The English Patient
||This article may require copy editing for the plot section. (February 2014)|
First edition cover
|Cover artist||Cecil Beaton|
|Publisher||McClelland and Stewart|
|Media type||Print (hardback and paperback)|
The English Patient is a 1992 Booker Prize-winning novel by Michael Ondaatje. The book follows four dissimilar people brought together at an Italian villa during the Italian Campaign of World War II. The four main characters are: an unrecognisably-burned man—the patient of the title, presumed to be English; his Canadian Army nurse, a Sikh British Army sapper, and a Canadian thief. The story occurs during the North African Campaign and centres on the incremental revelations of the patient's actions prior to his injuries, and the emotional effects of these revelations on the other characters.
|This section may require copy-editing for being too wordy with too much superfluous detail see http://www.gradesaver.com/the-english-patient/study-guide/short-summary/ for a better synopsis. (February 2014)|
The novel's historical backdrop is the North African/Italian Campaigns of World War II. Hana, a troubled young Canadian Army nurse, cares for the severely burned "English Patient" in the bomb-damaged Villa San Girolamo, an Italian monastery. Hana knows about her charge only that he was terribly burned beyond recognition in a plane crash and taken to the British hospital by Bedouin. His only possession is a well worn and heavily annotated copy of Herodotus' histories that has survived the fiery parachute drop. The reading aloud of the book constantly brings about, in great detail, recollections of his desert explorations. Yet he is unable to recall his own name. Instead, he chooses to maintain the assumption by others that he is an Englishman based on the sound of his voice. The patient is, in fact, László de Almásy, a Hungarian Count and desert explorer; one of the many members of a British cartography group.
Caravaggio is an Italian-Canadian in the British foreign intelligence service since the late 1930s, during which he befriended Hana's father before the latter died in the war. His skill as a thief leads his way into the world of spying. He learns that Hana is at the villa caring for a patient. He had remained in North Africa to spy when the German forces gain control and then transferred to Italy. He eventually gets caught, interrogated, and tortured; they even cut off his thumbs. Caravaggio bears physical and psychological scars from which he seeks vengeance with his painful war experience.
Two British soldiers yell at Hana to stop her playing a piano since the Germans often booby-trapped them. One of the soldiers, Kip, is an Indian Sikh that is a trained sapper, specializing in bomb and ordnance disposal. Kip decides to stay at the villa to attempt to rid the villa of its dangers. Kip and the English Patient immediately become friends.
The English patient, sedated by morphine, begins to reveal everything: he falls in love with the Englishwoman Katharine Clifton who, with her husband Geoffrey, accompanies Almásy's desert exploration team. Almásy is mesmerized by Katharine's voice as she reads Herodotus' histories out loud by the campfire. They soon begin a very intense affair, but she cuts it short, claiming that Geoffrey would go mad if he were to discover them.
Geoffrey offers to return Almásy to Cairo on his plane since the expedition will break camp with the coming of war. Almasy is unaware that Katharine is aboard the plane when Geoffrey aims it at Almasy, misses him and it crashes into the ground. Geoffrey is killed outright in the crash, Katharine is injured internally and Almasy leaves her in "the Cave of Swimmers"'; the latter discovered in the 1930s. Caravaggio tells him that British Intelligence knew about the affair. Almásy takes a three day walk to British-controlled El Taj for help. There, Almásy is detained as a spy based on his name and despite telling them about Katharine. He later guides German spies across the desert into Cairo. Almásy retrieve Katharine's body from the Cave and while flying back the rotted plane leaks oil onto him and both catch fire. He parachutes from the plane and is found by the Bedouin.
Count Ladislaus de Almásy is the title character who comes under Hana's care in Italy after being unrecognizable burned in Africa. He is Hungarian by birth and has functioned in life without government identification and few personal interactions with others that can be verified over long periods of time. It is the accent of his voice that prompts the authorities around him to endorse a perceived national affiliation and refer to him as the English Patient. This makes Almásy serves as a sort of blank canvas onto which the other characters project their experience during this time in Italy. Hana treats him tenderly as redemption for not being by the side of her father when he as stricken by flames and died in a similar physical condition. Hana tries to comfort the English Patient in the way that she was unable to comfort her own father.
Self-Nationalistic rejection enables Almásy to rationalize his interactions with those he associates (socializing with and mapping for the British before the war and then using that information to smuggle German spies across northern Africa), a potential duplicitous reprehensible that as only heresay can be forgiven. Almásy is portrayed in a sympathetic light. This is partly because Almásy tells his own story, but it is also because Almásy always adheres to his own moral code.
Almásy is also at the centre of one of the novel's love stories. He is involved in an adulterous relationship with Katharine Clifton, which eventually leads to her death and the death of her husband, Geoffrey Clifton. Katharine is the figure who leads Almásy to sensuality. He falls in love with her voice as she reads Herodotus. Sensuality—in both the sexual and observational senses—is a major theme to the novel.
The character is loosely based on László Almásy, a well-known desert explorer in 1930s Egypt, and who helped the German side in World War II. Almásy did not suffer burns or die in Italy, but survived the war and lived until 1951.
