Víctor Jara

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Víctor Jara
Víctor Jara
Background information
Birth name	Víctor Lidio Jara Martínez
Born	September 28, 1932(1932-09-28)
Origin	Chillán Viejo, Chile
Died	September 15, 1973 (aged 40)
Genre(s)	Folk, Andean music, Latin music, Chilean music
Occupation(s)	Singer/Songwriter, Poet, Theatre director, University academic, Social activist
Instrument(s)	Vocals, Spanish Guitar
Years active	1959–1973
Label(s)	EMI-Odeon DICAP/Alerce Warner Music
Associated acts	Violeta Parra, Patricio Castillo, Quilapayún, Inti-illimani, Patricio Manns, Ángel Parra, Isabel Parra, Sergio Ortega, Pablo Neruda, Daniel Viglietti, Atahualpa Yupanqui, Joan Baez, Dean Reed, Silvio Rodriguez, Holly Near, Cornelis Vreeswijk
Website	Official website

Víctor Lidio Jara Martínez (Spanish pronunciation: [βˈikˈtor liðjo xara maɾˈtˈines]) (September 28, 1932 – September 15, 1973^[1]) was a Chilean teacher, theatre director, poet, singer-songwriter, and political activist. A distinguished theatre director, he devoted himself to the development of Chilean theatre, directing a broad array of works from locally produced Chilean plays, to the classics of the world stage, to the experimental work of Ann Jellicoe. Simultaneously he developed in the field of music and played a pivotal role among neo-folkloric artists who established the Nueva Canción Chilena (New Chilean Song) movement which led to a revolution in the popular music of his country under the Salvador Allende government. Shortly after the U.S.-backed ^[2] September 11, 1973 Chilean coup he was arrested, tortured and ultimately shot to death by machine gun fire—his body was later thrown out into the street of a shanty town in Santiago.^[3] The contrast between the themes of his songs, on love, peace and social justice and the brutal way in which he was murdered transformed Jara into a symbol of struggle for human rights and justice across Latin America.

"As long as we sing his songs, as long as his courage can inspire us to greater courage, Victor Jara will never die."

Pete Seeger

Contents 1 Early life 2 Artistic life 3 Political activism 4 Death 5 Víctor Jara's legacy 6 Theatre work 6.1 Works directed by Victor Jara 7 Discography 7.1 Studio albums 7.2 Live albums 7.3 Compilations 7.4 Tribute albums 8 Documentaries and films 9 References and other sources 9.1 Notes 9.2 References 10 External links 10.1 Resources in English 10.2 Resources in Spanish

[edit] Early life

Víctor Jara was born in the locality of Lonquen, near the city of Santiago, to poor peasants Manuel Jara and Amanda Martínez. His father, Manuel, was illiterate and wanted his children to work as soon as they could rather than get an education, so by the age of 6, Jara was already working on the land. Manuel Jara was unable to extract a livelihood from the earnings as a peasant in the Ruiz-Tagle estate nor was he able to find stable work to support his large family, so he took to drinking and became violent. His relationship with his wife deteriorated, and Manuel left the family when Víctor was still a child to look for work elsewhere. Amanda persevered in raising Víctor and his siblings by herself, insisting that all of them should receive a good education. Amanda, a mestiza with deep Araucanian roots in the south of Chile, was not illiterate, she was autodidactic; played the guitar, the piano and was a singer in her town, singing traditional folk songs at local functions like wedding and funerals for the locals.^[4]

Jara's mother died when he was 15, leaving him to make his own way thereafter. He began to study to be an accountant, but soon moved into a seminary instead, studying to become a priest. After a couple of years, however, he became disillusioned with the Church and left the seminary. Subsequently he spent several years in the army before returning to his home town to pursue interests in folk music and theater.

[edit] Artistic life

Jara was deeply influenced by the folklore of Chile and other Latin American countries; he was particularly influenced by artists like Violeta Parra, Atahualpa Yupanqui, and the poet Pablo Neruda. Jara began his foray into folklore in the mid-1950s when he began singing with the group Cuncumen. He moved more decisively into music in the 1960s getting the opportunity to sing at Santiago's La Peña de Los Parra, owned by Ángel Parra. Through them Jara became greatly involved in the Nueva Canción movement of Latin American folk music. He published his first recording in 1966 and, by 1970, had left his theater work in favor of a career in music. His songs were drawn from a combination of traditional folk music and left-wing political activism. From this period, some of his most renowned songs are Plegaria a un Labrador ("A Worker's Prayer") and Te Recuerdo Amanda ("I Remember You Amanda"). He supported the Unidad Popular ("Popular Unity") coalition candidate Salvador Allende for the presidency of Chile, taking part in campaigning, volunteer political work, and playing free concerts.

