Arif Mardin (March 15, 1932 – June 25, 2006) was a Turkish-American music producer, who worked with hundreds of artists across many different styles of music, including jazz, rock, soul, disco, and country. He worked at Atlantic Records for over 30 years, as both an assistant, producer, arranger, studio manager, and vice president, before moving to EMI and serving as vice president and general manager of Manhattan Records. His collaborations include working with Queen, The Bee Gees, Anita Baker, Aretha Franklin, Roberta Flack, Bette Midler, Laura Branigan, Chaka Khan, Scritti Politti, Phil Collins, Daniel Rodriguez, Norah Jones, Richard Marx, Culture Club and Jewel. Mardin was awarded 11 Grammy Awards.
Biography [edit]
Early life [edit]
Arif Mardin was born in Istanbul into a renowned family that included statesmen, diplomats and leaders in the civic, military and business sectors of the Ottoman Empire and the Turkish Republic. His father was co-owner in a petroleum gas station chain.
Mardin grew up listening to the likes of Bing Crosby and Glenn Miller. Through his sister he met jazz critic Cuneyt Sermet, who turned him onto this music and eventually became his mentor. After graduating from Istanbul University in Economics and Commerce, Mardin studied at the London School of Economics. Influenced by his sister's music records and jazz, he was also an accomplished orchestrator and arranger, but he never intended to pursue a career in music.
However, his fate changed in 1956 after meeting the American jazz musicians Dizzy Gillespie and Quincy Jones at a concert in Istanbul. He sent three demo compositions to his friend Tahir Sur who worked at a radio station in America. Sur took these compositions to Quincy Jones and Mardin became the first recipient of the Quincy Jones Scholarship at the Berklee College of Music in Boston. In 1958 he and his fiancé Latife moved from Istanbul to Boston. After graduating in 1961, he taught at Berklee for one year and then moved to New York City to try his luck. Arif Mardin was later made a trustee of Berklee and was awarded an honorary doctorate.
Career [edit]
Mardin began his career at Atlantic Records in 1963 as an assistant to Nesuhi Ertegün. A fellow Turkish émigré, Nesuhi was the brother of Ahmet Ertegün, Atlantic's co-founder and a jazz enthusiast when they met at the Newport Jazz Festival. Mardin rose through the ranks quickly, becoming studio manager, label house producer and arranger. In 1969, he became the Vice President and later served as Senior Vice President until 2001. He worked closely on many projects with co-founders Ertegün and Jerry Wexler, as well as noted recording engineer Tom Dowd; the three legends (Dowd, Mardin, and Wexler) were responsible for establishing the "Atlantic Sound". Arif Mardin retired from Atlantic Records in May 2001 and re-activated his label Manhattan Records. He maintained ties to the Turkish music industry.
He produced countless hit artists including Margie Joseph, Thereza Bazar, The Rascals, Carly Simon, Petula Clark, Bette Midler, Barbra Streisand, the Bee Gees, Diana Ross, Queen, Patti Labelle, Aretha Franklin, Lulu, Anita Baker, Judy Collins, Phil Collins, Scritti Politti, Culture Club, Roberta Flack, Average White Band, Hall & Oates, Donny Hathaway, Norah Jones, Daniel Rodriguez, Chaka Khan, George Benson, Melissa Manchester, Side Show, The Manhattan Transfer, Modern Jazz Quartet, Willie Nelson, John Prine, Leo Sayer, Dusty Springfield, David Bowie,Mamas Pride, Jewel and Ringo Starr.
Mardin, when producing the Bee Gees' 1975 Main Course album track "Nights on Broadway" famously discovered the distinctive falsetto of Barry Gibb, which became a familiar trademark of the band throughout the disco era.
Mardin made two solo albums: Glass Onion, in 1970, and Journey, in 1975. In Journey, he was the composer and arranger, but he also played electric piano and percussion, and was accompanied by many stars of jazz (Randy and Michael Brecker, Joe Farrell, Gary Burton, Ron Carter, Steve Gadd, Billy Cobham and many others).[1]
In his career of more than 40 years, he collected over 40 gold and platinum albums, over 15 Grammy nominations and 12 Grammy Awards. In 1990, Arif Mardin was inducted into the National Academy of Recording Arts and Sciences Hall of Fame.
