User:NeorxenoSwang/sandbox
| Holy Trinity Cathedral | |
|---|---|
.JPG) The front façade of the Holy Trinity Cathedral in Novomoskovsk. | |
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| General information | |
| Architectural style | Ukrainian Baroque |
| Location | Novomoskovsk, Ukraine |
| Coordinates | 48°37′40″N 39°15′48″E / 48.62778°N 39.26333°E |
| Construction started | 1775 |
| Completed | 1780 |
| Design and construction | |
| Architect(s) | Yakym Pogrebnyak |
The Holy Trinity Cathedral (Ukrainian: Троїцький кафедральний собор, Troїcʹkij kafedralʹnij sobor) in the city of Novomoskovsk n the Ukrainian city of Novomoskovsk, is a historic Orthodox church building and the largest wooden church in Ukraine.
The cathedral is an exceptional work of art of wooden architecture in Ukraine and a monument of Ukrainian Baroque. It was built by the Cossacks without the use of metal nails. Construction began on 2 June 1775, the high altar was consecrated on 13 May 1778 and completed on 10 September 1780. The adjacent bell tower was added later.
The building is a nine-towered symmetrical composition with a total area of 512 m². The highest dome is in the centre and is about 65 metres high. In 2012, after 130 years without major repairs, the monument was in a condition that required immediate restoration, which began in August 2012.
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"Good Damage" is the tenth episode of the sixth season of BoJack Horseman, an American adult animated tragicomedy series created by Raphael Bob-Waksberg. The second episode of the second half of the series, it was released alongside seven others on Netflix on January 31, 2020, with James Bowman directing and Joanna Calo writing. The episode centres around the character Diane Nguyen, recently taking antidepressants, as she attempts to write a novel based upon her experiences with depression and traumatic childhood events. It has been heavily praised for its portrayal of trauma, its representation of antidepressant medicine and its side-effects, and for its rebuttal of the so-called "suffering artist" (the idea that genuine creativity arises from suffering) trope.
The episode employs artistic styles reminiscent of those in the season four episode "Stupid Piece of Sh*t", in which the titular character, BoJack Horseman, is also shown posessessing highly self-critical thought patterns. References are also made throughout the episode to the Japanese art of Kintsugi, which is suggestive of how Diane thinks of herself — i.e., that her traumatic experiences have made her who she is and define her.
Plot[edit]
The episode begins with Diane (Alison Brie) and her partner Guy (Lakeith Stanfield) attending a baseball game in Chicago. In a style typical to the cynicism and criticism that Diane has epoused throughout the series, she begins to complain about the use of "Chicago style" when one is in Chicago. She then proceeds to bemoan the plastic packaging surrounding her cutlery and the corporate sponsorship connected with said packaging, before proclaiming "But, what you gonna do right?" in an upbeat manner. A montage titled "Diane on Antidepressants" then follows in which we see her acting in a more positive, humanistic, and carefree manner compared with other series.
Following the title screen we then see Diane choosing to not visit the museum with her partner and instead work on her memoire, which she is still struggling to compose. Through the use of a more cartoon-esque art style we are then exposed to Diane's thoughts as she writes the memoire, including questioning whether it is acceptable to mention her high school bully on a first name basis, as well as whether she has a duty to put BoJack (Will Arnett) in her memoire because he bought her a salad bowl. She also imagines her father telling her he is unsupportive of her, and her ex-husband, Mr Peanutbutter (Paul F. Tompkins) repeatedly appears mentioning the Japanese art of Kintsugi and how this is much like how their marriage fell apart.
A phone call from BoJack then wakes her out of her thought process. BoJack inquires as to why Diane is writing her memoire at the food court in the mall and about the progress of her book. He then asks if she's written any stories about him, because she's versed in it, to which she replies "I'm sure someone else will rise to the occasion". Directly after, we witness the reporters Paige Sinclair (Paget Brewster) and Maximillian Banks (Max Greenfield) as they try to identify the person who was with Sarah Lynn (Kristen Schaal) when she died — BoJack — by following a lead on Penny Carlson (Ilana Glazer). Shortly after we see Diane getting distracted by her memoire as she goes to view a sale in a clothing shop called "Trauma".
Diane later tells Guy about her first draft and how she is struggling to write the book, because her past memories are not as clear as they used to be. She then tries to sort through her past again and continue her novel, but unintentionally begins writing a more playful novel about a teenage food court detective named Ivy Tran. At home, she shows this novel to Guy who praises it and finds it enjoyable, but she refuses to carry on writing it because she wants to focus upon a book about her trauma. She then proceeds to go to the pharmacy to collect her antidepressants, but following a phone call from Princess Carolyn (Amy Sedaris) asking to see pages from her novel, she leaves without collecting her prescription.
Meanwhile the reporters follow Penny back to her house and accost her and her mother, Charlotte (Olivia Wilde), asking questions about BoJack and his role in Sarah Lynn's death. Charlotte interrupts Penny as she is asked whether she would like to go on the record, and the reporters eventually leave as her husband, Kyle (Ed Helms), arrives home. In Chicago, Guy arrives home and asks Diane about the progress with her book over the day and she only then realises the entire day has passed. She proceeds to throw up into a plant in the bathroom and tries to return back to working on her novel whilst fighting through her intrusive thoughts. Shortly after she begins crying and suffers a breakdown as she confesses to Guy that she has stopped taking her medicaton, who then promptly encourages her to rest and take her medication again.