[edit] Political activism

Allende's campaign was successful and, in 1970, he was elected president of Chile. However, the US-supported Chilean military, who opposed Allende's socialist politics, staged a coup on September 11, 1973, in the course of which Allende was killed (See Death of Salvador Allende). At the moment of the coup, Jara was on the way to the Technical University (today Universidad de Santiago), where he was a teacher. That night he slept at the university along with other teachers and students, and sang to raise morale.

[edit] Death

On the morning of September 12, Jara was taken, along with thousands of others, as a prisoner to the Chile Stadium (renamed the Estadio Víctor Jara in September 2003). In the hours and days that followed, many of those detained in the stadium were tortured and killed there by the military forces. Jara was repeatedly beaten and tortured; the bones in his hands were broken as were his ribs. Reports that one of Jara's hands, or both of his hands, had been cut off, are, however, erroneous^[5]. Fellow political prisoners have testified that his captors mockingly suggested that he play guitar for them as he lay on the ground. Defiantly, he sang part of "Venceremos", a song supporting the Popular Unity coalition^[6]. After further beatings, he was machine-gunned on September 15 and his body dumped on a road on the outskirts of Santiago, and then taken to a city morgue.

Jara's wife Joan was allowed to come and retrieve his body from the site and was able to confirm the physical damage he had endured. After holding a funeral for her husband, Joan Jara fled the country in secret.

Joan Turner Jara currently lives in Chile and runs the Víctor Jara Foundation. The Chile Stadium, also known as the Víctor Jara Stadium, is often confused with the Estadio Nacional (National Stadium).

Before his death, Víctor Jara wrote a poem about the conditions of the prisoners in the stadium, the poem was written on a paper that was hidden inside a shoe of a friend. The poem was never named, but is commonly known as Estadio Chile.

In June 2008, Chilean judge Juan Eduardo Fuentes re-opened the investigation into Víctor Jara's death. Judge Fuentes said he would examine 40 new pieces of evidence provided by the singer's family.^[7] On May 28, 2009, José Adolfo Paredes Márquez, a 54-year-old former Army conscript arrested the previous week in San Sebastián, was formally charged with Jara's murder. Following Paredes arrest, on June 1st, 2009, police investigation identified the name of the officer who first shot Victor Jara in the head, the officer played Russian roulette with Victor Jara, by placing a single round in his army issued pistol, spun the cylinder, place the muzzle against Victor Jara's head and pulled the trigger, the army officer repeated this couple of times, until a shot fired and Victor fell to the ground, and then ordered two conscripts (one of them Paredes) to finish the job, by firing into Victor's body.^{[8] [9][10]} A judge ordered Jara's body to be exhumed in an effort to determine more information regarding his death.^[11]

[edit] Víctor Jara's legacy

Although the military regime managed to burn the vast majority of master recordings of Jara's music, Joan Jara managed to sneak recordings out of Chile, which were later copied and distributed worldwide. Joan Jara later wrote an account of Víctor Jara's life and music, titled Víctor: An Unfinished Song.

On September 22, 1973, the Soviet/Russian astronomer Nikolai Stepanovich Chernykh named a newly found asteroid 2644 Victor Jara, in honor of Victor Jara's life and artistic work.

American folksinger Phil Ochs, who met and performed with Jara during a tour of South America, organized a benefit concert in his memory in New York in 1974. Titled "An Evening With Salvador Allende", the concert featured Bob Dylan, Pete Seeger, Arlo Guthrie and Ochs.

In 1976, Arlo Guthrie included a biographical song entitled "Victor Jara" on his album Amigo.^[12]

In 1975, Norwegian folksinger Lillebjørn Nilsen included a tribute song entitled "Victor Jara" on his album Byen Med Det Store Hjertet. The same year the Swedish band Hoola Bandoola Band included their song "Victor Jara" on their album Fri information.

An East German biographical movie called El Cantor (the Singer) was made in 1978. It was directed by Jara's friend Dean Reed, who also played the part of Jara.

Dutch-Swedish singer-songwriter Cornelis Vreeswijk recorded "Blues för Victor Jara" on his album Bananer - bland annat in 1980.

The Clash sing about Jara in the song "Washington Bullets" on their 1980 album Sandinista!. Joe Strummer sings "As every cell in Chile will tell, the cries of the tortured men, Remember Allende in the days before, before the army came, Please remember Victor Jara, in the Santiago Stadium, Es Verdad, those Washington Bullets again."

In 1987, U2 released The Joshua Tree, which included the track "One Tree Hill" where Bono sings "And in our world a heart of darkness, a fire zone where poets speak their hearts then bleed for it. Jara sang his song, a weapon in the hands of love, you know his blood still cries from the ground."

