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In the field of journalism, a human-interest story is a form of news media that focuses on a particular person, group of people, culture or animals/pets in an emotional manner. Being a variety of soft news, human-interest stories are presented primarily for the entertainment of the viewer with the purpose of drawing an emotional response from them, usually in the form of sympathy, inspiration, humour or anger.
In the field of journalism, a human-interest story is a form of news media that focuses on a particular person, group of people, culture or animals/pets in an emotional manner. Being a variety of soft news, human-interest stories are presented primarily for the entertainment of the viewer with the purpose of drawing an emotional response from them, usually in the form of sympathy, inspiration, humour or anger.
The popularity of the human-interest format derives from the stories’ ability to put the consumer at the heart of a current event or personal story through making its content relatable to the viewer in order to draw their interest[1]. Human-interest stories also hold the role of diverting consumers from ‘hard news’ as they often are used to amuse consumers and leave them with a light-hearted story.
Human-interest stories have been critiqued as being subject to dramatization and sensationalism from the journalists who present/ publish them, and have been labelled as fictitious news reporting in an attempt to appear relevant to the viewer/ reader[2]. Human-interest stories are regarded by some scholars as a form of journalistic manipulation or propaganda, often published with the intention of boosting viewership ratings or attracting more sales[3].
The content of a human-interest story is not just limited to the reporting of one individual person, as they may feature a group of people, a specific culture, a pet or animal, a part of nature or an object. These reports may celebrate the successes of the person/ topic in focus, or explore their troubles, hardships. The human-interest story is usually positive in nature, although they are also used to showcase opinions and concerns, as well sometimes being exposés or confrontational pieces.
Background[edit]
Within Western media, the human-interest story gained notoriety when these profile pieces were published in the American magazine The New Yorker, which began circulation in 1925[4]. Scholars of journalism have put forward that the origin of the human-interest story dates back further than this, as they cite the 1791 biography the Life of Samuel Johnson as a profile piece in which the author James Boswell utilised research, interviews and his own experiences to formulate his work, all of which are instruments of standard practice for modern journalists[5].
The Human-interest story has been used by the mass media to give hope and inspire its consumers. Profile pieces on certain individuals and groups have inspired evolution in the public’s perception of a ‘hero’[6]. Scholars Winfield and Hume explore how heroes have evolved from cultural figures such as Abraham Lincoln[7], to regular people through the reporting of the human-interest story. Stories such as Esquire’s interview with September 11 survivor Michael Wright portray the American hero as an ordinary person with an inspiring story or profound success.
The format human-interest story is not limited to just news segments during television reporting or articles in a newspaper. The human-interest frame is used in many different formats with no restricting time frame. The human-interest story is not just restricted to news reporting as there are documentary series and feature length movies that follow the human-interest frame.
Varieties of Human-interest Stories[edit]
Human-interest stories are communicated through the mass media, and are presented in varying forms of broadcast media; such as television programming, radio and film, digital media; internet communication, websites, social media, and print media; newspapers, magazines and books. The wide consumption of the human-interest story has led to its prevalent reporting throughout the mass media, and its content varies across these different forms of media, although it maintains the goal of drawing an emotional response from the consumer.
Television Reporting[edit]
Television reporting is the most popular form of news media[8] and human-interest stories are common within news programming and are often used as a form of light-hearted news to end a broadcast after the ‘hard news’ reporting. Televised human-interest stories often encompass interviews, and the reporting of information relevant to their topic, in order for the consumer to understand the situation and relate to its content. Within television reporting the human-interest frame can take many forms. It may be a short segment at the end of a news bulletin, a review of a current event from the human-interest frame or there may be entire reports dedicated to one particular human-interest story.
60 minutes is a widely known American news program that has been adapted in other countries such as Australia and New Zealand. It is a program that often utilises investigative journalism to report its stories and is a producer of human interest stories. The program often features human-interest stories on prominent sporting figures, celebrities, controversial figures and criminals such as Oklahoma City Bomber Timothy Mcveigh.
Print Media[edit]
Within Print media, human-interest stories and their content vary across the variety of print mediums. They are commonly in the form of Newspaper articles, in which the author details the story of a person/ topic of focus through an interview, photographs and information. The author’s opinion on the topic is often included in order for the consumer to respond in a similar manner. Human-interest stories may also take the form of opinion columns or editorial pieces within newspapers. Human-interest stories are also published in magazines and tabloids which often do not detail the story in the same manner as a newspaper and are often the subject to journalistic manipulation.
