Nikki Giovanni

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Nikki Giovanni
Nikki Giovanni speaking at Emory University 2008.jpg
Nikki Giovanni speaking at Emory 2008
Born (1943-06-07) June 7, 1943 (age 71)
Knoxville, Tennessee
Occupation Writer, poet, activist, educator
Nationality United States
Period 1960s–present

www.nikki-giovanni.com

Yolande Cornelia "Nikki" Giovanni Jr.[1] (born June 7, 1943) is an American writer, commentator, activist, and educator.

Life and work[edit]

Nikki Giovanni was born in Knoxville, Tennessee,[2] to Yolande Cornelia, Sr. and Jones "Gus" Giovanni. She grew up in Lincoln Heights, a suburb of Cincinnati, Ohio, and in 1960 began her studies at her grandfather's alma mater, Fisk University in Nashville, Tennessee.[3] In 1967, she graduated with honors with a B.A. in History. Afterward she went on to attend the University of Pennsylvania and Columbia University.

In 1969, Giovanni began teaching at Livingston College of Rutgers University, and since 1987, she has taught writing and literature at Virginia Tech, where she is a University Distinguished Professor.[4] She has received the NAACP Image Award several times, received twenty honorary doctorates and various other awards, including the Rosa Parks Woman of Courage Award, and the Langston Hughes Award for Distinguished Contributions to Arts and Letters.[2] She also holds the key to several different cities, including Dallas, Miami, New York, and Los Angeles.[5] She is a member of the Order of the Eastern Star (PHA), and an Honorary Member of Delta Sigma Theta sorority.

Giovanni ca. 1980

On August 21, 2007, The Tennessean reported that Giovanni is returning to her alma mater as a distinguished visiting professor at Fisk University.[6]

Virginia Tech shooting[edit]

Giovanni taught the Virginia Tech shooter Seung-Hui Cho in a poetry class. She described him as "mean" and "menacing", when she approached the department chair to have Cho taken out of her class, and said she was willing to resign rather than continue teaching him.[7] She stated that, upon hearing of the shooting, she immediately suspected that Cho might be the shooter.[7]

Giovanni was asked by Virginia Tech President, Charles Steger, to give a convocation speech the day before the memorial service. She was asked by Steger at 5pm on April 16, 2007 and gave the speech April 17. She expressed that she usually feels very comfortable delivering speeches but worried that her emotion would get the best of her.[8] On April 17, 2007, at the Virginia Tech Convocation commemorating the April 16 Virginia Tech massacre,[9] Giovanni closed the ceremony with a chant poem, intoning:

We know we did nothing to deserve it. But neither does a child in Africa dying of AIDS. Neither do the invisible children walking the night awake to avoid being captured by a rogue army. Neither does the baby elephant watching his community being devastated for ivory. Neither does the Mexican child looking for fresh water...We are Virginia Tech...We will prevail.[10][11][12]

Her speech also desired to express that really terrible things happen to good people: "I would call it, in terms of writing, in terms of poetry, it's a laundry list. Because all you're doing is: This is who we are, and this is what we think, and this is what we feel, and this is why - you know?... I just wanted to admit, you know, that we didn't deserve this, and nobody does. And so I wanted to link our tragedy, in every sense, you know - we're no different from anything else that has hurt...."[9]

She also thought that ending with a thrice-repeated "We will prevail" would be anticlimactic, and she wanted to connect back with the beginning, for balance. So, shortly before going onstage, she added a closing: "We are Virginia Tech." [9]

Writing[edit]

Nikki Giovanni (2007)

The civil rights and black power movements inspired her early poetry that was collected in Black Feeling, Black Talk (1967), Black Judgement (1968), and Re: Creation (1970). In "After Mecca”: Women Poets and the Black Arts Movement, Cheryl Clarke cites Giovanni as a woman poet who became a significant part of the Civil Rights and Black Power Movement.[13] She is commonly praised as one of the best African American poets emerging from the 1960s Black Power and Black Arts Movements.[14] Her early poetry that was collected in the late 1960s and early 1970s are seen as radical and more militant than her later work. Her poems are described as being “politically, spiritually, and socially aware.”[15] Evie Shockley describes Giovanni as “epitomizing the defiant, unapologetically political, unabashedly Afrocentric, BAM ethos.”[16] Her work is described as conveying “urgency in expressing the need for Black awareness, unity, [and] solidarity.”[14] She has since written more than two dozen books, including volumes of poetry, illustrated children's books, and three collections of essays. Her writing has been heavily inspired by African-American activists and artists.[17][18] Issues of race, gender, sexuality, and the African American family also have influenced her work.[19] Her book Love Poems (1997) was written in memory of Tupac Shakur, and she has stated that she would "rather be with the thugs than the people who are complaining about them."[20]

