Dark Star (song)

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"Dark Star"
Single by Grateful Dead
B-side "Born Cross-Eyed"
Released April 1968
Format 7"
Recorded 1968
Genre Psychedelic rock
Length 2:44
Label Warner Bros.
Writer(s) Grateful Dead
Robert Hunter
Producer(s) Grateful Dead
David Hassinger
Grateful Dead singles chronology
"The Golden Road (To Unlimited Devotion)/Cream Puff War"
"Dark Star/Born Cross-Eyed"
"Dupree's Diamond Blues/Cosmic Charlie"

"Dark Star" is a song released as a single by the Grateful Dead. It was written by lyricist Robert Hunter and composed by lead guitarist Jerry Garcia;[1] however, compositional credit is sometimes extended to include Phil Lesh, Bill Kreutzmann, Mickey Hart, Ron "Pigpen" McKernan, and Bob Weir.[2][3] "Dark Star" was an early Grateful Dead classic and became one of their most loved and anticipated numbers, often with the group using it as a vehicle for musical improvisation sessions that extended beyond the original structure of the song. The song is included in The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll list and was ranked at number 57 on Rolling Stone's 100 Greatest Guitar Songs of All Time. "Dark Star" was often the basis for jamming during the Dead's live shows, allowing the band to employ techniques typical of improvisational jazz.

The B-side of the single was "Born Cross-Eyed".


In May 1967, Garcia composed the preliminary chords of the song, but it was at the time without lyrics.[1] A handful of months later, Robert Hunter, who would become a longtime collaborator with the Grateful Dead, arrived in California and overheard the band playing around with the track. He immediately sat down and wrote the opening line, contributing the lyrics and name of the song.[1]


"Dark Star" was initially released as a single in 1968, backed with "Born Cross-Eyed", a track written by rhythm guitarist Bob Weir. The single, to quote Phil Lesh, "sank like a stone."[1]

Due to the relentless touring of the Grateful Dead, and the fact that fans were allowed to tape the band's shows, many live versions of "Dark Star" exist. The studio recording of "Dark Star" lasted only 2:40, yet the song was known for its lengthy live performances, many of which clocked in at 20–30 minutes. Running over 23 minutes (13 minutes of it consisting of Jerry Garcia's guitar solo), the popular rendition as found on the Live/Dead live album was a blend of psychedelia, jazz, and jam elements. "Dark Star" defines the Dead's early improvisational music.

There is spirited debate over which performance of "Dark Star" ran the longest. The December 6, 1973 rendition is sometimes credited as being the longest uninterrupted performance of the song lasting 43:27. The “Dark Star” from August 28, 1969 has been cited as lasting 63:51, although this includes a 9:49 jam on the theme of another song of the band called "The Eleven." Some purists point out that this performance was not by the Grateful Dead, but by “Mickey and the Hartbeats,” the name adopted for shows that band members played in 1968 and 1969 without Weir or McKernan. A version of "Dark Star" performed May 11, 1972 at Civic Hall in Rotterdam, Netherlands, lasts 48:10, and is considered by many fans of the band to be the longest free-standing version of the song. It has been officially released by the band as part of a series of CD sets documenting their entire 1972 European tour.

After 1973, for several years, "Dark Star" fell out of the normal rotation at Dead shows, and after 1974 became quite rare. Being present for a "Dark Star" performance became a "Holy Grail" for Deadheads. The song became so legendary that it was often referred to as "IT" by dedicated Heads. Knowing this, the Dead would sometimes tease the song's introduction before switching into another song, finally bringing it back in the end of the seventies with New Years 1978, the closing of Winterland. (Semi-regular guest pianist Bruce Hornsby would later incorporate such teases into his own concerts, knowing a good number of Deadheads might be in attendance.)

After the New Years 1981 show "Dark Star" would only appear once more in the first half of the eighties (at the Hearst Greek Theatre in July 1984) and would lay dormant until revived at the legendary "Formerly The Warlocks" Hampton Coliseum two-day run on October 9, 1989. After its 1989 revival, this song would become a dreadnought, performed frequently through 1990, and occasionally through the rest of the band's career. A memorable post-revival Dark Star is from The Nassau Coliseum in Uniondale, NY, March 29, 1990 - with jazz saxophonist Branford Marsalis sitting in with the band. One of these performances was featured in the syndicated The Grateful Dead Hour radio program, extending the song's legend somewhat outside the inner circle of Deadheads.

In 1993, Phil Lesh approached music collage artist John Oswald to do a project with "Dark Star." He was given over a hundred different performances of the song from between 1968 and 1993. Oswald then built, layered, and "folded" these many performances to produce two large, recomposed versions, one running 59:59, and the second 46:46. The project is called Grayfolded. This is the only recording known to include performances by every member of the group, from inception in 1965 through 1995.

Selected performances[edit]

During the period when the Grateful Dead were mixing their first official live album Live/Dead, the band played a run of shows at San Francisco's Fillmore West. The Dark Star from February 27, 1969 is highly regarded, as is the whole performance, for its deep psychedelia and quintessential primal exploration. The entire show has been released as part of the Fillmore West 1969 Box Set, that includes the full four night run. During this period Dark Star began to take somewhat of a thematic shape becoming a cornerstone of the Dead's jam launchpad.

Some deadheads consider February 18, 1971's version at the Capitol Theater in Port Chester, NY to be the best. Lasting 22 minutes in length, The Grateful Dead played Dark Star into Wharf Rat, then back into Dark Star. Notable for the so-called "Beautiful Jam" out of Wharf Rat and back into Dark Star, it is considered one of the best Jams in the Dead's 30 year repertoire.

Another well-loved performance considered by many to be the peak Dark Star[4] is from February 13, 1970 at the Fillmore East. Dark Star into Cryptical Envelopment into The Other One into Turn On Your Lovelight formed the entire second set. This Dark Star includes the "Feelin' Groovy" Jam, so called because of a passing resemblance to the 59th Street Bridge Song by Simon and Garfunkel (commonly known as "Feelin' Groovy").

May 11, 1972 Rotterdam Civic Hall Rotterdam, NE. This is the longest Dark Star clocking in at 48 minutes and 10 Seconds.

August 27, 1972 Old Renaissance Faire Grounds, Veneta, OR.

November 11, 1973 Winterland Arena San Francisco, CA. Spanning 36 Minutes in length, this version is known for its 'Jazzy' feel and the 'Mind Left Body Jam' coming out of Dark Star.

October 26, 1989 Miami Arena Miami, FL. This version showcases Jerry Garcia and the use of his 'MIDI' guitar.


  1. ^ a b c d Lesh, Phil (2005). Searching for the Sound: My Life with the Grateful Dead. Little, Brown and Company. ISBN 0-316-00998-9. 
  2. ^ Dodd, David (2003). "The Annotated "Dark Star"". The Annotated Grateful Dead Lyrics. Retrieved 2007-05-19. 
  3. ^ Allan, Alex. "Dark Star". Grateful Dead Lyric and Song Finder. Whitegum. Retrieved 2007-05-19. 
  4. ^ "The Greatest Grateful Dead Show Ever?". New York Times. Retrieved 13 February 2013. 

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