The Mask of Zorro

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The Mask of Zorro
Directed by	Martin Campbell
Produced by	Doug Claybourne David Foster
Written by	Johnston McCulley Ted Elliott Terry Rossio Randall Jahnson John Eskow
Starring	Antonio Banderas Anthony Hopkins Catherine Zeta-Jones Stuart Wilson
Music by	James Horner
Cinematography	Phil Meheux
Editing by	Thom Noble
Studio	Hidalgo Durango Mexico City Guaymas Florida
Distributed by	Amblin Entertainment David Foster Productions TriStar Pictures Columbia Broadcasting System Columbia TriStar Sony Pictures Entertainment Sony Classical
Release date(s)	17 July 1998
Running time	137 mins
Country	Mexico USA
Language	English
Budget	$95 million
Gross revenue	$250,288,523
Followed by	The Legend of Zorro

The Mask of Zorro is a 1998 swashbuckler film directed by Martin Campbell, starring Antonio Banderas, Anthony Hopkins, Catherine Zeta-Jones and Stuart Wilson. In over 80 years since the creation of the Spanish masked swordsman, Banderas was the first Spanish actor to portray Zorro, called a Californio from Las Californias. Hopkins portrayed the original Zorro, Don Diego de la Vega, popularized by Guy Williams on the Disney TV series of the same name.

The epic, filmed in Mexico and Orlando, Florida, was a box office success and received critical acclaim. The Legend of Zorro, a sequel that starred Banderas, Zeta-Jones and was directed by Campbell, was released in 2005, but is considered inferior to the original.^[1]

[edit] Plot summary

In 1821, the Mexican Army is on the verge of liberating its country from Spanish colonial rule. In the area of Las Californias the cruel and ruthless Spanish Governor, Don Rafael Montero, is about to be overthrown. In a last ditch effort to trap his arch-nemesis, the masked swordsman Zorro (Anthony Hopkins), Montero prepares to execute three innocent townspeople. With assistance from two orphan brothers, Joaquin and Alejandro Murrieta, Zorro releases the prisoners. Zorro rewards the Murrieta brother with a special medallion he wears, and escapes on his horse, Toronado, after cutting a "Z" into Montero's neck as a parting gift and warning.

The same night, however, Montero confronts Zorro at his home, having deduced that Zorro is really Don Diego de la Vega, a Spanish nobleman married to Esperanza, the woman Montero had always loved. Attempting to arrest Diego, a fight ensues, during which Esperanza is killed while trying to protect Diego. Diego's house is burned and his infant daughter, Eléna, is taken to Spain by Montero to be raised as his own while Diego is taken to prison.

Twenty years later, Montero secretly returns to California, looking for Diego in the old prison. Although Diego is there, Montero does not recognize him. Diego later escapes, intent on killing Montero the following day at a public ceremony for Montero's return. However, Diego restrains himself when he sees Eléna (Catherine Zeta-Jones), now a beautiful young lady. Elena is presented with a bouquet of local flowers - Romagnas, which only grow in California -, the scent of which she recognizes, although she incorrectly believes she had never been to California before.

Diego soon meets an adult Alejandro Murrieta (Antonio Banderas), whom he recognizes by the medal he awarded Joaquin. Now a drunken, clumsy bandit, Alejandro is bitter over the recent murder of his brother by the sadistic Texian Army Captain Harrison Love, Montero's commander-in-chief. Diego recruits and trains Alejandro to become his successor.

After some training, Alejandro dons a makeshift costume and clumsily steals a black stallion that resembles the original Zorro's horse, Tornado. En route, Alejandro first glimpses Eléna. Escaping from Captain Love, Alejandro seeks refuge in a local church, with the assistance of the town priest and Zorro's old friend, Father Felipe. Alejandro hides in the confessional, where Eléna unwittingly reveals her infatuation with the mysterious "bandit" she had just met.

