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Filmed at the end of the first season of ''[[Batman (TV series)|Batman]]'' the TV series (between [[April 25]] and [[May 31]], [[1966]] at an estimated $1,377,800), this movie featured four main criminals from the show, including the "clown prince of crime" [[Joker (comics)|The Joker]] ([[Cesar Romero]]), that "count of criminal conundrums" [[Riddler (comics)|The Riddler]] ([[Frank Gorshin]]), that "pompous, waddling master of fowl play" [[Penguin (comics)|The Penguin]] ([[Burgess Meredith]]), and the "fiendish feline" [[Catwoman|The Catwoman]] ([[Lee Meriwether]]). It was written by series writer [[Lorenzo Semple Jr.]] and directed by series director [[Leslie H. Martinson]], who won a [[Giffoni Film Festival|Golden Gryphon]] for his efforts, and is less well remembered for directing a large number of less notable movies such as [[PT 109 (film)|''PT 109'']] and ''[[Rescue from Gilligan's Island]]''.
Filmed at the end of the first season of ''[[Batman (TV series)|Batman]]'' the TV series (between [[April 25]] and [[May 31]], [[1966]] at an estimated $1,377,800), this movie featured four main criminals from the show, including the "clown prince of crime" [[Joker (comics)|The Joker]] ([[Cesar Romero]]), that "count of criminal conundrums" [[Riddler (comics)|The Riddler]] ([[Frank Gorshin]]), that "pompous, waddling master of fowl play" [[Penguin (comics)|The Penguin]] ([[Burgess Meredith]]), and the "fiendish feline" [[Catwoman|The Catwoman]] ([[Lee Meriwether]]). It was written by series writer [[Lorenzo Semple Jr.]] and directed by series director [[Leslie H. Martinson]], who won a [[Giffoni Film Festival|Golden Gryphon]] for his efforts, and is less well remembered for directing a large number of less notable movies such as [[PT 109 (film)|''PT 109'']] and ''[[Rescue from Gilligan's Island]]''.


The 105-minute ''Batman'' opened at [[Paramount Theatre, The (Austin, Texas)|The Paramount Theatre]] in [[Austin, Texas]] on Saturday, [[July 30]], [[1966]] (between the first and second seasons of the [[Batman (1960s TV series)|TV series]]). Like the television series, the movie featured saturated colors, [[camp (style)|campy]] [[dialogue]] and special effects, and over-exaggeration in acting performances, effectively being a [[tongue-in-cheek]] [[parody]]. The movie was moderately successful at the box office.
The 105-minute ''Batman'' opened at [[Paramount Theatre, The (Austin, Texas)|The Paramount Theatre]] in [[Austin, Texas]] on Saturday, [[July 30]], [[1966]] (between the first and second seasons of the [[Batman (1960s TV series)|TV series]]).
The movie was moderately successful at the box office.
==Tone==
Like the television series, the movie featured saturated colors, [[camp (style)|campy]] [[dialogue]] and special effects, and over-exaggeration in acting performances, effectively being a [[tongue-in-cheek]] [[parody]].

Though it may appear to modern audiences that the film is solely parodying the world of Batman, however, some commentators believe that its comedy is not so tightly confined. It's worth noting that some commentators feel the film's depiction of the Caped Crusader "captured the feel of the contemporary comics perfectly".<ref>[http://www.stomptokyo.com/movies/batman-66.html stomptokyo.com review. 2002.</ref> The film was, they remind us, made at a time when "the Batman of the [[Golden Age of Comic Books|Golden Age comics]] was already essentially neutered".<ref name=groucho>[http://www.grouchoreviews.com/index.php?module=Movie_Reviews&func=display&id=2125 grouchoreviews.com review of ''Batman''.</ref>

Nevertheless, certain elements verge into direct parody of the history of Batman. For instance, the series of improbably lucky escapes is an obvious wink at the [[Batman and Robin (serial)|1949 serial]].<ref name=groucho/> Likewise, the penchant for giving even obscure devices — notably, "shark repellant" — a "Bat-" prefix, and the dramatic use of stylized title cards during fight scenes, playfully acknowledge some of the conventions that the character had accumulated in various media. However, the majority of ''Batman''<nowiki>'s</nowiki> campier moments can be read as a broader parody on contemporary late-[[1960s]] culture in general.<ref>[http://www.museum.tv/archives/etv/B/htmlB/batman/batman.htm Museum of Broadcast Communication's entry on the parent TV show]</ref>


==Plot==
==Plot==

Revision as of 05:28, 30 March 2008

Batman
File:1966 batman movie poster.jpg
Directed byLeslie H. Martinson
Written byLorenzo Semple Jr. (screen writer)
Bob Kane (comic book)
Produced byWilliam Dozier
StarringAdam West
Burt Ward
Lee Meriwether
Cesar Romero
Burgess Meredith
Frank Gorshin
Edited byHarry Gerstad
Music byNelson Riddle Batman Theme by Neal Hefti
Distributed by20th Century Fox
Release dates
July 30, 1966
Running time
105 min.
LanguageEnglish
Budget$1,377,800

Batman (also known as its video-box title Batman: The Movie) is a 1966 film spin-off of the popular Batman television series, and was the first full-length theatrical adaptation of the DC Comics character. The 20th Century Fox release starred Adam West as Batman and Burt Ward as Robin.