Newspaper publishers of significant notoriety such as The New York Times, utilize the human-interest format in their works. An article titled ‘Invisible Child’, written by Pulitzer Prize winning journalist Andrea Elliot, about a homeless 11 year old girl who lives in New York, and is listed in a list of The New York Times’ 50 best ever articles[9]. The story focuses on the struggles of Dasani and goes into significant detail about the challenges she encounters during her daily life including her sleeping by a rotten wall or having to use a mop bucket as a toilet[10]. The article uses the human-interest format to draw sadness and sympathy from the reader and try to make them understand how difficult life can be for some people.
Other Media[edit]
Human-interest stories are also presented/ published in other forms of media such as digital media; consisting of websites and social media networks. Popular Social media formats Facebook, Instagram and Twitter are becoming increasingly popular digital media forms where consumers are obtaining human-interest news. The prevalence of human-interest stories on social media is demonstrated through the popularity of the photo blog Humans of New York, a page which has over eighteen million Facebook likes and 10 million followers on Instagram[11]. Humans of New York posts photos of New York citizens with an accompanying story about their life, founder Brandon Stanton describes the purpose of the photo blog as being able “tell the story of the person right in front of me”[12]. The stories often evoke emotion from the reader and make them enjoy, sympathise or relate to the stories being told.
It has been cited that the popularity of the human-interest story stems from a concept known as ‘emotional arousal’[13] as the emotions of readers and viewers when consuming human-interest stories are heightened due to the stories purpose and contents. Dutch news media studies have discovered that the human-interest frame can impact the virality of a story, with the findings revealing that the human-interest frame increased Facebook shares by 33% compared to articles not utilising the human-interest perspective[14].
Reaction[edit]
The emotional response and interest the human-interest story draws from its consumers are reasons why the human-interest story is a widely utilised form of news media. The reception of the human-interest story has been mixed by both its audience and scholars alike. Studies from scholars reveal that when overused or given too much significance, the human-interest story can lose engagement from its viewers[15]. This opposition is also held by journalism instructor Perry Parks who believes the emergence of the human-interest story has led to a distinct split between ‘hard’ news and human-interest ‘soft’ news and that in order for significant news to maintain its importance, the viewer must separate their emotions from the broadcast[16].
In an article from the Australian newspaper The Sydney Morning Herald this view is supported as the article's publisher Chloe Smethurst explains that the over exposure of human-interest stories have led real pieces of news to be discouraged or taken less seriously[17]. However, The Sydney Morning Herald also puts forward the notion that the lighter moments of news can make a viewers overall experience significantly more enjoyable and entertaining[17]. This follows the traditional view that the human-interest stories purpose is to take the audience’s attention away from the ‘hard news’ supplied by the reporting of current events and often provide a light hearted segment for the consumer to enjoy towards the end of a news bulletin or within a newspaper.
Impact[edit]
Human-interest stories and the emotional response they receive from consumers can often have an impact on the society in which their story is relevant. Scholars have detailed how there are cases where human-interest stories have “increased the attribution of responsibility to the government”[18]. This occurs when a piece of human-interest news generates a substantial public response which may give the topic further exposure or cause it to go viral. Once this occurs the person, group or agenda of the news story may be heavily supported, which may incite company or government action, depending on who the topic is targeting.
Craig Foster, a former Australian footballer and current analyst for the Special Broadcasting Service, used the human-interest frame to advocate for Bahraini footballer Hakeem El-Araibi, an Australian political refugee who was detained in Thailand in 2018 as a result of an Interpol red notice[19]. Foster, with the support of others, Foster became an advocate for his story and campaigned for his freedom through the use of news reporting and social media, particularly Twitter. The presentation of El-Araibi’s situation brought out much sympathy and anger from the public and a petition put forward by Amnesty International labelled ‘#SaveHakeem', asking for his release, garnered over 60,000 signatures[20]. El-Araibi was released in February 2019[19].
Use in Popular Culture[edit]
The popularity of the human-interest story has led to its use in many mainstream television shows and movies. These uses of the human-interest frame in popular culture are often for entertainment, usually with the purpose of being humorous to the viewer rather than invoking the emotional response like its purpose in the mainstream media.
The popularity and the sensational nature of the human-interest story is referred to in the long running American satirical animation The Simpsons. In ‘Girly Edition’ the 21st episode of season 9, whilst speaking to Bart Simpson, fictional news anchor Kent Brockman explains the reason his news reporting has achieved success;
“Do you want to know my award winning secret? Human-interest stories, they tug at the heart and fog the mind”[21].
