Fat City (film)

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Fat City

Theatrical release poster
Directed by John Huston
Produced by Ray Stark
John Huston
Written by Leonard Gardner
Starring Stacy Keach
Jeff Bridges
Susan Tyrrell
Candy Clark
Music by Kenneth Hall
Cinematography Conrad L. Hall
Editing by Walter Thompson
Studio Rastar
Distributed by Columbia Pictures
Release date(s) July 26, 1972 (1972-07-26) (United States)
Running time 100 minutes
Country United States
Language English

Fat City (1972) is an American neo-noir boxing drama film directed by John Huston. The picture stars Stacy Keach, Jeff Bridges, and Susan Tyrrell.[1]

The movie, one of John Huston's later films, is based on the boxing novel Fat City (1969) by Leonard Gardner, who also wrote the screenplay.

Tyrrell received an Oscar nomination as the alcoholic, world weary Oma.

Contents

[edit] Plot

Oma says to Tully, "I love you," after their second meeting.

Billy Tully (Keach), a boxer past his prime, goes to a Stockton, California gym to get back into shape and spars with Ernie Munger (Bridges), an eighteen-year-old he meets there. Seeing potential in the youngster, Tully suggests Munger look up his former manager and trainer, Ruben (Nicholas Colasanto). Munger takes his advice. Later, Tully tells combative white barfly Oma (Tyrrell) and her easygoing black boyfriend Earl (Curtis Cokes) how impressed he is with Munger. Inspired, Tully decides to get back into boxing himself.

Tully's life has been a mess ever since his wife left him. He drinks too much, cannot hold down a job, and has to pick crops to make ends meet. He moves in with Oma after Earl is sent to prison for a few months. Their relationship is rocky and Tully eventually breaks it off.

Munger loses his first fight, but perseveres. Unlike Tully, he does not let setbacks get the better of him. The young man gets pressured into marriage by Faye (Candy Clark) and soon has a baby on the way.

In his first bout back, Tully narrowly defeats tough, well-respected Mexican boxer Lucero (Sixto Rodriguez), but gets discouraged when he gets only $100 for it. He breaks up with Ruben (whom he still blames for the loss of a big fight long ago) and goes back to his old ways. He tries to make up with Oma, only to find her back with Earl.

Later, Munger is returning home after a win and sees a drunk Tully. Munger tries to ignore him, but when Tully asks him to have a drink with him, he reluctantly agrees to coffee. After a short while, Munger gets up to leave. Tully asks him to stay awhile longer. Munger agrees, but the two men have nothing to talk about, and the film ends in awkward silence.

[edit] Cast

[edit] Production

Like the novel, the film was set in Stockton, California and shot mostly on location there. All of the original skid row area depicted in the novel was demolished (West End Redevelopment) from 1965-69. Most of the skid row scenes were filmed in the outer fringe of the original skid row area, but would have been torn down a year after Fat City was filmed for the construction of the Crosstown Freeway aka "Ort Lofthus Freeway".

The drama is featured in the documentary Visions Of Light: The Art Of Cinematography (1992) for Conrad L. Hall's use of lighting.[2]

The melancholy "Help Me Make It Through the Night" is sung by Kris Kristofferson at the beginning and end of the movie.

[edit] Distribution

The film premiered in the United States on July 26, 1972.

The film was screened at various film festivals, including: the Cannes Film Festival, France, the Palm Springs International Film Festival, USA; and others.

[edit] Reception

[edit] Critical response

Vincent Canby, film critic for The New York Times, liked the film and John Huston's direction. He wrote, "This is grim material but Fat City is too full of life to be as truly dire as it sounds. Ernie and Tully, along with Oma (Susan Tyrrell), the sherry-drinking barfly Tully shacks up with for a while, the small-time fight managers, the other boxers and assorted countermen, upholsterers, and lettuce pickers whom the film encounters en route, are presented with such stunning and sometimes comic accuracy that Fat City transcends its own apparent gloom."[3]

Roger Ebert made the case for it as one of John Huston's best films. He also appreciated the performances. Ebert wrote, "[Huston] treats [the story] with a level, unsentimental honesty and makes it into one of his best films...[and] the movie's edges are filled with small, perfect character performances."[4]

Film critic Dennis Schwartz also liked the film and wrote, "The downbeat sports drama is a marvelous understated character study of the marginalized leading desperate lives, where they have left themselves no palpable way out. The stunning photography by Conrad Hall keeps things looking realistic."[5]

In 2009, the film enjoyed a week-long revival screening at New York City's Film Forum.[6]

The film is one of the few films that garnered a 100% fresh rating on Rotten Tomatoes, based on seventeen reviews.[7]

[edit] Awards

Wins

Nominations

[edit] References

  1. ^ Fat City at the Internet Movie Database.
  2. ^ Visions of Light web site.
  3. ^ Canby, Vincent. The New York Times, film review, July 27, 1972.
  4. ^ Ebert, Roger. Chicago Sun-Times, film review, January 1, 1972.
  5. ^ Schwartz, Dennis. Ozus' World Movie Reviews, film review, February 3, 2005. Last accessed: March 9, 2010.
  6. ^ "John Huston's Late-Career Hit, Fat City". The Village Voice. September 15, 2009. http://www.villagevoice.com/2009-09-15/film/john-huston-s-late-career-hit-fat-city/. 
  7. ^ Fat City at Rotten Tomatoes. Last accessed: March 9, 2010.

[edit] External links

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