The film was directed by Leslie H. Martinson who also directed a pair of Batman episodes; "The Penguin Goes Straight" and "Not Yet, He Ain't," both from season one.

As is the case (albeit reversed) with the 1989 Batman film (with Michael Keaton and Jack Nicholson), Batman: The Movie is often referred to as Batman '66 by fans, so as not to cause confusion.[citation needed]

History

Filmed at the end of the first season of Batman the TV series (between April 25 and May 31, 1966 at an estimated $1,377,800), this movie featured four main criminals from the show, including the "clown prince of crime" The Joker (Cesar Romero), that "count of criminal conundrums" The Riddler (Frank Gorshin), that "pompous, waddling master of fowl play" The Penguin (Burgess Meredith), and the "fiendish feline" The Catwoman (Lee Meriwether). It was written by series writer Lorenzo Semple Jr. and directed by series director Leslie H. Martinson, who won a Golden Gryphon for his efforts, and is less well remembered for directing a large number of less notable movies such as PT 109 and Rescue from Gilligan's Island.

The 105-minute Batman opened at The Paramount Theatre in Austin, Texas on Saturday, July 30, 1966 (between the first and second seasons of the TV series).

The movie was moderately successful at the box office.

Tone

Like the television series, the movie featured saturated colors, campy dialogue and special effects, and over-exaggeration in acting performances, effectively being a tongue-in-cheek parody.

Though it may appear to modern audiences that the film is solely parodying the world of Batman, however, some commentators believe that its comedy is not so tightly confined. It's worth noting that some commentators feel the film's depiction of the Caped Crusader "captured the feel of the contemporary comics perfectly".[1] The film was, they remind us, made at a time when "the Batman of the Golden Age comics was already essentially neutered".[2]

Nevertheless, certain elements verge into direct parody of the history of Batman. For instance, the series of improbably lucky escapes is an obvious wink at the 1949 serial.[2] Likewise, the penchant for giving even obscure devices — notably, "shark repellant" — a "Bat-" prefix, and the dramatic use of stylized title cards during fight scenes, playfully acknowledge some of the conventions that the character had accumulated in various media. However, the majority of Batman's campier moments can be read as a broader parody on contemporary late-1960s culture in general.[3]

Plot

When Batman (West) and Robin (Ward) get a tip that Commodore Schmidlapp (the final role of actor Reginald Denny) is in danger aboard his yacht, they launch a rescue mission using the Batcopter. After a tangle with an exploding shark, Batman and Robin head back to Commissioner Gordon's office where, through deduction and wisdom, they figure out that the tip was a set-up by four of the most powerful villains ever (Joker, Penguin, Riddler and Catwoman), who have united to defeat the Dynamic Duo once and for all.

Armed with a dehydrator that can turn humans into dust, a Navy surplus submarine, and their three pirate henchmen (Bluebeard, Morgan and Quetch), the "fearsome foursome" intends to take over the world, and Batman and Robin must stop them. Catwoman romantically lures Bruce Wayne into a trap, unaware that Wayne is Batman's alter-ego, and Penguin even schemes his way into the Batcave, leaving the Duo unable to prevent the kidnapping of the dehydrated United World Security Council.

After giving chase in the Batboat, the Caped Crusader and Boy Wonder use a sonic charge weapon to disable Penguin's submarine and bring it to the surface, where a grand fistfight ensues. Although the powdered members of the dehydrated Council are mixed together -- which would normally spell their doom -- Batman constructs an elaborate filter to return each of them to life.

Prior to this process, Robin asks Batman if it might not be in the world's best interests, with continued problems of overt racism, especially in the U.S. during the 1960s, for them to alter the dust samples so that humans can no longer harm one another. In response, Batman says that they cannot do so and can only hope for people, in general, to learn to live together peacefully on their own.

However, in the final scene, Robin's wishes are ironically fulfilled when the Security Council is improperly re-hydrated. While all of the members are alive and well, continuing to squabble among themselves and totally oblivious of their surroundings, each of them now speaks a completely different language than their original native tongue. As the world looks on in disbelief at this development, Batman and Robin quietly climb out of the United World Headquarters to an uncertain future. Batman's final words express his sincere hope that this "mixing of minds" does more good than it does harm.

Cast

Though Julie Newmar played the Catwoman to great acclaim in the TV series, she could not get out of the movie Mackenna's Gold and thus Lee Meriwether plays the Catwoman in this movie.

Vehicles

Besides the Batmobile, other vehicles used by The Dynamic Duo:

Of the three new Batvehicles which first appeared in the Batman movie, only the Batcycle crossed over into the Batman TV series, as the budgetary limits of the TV series precluded the use of the others. Instead, snippets of the Batcopter and Batboat from the movie were stitched into episodes of the TV series.

References

  1. ^ [http://www.stomptokyo.com/movies/batman-66.html stomptokyo.com review. 2002.
  2. ^ a b [http://www.grouchoreviews.com/index.php?module=Movie_Reviews&func=display&id=2125 grouchoreviews.com review of Batman.
  3. ^ Museum of Broadcast Communication's entry on the parent TV show
Wikiquote has quotations related to Batman (1966 film).

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