Madonna: Like an Icon

From Wikipedia, the free encyclopedia
Jump to: navigation, search
Madonna: Like an Icon
Greyscale image of a blond woman, in front of a complete black background. She has short curly hair and is looking slightly towards her right and smiling. Below her image, the word "Madonna" is written in bold, white font, followed by "Like an Icon", "The Definitive Biography" and "Lucy O'Brien", one below the other.
Book cover (US)
Author Lucy O'Brien
Country United Kingdom
Language English
Subject Madonna
Genre Biography
Publisher Bantam Press
Publication date
27 August 2007
Media type Print (Hardcover and Paperback)
Pages 432
ISBN 0-593-05547-0

Madonna: Like an Icon is a biography by British author Lucy O'Brien, chronicling the life of American recording artist Madonna. The book was released on 27 August 2007, by Bantam Press in the United Kingdom, and on 18 October 2007, by Harper Collins in the United States. Madonna: Like an Icon chronicles the life of the singer from her birth, up to the release of her eleventh studio album, Hard Candy, in 2008.

Initially critical of her work, O'Brien had become a fan of Madonna, after seeing her perform on television for The Virgin Tour in 1985. From that point of time, the author followed Madonna's career closely, and collected interviews, magazines, albums and visited her concert tours. When she finally decided to write a biography on Madonna in 2005, she wanted the book to be more about the singer's contribution to her music and the inspiration behind it, rather than delving too much into her personal life, as previous endeavors on the same subject had done. The author then interviewed dancers, choreographers, musicians and producers – people who have worked with Madonna.

Madonna: Like an Icon received a mixed response from critics. They were unanimous that the over-emphasis given on the singer's discography was unnecessary, instead more thought should have been given on exploring her personal life, which would have made the biography compelling. They however agreed that O'Brien had researched and presented the story well, and complimented the portrayal of Madonna's childhood in the book.

Summary[edit]

The biography is divided into three parts. The first part is named Baptism and tells about Madonna's birth in Detroit, Michigan, her early childhood, her time in New York, and her dance degree. It also talks in detail about the release of her first three studio albums—Madonna, Like a Virgin and True Blue—her marriage to actor Sean Penn, and also her foray into films. The middle part, named as Confession, starts from the Like a Prayer era onwards where Madonna has become a global superstar. It continues up to the release of the erotic coffee table book called Sex, and the commercial disappointments that she faced. The third part is called Absolution, and starts with Madonna giving birth to her daughter Lourdes. It continues with the release of Ray of Light in 1998 and subsequent four studio albums, her worldwide concert tours, her marriage to Guy Ritchie and controversies surrounding her adoption from the African country, Malawi. It ends with the release of Madonna's 2008 album, Hard Candy, and the singer reaching the age of fifty.

Background and development[edit]

A woman, in a colorful jacket and a blue ribbon atop her head, standing and smiling. She is flanked by men wearing similar colorful outfits.
O'Brien became a fan of Madonna, after seeing her perform on The Virgin Tour in 1985.

Lucy O'Brien first came to like Madonna in 1985, when she saw the singer on television, performing on The Virgin Tour. Previously she was of the opinion that Madonna "was that cheesy pop bimbo in lycra, writhing on a Venetian gondola for the 'Like a Virgin' video." However, The Virgin Tour changed her opinion and by the time Madonna's 1985 film Desperately Seeking Susan came out, O'Brien confessed that Madonna had won her admiration. The author had admired Madonna's lack of fear, and the way she championed alternative cultures and explored sexuality.[1]

Writing and inspiration[edit]

"Madonna's style is confrontational, her ambition unbounded, yet she constantly, compulsively turns her life into fascinating pop art. As her old boyfriend, producer Steve Bray, said: 'Her most effective trait was to have her completely dominate you and for you to somehow enjoy the experience.' Madonna has become a goddess of our age, and an icon that we have all created. That is her story."[2]

—Lucy O'Brien, London, 2007

In 2005, O'Brien started writing a book on Madonna, where she wanted to look at her life and work, as the artist was approaching the age of fifty. She believed that the general public was eager to know the real-self of Madonna, and she concentrated on finding that out. According to her, "the popular negative stereotype about the artist is that of a publicity-hungry, manipulative ball-breaker, while for many woman she is a beacon of feminism. I have always found her work clear and autobiographical, but her personality complex and disarmingly changeable."[3]

