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{{Current Cinema COTW}}
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{{Infobox Film
{{Infobox Film
| name = Dr. Strangelove <br>or: How I Learned to Stop Worrying and Love the Bomb
| name = Dr. Strangelove <br />or: How I Learned to Stop Worrying and Love the Bomb
| image = drstrangeloveCover.jpg
| image = drstrangeloveCover.jpg
| caption = DVD cover, based on the film poster by [[Tommy Ungar]].
| caption = DVD cover, based on the film poster by [[Tommy Ungar]]
| director = [[Stanley Kubrick]]
| director = [[Stanley Kubrick]]
| producer = [[Stanley Kubrick]]
| producer = [[Stanley Kubrick]]
| writer = '''Novel:'''<br>[[Peter George]]<br>'''Screenplay:'''<br>[[Stanley Kubrick]]<br>[[Terry Southern]]<br>[[Peter George]]<br>'''Uncredited:'''<br>[[Peter Sellers]]<br>[[James B. Harris]]
| writer = [[Peter George]] (novel and screenplay)<br />[[Stanley Kubrick]]<br />[[Terry Southern]]<br />[[Peter Sellers]] (uncredited)<br />[[James B. Harris]] (uncredited).
| starring = [[Peter Sellers]]<br>[[George C. Scott]]<br>[[Sterling Hayden]]<br>[[Keenan Wynn]]<br>[[Slim Pickens]]<br>[[James Earl Jones]]<br>[[Tracy Reed]]
| starring = [[Peter Sellers]]<br />[[George C. Scott]]<br />[[Sterling Hayden]]<br />[[Keenan Wynn]]<br />[[Slim Pickens]]<br />[[James Earl Jones]]<br />[[Tracy Reed (English actress)|Tracy Reed]]
| music = [[Laurie Johnson]]
| music = [[Laurie Johnson]]
| cinematography = [[Gilbert Taylor]]
| cinematography = [[Gilbert Taylor]]
| editing = [[Anthony Harvey]]<br>[[Stanley Kubrick]]<br>'''''(uncredited)'''''
| distributor = [[Columbia Pictures]]
| distributor = [[Columbia Pictures]]
| released = [[January 29]], [[1964 in film|1964]]
| released = [[January 29]], [[1964 in film|1964]]
| runtime = 94 min.
| runtime = 94 min.
| country = [[U.K.]] / [[U.S.A.]]
| country = [[United Kingdom|UK]] / [[United States|US]]
| awards = [[Academy Award|Academy]] 1964:<br>Best Actor<br>Best Adapted Screenplay (3)<br>Best Director<br>Best Picture<br>[[British Academy Award|Brit. Academy]] 1964:<br>Best British Film<br>Best Film
| language = [[English language|English]]
| language = [[English language|English]]
| budget = $1,800,000
| budget = [[United States dollar|$]]1,800,000
| preceded_by =
| preceded_by =
| followed_by =
| amg_id = 1:62164
| amg_id = 1:62164
| imdb_id = 0057012
| imdb_id = 0057012
}}
}}
{{Redirect|Strangelove}}
{{Redirect|Strangelove}}
'''''Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb''''' is a [[1964]] [[Stanley Kubrick]] film based loosely upon the [[Cold War]] thriller novel ''[[Red Alert (novel)|Red Alert]]'' by [[Peter George]]. Refashioned as a [[black comedy]] from the source material by screenwriter [[Terry Southern]], ''Dr. Strangelove'' [[satire|satirizes]] the fragile nature of the [[Cold War]] conflict and the doctrine of [[mutual assured destruction]]. The film opens at the fictional Burpelson Air Force Base, where the insane (and impotent) General Jack D. Ripper has just ordered a [[first strike]] [[nuclear warfare|nuclear attack]] on the [[Soviet Union]]. The rest of ''Dr. Strangelove'' follows the [[President of the United States]], his advisors, the [[Joint Chiefs of Staff]], and a rather hysterical [[Royal Air Force|RAF]] officer as they all rush to recall Ripper's raging bomber-wing in order to prevent a nuclear [[apocalypse]].
'''''Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb''''' is a [[1964 in film|1964]] film directed by [[Stanley Kubrick]]. Based loosely upon the [[Cold War]] thriller novel ''[[Red Alert (novel)|Red Alert]]'' (also known as ''Two Hours to Doom'') by [[Peter George]], the source material was refashioned as a [[black comedy]] by screenwriter [[Terry Southern]]. ''Dr. Strangelove'' [[satire|satirizes]] the fragile nature of the Cold War conflict and the doctrine of [[mutual assured destruction]]. The film opens at the fictional Burpelson Air Force Base, where the insane General Jack D. Ripper has just ordered a [[first strike]] [[nuclear warfare|nuclear attack]] on the [[Soviet Union]], and proceeds to follow the [[President of the United States]], his advisors, the [[Joint Chiefs of Staff]], and an [[Royal Air Force|RAF]] officer as they try to recall Ripper's bombers in order to prevent a nuclear apocalypse.


