Vajrapani

For Vajrapani in Hinduism, see Indra

Mahachakra Vajrapani

Vajrapāṇi (from Sanskrit vajra, "thunderbolt" or "diamond" and pāṇi, lit. "in the hand") is one of the earliest bodhisattvas of Mahayana Buddhism. He is the protector and guide of the Buddha, and rose to symbolize the Buddha's power. Vajrapani was used extensively in Buddhist iconography as one of the three protective deities surrounding the Buddha. Each of them symbolizes one of the Buddha's virtues: Manjusri (the manifestation of all the Buddhas' wisdom), Avalokitesvara (the manifestation of all the Buddhas' compassion) and Vajrapani (the manifestation of all the Buddhas' power).

Names

In Sanskrit, Vajrapani is known as Vajrapāṇinā bodhisattvena mahāsattvena, vajra-sattva and, in Tibetan, as Lag na Rdo rje (Chana Dorji). In Mongolian Очирваань (Ochirvaani), Базарваань (Bazarvaani). In East Asia, Vajrapani is known by several names including 金剛手菩薩 (Mandarin Chinese: Jīngāng shǒu púsà; Japanese: Kongō shu bosatsu; Korean: 금강수보살 Geumgang su bosal; Vietnamese: Kim cương thủ bồ tát) 和夷羅洹閱叉 (Mandarin Chinese: Héyíluóhuányuèchā; Japanese: Wairaoneisa; Korean: 화이라원열차 Hwairawonyeolcha; Vietnamese: Hoà di la hoàn duyệt xoa), or 跋闍羅波膩 (Mandarin Chinese: Báshéluóbōnì; Japanese: Bajarahaji; Korean: 발사라파니 Balsarapani; Vietnamese: Bạt xà la ba nị).^[1]

Doctrine

Vajrapani with Buddhist monks, art of Gandhara.

On the popular level, Vajrapani, Holder of the Thunderbolt Scepter (symbolizing the power of compassion), is the Bodhisattva who represents the power of all the Buddhas, just as Avalokitesvara represents their great compassion, Manjusri their wisdom, and Tara their miraculous deeds. For the yogi, Vajrapani is a means of accomplishing fierce determination and symbolizes unrelenting effectiveness in the conquest of negativity. His taut posture is the active warrior pose (pratayalidha), based on an archer's stance but resembling the en garde position in Western fencing. His outstretched right hand brandishes a vajra and his left hand deftly holds a lasso - with which he binds demons. He wears a skull crown with his hair standing on end. His expression is wrathful and he has a third eye. Around his neck is a serpent necklace and his loin cloth is made up of the skin of a tiger, whose head can be seen on his right knee.

Mantras

The Mantra oṃ vajrapāṇi hūṃ pad is associated with Vajrapani. His Seed Syllable is hūṃ. ^[2]

Iconography

Heracles depiction of **Vajrapani** (right) as the protector of the Buddha, 2nd century CE Gandhara, British Museum.

The first representations of Vajrapani in India associated him with the Hindu God Indra. As Buddhism expanded in Central Asia, and fused with Hellenistic influences into Greco-Buddhism, the Greek hero Hercules was adopted to represent Vajrapani. He was then typically depicted as a hairy, muscular athlete, wielding a short "diamond" club.^[3] Mahayana Buddhism then further spread to China, Korea and Japan from the 6th century.

In Japan, Vajrapani is known as Shukongōshin (執金剛神, "Diamond rod-wielding God"), and has been the inspiration for the Niō (仁王, lit. Benevolent kings), the wrath-filled and muscular guardian god of the Buddha, standing today at the entrance of many Buddhist temples under the appearance of frightening wrestler-like statues.

Notes

Gautama Buddha with his protector Vajrapani (here holding a flywisk). Gandhara, 2nd century CE.

^ From the Digital Dictionary of Buddhism
^ Vajrapani Mantra and Seed Syllable
^ "The origin of the image of Vajrapani should be explained. This deity is the protector and guide of the Buddha Sakyamuni. His image was modelled after that of Hercules. (...) The Gandharan Vajrapani was transformed in Central Asia and China and afterwards transmitted to Japan, where it exerted stylistic influences on the wrestler-like statues of the Guardian Deities (Nio)." (Katsumi Tanabe, "Alexander the Great, East-West cultural contacts from Greece to Japan", p23)

References

"Religions and the Silk Road" by Richard C. Foltz (St. Martin's Press, 1999) ISBN 0-312-23338-8
"The Diffusion of Classical Art in Antiquity" by John Boardman (Princeton University Press, 1994) ISBN 0-691-03680-2
"Old World Encounters. Cross-cultural contacts and exchanges in pre-modern times" by Jerry H.Bentley (Oxford University Press, 1993) ISBN 0-19-507639-7
"Alexander the Great: East-West Cultural contacts from Greece to Japan" (NHK and Tokyo National Museum, 2003)
"The Greeks in Bactria and India" W.W. Tarn, Cambridge University Press
"De l'Indus à l'Oxus, Archéologie de l'Asie Centrale", Osmund Bopearachchi, Christine Sachs, ISBN 2-9516679-2-2
"The Crossroads of Asia, Transformation in image and symbols", 1992, ISBN 0-9518399-1-8

External links

Template:Buddhism2

[1] From the Digital Dictionary of Buddhism

[2] Vajrapani Mantra and Seed Syllable

[3] "The origin of the image of Vajrapani should be explained. This deity is the protector and guide of the Buddha Sakyamuni. His image was modelled after that of Hercules. (...) The Gandharan Vajrapani was transformed in Central Asia and China and afterwards transmitted to Japan, where it exerted stylistic influences on the wrestler-like statues of the Guardian Deities (Nio)." (Katsumi Tanabe, "Alexander the Great, East-West cultural contacts from Greece to Japan", p23)

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v t e Bodhisattvas
Major	Avalokiteśvara (Guanyin) Mañjuśrī Samantabhadra Kṣitigarbha Maitreya Mahāsthāmaprāpta Ākāśagarbha
Chinese	Skanda Sangharāma (Guān Yǔ)
Vajrayāna	Padmasambhava Mandāravā Tārā Vajrapāṇi Vajrasattva Sitātapatrā Cundī
Other	B. R. Ambedkar Bhaiṣajyarāja Candraprabha Niō Supratiṣṭhitacāritra Supuṣpacandra Sūryaprabha Vasudhārā Viśiṣṭacāritra Viśuddhacāritra Nagarjuna Śāntideva