The human-interest story has also been used in comedy feature films such as the Anchorman film series starring Will Ferrell as news anchor Ron Burgundy, in which the human-interest frame is used as a form of humour for the audience’s entertainment.
Footnotes[edit]
- ^ Brooks, Andrew (2018). "The Power of the Human Interest Story". Zazzle Media.
{{cite web}}: CS1 maint: url-status (link) - ^ Hughes, H. (Ed.). (1980). News and the Human Interest Story. New York: Routledge.
- ^ Vanderwicken, Peter (1995). "Why the News is Not the Truth". Harvard Business Review.
{{cite web}}: CS1 maint: url-status (link) - ^ Gallagher, Aileen (2018). "Profile Pieces: Journalism and the 'Human Interest' Bias by Sue Joseph and Richard Lance Keeble". Journal of Magazine Media. 18 (2). doi:10.1353/jmm.2018.0012. ISSN 2576-7895.
- ^ Gallagher, A. (2018). Profile Pieces: Journalism and the Human Interest Bias by Sue Joseph and Richard Lance Keeble. Journal of Magazine Media, 18(2).
- ^ Winfield, B. H., & Hume, J. (1998). The American Hero and the Evolution of the Human Interest Story. American Journalism, 15(2), 79-99.
- ^ Keller, Ron J. (2009-02-09), "Lincoln, Abraham, in African American Memory", African American Studies Center, Oxford University Press, ISBN 978-0-19-530173-1, retrieved 2020-05-28
- ^ Duncan, Melanie L. (2016-03-21), "Pew Research Center", Encyclopedia of Family Studies, John Wiley & Sons, Inc., pp. 1–2, ISBN 978-0-470-65845-1, retrieved 2020-05-28
- ^ Baquet, Dean (2015). "50 of Our Best". The New York Times.
{{cite news}}: CS1 maint: url-status (link) - ^ Elliot, Andrea (2013). "Invisible Child: Dasani's Homeless Life". The New York Times.
{{cite news}}: CS1 maint: url-status (link) - ^ Stanton, Brandon. "Human of New York".
{{cite web}}: CS1 maint: url-status (link) - ^ Perry, Tim (2016). "Brandon Standon on the purpose of Humans in New York". CBS News.
{{cite web}}: CS1 maint: url-status (link) - ^ Valenzuela, Sebastián; Piña, Martina; Ramírez, Josefina (2017-08-28). "Behavioral Effects of Framing on Social Media Users: How Conflict, Economic, Human Interest, and Morality Frames Drive News Sharing". Journal of Communication. 67 (5): 803–826. doi:10.1111/jcom.12325. ISSN 0021-9916.
- ^ Trilling, Damian; Tolochko, Petro; Burscher, Björn (2016-07-10). "From Newsworthiness to Shareworthiness". Journalism & Mass Communication Quarterly. 94 (1): 38–60. doi:10.1177/1077699016654682. ISSN 1077-6990.
- ^ Beyer, Audun; Figenschou, Tine Ustad (2018-05-15), "Media hypes and public opinion", From Media Hype to Twitter Storm, Amsterdam University Press, pp. 249–266, ISBN 978-90-485-3210-0, retrieved 2020-05-28
- ^ Parks, Perry (2019-02-05). "An unnatural split: how 'human interest' sucks the life from significant news". Media, Culture & Society. 41 (8): 1228–1244. doi:10.1177/0163443718813498. ISSN 0163-4437.
- ^ a b Smethurst, Chloe (July 26, 2010). "Human Interest Story". The Sydney Morning Herald.
{{cite news}}: CS1 maint: url-status (link) - ^ Boukes, Mark; Boomgaarden, Hajo G.; Moorman, Marjolein; de Vreese, Claes H. (2014-11-21). "Political News with a Personal Touch". Journalism & Mass Communication Quarterly. 92 (1): 121–141. doi:10.1177/1077699014558554. ISSN 1077-6990.
- ^ a b Massola, James (April 13, 2019). "'I was crying inside': Melbourne soccer player Hakeem al-Araibi on the bungle that landed him in a Thai jail". The Sydney Morning Herald.
{{cite news}}: CS1 maint: url-status (link) - ^ "#SAVEHAKEEM: TELL THAILAND TO RELEASE REFUGEE FOOTBALLER". Amnesty International. 2019.
{{cite web}}: CS1 maint: url-status (link) - ^ Doyle, Larry; Kirkland, Mark (1998). "'Girly Edition': The Simpsons".
{{cite web}}: CS1 maint: url-status (link)