The Time of Angels
|206a – "The Time of Angels"|
|Doctor Who episode|
|Script editor||Lindsey Alford|
|Executive producer(s)||Steven Moffat
|Incidental music composer||Murray Gold|
|Length||1st of 2-part story, 45 minutes|
|Originally broadcast||24 April 2010|
"The Time of Angels" is the fourth episode in the fifth series of British science fiction television series Doctor Who, first broadcast on 24 April 2010 on BBC One. It is the first episode of a two-part story written by showrunner Steven Moffat and directed by Adam Smith; the second episode was "Flesh and Stone". Moffat utilised the two-part episode to bring back a couple of his previous creations: the Weeping Angels from his series three episode "Blink", and River Song (Alex Kingston) from the series four episodes "Silence in the Library" and "Forest of the Dead".
The Doctor—a time travelling alien played by Matt Smith—and his companion Amy Pond (Karen Gillan) are summoned by River Song, a mysterious woman from the Doctor's future. She takes them to the planet Alfava Metraxis, where the spaceship Byzantium has crashed. Hidden inside is a Weeping Angel, a creature that can only move when unobserved by others. With the help of Father Octavian (Iain Glen) and his militarised clerics, the Doctor, Amy and River Song travel through a stone labyrinth to reach the ship. On the way, they discover that all the statues in the maze are Angels, which are slowly restoring and planning to trap them in the labyrinth.
Inspired by the relationship between the film Alien and its sequel, Aliens, Moffat wrote the episode as a more action-oriented sequel to "Blink". It was the first episode to be filmed in the series; filming began 20 July 2009 at Southerndown beach, Vale of Glamorgan which was used as the surface of Alfava Metraxis. Most of the Weeping Angels in the episode were portrayed by painted young women dressed in costumes, which director Adam Smith found difficult to work with as they had to remain still for long periods of time. The episode was watched by 8.59 million viewers in the United Kingdom and received the highest Appreciation Index given to the fifth series at time of broadcast.
The Doctor and Amy travel to the Delirium Archive, a museum in the distant future and discover a message from Dr. River Song, engraved in Old High Gallifreyan, the language of the Doctor's home planet, on a damaged flight recorder from the starship Byzantium 12,000 years in the relative past. The Doctor takes the TARDIS to rescue her before the ship crashes on the planet Alfava Metraxis. After the TARDIS lands on the planet via River's guidance, Amy learns from both the Doctor and River that they have a unique relationship owing to the nature of time travel; Dr. Song has met the Doctor numerous times before in her timestream, while the Doctor still barely knows who she is, having met her only once before.
River warns the Doctor that the Byzantium's cargo hold contains a deadly Weeping Angel, which can move only when unobserved by others. She calls down the orbiting Father Octavian and his militarised "clerics" to help her capture the Angel before the radiation leaked from the ship makes it too powerful, and to protect a large human colony on the planet. River, the Doctor and Amy review a four-second loop of security footage of the Angel in the Byzantium vault as the soldiers set up base camp. Outside the trailer, the Doctor and River look through a book written by a madman about the Angels and find the words, "That which holds the image of an Angel becomes itself an Angel". Meanwhile, Amy has returned to the viewing room; each time she turns away the Angel from the footage moves and it begins to emerge from the screen, trapping her in the room. The Doctor and River attempt to free Amy; the Doctor warns Amy not to look directly into the eyes of the Angel because the book compared eyes to the doors of the soul and the Angels may enter there. Amy is able to turn off the image on a loop break, causing the Angel to disappear and saving herself. As they head toward the crashed ship, Amy continually feels that something is in her eye.
To access the Byzantium and locate the Angel, the group must travel through a "Maze of the Dead", a stone labyrinth with numerous statues erected by the native race, among which the Angel could easily hide. After launching a gravity globe near the roof of the Maze to provide illumination, the group splits up, with some soldiers left to guard the entrance. While the Doctor and River Song discuss the two-headed natives who built the catacombs, it suddenly occurs to them that all the statues have only one head: they must therefore be Weeping Angels. Each of these is slower and weaker than the Byzantium's captured Angel, having had no beings to consume over the centuries, but they are now absorbing energy from the crashed ship; the Doctor surmises that the Angel purposely crashed the Byzantium to rescue its kind. As the group tries to escape, Amy believes that she cannot move because her hand has become stone and she cannot release its grip on the wall of the cave. The Doctor explains that her perception has been influenced by the Angel through her direct eye contact, and she is still fine; he proves it by biting her hand, which allows her to flee. The group soon finds that the Angels have killed their rear guard and are using the consciousness of one soldier, Bob, to speak to the Doctor. The Angels reveal they have lured the group to the highest point of the maze, directly under the crashed ship, and are planning to kill and use their essences to further regenerate. The Doctor tells the Angels that they should have never put him in the trap, and prepares the group to jump once he destroys the gravity globe.