Hana is a twenty year old Canadian Army nurse. Hana is torn between her youth and her maturity. In a sense, she has lost her childhood too early. Hana, being a good nurse, quickly learns that she cannot become emotionally attached to her patients. She calls them all "buddy," and immediately detaches from them once they die. Her lover, a Canadian officer, is killed. It is because of this that Hana comes to believe that she is cursed and that all of those around her are doomed to die.
In contrast to this detachment, upon hearing of her father's death Hana has an emotional breakdown. She then puts all of her energy into caring for the English Patient. She washes his wounds and provides him with morphine. When the hospital is abandoned, Hana refuses to leave and instead stays with her patient. She sees Almásy as saintlike and falls in love with his pure nature.
The character of Hana is entirely paradoxical. She is mature beyond her years, but she still clings to childlike practices. She plays hopscotch in the villa and sees the English Patient as a noble hero who is suffering. She projects her own romanticized images onto the blank slate of the English Patient, forming a sort of fairytale existence for herself. In addition to her relationship with Almásy, Hana also forms a strong relationship with Kip during his stay at the villa.
Kirpal (Kip) Singh is an Indian Sikh who has volunteered with the British military for sapper bomb disposal training under the Lord Suffolk. This act of patriotism is not shared by his Indian nationalist brother; the skepticism of his unit's "white" peers discourages an air of community building for Kip.
The Lord Suffolk, an eccentric English nobleman, has developed techniques in this highly dangerous discipline to dismantle the complicated unexploded bombs. Kip gains an sense of belonging in a community when he is welcomed into the Suffolk household. Lord Suffolk and his sapper team are killed while attempting to dismantle a new type of bomb. The loss to Kip encourages his emotional withdrawal to become more pronounced. It should be noted that Charles Howard, 20th Earl of Suffolk, was an actual historical person. He did participate in the practice of dismantling bombs, and was killed during the dismantling of a bomb.
Kip is transferred to another unit in Italy where he and his partner hear the playing of a piano. As they enter the villa Hana is told to stop as the Germans sabotaged many. Kip stays on at the villa to clear any unexploded bombs or mines or other booby-traps that remain. Kip gains a sense of community and confidence when he becomes Hana's lover. The interactions of the Westerner's at the villa is seen by Kip a group that disregards national origins. They get together and celebrate Hana's 21st birthday, a symbol of their friendship and Kip's acceptance. However, when learning of the Nuclear bombing of Hiroshima Kip is thoroughly shocked. He immediately leaves, unable to believe that Westerners would do such a thing. Kip goes back to India and never returns, though he never stops recalling the effect of Hana in his life.
David Caravaggio is a Canadian thief whose profession is legitimized by the war, as the Allies needed crafty people to steal Axis documents. He is a long-time friend of Hana's father and becomes known as is referred to as "the man with bandaged hands" when he arrives at the villa; the bandages cover his severed thumbs the result of an Italian interrogation in Florence. He recalls that Ranuccio Tommasoni ordered the interrogation tactic. This is a reference to a man by the same name who was murdered by the historical Caravaggio in 1606. The mental and physical outcome of the torture is that Caravaggio has "lost his nerve" and ability to steal. Hana remembers him as a very human thief. He would always get distracted by the human element in a job. For instance, if an advent calendar was on the wrong day, he would fix it. She also has deep feelings of love for Caravaggio. It is debated if this love is romantic or simply familial. At times, Caravaggio seems to display a romantic love towards Hana. Caravaggio and Almásy share a morphine addiction. Caravaggio works this to his advantage to confirm his suspicion that Almásy is not English.
She is the recently wedded wife of Geoffrey Clifton. They met at Oxford University. The day after they got married, she and Geoffrey flew to join Almásy's expedition. Evening camp entertainment included she reading aloud from Almasy's copy of Heroditus' Histories. She and Almasy begin an affair that her husband discovers although she had ended it earlier when she was torn by guilt. Geoffrey attempts to kill all three of them in a plane crash. After Geoffrey is killed in the airplane crash, Katharine admits that she always loved Almásy.
He is Katharine's cuckolded husband. He is on a secret mission for the British government to make detailed aerial maps of North Africa and his joining the Almásy expedition is only a rouse. The plane that he claims to be his own was appropriated by the Crown. He leaves his wife, Katharine, with the other expedition members while on his mission.
The book was adapted into a 1996 film by Anthony Minghella, starring Ralph Fiennes, Kristin Scott Thomas, Willem Dafoe, and Juliette Binoche. The film received nine Academy Awards—including Best Picture and Director—at the 69th Academy Awards.
- Don Meredith. Varieties of Darkness: The World of the English Patient. University Press of America, 2011. ISBN 9780761857235. p. 12.
- Tötösy de Zepetnek, Steven. "Ondaatje's The English Patient and Questions of History." Comparative Cultural Studies and Michael Ondaatje's Writing. Ed. Steven Tötösy de Zepetnek. West Lafayette: Purdue UP, 2005. 115-32.
- Tötösy de Zepetnek, Steven. "Michael Ondaatje's 'The English Patient,' 'History,' and the Other." CLCWeb: Comparative Literature and Culture 1.4 (1999).
- Michael Ondaatje discusses The English Patient on the BBC
- The writings of László Almásy, available in English translation.
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