In the late 1990s British actress Emma Thompson started to work on a screenplay, which she planned to use as the basis for a movie about Victor Jara. Thompson, a human rights activist and fan of Jara, considered the political murder of the Chilean artist as a symbol of human rights violation in Chile. She believed a movie about Jara's life and death would make more people aware of the Chilean tragedy. ^[13] The movie would feature Antonio Banderas – another fan of Victor Jara – as Jara himself where he would sing some of his songs and Emma Thompson as Victor Jara's British wife Joan Jara.^[14] The project has not yet been made into a film.

Irish folk singer Christy Moore has a song titled "Victor Jara" which tells the story of his life and his brutal death. He is also mentioned in another song called "Allende" which tells the story of the US-backed coup and the death of Salvador Allende.^{[citation needed]}

The Soviet musician Alexander Gradsky created the rock opera Stadium (Стадион, Stadion) in 1985 based on the events surrounding Jara's death.^[15]

The Southwestern American band Calexico open their 2008 album Carried to Dust with the song "Victor Jara's Hands".

Marty Willson-Piper, who plays guitar for The Church, included "Song for Victor Jara" on his 2008 solo album, Nightjar.

Portuguese folk band Brigada Victor Jara is named after him.

The rock group from Argentina, Los Fabulosos Cadillacs, remember Victor Jara in their hit song, "Matador".

Heaven Shall Burn made a song about him and his legacy called "The Weapon They Fear".

Spanish ska group Ska-P dedicated a song called "Juan Sin Tierra" to Jara (the song was originally written by Jorge Saldaña, and previously recorded by Jara), with the chorus going:

"No olvidamos el valor de Víctor Jara/
dando la cara siempre a la represión/
le cortaron sus dedos y su lengua/
y hasta la muerte gritó revolución."

"We won't forget Victor Jara's courage/
always fighting oppression/
They cut off his fingers and his tongue/
And right up to his death he shouted 'Revolution'."

[edit] Theatre work

[edit] Works directed by Victor Jara

• 1959. Parecido a la Felicidad (Some kind of happiness), Alejandro Sieveking
• 1960. La Viuda de Apablaza (The Widow of Apablaza), Germán Luco Cruchaga (assistant director to Pedro de la Barra, founder of ITUCH.) ^[16]
• 1960. La Mandragola, Niccolò Machiavelli
• 1961. La Madre de los Conejos (Mother rabbit), Alejandro Sieveking (assistant director to Agustín Siré)
• 1962. Ánimas de Día Claro (Daylight Spirits), Alejandro Sieveking
• 1963. Caucasian Chalk Circle, Bertold Brecht (assistant director to Atahualpa del Cioppo)
• 1963. Los Invasores (The Intruders), Egon Wolff
• 1963. Dúo (Duet), Raúl Ruiz
• 1963. Parecido a la Felicidad (Some kind of happiness), Alejandro Sieveking (version for Chilean television)
• 1965. La Remolienda, Alejandro Sieveking
• 1965. The Knack, Ann Jellicoe
• 1966. Marat/Sade, Peter Ulrich Weiss (assistant director to William Oliver.) ^[17]
• 1966. La Casa Vieja (The old house), Abelardo Estorino
• 1967. La Remolienda, Alejandro Sieveking (redirects)
• 1967. La Viuda de Apablaza (The Widow of Apablaza), Germán Luco Cruchaga (as director)
• 1968. Entertaining Mr. Sloane, Joe Orton
• 1969. Viet Rock, Megan Ferry
• 1969. Antigone, Sophocles
• 1972. Directed the ballet and musical homage to Pablo Neruda which coincided with the poets return to Chile after being awarded the Nobel Prize for Literature.

[edit] Discography

[edit] Studio albums

Year of Release	Title
1966	Víctor Jara (Geografía)
1967	Canciones folklóricas de América (with Quilapayún)
1967	Víctor Jara
1969	Pongo en tus manos abiertas
1970	Canto libre
1971	El derecho de vivir en paz
1972	La Población
1973	Canto por travesura
1974	Manifiesto

[edit] Live albums

• Víctor Jara en Vivo (1974)
• El Recital (1983)
• Víctor Jara en México, WEA International (1996)
• Habla y Canta en la Habana Cuba, WEA International (2001)
• En Vivo en el Aula Magna de la Universidad de Valparaíso, WEA International (2003)

[edit] Compilations

• Te recuerdo Amanda, Fonomusic (1974)
• Vientos del Pueblo, Monitor – U.S. (1976)
• Canto Libre, Monitor (1977)
• An Unfinished Song, Redwood Records (1984)
• Todo Víctor Jara, EMI (1992)
• 20 Años Después, Fonomusic (1992)
• Víctor Jara presente, colección “Haciendo Historia”, Odeon (1997)
• Te Recuerdo, Víctor, Fonomusic (2000)
• Antología Musical, Warner Bros. Records (2001) 2CDs
• 1959-1969 – Víctor Jara, EMI Odeon (2001) 2CDs
• Latin Essential: Victor Jara, (WEA) 2CDs (2003)
• Collección Victor Jara – Warner Bros. Records (2004) (8CD Box)
• Víctor Jara. Serie de Oro. Grandes Exitos, EMI (2005)