This episode sees the return of River Song, the woman from the Doctor's future who was previously seen in "Silence in the Library" and "Forest of the Dead". "The Time of Angels" takes place in her relative past, where she is a doctor, having not yet become a professor. She shows the ability to fly the TARDIS, which she says she learned from "the best" and then teases the Doctor it was not him. In "Let's Kill Hitler", it is shown that the TARDIS taught her to fly it. In addition, the words she inscribed on the home box in Old High Gallifreyan ("Hello, Sweetie!") are the same words by which she greets the Tenth Doctor in "Silence in the Library"
The episode was written by lead writer and executive producer Steven Moffat. He designed the two-part episode as a more action-oriented sequel to "Blink", an episode he had written for the third series. He compared the relationship to the film Alien and its sequel Aliens, with the former being more low-key and the latter more "highly coloured". Moffat thought that Aliens was "the best conceived movie sequel ever" and decided to use it as a model. He also intended to portray the Angels and their actions differently; in "Blink" they were barely surviving and resembled scavengers, while in "The Time of Angels" he wanted them to have a plan that could become "almost like a war". The two-part story was intended to show the worst possible instance that could occur with the Weeping Angels, which was the inability to see, as explored in the second part, "Flesh and Stone", when Amy must keep her eyes closed. Executive producer Piers Wenger thought that the Delirium Archive, the museum the Doctor and Amy visited at the beginning of the episode, needed to be explained, therefore Moffat named it "the final resting place of the Headless Monks" and sent it to him via text message. The Headless Monks themselves appeared in the mid-series finale of the next series, "A Good Man Goes to War".
Moffat also brought back the character of River Song from his fourth series episodes "Silence in the Library" and "Forest of the Dead". In the former, River asks the Doctor if he had done the "crash of the Byzantium" with her yet. Actress Alex Kingston did not expect the return, but stated that Moffat "always intended that she would come back". Moffat was influenced by Audrey Niffenegger's novel, The Time Traveler's Wife, in which a woman falls in love with a man who unintentionally moves through time. Moffat used this inspiration in his episode "The Girl in the Fireplace", but Alex Kingston, as well as reviewers have compared River to The Time Traveler's Wife.
Filming and effects 
"The Time of Angels" was the first episode of the series to be produced. The read-through for the episode took place on 15 July 2009. Filming began on 20 July 2009 on Southerndown beach, Vale of Glamorgan, which was used as the surface of Alfava Metraxis. Torrential rain halted filming the following day, and about three pages of the script were never filmed, including the scene Gillan had read for her audition. The gap was replaced by the scene of River flying the TARDIS after the Byzantium, which was filmed as a pick-up. Steven Moffat later reflected on the replacement being "a lovely scene, and a much better start to the show". During the CGI shot of the TARDIS flying through the Time Vortex in that scene, an older TARDIS image from the David Tennant era was accidentally used instead of the new one.
Director Adam Smith, new to Doctor Who, felt pressure in making the episode be a worthy sequel to "Blink", which he called a "brilliant, brilliant, brilliant episode", but also said that it was great to work with the Weeping Angels. He decided to have the interaction between the Doctor and River Song resemble that of an old married couple, bickering like "mum and dad arguing over directions in the car". Actress Alex Kingston stated that it was "great fun" on set and she enjoyed working with Matt Smith, although her relationship with Smith was different from his predecessor and her former co-star, David Tennant. In the script it was not written in that River would land on the Doctor when she flew into the TARDIS; it was an idea that Matt Smith came up with in rehearsal that proved difficult to film. In the episode, there is a moment in the viewing room where the Doctor hangs on a strap attached to the ceiling and it breaks. This was originally an accident during one of the takes, but director Adam Smith liked it and filmed it again, with Matt Smith doing it on purpose.
Most of the Weeping Angels are not statue props but young women wearing masks, costumes, and paint that took two to three hours to apply. Adam Smith called them "an absolute nightmare to film with" because it took a long time for them to get ready and they had to stand still for long periods of time. Smith wished River Song's entrance to be a shocking surprise to the audience. A stunt double was used for some shots of the scene where River flies out of the Byzantium's airlock, but Kingston wished to do some of it herself. The scene was filmed on a greenscreen with Kingston hooked up on wires that pulled her up and backwards as a wind machine was blown to create the effect of the airlock. Kingston said she "absolutely loved" filming the scene. For the scene in which sand pours out of Amy's eye as she rubs it, an eye patch containing sand that would be released when Gillan rubbed it was placed over her eye.