Upon his return, Diego scolds Alejandro, claiming that Zorro was a servant of the people, not a thief. Diego rebuffs a challenge by Alejandro, instructing him that to gain Montero's trust, Alejandro must convince Montero that he is "a gentleman of stature." Posing as a visiting nobleman, with Diego as his servant, Alejandro attends a party at Montero's hacienda, where he quickly gains Eléna's admiration and enough of Montero's trust for the latter to invite him to a secret meeting. There, Montero hints at a plan to retake all of California for the Dons by buying it from its hero, General Santa Anna.

The next day, Alejandro and the Dons are taken by Montero to a secret gold mine, where peasants and petty criminals are used as slave labor. Montero reveals that he plans to buy California from Santa Anna using gold mined from his own land. Meanwhile, Diego uses this opportunity to become closer to Eléna, though he identifies himself as "Bernardo" the servant (a homage to the name of Zorro's mute sidekick from the original story), learning that Montero told Elena that her mother died in childbirth. Later, while walking in a local market, Eléna meets the woman who had been her nanny and used to hang romagnas on her crib.

Diego then allows Alejandro, as Zorro, to steal the map leading to the gold mine from Montero's hacienda. In the process, Zorro duels and fights off Montero, Captain Love, and their guards. As he escapes to the stable, he is confronted by Eléna, who attempts to retrieve the map belonging to her "father." While Elena shows considerable skill, Zorro nonetheless manages to defeat her by cutting off her bodice, leaving her in nothing but her underwear. After a passionate kiss, Zorro flees the stable and shakes off his pursuers.

Alejandro uses the stolen map to locate the mine in order to release the workers. Diego tells Alejandro to release them on his own, so that he can confront Montero and reclaim Elena as his daughter. Alejandro sets off to the mine, feeling betrayed by Diego's personal vendetta. Later that night, Diego corners Montero at the hacienda and reveals his true identity. After being summoned by her presumed "father," Montero captures Diego after threatening to kill him in front of Elena. As he is escorted away by guards, Diego tells Elena the name of the flowers she recognized upon her arrival to California, convincing her that Diego is her true father. She releases Diego from his cell, and they proceed to the mine.

There, Alejandro prevents Love from loading gold onto a wagon to be taken from the mine, and engages him in a duel to the death. Diego prevents Montero from shooting Alejandro, and they also duel. After disarming Montero, Eléna appeals for him to spare Montero's life. Montero capitalizes by threatening Eléna, and then wounding Diego.

Alejandro defeats Love in a protracted swordfight taking them through various points around the mine. Though mortally wounded, Diego also defeats Montero, by having a gold-laden wagon drag Montero off a cliff, crushing Love in the process. Eléna and Alejandro, now without his mask, free the captive workers before the explosives set by Love go off.

Before dying in their arms, Diego makes peace with Alejandro, fully passes the mantle of Zorro to him, and gives his blessings for Alejandro's and Elena's prospective marriage. In the film's epilogue, Alejandro and Eléna have married and rebuilt the de la Vega home. They also have a son named Joaquin, in honor of Alejandro's brother.

[edit] The Undressing of Eléna Scene

In the film's most famous scene, Eléna is undressed by Zorro following their duel.

The one moment that captured all the advertising and viewer's attention: When Eléna (Catherine Zeta-Jones) is undressed by the slashing sword of Mexican thief Alejandro Murrieta/Zorro (Antonio Banderas); the view of her opened dress caused his sword blade to pop up, followed by his taking her for a sensuous kiss.^[2][3] The scene has been called one of the most erotic film moments of the 1990s.^[4][5] In fact, both Catherine Zeta-Jones and Antonio Banderas have admitted to sexual arousal during the filming of this scene,^[6] Banderas being aroused by Zeta-Jones's beauty,^[6] and Zeta-Jones being aroused by the very fact that Banderas could strip her by using only his sword and not his hands.^[6]

