Philippine Association of the Record Industry
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The Philippine Association of the Record Industry (PHIL Music) or PARI[1] is the Philippine equivalent to the American RIAA.
The Philippine Association of the Record Industry (PARI), a non-profit, non-stock, purely private industry organization, was organized in 1972.[2]
Contents |
[edit] Objectives
- To promote and develop a legitimate and viable music industry
- To promote and develop Filipino music to world class status and to penetrate the world market
- To protect copyright owners against the unauthorized use, reproduction and sale of music and sound recordings
- To maintain musical sound recordings as a medium that provides wholesome entertainment and positive values to the public
- To liaise, work and help the government for the betterment of the country in general and of the music industry in particular, such as in legislation[3]
[edit] Certifications
[edit] Local Albums
| Years | Gold | Platinum | Diamond |
|---|---|---|---|
| Before 2003 | 20,000 | 40,000 | 400,000 |
| 2003 - October 2008 | 15,000 | 30,000 | 300,000 |
| November 2008 - March 2009 | 12,500 | 25,000 | 250,000 |
| April 2009 - present | 10,000 | 20,000 | 200,000 |
[edit] International Albums
| Years | Gold | Platinum | Diamond |
|---|---|---|---|
| Before 2003 | 10,000 | 20,000 | 200,000 |
| 2003 - October 2008 | 7,500 | 15,000 | 150,000 |
| November 2008 - March 2009 | 6,250 | 12,500 | 125,000 |
| April 2009 - present | 5,000 | 10,000 | 100,000 |
[edit] Contributions and Actions
- Promulgated a Code of Ethics to maintain harmonious relationships among various sectors of the industry and to protect the public welfare
- Worked with the Legislative Branch of government to draft more sound copyright laws in line with GATT and the recent Trade-Related Issues on Intellectual Property Rights (TRIPS)
- Conducted raids on and prosecuted music pirates in collaboration with the PNP, NBI, CIS and the EIIB in order to address the increasing piracy of music
- Worked on a regular basis with the Executive Branch of government, such as the Department of Trade and Industry, Department of Tourism and the Presidential Inter-Agency Committee on Intellectual Property Rights (PIAC-IPR) to attain government and industry objectives
- Represented both the music industry and the country in world for an organized by the likes of the World Intellectual Property Organization and the International Federation of the Phonographic Industry
- Organized local and international concerts, competitions and festivals to promote Pilipino music both here and abroad, such as:
- Awit Awards
- Philippine International Songwriting Competition
[edit] Members
[edit] Corporate
- Able Music International Incorporated (AMII)
- Alpha Music Corporation (AMC
- Dyna Music Entertainment Corporation (DMEC)
- Galaxy Records
- Ivory Music and Video Incorporated (IMVI)
- MCA Music Incorporated (MCA)
- PolyEast Records Corporation (PERC)
- Praise Incorporated
- RGMA Marketing and Productions Inc./GMA Records
- Star Recording Incorporated (SRI)
- Universal Records Incorporated (URI)
- Vicor Music Corporation (VMC)
- Viva Records Corporation (VRC)
- Warner Music Philippines Incorporated (WMPI)
[edit] Associate
- Amtrust Leisure Corporation (ALC)
- Bellhaus Entertainment Incorporated (BEI)
- Business and Arts Incorporated (BAI)
- BWB Records and Music Productions Incorporated (BWB-RMPI)
- Candid Records Philippines Corporation (CRPC)
- Centra Music Mart (CMM)
- D'Concorde Recording Corporation (DCRC)
- Jesuit Communications Foundation Incorporated (JCFI, JesCom)
- MusiKatha Ministries Foundation Incorporated (MKMFI)
- Pineapple Riddims Recording Company (PRRC)
- Ride Records Asia Incorporated (RRAI
- RG Seven Creative Services Incorporated (RGSCSI)
- Shepherd's Voice Publications Incorporated (SVPI)
- Tobias Records
- Tony D'Men Music Productions (TDMMP)
- Viejo Marketing
[edit] References
[edit] External links
- Official Site (English)