In [[List of films preserved in the United States National Film Registry#1989|1989]] the United States [[Library of Congress]] deemed the movie "culturally significant" and selected it for preservation in the [[National Film Registry]].
In [[List of films preserved in the United States National Film Registry#1989|1989]] the United States [[Library of Congress]] deemed the film "culturally significant" and selected it for preservation in the [[National Film Registry]]. Additionally, it was listed as #26 on the [[American Film Institute]]'s "100 Years, 100 Movies" and #3 on its "100 Years, 100 Laughs." Film critic [[Roger Ebert]] included ''Dr. Strangelove'' in his list of Great Movies, saying it is "arguably the best political satire of the century."<ref name=Ebert>Roger Ebert, "Dr. Strangelove (1964)", 11 July 1999 [http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/19990711/REVIEWS08/907110301/1023]</ref>


==Plot==
==Plot==
{{spoiler}}
{{spoiler}}
Jack D. Ripper, a delusional [[United States Air Force]] general, executes his plan to strike the [[Soviet Union]] with a nuclear knockout blow to thwart a [[Communist]] conspiracy which threatens to "sap and impurify" the "precious bodily fluids" of the American people with [[water fluoridation|fluoridated water]]. The right-wing [[John Birch Society]] opposed fluoridation at the time claiming it was a government-mandated and involuntary medical treatment that violated citizens' civil rights.[http://archive.salon.com/health/feature/2000/11/06/fluoride/print.html] Exceeding his authority, Ripper convinces everyone at Burpelson Air Force Base that the [[United States]] is in a "shooting war" with the [[Soviet Union]], and orders the 843rd Bomb Wing (which was then airborne in a training exercise called "Operation Dropkick") past its [[fail-safe]] points and into [[Russian SFSR|Russia]]. The provisions of a military protocol known as "Plan R" ('R for Romeo') allow lower-echelon commanders to authorize the use of nuclear weapons without Presidential authority during a "time of conflict." It was apparently established after a certain Senator named Buford pointed out that the nuclear deterrence plan of the United States lacked credibility, in that if only the President could authorize a nuclear strike, retaliation could be avoided if the USSR succeeded in wiping him out in a [[decapitation strike]].
Jack D. Ripper, a delusional [[United States Air Force]] general, executes his plan to strike the [[Soviet Union]] with nuclear weapons, in order to thwart a [[Communist]] conspiracy which he believes threatens to "sap and impurify" the "precious bodily fluids" of the American people with [[water fluoridation|fluoridated water]]. Exceeding his authority, Ripper convinces everyone at Burpelson Air Force Base that the [[United States]] is in a "shooting war" with the [[Soviet Union]], and orders the 843rd Bomb Wing (which is then airborne in a training exercise called "Operation Dropkick") past its [[fail-safe]] points and into [[Russian SFSR|Russia]]. [[Group Captain]] Lionel Mandrake, an RAF officer participating in an "exchange program" with the [[United States Air Force|USAF]], suspects that all is not as it seems when he turns on a radio and hears pop music instead of [[Civil Defense]] alerts.


[[Image:warroom.jpg|250px|right|thumb|The iconic Pentagon War Room set]]
[[Image:Slim-pickens riding-the-bomb.jpg|250px|right|thumb|Major Kong, the captain of the "Leper Colony," riding the bomb to nuclear oblivion.]]
General Ripper is unaware that the Soviets have constructed a [[doomsday device|doomsday machine]] which will automatically destroy all life on Earth if it detects a nuclear attack on the Soviet Union. The president asks nuclear war expert and German expatriate Dr. Strangelove to discuss the possibility of the doomsday machine. Strangelove himself is a type of "[[mad scientist]]", whose eccentricities include a severe case of [[alien hand syndrome]] — his right hand, clad in an intimidating black leather glove, alternates between attempting to strangle Strangelove and shooting out in a [[Hitler salute|Nazi salute]]. Strangelove explains to the staff assembled in [[the Pentagon]] war room that the device is a natural extension to the Cold War stratagem of mutually assured destruction as a deterrent to a nuclear exchange. Moreover, the machine cannot be turned off as this would mitigate its value as a deterrent.
[[Image:strangelove123.jpg|250px|right|thumb|Dr. Strangelove delivering his "deterrence" oration]]
[[Image:Slim-pickens riding-the-bomb.jpg|250px|right|thumb|Major Kong, the captain of the "Leper Colony," riding the bomb to nuclear oblivion]]


