Arms and the Man

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Arms and the Man
Written by George Bernard Shaw
Date premiered April 21, 1894 (1894-04-21)
Place premiered Avenue Theatre

Arms and the Man is a comedy by George Bernard Shaw, whose title comes from the opening words of Virgil's Aeneid in Latin: "Arma virumque cano" (I sing of arms and the man).

The play was first produced on April 21, 1894 at the Avenue Theatre, and published in 1898 as part of Shaw's Plays Pleasant volume, which also included Candida, You Never Can Tell, and The Man of Destiny. The play was one of Shaw's first commercial successes. He was called onto stage after the curtain, where he received enthusiastic applause. However, amidst the cheers, one audience member booed. Shaw replied, in characteristic fashion: "My dear fellow, I quite agree with you, but what are we two against so many?"[1]



‘Arms and the Man’ is a humorous play which shows us the futility of war and deals with the hypocrisies of human nature in an extremely jocular fashion.

Contents

[edit] Subsequent productions

[edit] Adaptations

The scene in The Chocolate Soldier in which Bumerli (the equivalent of Bluntschli) enters the bedroom of Nadina (the equivalent of Raina), in a 1910 London production

When Shaw gave Leopold Jacobson the rights to adapt the play into what became the 1908 operatta The Chocolate Soldier with music by Oscar Straus, he provided three conditions: none of Shaw's dialogue, nor any of his character's names, could be used; the libretto must be advertised as being a parody of Shaw's work; and Shaw would accept no monetary compensation. In spite of this, Shaw's original plot, and with it the central message of the play, remained more or less untouched.[3]

Shaw despised the result, calling it "a putrid opera bouffe in the worst taste of 1860", but grew to regret not accepting payment when, despite his opinion of the work, it became a lucrative international success.[4] When Shaw heard, in 1921, that Franz Lehár wanted to set his play Pygmalion to music, he sent word to Vienna that Lehár be instructed that he could not touch Pygmalion without infringing Shaw's copyright and that Shaw had "no intention of allowing the history of The Chocolate Soldier to be repeated"[5](only after Shaw's death was Pygmalion eventually adapted by Lerner and Loewe as My Fair Lady).

A British film adaptation was directed in 1932 by Cecil Lewis. It starred Barry Jones as Bluntschli and Anne Grey as Raina. A filmed version of Arms and the Man in German entitled Helden (Heroes) starring O. W. Fischer and Liselotte Pulver was runner up for the Academy Award for Best Foreign Language Film in 1958.

An audio version was produced by the BBC starring Sir Ralph Richardson as Captain Bluntschli and Sir John Gielgud as Major Sergius Saranoff. A second BBC audio version was produced in 1984 and broadcast on BBC Radio 7 in February 2009 starring Andrew Sachs as Captain Bluntschli and Gary Bonds as Major Saranoff. A third version was broadcast on BBC Radio 3 on March 21, 2010 starring Rory Kinnear as Captain Bluntschli, Lydia Leonard as Raina and Tom Mison as Major Saranoff. This production was produced by Nicolas Soames and directed by David Timson.

An audio version was produced in 1999 by the CBC starring Simon Bradbury as Captain Bluntschli, Elizabeth Brown as Raina and Andrew Gillies as Major Saranoff.

An audio version was produced in 2006 by the L.A. Theatre Works starring Jeremy Sisto as Captain Bluntschli, Anne Heche as Raina and Teri Garr as Catherine.

A musical by Udo Jürgens, Helden, Helden, which is also based on Shaw's play, premiered at the Theater an der Wien, Vienna, Austria in 1973.

[edit] References

  1. ^ Frezza, Daniel. "About the Playwright: George Bernard Shaw", "Utah Shakespearean Festival," 2007. Accessed February 12, 2008. Shaw's contemporary, William Butler Yeats, was present for the performance, and rendered this quotation differently in his autobiography: "I assure the gentleman in the gallery that he and I are of exactly the same opinion, but what can we do against a whole house who are of the contrary opinion?" (Yeats, The Trembling of the Veil, book 4: The Tragic Generation, from Autobiographies, in The Collected Works of W. B. Yeats, vol. 3, ed. William H. O’Donell and Douglas N. Archibald (New York: Scribner, 1999), 221).
  2. ^ London Stage in the 20th Century, by Robert Tanitch, Haus (2007) ISBN 9781904950745
  3. ^ Ellwood Annaheim (February 2002). "Shaw's Folly – Straus' Fortune". Archived from the original on June 20, 2005. http://web.archive.org/web/20050620092840/www.geocities.com/musictheater/chocolate/chocolate.html.
  4. ^ Ellwood Annaheim (February 2002). "Shaw's Folly – Straus' Fortune". Archived from the original on June 20, 2005. http://web.archive.org/web/20050620092840/www.geocities.com/musictheater/chocolate/chocolate.html.
  5. ^ Ellwood Annaheim (February 2002). "Shaw's Folly – Straus' Fortune". Archived from the original on June 20, 2005. http://web.archive.org/web/20050620092840/www.geocities.com/musictheater/chocolate/chocolate.html.

[edit] External links

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