Giovanni often is interviewed about themes found in her poetry such as gender and race. In an interview with Peter Bailey entitled, “I am Black, Female, Polite,” he questions her regarding the role of gender and race in the poetry she writes.[21] The interview looks specifically at the critically acclaimed poem, “Nikki-Rosa," and questions whether it is reflective of her own childhood experiences as well as the experiences in her community. In the interview, Giovanni stresses that she did not like constantly reading the trope of the black family as a tragedy and that “Nikki-Rosa” demonstrates the experiences that she witnessed in her communities.[21]

Giovanni's poetry in the late 1960s and early 1970s addressed black womanhood and black manhood amongst other themes. In a book she cowrote with James Baldwin entitled A Dialogue, the two authors speak blatantly about the status of the black male in the household. Baldwin challenges Giovanni’s opinion on the representation of black women as the “breadwinners” in the household. Baldwin states, “A man is not a woman. And whether he’s wrong or right... Look, if we’re living in the same house and you’re my wife or my woman, I have to be responsible for that house.".[22] Conversely, Giovanni recognizes the black man’s strength, whether or not he is “responsible” for the home or economically advantaged. The interview makes it clear that regardless of who is “responsible” for the home, the black woman and black man should be dependent on one another. Such themes appeared throughout her early poetry that focused on race and gender dynamics in the black community.[22]

Giovanni tours nationwide and frequently speaks out against hate-motivated violence.[23] At a 1999 Martin Luther King Day event, she recalled the 1998 murders of James Byrd, Jr. and Matthew Shepard: "What's the difference between dragging a black man behind a truck in Jasper, Texas, and beating a white boy to death in Wyoming because he's gay?"[24]

Those Who Ride the Night Winds (1983) acknowledged black figures. Giovanni collected her essays in the 1988 volume Sacred Cows ... and Other Edibles. Some of her more recent works include Acolytes, a collection of eighty new poems, and On My Journey Now. Acolytes is her first published volume since her 2003 Collected Poems. It tones down the militant, edgy conscience for which Giovanni is known and portrays her softer, more nostalgic side. The work is a celebration of love and recollection directed at friends and loved ones and it recalls memories of nature, theater, and the glories of children. However, Giovanni's fiery persona still remains a constant undercurrent in Acolytes, as some of the most serious verse link her own life struggles (being a black woman and a cancer survivor) to the wider frame of African-American history and the continual fight for equality.

Giovanni's collection, Bicycles: Love Poems (2009), is a companion work to her 1997 Love Poems. They touch on the deaths of both her mother and her sister, as well as the massacre on the Virginia Tech campus. Giovanni chose the title of the collection as a metaphor for love itself, "because love requires trust and balance." [25] The work portrays her life as it spins out of control and love, which she prescribes as the antidote. The poems come alive with her warmth and authenticity, a stark foil to the militant, edgy work that laid a path towards becoming one of the prominent voices of the black community.[original research?]

In 2004, Giovanni was nominated for the Grammy Award for Best Spoken Word Album at the 46th Annual Grammy Awards for her album The Nikki Giovanni Poetry Collection. She also featured on the track "Ego Trip By Nikki Giovanni" on Blackalicious's 2000 album Nia. In November 2008, a song cycle of her poems, Sounds That Shatter the Staleness in Lives by Adam Hill, was premiered as part of the Soundscapes Chamber Music Series in Taos, New Mexico.

She was commissioned by National Public Radio's All Things Considered to create an inaugural poem for President Barack Obama.[26] Giovanni read poetry at the Lincoln Memorial as a part of the bicentennial celebration of Lincoln's birth on February 12, 2009.[27]

Works[edit]

Poetry Collections[edit]

  • Black Feeling, Black Talk (1967)
  • Black Judgement (1968)
  • Re: Creation (1970)
  • My House (1972)
  • The Women and The Men (1975)
  • Cotton Candy on a Rainy Day (1978)
  • Woman (1978)
  • Those Who Ride The Night Winds (1983)
  • Knoxville, Tennessee (1994)
  • The Selected Poems of Nikki Giovanni (1996)
  • Love Poems (1997)
  • Blues: For All the Changes (1999)
  • Quilting the Black-Eyed Pea: Poems and Not Quite Poems (2002)
  • The Prosaic Soul of Nikki Giovanni (2003)
  • The Collected Poetry of Nikki Giovanni (2003)
  • Acolytes (2007)
  • Bicycles: Love Poems (2009) (William Morrow)
  • 100 Best African American Poems (2010) [editor] (Sourcebooks MediaFusion)'

