|This article needs additional citations for verification. (June 2010)|
Mardin at the Grammy Awards, February 1990.
March 15, 1932|
|Died||June 25, 2006
New York City, New York, U.S.
Arif Mardin (March 15, 1932 – June 25, 2006) was a Turkish-American music producer, who worked with hundreds of artists across many different styles of music, including jazz, rock, soul, disco, and country. He worked at Atlantic Records for over 30 years, as both an assistant, producer, arranger, studio manager, and vice president, before moving to EMI and serving as vice president and general manager of Manhattan Records. His collaborations include working with Queen, The Bee Gees, Anita Baker, Aretha Franklin, Roberta Flack, Bette Midler, Laura Branigan, Chaka Khan, Scritti Politti, Phil Collins, Daniel Rodriguez, Norah Jones, Richard Marx, Culture Club and Howard Jones. Mardin was awarded 11 Grammy Awards.
Arif Mardin was born in Istanbul into a renowned family that included statesmen, diplomats and leaders in the civic, military and business sectors of the Ottoman Empire and the Turkish Republic. His father was co-owner in a petroleum gas station chain.
Mardin grew up listening to the likes of Bing Crosby and Glenn Miller. Through his sister he met jazz critic Cuneyt Sermet, who turned him onto this music and eventually became his mentor. After graduating from Istanbul University in Economics and Commerce, Mardin studied at the London School of Economics. Influenced by his sister's music records and jazz, he was also an accomplished orchestrator and arranger, but he never intended to pursue a career in music.
However, his fate changed in 1956 after meeting the American jazz musicians Dizzy Gillespie and Quincy Jones at a concert in Ankara. He sent three demo compositions to his friend Tahir Sur who worked at a radio station in America. Sur took these compositions to Quincy Jones and Mardin became the first recipient of the Quincy Jones Scholarship at the Berklee College of Music in Boston. In 1958 he and his fiancé Latife moved from Istanbul to Boston. After graduating in 1961, he taught at Berklee for one year and then moved to New York City to try his luck. Arif Mardin was later made a trustee of Berklee and was awarded an honorary doctorate.
Mardin began his career at Atlantic Records in 1963 as an assistant to Nesuhi Ertegün. A fellow Turkish émigré, Nesuhi was the brother of Ahmet Ertegün, Atlantic's co-founder and a jazz enthusiast when they met at the Newport Jazz Festival. Mardin rose through the ranks quickly, becoming studio manager, label house producer and arranger. In 1969, he became the Vice President and later served as Senior Vice President until 2001. He worked closely on many projects with co-founders Ertegün and Jerry Wexler, as well as noted recording engineer Tom Dowd; the three legends (Dowd, Mardin, and Wexler) were responsible for establishing the "Atlantic Sound". Arif Mardin retired from Atlantic Records in May 2001 and re-activated his label Manhattan Records. He maintained ties to the Turkish music industry.
He produced many hit artists including Margie Joseph, Thereza Bazar, The Rascals, Carly Simon, Petula Clark, Bette Midler, Barbra Streisand, the Bee Gees, Diana Ross, Queen, Patti Labelle, Aretha Franklin, Lulu, Anita Baker, Judy Collins, Phil Collins, Scritti Politti, Culture Club, Roberta Flack, Average White Band, Hall & Oates, Donny Hathaway, Jeffrey Osborne, Norah Jones, Daniel Rodriguez, Chaka Khan, George Benson, Melissa Manchester, Side Show, The Manhattan Transfer, Modern Jazz Quartet, Willie Nelson, John Prine, Leo Sayer, Dusty Springfield, David Bowie, Raul Midon, Mamas Pride, Jewel and Ringo Starr.
Mardin, when producing the Bee Gees' 1975 Main Course album track "Nights on Broadway" famously discovered the distinctive falsetto of Barry Gibb, which became a familiar trademark of the band throughout the disco era.
Mardin made two solo albums: Glass Onion, in 1970, and Journey, in 1975. In Journey, he was the composer and arranger, but he also played electric piano and percussion, and was accompanied by many stars of jazz (Randy and Michael Brecker, Joe Farrell, Gary Burton, Ron Carter, Steve Gadd, Billy Cobham and many others). Mardin composed, arranged, conducted and produced The Prophet, an interpretation of The Prophet by Kahlil Gibran, in 1974, featuring Richard Harris.
In his career of more than 40 years, he collected over 40 gold and platinum albums, over 15 Grammy nominations and 12 Grammy Awards. In 1990, Arif Mardin was inducted into the National Academy of Recording Arts and Sciences Hall of Fame.
Mardin died at his home in New York on June 25, 2006 following a lengthy battle with pancreatic cancer. His remains were brought to Turkey and were interred at Karacaahmet Cemetery in Üsküdar district of Istanbul on July 5, 2006. Bee Gees' soloist Robin Gibb and his wife Dwina attended the funeral service, among other prominent people.
Arif’s widow Latife is a playwright. The other daughter, Nazan Joffre, works along with her brother. Joe Mardin created a documentary about his father called The Greatest Ears in Town: The Arif Mardin Story which was released on June 15, 2010. The documentary was directed by Doug Biro. It was premiered at several screenings at different chapters of The Recording Academy. The first screening took place in New York on June 15, 2010.
- Grammy Awards
- Album of the Year 1979 (Saturday Night Fever soundtrack), 2003 (Come Away with Me - Norah Jones)
- Best Female Pop Vocal Performance 1982 ("You Should Hear How She Talks About You" - Melissa Manchester)
- Best Album Notes 1993 (Queen of Soul: The Atlantic Recordings- Aretha Franklin)
- Best Jazz Vocal Album 2004 (A Little Moonlight - Dianne Reeves)
- Best Musical Show Album 1996 (Smokey Joe's Cafe)
- Trustee Award for a Lifetime of Achievement in Music by the National Academy of Recording Arts and Sciences (NARAS) 2001
- "Man of the Year" by the Nordoff-Robbins Music Foundation 2001
- Ertegün Impact Award
- "Journey by Arif Mardin @ARTISTdirect". Artistdirect.com. Retrieved 2014-06-06.
- The Prophet, lyrics by Kahlil Gibran, performed by Richard Harris, composed by Arif Mardin. Atlantic SD 18120, 1974
- Yilmaz, Gözde; Gamze Tufekci (2006-07-06). "Mardin’in cenazesinde bir Bee Gees". Hürriyet. Retrieved 2008-07-26.
|Wikimedia Commons has media related to Arif Mardin.|
||This section may contain lists of external links, quotations or related pages discouraged by Wikipedia's Manual of Style. (August 2012)|
- "Arif Mardin: Tales from the Recording Studio". Norris, Michelle © 2005. Retrieved December 19, 2005.
- "Arif Mardin Interview". Light Millennium. Archived from the original on 28 December 2005. Retrieved December 25, 2005.
- "Interview with Arif Mardin". Sound on Sound Magazine. Archived from the original on 28 April 2006. Retrieved April 25, 2006.
- "Arif Mardin's Biography". Light Millennium. Archived from the original on 3 June 2006. Retrieved May 25, 2006.
- "Arif Mardin's Life". Audio Engineering Society. Archived from the original on 27 December 2005. Retrieved December 21, 2005.
- "Arif Mardin In Conversation". Brown, R. Todd © 2003. Archived from the original on 23 June 2006. Retrieved May 31, 2006.
- "Berklee News: The Hitmaker". Godcher, Sarah © 2001. Archived from the original on 27 May 2006. Retrieved June 21, 2006.