[edit] Main cast

[edit] Historical and cultural references

The Mask of Zorro and its sequel The Legend of Zorro, originates from the book The Curse of Capistrano. Like the book, it weaves several historical figures and incidents into its narrative. Alejandro is the fictional brother of Joaquin Murrieta, a Mexican outlaw killed by California State Ranger Harry Love, portrayed here as Texas Army Captain "Harrison Love", in 1853. (The film takes place more than a decade earlier.) In the movie, Love shoots Murrieta with a Colt Buntline long-barrelled revolver, which was not available until 1876. Similarly, there is a character called Three Fingered Jack although the real person was a Mexican named Manuel Garcia rather than an Anglo-American. The opening sequence is set during the aftermath of the Mexican War of Independence, and a war between the United States and Mexico is alluded to. Too early to be the Mexican-American War of 1846-1848, this may refer to the Republic of Texas' continual conflicts with Mexico.

Montero's plan for an independent "Republic of California" (colored pink) is unveiled. Alejandro, disguised as a wealthy Spaniard, stands apart from the table.

Alejandro tells Montero that he came to California via Paris, Lisbon, and San Francisco, though in 1841, San Francisco was still Yerba Buena. (The name change didn't occur until January 1847.) An original ending on the DVD includes an appearance by Antonio López de Santa Anna, who appears familiar with the Zorro legend, and Montero's plot concerning Californian gold (and its climactic concealment) foreshadows the California Gold Rush.

Diego uses the name Bernardo when posing as the new Zorro's servant. In the previous Zorro stories, Diego had a mute servant named Bernardo. Both Zorros conceal their costume under a priest's robes, a tactic used in numerous Zorro-related works. Diego's hacienda has a secret passage in a walk-in fireplace, which has also appeared in previous films. Esperanza de la Vega, Diego's wife, is not Lolita Pulido, the first woman he married.

The Zorro silhouette that bookends the film, as well as the action-packed opening scene, recall popular James Bond film structures. (The Mask of Zorro's director Campbell had directed 1995's GoldenEye, the first Bond film starring Pierce Brosnan, and would later direct 2006's Casino Royale, the first to star Daniel Craig; Campbell performed a similar service for Antonio Banderas in this film.)

[edit] Critical reaction and Box-office

Critical reaction to The Mask of Zorro has been mostly positive. The film currently holds an 85% rating on Rotten Tomatoes^[7] and a rating of 63 out of 100 on Metacritic^[8].

Roger Ebert of the Chicago Sun-Times praised the film, awarding it three stars (out of four) and calling it "a display of traditional movie craftsmanship, especially at the level of the screenplay, which respects the characters and story and doesn't simply use them for dialogue breaks between action sequences."^[9] Ebert later called The Mask of Zorro "probably the best Zorro movie ever made."^[10]

James Berardinelli of ReelViews gave the film three and a half stars, saying that it features "a great deal of excitement and adventure, all brought to the screen by using a somewhat irreverent tone that keeps the mood light without trivializing the characters."^[11] Todd McCarthy of Variety said that "the return of the legendary swordsman is well served by a grandly mounted production in the classical style."^[12]

Scott Tobias of The Onion's A.V. Club said The Mask of Zorro "delivers the goods", "coasting on the charisma of its stars and a few exciting action setpieces".^[13] Kenneth Turan of the Los Angeles Times said that the film is "the kind of pleasant entertainment that allows the paying customers to have as much fun as the people on screen."^[14]

Peter Travers of Rolling Stone gave The Mask of Zorro a lukewarm review, calling it a "lavishly produced swashbuckler" but felt that it "should have been far more entertaining."^[15] Michael Wilmington of the Chicago Tribune agreed, saying that the film is "spectacular, fast, [and] never boring, [but] also one of the more disappointing movies I've seen recently."^[16]

The movie was enthusiastically received in Wales, which is the home country of both Anthony Hopkins and Catherine Zeta-Jones, their respective places of birth being less than 10 miles apart.

The Mask of Zorro did very well at the box-office, grossing $250,288,523 worldwide.^[17]

[edit] References

[edit] External links

• The Mask of Zorro at the Internet Movie Database
• The Mask of Zorro at Allmovie