User:AdwenKnowItAll/sandbox

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As for the punishment, I nearly have new thoughts for upcoming purposes.

RBA2[edit]

Robotboy: ACT 2
Also known asRbA2 (abbreviation)
Robotboy (series 3-4, not clickbait)
GenreAdult animation
Psychological thriller
Science fantasy
Musical
Satire
Psychedelia
Inspired byRobotboy by Jan Van Rijsselberge
Developed byAndrew Daniel Newman
Directed byAndy Newman
Richard Ferguson-Hull
Peter Avanzino
Music byThe Southern Sounds
Opening theme"The Act II Theme" by The Southern Sounds
Ending theme"Io la conoscevo bene" by Piero Piccioni
ComposerAndy Newman/K.Nakajimain courtesy of Night Recordings
Country of originUnited Kingdom
Canada
United States
Original languagesEnglish
French (via Ontario and Quebec regions in Canada)
Production
ProducersThomas Ridgewell
J. Michael Mendel
Andy Newman
AnimatorGrand Award Animation Studios Ltd.
Running time24–30 minutes (regularly with commercials)
12–15 minutes (segments)
Production companiesGaumont Film Company (dedicated with permission to)
Decca/Verve Records
Studio Gunpei Ltd./Gunpei Holdings Ltd.
LPB Ideals
Original release
Networkadult swim/E4 (United Kingdom and Canada)
YouTube (Worldwide)

Robotboy: ACT 2 is an upcoming Anglo-Canadian-American adolescence-orientated adult animated revival/reboot web series, resuming continuation of the Anglo-Franco-American science fiction animated series Robotboy, and will be installed through the free-to-pay streaming service called Orbit 5.

Production (and like that)[edit]

Concept[edit]

Television is where you will be debuting one of television's worst afflictions.

Based on the prequel created by Jan Van Rijsselberge—due to many collaborations to a hiatus over the last 14-17 years—the show wanted to give a few collaborations internationally. Because of this, Andy Newman overlooked and learned about the production, concept, stories, and development. With production elements from the prequel, there's gonna be…something you know…?

Animation[edit]

It was going to be produced by Grand Award Animation Studios Ltd. in the United States using KRITA software. For promotional material, it will be produced by Blinkink, Britain's most progressive media company in animation.

Plot development, story, and direction[edit]

With Ricky Ferguson-Hull and J. Mike Mendel, the show's basis...

Music[edit]

According to Andy Newman's "sinister project" for the concept, the show's music drew influence upon the elements of traditional pop, lounge music, jazz fusion, pops orchestra/chamber/ork pop, progressive music, and the Spector Sound.

Cast, characters and understandable rejoices[edit]

So if you just contact, revive this situation.
International (primary) American (secondary) Canadian (secondary) Guest stars
TomSka ('Tom Ridgewell') Tom Kenny Jennifer Hale ('Jenny Marcus') Seth MacFarlane
KSI ('Olajide Olatunji') Kath Soucie Tara Strong Jordan Peele
WillNE ('Bill Wise') Jeff Bennett Erica Bauza John Cleese
Rupert Degas ('Daniel Newton') Steve Blum ('David Lucas') Cree Summer Ian Ogilvy
Yōhei Tadano Grey DeLisle ('Grey Griffin') Ashleigh Ball Godfrey
Lewis MacLeod ('John Norman') Candi Milo Paul Greenberg ('Pierre Holloway') Jason Connery
Togo Igawa Jeff Bergman Hiro Kanagawa
Tomoyuki Higuchi Rob Paulsen Lisa Yamanaka
K.M.Richardson Will Sasso
Stephanie Sheh
Phil LaMarr
Janice Kawaye
Tress MacNeille
Yuji Okumoto
Andy Newman (myself)

Although STARZ made it possible to have Rijssel's three shows in production (Matt's Monsters, Gawayn, or the prequel), they would also be sold to Studio Gunpei where they made appearances and cameos in a few episodes. Through nationalities, we...uh...make immigration...I guess.

Grand Award Inc.[edit]

An animation studio named after Enoch Light's namesake label.

Inspirations and influences[edit]

They were influenced by modern Asian and European animation (most importantly French or Italian), with exception of AMERICAN animation. Their inspirations for animation styles are:

Music[edit]

My music drew influence from FPM's debut album, Plus-Tech Squeeze Box, Capluse's important two albums, A. G. Cook, James L. Venable, and no wave.

During travel after the fluid cores of blushing since 2019, I researched the idea of mid-50s/early-70s music and initiated "a cut-and-paste" sound in mobile DAWs. I later created the "#1 samples from nowhere" or "drop-in's?!", which will be in future marketing stations.

A prototype of alter egos, aliases, and other form sakes are meant to be the laughing stock of no master marketers can do every single day, I just hooked up this place…

Music, theories, and Gebeines[edit]

No Jack Swing[edit]

No jack swing is a micro-genre or a form of electronic/pop music. The genre, however, drew inspiration from franchising[1], while it often differs with the multimedia influences, divergent or various lyrics, and simple, but yet disturbing sounds.

Yes, known as some kind of Allen Ginsberg of Space Age Pop/Wham! of Depeche Mode/Jack Kerouac of Juan García Esquivel...uhh...whoever or whenever I get inside of the house and make music from any digital audio workstation and other types of sound particles.

Description[edit]

As shibuya-kei is "outsider pop music of the Beat Generation" or hyperpop "confusing electronic pop music of the future", No Jack's music is developed from digital audio workstations that suited the use of 90s sample CDs and samples from past recordings...until you get good combinations or influences of:

  • hypnagogic pop
  • hyperpop
  • shibuya-kei
  • outsider music
  • space-age pop
  • lounge
  • nu jazz
  • indie electronica
  • no wave
  • sampledelia
  • hardvapor
  • big beat

This relies on the product of national sources, not drugs.

Saturday morning pop[edit]

This is commercially and rarely known as Toon pop and it’s not commonly known about the fact we do. Well, this rare genre fits all. A rare case of the bath components pleases with Peacin', Full Stop, Chocolate-Covered Hippies, and The Powers.