Broadcast and reception 
"The Time of Angels" was first broadcast on BBC One on Saturday, 24 April 2010 from 6:20 p.m. to 7:05 p.m. In the United States it was shown on sister station BBC America on 8 May 2010. In the UK, preliminary overnight viewing figures showed that 6.8 million viewers watched the episode, which made it second for the night behind Britain's Got Talent. This was also the second highest overnight figure for a fourth episode over the last five series, "The Girl in the Fireplace" taking the top position. When final consolidated ratings were calculated, another 1.81 million timeshifted viewers were added, bringing the total up to 8.59 million, the highest viewing figure for the series since "The Eleventh Hour". This made it the fifth most watched programme on BBC One and the 12th most watched across all UK TV channels for the week ending 25 April 2010. It was also given an Appreciation Index of 87, the highest for the fifth series so far at its time of broadcast.
A Region 2 DVD and Blu-ray containing "The Time of Angels" together with the following episodes "Flesh and Stone" and "The Vampires of Venice" was released on 5 July 2010. It was re-released as part of the complete series five DVD on 8 November 2010.
Banner incident 
During the cliffhanger ending of the first broadcast of "The Time of Angels", an animated graphic was shown in some regions, showing Graham Norton revealing a banner trailing his show Over the Rainbow. The BBC apologised after receiving over five thousand complaints. The incident received attention on Twitter, with SFX magazine reporting that it had "caused a minor Twitter earthquake", citing tweets from Charlie Brooker, Matthew Graham and Simon Pegg. The incident was lampooned on Brooker's panel game You Have Been Watching, where he described it as "a travesty". BBC drama writer and co-creator of Life of Mars and Ashes to Ashes Matthew Graham criticised the BBC for "cheapen[ing]" itself and mentioned he wrote emails to "a few interested parties".
Critical reception 
The episode has received widespread acclaim from television critics. Daniel Martin, writing for The Guardian online at guardian.co.uk, called it "an astonishing achievement" and "absolutely bloody terrifying". He praised the way Moffat handled River Song's story, as well as for making it an "intricate romp jammed with ideas that make a truly cinematic piece of drama". Gavin Fuller's review for The Daily Telegraph praised the suspense and "the revelation that all the statues were Angels" which he called "genuinely shocking". Though he commented it "took a while to get going", once it did he thought it had turned into the "first genuine chiller" of the series. He wrote that the "only real disappointment" was the "inference that the TARDIS doesn't really have to make its celebrated 'vworp, vworp' noise on landing", asking "How can you do that to us long-time fans, Steven Moffat – that sound is part of the warp and weft of the programme!".
Patrick Mulkern, writing for the Radio Times, described the episode as "simply superb television" and claimed that "Matt Smith really is shaping up to be the best Doctor since Tom Baker", praising him for being "simultaneously intense and subtle". He thought it started out with "arguably the most impressive opener to any Doctor Who yet" and also praised Amy for being "cheerfully free of the emotional baggage that mired her predecessors" so far. Matt Wales of IGN gave the episode a 10 out of 10 rating, calling it "huge, silly, scary, gorgeous, gripping and – most importantly – fun". Although he wrote it "never quite matched the relentless tension of 'Blink'", he commented that it was "flawlessly paced and, when it mattered, genuinely scary". Unlike Fuller, he praised the TARDIS "vworp vworp" joke, asking "Who could possibly not love the sheer audacity in suggesting the TARDIS's iconic whirring noise was the result of the Doctor leaving the brakes on for the last 45 years?"
SFX magazine reviewer Dave Golder gave the episode five out of five stars, praising it for being "superbly paced, the changes in tone happening gradually and organically". He also commended the directing and sound effects. Keith Phipps of The A.V. Club gave the episode a grade of A-, praising the scary atmosphere and the development of the Weeping Angels. He commented that he was a little "fuzzy" on the Doctor and River Song's relationship, but he expected that he was supposed to be.
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|Wikiquote has a collection of quotations related to: Eleventh Doctor|
- The Time of Angels on TARDIS Data Core, an external wiki
- "The Time of Angels" at the BBC Doctor Who homepage
- "The Time of Angels" at the Internet Movie Database
- "The Time of Angels" / "Flesh and Stone" at Doctor Who: A Brief History Of Time (Travel)