Fans:[edit]
In contrast to other teams in the Bundesliga, such as X, X, and X[source123], Eintracht Frankfurt fans can be considered left-leaning[source] and have a history of anti-racism[1]. Peter Fischer, president of the club, stated in an interview with FAZ in December 2017 that supporters of the far-right political party Alternative for Germany (AfD) do not belong at the club on account of "racist and misanthropic tendencies". He also made reference to the "vilifying" nickname given to Eintracht during the Nazi Regime: Juddebube (Jewish Boys). The only major league team to express overt support for Fischer's comments was FC St. Pauli, with their president Oke Göttlich stating "...No football for fascists. All further questions are superfluous". Fischer maintained his stance during his re-election campaign which proved popular, as he received 99.1% of the votes cast. To date, Eintracht Frankfurt and Hamburger SV are the only teams in the top two divisions to officially ban those with far-right ideologies from becoming members.
https://www.fr.de/eintracht-frankfurt/juddebube-ideologischen-gleichschritt-11616367.html
https://taz.de/HSV-und-die-AfD/!5556882/
https://www.bisp-surf.de/Record/PU200912007725
Hybrid Nouns is a term coined in 1979/1991? by the linguist Greville G Corbett to describe a phenomenon concerning gender and number agreement in grammar, whereby a noun does not exclusively follow one inflection pattern in a language (describe better, check book). The phenomenon arises as a result of certain nouns being inflected by speakers sometimes in accordance with their grammatical gender or number, and other times in accordance with the target to whom the noun refers, i.e. their referential gender or number. For gendered languages, Thurmair also speaks of the same phenomenon, but describes it instead as a Gender-Sex-Divergence. The topic has been researched multiple times by linguists in the past [x] decades since Corbett's observation and has also been the subject of neurolinguistic experiments. English and German are two of the languages into which investigation on the matter has been conducted.
The phenomenon in terms of gender is not to be confused with regional variation in grammatical gender usage. Nouns whose gender is dependent on region are still subject to only one gender paradigm, whereas hybrid nouns have multiple gender paradigms regardless of the region whence the speaker comes. is paradigm or inflection pattern better here?
Nouns of Hybrid Number[edit]
English.
Nouns of Hybrid Gender[edit]
somewhere explain this hybrid gender arises because the semantic meaning doesn't take dominance, unlike Russian djadja and Latin nauta.
Languages which use gendered nouns have various paradigms which each noun must obey according to its grammatical gender, also known as lexical gender. In German, the noun phrase der Junge (the boy) must be accompanied by the masculine definite article der and not feminine die or neuter das, as Junge is a masculine noun. ??sometthingherE??? Although many words signifying male and female beings are assigned the masculine and feminine gender respectively in Indo-European Languages, this is not always the case. For example, the German word for girl (Mädchen) and the outdated word for wife (Weib) are both of the neuter grammatical gender and not feminine, whereas the word for clown (Clown) is one of few titles of profession in German which only has a masculine form and no feminine equivalent (compare: der Austronaut and die Austronautin). Such nouns have the possibility of becoming Hybrid Nouns.
Hybrid Nouns arise as a result of a speaker being forced to choose between two different gender paradigms: the grammatical gender of the word or the referential, also called semantic, gender of the person to whom the word is referring. They are thus hybrid as they are a combination of two different gender declensions. Using the example of the German word for girl, Mädchen, speakers under certain conditions can either inflect this word according to the neuter gender of the word, or as a feminine gendered noun, since it refers to a female being. The SyHD Project (Syntax of Hessian Dialects) from the <universities here> uses the sentence "The girl has a stomach ate. She ate too many sweets" to illustrate this divergence somewherewriteresultsofthesurveyforthesesentences,agreementhierarchymaybe:
- 1a. Das Mädchen hat Bauchweh. Es hat zu viel Süßes gegessen. Literally: The girl [neut.] has stomach ache. It [neut.] has too many sweet-things eaten.
- 1b. Das Mädchen hat Bauchweh. Sie hat zu viel Süßes gegessen. Literally: The girl [neut.] has stomach ache. She [fem.] has too many sweet-things eaten.
somethingNeedsToGoHere.
Gender Agreement Hierarchies:[edit]
Corbett's main hypothesis(too subjective) is that the further apart on an agreement hierarchy a noun and the morpheme indicating gender are, the greater the likelihood of a speaker using the semantic gender and not the lexical gender of the word, i.e. the greater the chance of semantic congruence (maybe just say greater likelihood of semantic and not grammatical congruence). Corbett's full hierarchy is as follows:
- attributive > predicative > relative pronoun > personal pronoun
Therefore a personal pronoun would have the greatest chance of following semantic congruence as opposed to genus/gender congruence(right term? if so, need to use these earlier)). Nübling later adapts and expands Corbett's version of the hierarchy as so:
- attributive > possessive pronoun (satzintern) > relative pronoun > possessive pronoun (satzübergreifend) > anaphoric pronoun > exophoric reference
Could then include SyHD results comparing 1. and 2. \/
Hybrid Nouns in Other Languages[edit]
In addition to English and German,....
The para from ch1. of 2015 book is v important, as Russian djadja and Latin nauta are not hybrids, since they have one clear defined gender.
Dutch, Icelandic, Serbo-Croat.