[edit] Tribute albums

• An Evening with Salvador Allende, VA - U.S. (1974) ^[18]

• A Víctor Jara, Raímon - Spain (1974)
• Het Recht om in Vrede te Leven, Cornelis Vreeswijk - Nederlands (1977)
• Cornelis sjunger Victor Jara, Rätten till ett eget liv, Cornelis Vreeswijk - Sweden (1979)
• Omaggio a Victor Jara, Ricardo Pecoraro - Italy (1980)
• Quilapayún Canta a Violeta Parra, Víctor Jara y Grandes Maestros Populares, Quilapayún - Chile (1985)
• Konzert für Víctor Jara VA - Germany (1998)
• Inti-illimani performs Victor Jara, Inti-illimani - Chile (1999)
• Conosci Victor Jara?, Daniele Sepe - Italy (2001)
• Tributo a Víctor Jara, VA - Latin America/Spain (2004)
• Tributo Rock a Víctor Jara, VA - Argentina (2005)
• Lonquen: Tributo a Víctor Jara, Francesca Ancarola - Chile (2007)

[edit] Documentaries and films

The following are films or documentaries about and/or featuring Víctor Jara:

• El Tigre Saltó y Mató, Pero Morirá…Morirá…. Director: Santiago Álvarez – Cuba (1973)
• Compañero: Víctor Jara of Chile. Directors: Stanley Foreman/Martin Smith (Documentary) – Britain (1974)
• Il Pleut sur Santiago, starring André Dussollier; Director: Helvio Soto – France (1976)
• April Hat 30 Tage. Director: Gunther Scholz - DFR (1978)
• El Cantor. Director: Dean Reed; Writer: Wolfgang Ebeling – DDR (1978)
• Freedom Highway: Songs That Shaped a Century. Director: Philip King – USA (2001)
• El Derecho de Vivir en Paz. - Documentary DVD - Spain (2003)
• La Tierra de las 1000 Músicas [Episode 6: La Protesta]. Directors: Luis Miguel/González Cruz – Spain (2005)

[edit] References and other sources

[edit] Notes

[edit] References

• Jara, Joan (1983). Victor: An Unfinished Song. Jonathan Cape, London. ISBN 0-224-01880-9
• Kósichev, Leonard. (1990). La guitarra y el poncho de Víctor Jara. Progress Publishers, Moscow
• 'Washington Bullets' from the album Sandinista! (1980) by The Clash features the lyrics "please remember Victor Jara, in the Santiago stadium"
• El matador from the album 'Vasos vacios' (1994) by Los Fabulosos Cadillacs. "mira hermano en que terminaste por pelear por un mundo mejor Que suenan, son balas, me alcanzan, me atrapan, resiste, Victor Jara, no calla" (Look my brother how you ended up because of fighting for a better world, that's the sound of bullets, they get me, they hit me, resist Victor Jara, don't shut your voice)
• The song "One Tree Hill" from the album The Joshua Tree (1987) by U2 includes the lyric "Jara sang his song a weapon / In the hands of love / You know his blood still cries from the ground"
• The character Pedro Tercero Garcia in Isabel Allende's The House of the Spirits (1982) is based on Jara.
• In credits page of album "street fighting years" from Simple Minds is the leyend: ""street fighting years" song written in memory of victor jara"
• German metalcore band Heaven Shall Burn's song "The Weapon They Fear" is about the life of Victor Jara
• The first song on the 2008 Calexico Album "Carried to Dust" is a tribute to Victor Jara.

[edit] External links

Wikiquote has a collection of quotations related to: Víctor Jara

[edit] Resources in English

• Three chapters from Victor: An Unfinished Song by Joan Jara
• Discography
• Background materials on the Chilean Workers' Movement in the 1970s
• Report of the Chilean National Commission on Truth and Reconciliation
• GDR Poster Art: Víctor Jara
• Victor Jara tabs
• Víctor Jara at Find a Grave
• "Who Killed Victor Jara?", Professor Paul Cantor, Norwalk Community College, Connecticut
• El Cantor at the Internet Movie Database

[edit] Resources in Spanish

• Fundación Víctor Jara
• Lyrics of all his Songs
• Discography
• Che, Guía y Ejemplo: - Songs of Víctor Jara dedicated to Che Guevara
• Informe de la Comisión Nacional de Verdad y Reconciliación (Informe Rettig)
• Vientos del Pueblo: Un Homenaje a Víctor Jara