The [[Federal government of the United States|United States government]] cooperates with the Soviets in shooting the American planes down until they can be recalled. As American troops attack Ripper's base, Ripper commits suicide. The feckless commander of the unit attacking the base, Colonel "Bat" Guano, fails to recognise Mandrake's RAF uniform as that of an allied nation, and believes that Mandrake is leading a mutiny of "deviated preverts" (sic) against General Ripper. However, Guano ultimately relents, and helps Mandrake to call the President to tell him the recall code, which Mandrake has deduced from Ripper's [[doodle]]s. Mandrake is forced to use a [[telephone booth]] to inform the President. Not having enough change, he tells Guano to shoot the coinbox on a [[vending machine]], which Guano, still suspicious of Mandrake, does reluctantly.
{{cquote|'''''Ripper:''''' Mandrake, I suppose it never occurred to you that while we're chatting here so enjoyably, a decision is being made by the President and the Joint Chiefs in the war room at [[the Pentagon]]. And when they realize there is no possibility of recalling the wing, there will be only one course of action open: total commitment... Mandrake, do you recall what [[Georges Clemenceau|Clemenceau]] once said about war?


However, one [[B-52 Stratofortress|B-52]] ("The Leper Colony") cannot be recalled, as a Soviet [[anti-aircraft missile]] has triggered the self-destruct system of the airplane's radio (presumably designed to prevent the CRM114 code machine from being [[Reverse-engineering|reverse-engineered]] should it be captured). Damaged by the missile hit, and leaking fuel, the aircraft cannot reach its intended target, the Laputa Missile Complex, where the remaining Soviet defenses have been concentrated. The plane continues instead to the Kodlosk [[Intercontinental ballistic missile|ICBM]] complex (not the plane's secondary target, but still within its range), evading the combined efforts of both the US and the USSR to stop it. However, the B-52's bay doors have jammed, and in forcing them open, the pilot, Major "King" Kong, ends up riding one of the bombs to the ground, cheering all the way. Kong straddles the bomb, gripping it with one hand and waving his [[cowboy hat]] in the air with his other fashioned to [[rodeo]] [[bull riding]] technique, whooping and hollering as he plummets to his thermonuclear death.
'''''Mandrake:''''' No. I don't think I do sir, no.


The doomsday device is triggered. According to the Soviet ambassador, life on [[Earth]]'s surface will be extinct in ten months; Dr. Strangelove recommends to the President that a group of about 100,000 humans be relocated deep in a mine shaft, where the nuclear fallout cannot reach, so that the Earth can be repopulated. Because of obvious limits to space in the mines, Strangelove suggests a gender ratio of "ten females to each male." The chosen women would be selected based on their youth and beauty (to ensure the males would want to impregnate them), while the chosen males would be selected based on their intellectual and physical strength. The Soviet ambassador states at that point, "I must confess, that is an astonishingly good idea you've got there..." Turgidson, however rants that the Soviets will likely create an even better bunker than the West, with nuclear weapons stores inside, cautions the President that America "cannot allow a mine shaft gap" (spoofing the [[missile gap]] fears), and begins planning a war to take place when their decendents emerge a century later. During this rant, the Soviet ambassador retreats into the shadows and takes pictures of the war room display screens. In the concluding scenes, a visibly excited Strangelove bolts out of his wheelchair shouting "Mein [[Führer]], I can walk!", mere seconds before the film ends with a barrage of nuclear explosions, accompanied by the voice of [[Vera Lynn]] singing the famous [[World War II]] song "[[We'll Meet Again (song)|We'll Meet Again]]".
'''''Ripper:''''' He said war was too important to be left to the Generals. When he said that, fifty years ago, he might have been right. But today, war is too important to be left to politicians. They have neither the time, the training, nor the inclination for strategic thought. I can no longer sit back and allow communist infiltration, communist indoctrination, communist subversion, and the international communist conspiracy to sap and impurify all of our precious bodily fluids.}}
{{endspoiler}}