Personal life [edit]
Mardin died at his home in New York on June 25, 2006 following a lengthy battle with pancreatic cancer. His remains were brought to Turkey and were interred at Karacaahmet Cemetery in Üsküdar district of Istanbul on July 5, 2006. Bee Gees' soloist Robin Gibb and his wife Dwina attended the funeral service, among other prominent people.[2]
Arif’s widow Latife is a playwright. The other daughter, Nazan Joffre, works along with her brother. Joe Mardin created a documentary about his father called The Greatest Ears in Town: The Arif Mardin Story which was released on June 15, 2010. The documentary was directed by Doug Biro. It was premiered at several screenings at different chapters of The Recording Academy. The first screening took place in New York on June 15, 2010.
Awards [edit]
References [edit]
- ^ See more http://www.artistdirect.com/nad/store/artist/album/0,,126231,00.html
- ^ Yilmaz, Gözde; Gamze Tufekci (2006-07-06). "Mardin’in cenazesinde bir Bee Gees". Hürriyet. Retrieved 2008-07-26.
External links [edit]
- "Arif Mardin: Tales from the Recording Studio". Norris, Michelle © 2005. Retrieved December 19, 2005.
- "Arif Mardin Interview". Light Millennium. Archived from the original on 28 December 2005. Retrieved December 25, 2005.
- "Interview with Arif Mardin". Sound on Sound Magazine. Archived from the original on 28 April 2006. Retrieved April 25, 2006.
- "Arif Mardin's Biography". Light Millennium. Archived from the original on 3 June 2006. Retrieved May 25, 2006.
- "Arif Mardin's Life". Audio Engineering Society. Archived from the original on 27 December 2005. Retrieved December 21, 2005.
- "Arif Mardin In Conversation". Brown, R. Todd © 2003. Archived from the original on 23 June 2006. Retrieved May 31, 2006.
- "Berklee News: The Hitmaker". Godcher, Sarah © 2001. Archived from the original on 27 May 2006. Retrieved June 21, 2006.
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"Smooth"* by Santana (Rodney Holmes, Tony Lindsay, Karl Perazzo, Raul Rekow, Benny Rietveld, Carlos Santana, Chester Thompson) featuring Rob Thomas
engineered/mixed by David Thoener, produced by Matt Serletic (2000) |
"Beautiful Day"* by U2 (Bono, Adam Clayton, The Edge, Larry Mullen, Jr.)
engineered/mixed by Richard Rainey & Steve Lillywhite; produced by Brian Eno & Daniel Lanois (2001) |
"Walk On" by U2 (Bono, Adam Clayton, The Edge, Larry Mullen, Jr.)
engineered/mixed by Richard Rainey & Steve Lillywhite; produced by Brian Eno & Daniel Lanois (2002) |
"Don't Know Why"* by Norah Jones
engineered/mixed by Jay Newland; produced by Arif Mardin, Jay Newland & Norah Jones (2003) |
"Clocks" by Coldplay (Guy Berryman, Jon Buckland, Will Champion, Phil Harvey, Chris Martin)
engineered/mixed by Coldplay, Ken Nelson & Mark Phythian; produced by Coldplay & Ken Nelson (2004) |
"Here We Go Again" by Ray Charles and Norah Jones
engineered/mixed by Al Schmitt, Mark Fleming, & Terry Howard; produced by John R. Burk (2005) |
"Boulevard of Broken Dreams" by Green Day (Billie Joe Armstrong, Mike Dirnt, Frank Edwin Wright III)
engineered/mixed by Chris Lord-Alge & Doug McKean, produced by Green Day & Rob Cavallo (2006) |
"Not Ready to Make Nice"* by Dixie Chicks (Martie Maguire, Natalie Maines, Emily Robison)
engineered/mixed by Chris Testa, Jim Scott & Richard Dodd; produced by Rick Rubin (2007) |
"Rehab"* by Amy Winehouse
engineered/mixed by Tom Elmhirst, Vaughan Merrick, Dom Morley, Mark Ronson & Gabriel Roth; produced by Mark Ronson (2008) |
"Please Read the Letter" by Alison Krauss and Robert Plant
engineered/mixed by Mike Piersante; produced by T-Bone Burnett (2009) |
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Artist(s)
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Producer(s)*
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| 1970 |
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| 1971 |
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| 1972 |
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| 1973 |
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| 1975 |
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| 1976 |
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| 1977 |
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| 1978 |
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| 1979 |
Saturday Night Fever:
The Original Movie Sound Track |
· Bee Gees (Barry Gibb, Maurice Gibb, Robin Gibb)
· KC and the Sunshine Band (Harry Wayne Casey, Richard Finch, Fermin Goypisolo, Robert Johnson, Jerome Smith)