Co-authored[edit]

Children's books[edit]

  • Spin a Soft Black Song (1971)
  • Ego-Tripping and Other Poems For Young People (1973)
  • Vacation Time: Poems for Children (1980)
    • The Genie in The Jar (1996)
  • The Sun Is So Quiet (1996)
  • The Girls in the Circle (Just for You!) (2004)
  • Poetry Speaks to Children: A Celebration of Poetry with a Beat (2005) [advisory editor] (Sourcebooks)
  • Lincoln and Douglass: An American Friendship (2008)
  • Hip Hop Speaks to Children: A Celebration of Poetry with a Beat (2008) (Sourcebooks)
  • The Grasshopper's Song: An Aesop's Fable (2008)

Discography[edit]

References[edit]

  1. ^ Biography.com
  2. ^ a b Poetry Foundation Center Nikki Giovanni Biography
  3. ^ Dallas News Dallas News: Nikki Giovanni-The Real Deal
  4. ^ "Nikki Giovanni, University Distinguished Professor". Virginia Polytechnic Institute and State University. Retrieved December 16, 2013. 
  5. ^ Virginia Tech News Virginia Tech's Nikki Giovanni Nominated for Spoken Word GRAMMY
  6. ^ The Tennessean. "Poet Giovanni returns to Fisk" by Colby Sledge. August 21, 2007.
  7. ^ a b Police: Cho taken to mental health center in 2005
  8. ^ Bower, Mathew. "Virginia Tech professor Nikki Giovanni reflects on tragedy". The Virginian-Pilot. Retrieved 22 October 2013. 
  9. ^ a b c Bowers, Mathew. "Virginia Tech professor Nikki Giovanni reflects on tragedy and deep horror". The Virginian-Pilot. Retrieved 22 October 2013. 
  10. ^ "Transcript of Nikki Giovanni's Convocation address". 
  11. ^ The Tennessean. "We Are Virginia Tech" -- Nikki Giovanni, April 17, 2007
  12. ^ Nikki Giovanni (April 17, 2007). "We Are Virginia Tech". Daily Kos. 
  13. ^ [Clarke, Cheryl. “After Mecca”: Women Poets and the Black Arts Movement. New Brunswick: Rutgers University Press, 2005. Print.].
  14. ^ a b "Nikki Giovanni." Poetry Foundation. 2010. Web. [1].
  15. ^ "Nikki Giovanni." Poetry Foundation. 2010. Web. http://www.poetryfoundation.org/bio/nikki-giovanni .
  16. ^ Shockley, Evie. Renegade Poetics: Black Aesthetics and Formal Innovation in African American Poetry. Iowa City, IA: University of Iowa Press, 2011. Print.
  17. ^ "Nikki Giovanni - Spotlight - Interview", December 2003, Ebony.
  18. ^ "Poet, Tupac capture beauty beneath pain", Milwaukee Journal Sentinel (April 5, 1997).
  19. ^ "Nikki Giovanni." Poetry Foundation. 2010. Web. http://www.poetryfoundation.org/bio/nikki-giovanni
  20. ^ Barnes and Noble, Meet the Authors audio
  21. ^ a b Bailey, Peter. “I am Black, Female, Polite.” Conversations with Nikki Giovanni. By Nikki Giovanni and Virginia C. Fowler. Jackson: University of Mississippi, 1992. 31- 38. Print
  22. ^ a b Baldwin, James and Nikki Giovanni. “Excerpt from A Dialogue.” Conversations with Nikki Giovanni. By Nikki Giovanni and Virginia C. Fowler. Jackson: University of Mississippi, 1992. 70-79. Print.
  23. ^ "The True Import Of Present Dialogue, Black vs. Negro"
  24. ^ "Giovanni tells students to 'sail on'", University of Michigan's The University Record, January 25, 1999
  25. ^ PBS Bill Moyers Journal:Interview with Nikki Giovanni
  26. ^ "Yes We Can, Yes We Can, Yes We Can!". All Things Considered (National Public Radio). January 16, 2009. Retrieved 2009-02-19. 
  27. ^ Wheeler, Linda. "Washington's Official Lincoln Celebration To Begin Feb. 12". Washington Post. Retrieved 2009-02-19. 

External links[edit]