Songs from the Wood

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Songs from the Wood
Studio album by Jethro Tull
Released 11 February 1977
Recorded Autumn 1976 at Morgan Studios, London and Maison Rouge Mobile
Genre Folk rock, progressive rock
Length 41:22
Label Chrysalis
Producer Ian Anderson
Jethro Tull chronology
Too Old to Rock 'n' Roll: Too Young to Die!
Songs from the Wood
Repeat – The Best of Jethro Tull – Vol II
Singles from
Songs from the Wood
  1. "Ring Out, Solstice Bells"
    Released: 1976
  2. "The Whistler"
    Released: 1977
  3. "Songs from the Wood"
    Released: 1977
Professional ratings
Review scores
Source Rating
NME (Very favourable)[1]
Allmusic 4/5 stars[2]
Sputnik Music 4/5 stars[3]

Songs from the Wood (1977) is the tenth studio album by Jethro Tull and is considered to be the first of a trio of folk rock albums (Songs from the Wood, Heavy Horses and Stormwatch) despite the fact that folk music elements are present in the work of Jethro Tull both before and after this trilogy. The subtitle of the album is a long sentence that goes with the concept and style of the album: "Jethro Tull with kitchen prose, gutter rymes and divers Songs from the Wood". The title track of the album contain this verse in its lyrics.

The 2003 remastered edition includes a pair of bonus tracks, featuring a live rendition of "Velvet Green".


The album was recorded right after the tour of the previous album, Too Old to Rock 'n' Roll: Too Young to Die! (1976), and featured the desire of Anderson to change the musical style of the band, since he was meeting and even producing music from the folk rock scene. Also, as Anderson state: "After Too Old to Rock and Roll, we returned to England, and I settled down, got married and bought a home. It gave me an opportunity to evaluate and reflect upon the cultural and historical significance of making that commitment to English residency".[4] Being this the first Jethro Tull album to feature keyboardist David Palmer as an official band member, their music gained complexity and variety, with more instruments being played and a sound that derivates from both classical teaching from David Palmer and the strong presence of Martin Barre' electric guitar – in fact, they both are credit for contributing with "additional" material for the album.

The song "Jack-in-the-Green" features Ian Anderson on all the instruments.

Musical Style and Themes[edit]

It is impossible to disassociate the musical style, the contents of the songs and the concept of the album. The return for folk and popular musical style (Songs from the Wood) required not only lyrics that resemble the myths of the rural landscape as well as the holidays and looks on the fragments of the landscape. Together with this, the sound got more refined, with a multitude of medieval chords and instruments, what created a unique effort in the music history.

Filled with folk and fantasy imagery (especially in the "Jack-in-the-Green", "Cup of Wonder" and "Ring Out Solstice Bells" lyrics), and ornamental folk arrangement (as in "Velvet Green" and "Fire at Midnight"), the album is a departure from the hard rock of earlier Tull material, though it still retained some of the band's older sound. The album highlights the band at its most playful and due to its lush production and more noticeable use of keyboards is perhaps one of the band's most obviously Progressive Rock orientated releases.[5]

Anderson calls that Songs from the Wood was "for all the band members, [...] a reaffirmation of our Britishness".[4]

In the photo inside the album, the whole band can be seen around a camp fire, like peasents and countrymen, enjoying the life in the countryside.[5]

Critical Reception[edit]

Songs from the Wood was the first Tull album to receive unambiguously positive reviews since the time of Living in the Past (1972). AllMusic called the album: "the prettiest record Jethro Tull released at least since Thick as a Brick".[6] In the Heavy Horses (1978) review by the Rolling Stone magazine, it is recalled that Songs from the Wood "may well have been the group's best record ever".[7]

The album reached No. 8 on the Billboard album chart, making it the last top ten album for the band to date. The song "The Whistler" was the only song to chart as a single in the United States, peaking at No. 59 on the Billboard Hot 100 in the spring of 1977. The album peaked at No. 13 on the UK Albums Chart.[8]

In popular culture[edit]

This album cemented the notion of Jethro Tull as a "folk" group, or even with a "medieval" sound. Although these elements always made a strong presence in their music, this album and the other two of the Folk Trilogy stablish the band as a folk act - resulting too conextions with medieval music.

The Finnish heavy metal band Kiuas made a version of "Hunting Girl" in their single "Race with the Falcons".[9]

The single "Ring Out Solstice Bells" rendered an video clip in the Top of the Pops of 1977.

Track listing[edit]

All songs written and composed by Ian Anderson with additional material by Martin Barre and David Palmer

Side one
No. Title Length
1. "Songs from the Wood"   4:52
2. "Jack-in-the-Green"   2:27
3. "Cup of Wonder"   4:30
4. "Hunting Girl"   5:11
5. "Ring Out, Solstice Bells"   3:43
Side two
No. Title Length
6. "Velvet Green"   6:03
7. "The Whistler"   3:30
8. "Pibroch (Cap in Hand)"   8:35
9. "Fire at Midnight"   2:26


Additional personnel
  • Robin Black - sound engineering
  • Thing Moss and Trevor White - assistant engineers
  • Keith Howard - wood-cutter
  • Jay L. Lee - front cover painting
  • Shirt Sleeve Studio - back cover


External links[edit]