· Kool & the Gang (Robert "Kool" Bell, Ronald Bell, George Brown, Larry Gittens, Robert Mickens, Otha Nash, Claydes Smith, Dennis Thomas, Rickey West)
· MFSB
· Ralph MacDonald
· Tavares (Butch Tavares, Chubby Tavares, Pooch Tavares, Ralph Tavares, Tiny Tavares)
· The Trammps (Jimmy Ellis, Robert Upchurch, Harold Wade, Stanley Wade, Earl Young)
· Walter Murphy
· Yvonne Elliman |
Albhy Galuten, Arif Mardin, Bee Gees, Bill Oakes, Bobby Martin, Broadway Eddie, David Shire, Freddie Perren, Harry Wayne Casey, K.G. Productions, Karl Richardson, Ralph MacDonald, Richard Finch, Ron Kersey, Thomas J. Valentino, William Salter |
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*Engineers/Mixers hidden unless notable
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| Year |
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Album
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Artist(s)
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Producer(s)*
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| 2000 |
| Supernatural |
Santana (Rodney Holmes, Tony Lindsay, Karl Perazzo, Raul Rekow, Benny Rietveld, Carlos Santana, Chester Thompson) |
engineered/mixed by Alvaro Villagra, Andy Grassi, Anton Pukshansky, Benny Faccone, Chris Theis, Commissioner Gordon, David Frazer, David Thoener, Glenn Kolotkin, Jeff Poe, Jim Gaines, Jim Scott, John Gamble, John Karpowich, John Seymour, Matty Spindel, Mike Couzzi, Steve Farrone, Steve Fontano, T-Ray, Tom Lord-Alge, Tony Prendatt & Warren Riker; produced by Alex Gonzales, Art Hodge, Charles Goodan, Clive Davis, Dante Ross, Dust Brothers, Fher Olvera, Jerry 'Wonder' Duplessis, K. C. Porter, Lauryn Hill, Matt Serletic, Stephen M. Harris & Wyclef Jean |
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| 2001 |
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| 2002 |
| O Brother, Where Art Thou? Soundtrack |
Alison Krauss & Union Station (Barry Bales, Ron Block, Jerry Douglas, Alison Krauss, Dan Tyminski), Chris Sharp, Chris Thomas King, Emmylou Harris, Gillian Welch, Harley Allen, John Hartford, Mike Compton, Norman Blake, Pat Enright, Peasall Sisters (Hannah Peasall, Leah Peasall, Sarah Peasall), Ralph Stanley, Sam Bush, Stuart Duncan, The Cox Family (Evelyn Cox, Sidney Cox, Suzanne Cox, Willard Cox), The Fairfield Four (Nathan Best, Isaac Freeman, Robert Hamlett, James Hill, Joseph Rice, Wilson Waters, Jr.), The Whites (Buck White, Cheryl White, Sharon White) & Tim Blake Nelson |
engineered/mixed by Mike Piersante & Peter Kurland; master engineered by Gavin Lurssen; produced by T-Bone Burnett |
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| 2003 |
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| 2004 |
| Speakerboxxx/The Love Below |
OutKast (André 3000, Big Boi) |
engineered/mixed by Brian Paturalski, Chris Carmouche, Darrell Thorp, Dexter Simmons, John Frye, Kevin Davis, Matt Still, Moka Nagatani, Neal H. Pogue, Padraic Kernin, Pete Novak, Reggie Dozier, Robert Hannon, Terrence Cash & Vincent Alexander; master engineered by Bernie Grundman & Brian Gardner; produced by André 3000, Big Boi & Carl Mo |
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| 2005 |
| Genius Loves Company |
Ray Charles and Various Artists |
engineered/mixed by Al Schmitt, Ed Thacker, Joel W. Moss, John Harris, Mark Fleming, Pete Karam, Robert Fernandez, Seth Presant & Terry Howard; master engineered by Doug Sax & Robert Hadley; produced by Don Mizell, Herbert Waltl, John R. Burk, Phil Ramone & Terry Howard |
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| 2006 |
| How to Dismantle an Atomic Bomb |
U2 (Bono, Adam Clayton, The Edge, Larry Mullen, Jr.) |
engineered/mixed by Carl Glanville, Flood, Greg Collins, Jacknife Lee, Nellee Hooper, Simon Gogerly & Steve Lillywhite; master engineered by Arnie Acosta; produced by Brian Eno, Chris Thomas, Daniel Lanois, Flood, Jacknife Lee & Steve Lillywhite |
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| 2007 |
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| 2008 |
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| 2009 |
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*Engineers/Mixers hidden unless notable
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| Persondata |
| Name |
Mardin, Arif |
| Alternative names |
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| Short description |
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| Date of birth |
March 15, 1932 |
| Place of birth |
Istanbul, Turkey |
| Date of death |
June 25, 2006 |
| Place of death |
New York, U.S. |