However, due to the shifting images that Madonna presented, O'Brien was confused as to how she can approach writing the biography. She found that listening to Madonna's music was a good way to start. The author then interviewed dancers, choreographers, musicians and producers – people who have worked with Madonna.[3] While talking to them, O'Brien reflected on her own childhood and found parallels with Madonna—being born in a Catholic family and gradually becoming aware of the rise of feminism and gay liberation. She kept getting two stark pictures of the artist: "There was the woman who was ruthless in moving on and rude to the competition, and there was a woman I'd never seen before – sweet, childlike and captivating. My search for Madonna became maddening," O'Brien reflected in an interview with People.[2]

Release and reception[edit]

A brunette lady standing in front of a podium, reading from a bunch of papers in her hand.
O'Brien was criticized for emphasizing more on Madonna's albums and less on her personal life, in Madonna: Like an Icon.

Madonna: Like an Icon was released on 27 August 2007, in the United Kingdom by Bantam Press. The book cover was designed by Holly MacDonald, with an image of Madonna from 2002, during the premiere of her film, Swept Away.[2] It was released a month later in the United States. The biography faced mixed reviews from critics. Sarah Churchwell from The Guardian criticized O'Brien's extended commentary about Madonna's recording process. She believed that more emphasis should have been given on Madonna's personal life as well. Pointing out examples like Madonna's relationship with actor Warren Beatty, which faced considerable media coverage but was only lightly touched in the book, Churchwell wondered about the claim of the book in its press release: "This is the closest you will ever come to Madonna's autobiography". The reviewer concluded by saying, "Since her voice is nowhere in evidence, this book, however capable and intelligent its writer, is probably about the farthest you will ever get from Madonna's autobiography."[4]

Ken Barnes from USA Today noted a major flaw in the writing of the book, repetition of generally known events surrounding Madonna's life. He complimented O'Brien's writing style, especially the portions chronicling the death of Madonna's mother and how it affected the singer, as well as dissecting the recording process of the albums and the development of her concert tours. He concluded by saying that overall the biography seemed "too familiar. Maybe that's because, at least since she hit the mass-culture spotlight in 1983 with 'Holiday' and hijacked it wholesale the next year with 'Like a Virgin' and 'Material Girl', Madonna, now 49, has lived her life in public like few other artists. The records, tours and videos have been thoroughly documented, as have the liaisons and the controversies (from the Sex book all the way up to the Malawi orphan adoption)."[5] Lyn Barber from The Daily Telegraph gave a negative review of the book, calling it far inferior than author J. Randy Taraborrelli's Madonna: An Intimate Biography, released in 2002. Like Churchwell, Barber did not understand why over-emphasis was given on the singer's albums, leaving out details about her personal life. The reviewer listed one positive aspect of the book, the info on Madonna's childhood and a detailed insight into her family. She concluded by saying, "[Madonna] remains one of the most fascinating women of our time but not, alas, in this pedestrian account."[6]

Publication history[edit]

Region Release date Format
United Kingdom 27 August 2007 Hardcover[7]
1 September 2007 Paperback[8]
United States 18 October 2007 Hardcover[9]
6 November 2007 Paperback[10]

References[edit]

  1. ^ Madonna: Like an Icon, Introduction, p. 11
  2. ^ a b c Madonna: Like an Icon, Introduction, p. 17
  3. ^ a b Madonna: Like an Icon, Introduction, p. 15
  4. ^ Churchwell, Sarah (9 September 2007). "More material than girl". The Guardian. London: Guardian News and Media. Retrieved 12 January 2012. 
  5. ^ Barnes, Ken (12 November 2007). "Bio explores why Madonna keeps us riveted". USA Today. Gannett Company. Retrieved 13 January 2012. 
  6. ^ Barber, Lyn (30 September 2007). "Madonna: our lady of the manor". The Daily Telegraph. Telegraph Media Ltd. Retrieved 12 January 2012. 
  7. ^ "Madonna: Like an Icon UK Hardcover". Amazon.co.uk. 27 August 2007. Retrieved 14 January 2012. 
  8. ^ "Madonna: Like an Icon UK Paperback". Amazon.co.uk. 1 September 2007. Retrieved 15 January 2012. 
  9. ^ "Madonna: Like an Icon US Hardcover". Amazon.com. 18 October 2008. Retrieved 14 January 2012. 
  10. ^ "Madonna: Like an Icon US Paperback". Amazon.com. 6 November 2007. Retrieved 23 January 2012. 

Further reading[edit]

External links[edit]