. | |
Anh.1a/10/5 | Tanti strali al semi scocchi | Duet | Soprano, alto, and piano | 1870? | ♫ | Arr. of the duet (HWV 197) by George Frideric Handel. | |
Anh.1a/10/6 | Langue, geme | Duet | Soprano, alto, and piano | 1870? | ♫ | Arr. of the duet (HWV 188) by George Frideric Handel. | |
Anh.1a/10/7 | Se tu non lasci amore | Duet | Soprano, alto, and piano | 1870? | ♫ | Arr. of the duet (HWV 193) by George Frideric Handel. | |
Anh.1a/10/8 | Se tu non lasci amore | Trio | 2 sopranos, bass, and piano | 1870? | ♫ | Arr. of the trio (HWV 201) by George Frideric Handel. | |
Anh.1a/10/9 | Quel fior che all’alba ride | Trio | 2 sopranos, bass, and piano | 1870? | ♫ | Arr. of the trio (HWV 200) by George Frideric Handel. | |
Anh.1a/11 | Six Duets | Duet | 2 sopranos, alto, and piano | 1880? | ♫ | Arrs. of duets by George Frideric Handel. | |
Anh.1a/11/1 | Quel fior che all’alba ride | Duet | 2 sopranos and piano | 1880? | ♫ | Arr. of the duet (HWV 192) by George Frideric Handel. | |
Anh.1a/11/2 | Nò, di voi non vo’ fidarmi | Duet | 2 sopranos and piano | 1880? | ♫ | Arr. of the duet (HWV 189) by George Frideric Handel. | |
Anh.1a/11/3 | Nò, di voi non vo’ fidarmi | Duet | Soprano, alto, and piano | 1880? | ♫ | Arr. of the duet (HWV 190) by George Frideric Handel. | |
Anh.1a/11/4 | Beato in ver chi può | Duet | Soprano, alto, and piano | 1880? | ♫ | Arr. of the duet (HWV 181) by George Frideric Handel. | |
Anh.1a/11/5 | Fronda leggiera e mobile | Duet | Soprano, alto, and piano | 1880? | ♫ | Arr. of the duet (HWV 186) by George Frideric Handel. | |
Anh.1a/11/6 | Ahì, nelle sorti umane | Duet | 2 sopranos and piano | 1880? | ♫ | Arr. of the duet (HWV 179) by George Frideric Handel. | |
Anh.1a/12 | An Schwager Kronos | Lied | Bass and orchestra | 1862 | Arr. of the song (D 369, Op. 19/1) by Franz Schubert. | ||
Anh.1a/13 | Memnon | Lied | Voice and orchestra | 1862 | Arr. of the song (D 541, Op. 6/1) by Franz Schubert. | ||
Anh.1a/14 | Gruppe aus dem Tartarus | Lied | Men's chorus and orchestra | 1871? | Arr. of the song (D 583, Op. 24/1) by Franz Schubert. | ||
Anh.1a/15 | Geheimes | Lied | Voice, horn, and strings | 1862 | Arr. of the song (D 719, Op. 14/2) by Franz Schubert. | ||
Anh.1a/16 | Greisengesang | Lied | Bass and orchestra | 1862 | Arr. of the song (D 778, Op. 60/1) by Franz Schubert. | ||
Anh.2a/14 | Suite | A minor | Suite | Piano | 1855 | Unfinished: Prelude and Aria only. | |
Anh.3/1 | Hymn | A major | Trio | 2 violins and cello or double bass | 1853 | In Veneration of the Great Joachim | |
Anh.3/2 | Canon | F minor | Canon | Piano | 1864? | ||
Anh.3/3 | Circle Canon | Canon | Piano | 1856? | |||
Anh.3/4 | Piano Piece | B♭ major | Piano | 1859–62 | |||
Anh.3/5 | Canon | D minor | Canon | Piano | On the theme of the Papillons (Op.2/7) by Robert Schumann | ||
Anh.3/6 | Variations on a Theme by Robert Schumann | F♯ minor | Variation | Piano | 1868? | ||
Anh.3/8 | So bello non | D major | Canzonetta | Voice and piano | 1882 | Neapolitan canzonetta | |
Anh.3/9 | Maximilian Robespierre | Physharmonica or piano | 1852 | Arr. of the overture (Op. 55) by Henry Litolff. | |||
Anh.3/10 | Rákóczy March | A minor | March | Piano | 1853? | Incomplete | |
Anh.3/13 | Die Müllerin | E♭ minor | Lied | Voice and piano | 1853? | Incomplete | |
Anh.4/2 | Study for the Left Hand | E♭ major | Étude | Piano left hand | ♫ | Arr. of No 2. of Impromptus (D 899, Op 90) by Franz Schubert. Brahms' authorship doubtful | |
Anh.4/5 | Piano Trio No.4 | A major | Trio | Violin, cello, and piano | Brahms' authorship doubtful | ||
Anh.4/6 | Souvenir de la Russie | Piano four hands | 1852? | ♫ | Arrs. published under the pseudonym G. F. Marks as Op.151. Probably misattributed to Brahms. | ||
Anh.4/6/1 | Hymne national russe de Lvoff | F major | National anthem | Piano four hands | 1852? | Arr. of God Save the Tsar! by Alexei Lvov. | |
Anh.4/6/2 | Chansonette de Titoff | A minor | Chansonnette | Piano four hands | 1852? | Arr. of he song The Branch by Nikolai Alexeyevich Titov. | |
Anh.4/6/3 | Romance de Warlamoff | A minor | Romance | Piano four hands | 1852? | Arr. of the song Don't You Wake Her at Dawn by Alexander Egorovich Varlamov. | |
Anh.4/6/4 | Le Rossignol de A. Alabieff | D minor | Piano four hands | 1852? | Arr. of the song The Nightingale by Alexander Alyabyev. | ||
Anh.4/6/5 | Chant bohémien | G major | Piano four hands | 1852? | Arr. of a folksong. | ||
Anh.4/6/6 | Chant bohémien | G major | Piano four hands | 1852? | Arr. of a folksong. | ||
Anh.4/7 | C minor | Cadenza | Piano | ♫ | For the Piano Concerto No. 3 (Op. 37) by Ludwig van Beethoven. Misattributed to Brahms . Actually composed by Ignaz Moscheles. | ||
— | Piano | 1836 | ♫ | Published under the pseudonym "G. W. Marks". Misattributed to Brahms | |||
— | Albumblatt | Piano | 1853 | Recently discovered work.[1] |
References
[edit]- ^ Needham, Alex (13 January 2012). "Brahms piano piece to get its premiere 159 years after its creation". The Guardian. Retrieved 13 January 2012.
External links
[edit]- List of works by Johannes Brahms with links to the: Scores at the International Music Score Library Project
- Songs listed by title at the Lied and Art Songs Text page.
- Works sorted by six criteria
[[Category:Compositions by Johannes Brahms| ]] [[Category:Lists of compositions by composer|Brahms, Johannes]]