==Cast==
General Ripper is unaware that the Soviets have constructed a [[doomsday device]] (always referred to as a "doomsday machine" in the movie) which, on automatically detecting any nuclear attack on the Soviet Union, destroys all life on Earth via massive [[nuclear fallout]]. The president asks nuclear war expert and German expatriate Dr. Strangelove to discuss the possibility of the doomsday machine. Strangelove himself is a type of "[[mad scientist]]", whose eccentricities include a severe case of [[alien hand syndrome]]—his right hand, clad in an intimidating black leather glove, alternates between attempting to strangle Strangelove and shooting out in a Nazi salute. Strangelove explains to staff assembled in the American war room how the device is a natural extension to the Cold War stratagem of [[mutually assured destruction]] as a deterrent to an actual nuclear exchange. Moreover, the machine cannot be turned off as this would mitigate its value as a deterrent.
[[Image:strangelove123.jpg|250px|right|thumb|Peter Sellers as Dr. Strangelove.]]
* [[Peter Sellers]] as:
** Group Captain Lionel Mandrake, a [[United Kingdom|British]] exchange officer with an upper-class [[English accent]]
** President Merkin Muffley, the American [[Commander-in-Chief]]
** Dr. Strangelove, the sinister German nuclear war expert
* [[George C. Scott]] as General Buck Turgidson, a [[strategic bombing]] enthusiast <!-- who serves as the thinly-disguised avatar of General [[Curtis LeMay]], the Air Force Chief of Staff who advocated a pre-emptive strike against bases in [[Cuba]] during the [[Cuban Missile Crisis|Missile Crisis]] of [[1962]], against Kennedy's better judgement.-->
* [[Sterling Hayden]] as General Jack D. Ripper, who is equally (and rabidly) paranoid and patriotic.
* [[Slim Pickens]] as Air Force Major T. J. "King" Kong, the B-52 Stratofortress bomber captain
* A young [[James Earl Jones]], acting in his first film, plays bombardier Lieutenant Lothar Zogg
* [[Keenan Wynn]] as Colonel "Bat" Guano
* [[Peter Bull]] as Soviet ambassador Alexei de Sadesky
* [[Shane Rimmer]] as Captain "Ace" Owens
* [[Tracy Reed (English actress)|Tracy Reed]] as Gen. Turgidson's seductive secretary Miss Scott, the film's only female character; she also appears as the centerfold in the "Playboy" magazine that Major Kong is reading <ref name=Siano/>


=== Peter Sellers' roles ===
As a result, the [[Federal government of the United States]] cooperates with the Soviets in shooting the American planes down until they can be recalled. As American troops attack Ripper's base, Ripper commits suicide. The clueless commander of the unit attacking the base, Colonel "Bat" Guano believes that British [[Group Captain]] Lionel Mandrake, an officer participating in an "exchange program" with the USAF, is leading a mutiny of "deviated preverts" (''sic'') against General Ripper. He fails to recognise the RAF uniform as that of an allied nation, but ultimately relents and helps Mandrake call the President to tell him the recall code, which he deduced from Ripper's [[doodle]]s. Mandrake is forced to use a [[phonebooth]] to inform the President, but, not having enough change, he tells Guano to shoot the coinbox on a [[vending machine]].
[[Columbia Pictures]] agreed to provide financing for the film only under the condition that Peter Sellers would play at least four major roles. This condition stemmed from the studio's impression that much of the boxoffice success of [[Lolita (1962 film)|Lolita]] (1962), Kubrick's previous film, was based on Sellers' playing multiple roles. Kubrick accepted the demand considering that "such crass and grotesque stipulations are the sine qua non of the motion-picture business"<ref name=Southern/><ref name=Southern2>[http://www.altx.com/int2/terry.southern.html "Interview with a Grand Guy"] - interview with Terry Southern by Lee Hill</ref>.


[[Image:3SellersRoles.jpg|450px|left|thumb|Peter Sellers plays three roles: Dr. Strangelove, President Merkin Muffley and Group Captain Lionel Mandrake (left to right).]]
Unfortunately, one [[B-52 Stratofortress|B-52]] ("The Leper Colony") was damaged, but not destroyed, by a Soviet [[anti-aircraft missile]]. The missile hit triggers the self-destruct system of the airplane's radio (presumably designed to prevent the CRM114 code machine from being [[Reverse-engineering|reverse-engineered]] should it be captured), and with no radio the aircraft cannot be recalled; and with a fuel leak, it also cannot reach its intended target, the [[Laputa]] Missile Complex, where the remaining Soviet defenses have been concentrated. So the plane continues its mission, evading the combined efforts of both the US and the USSR to stop it, to drop its [[nuclear bomb|nuclear payload]] on an unexpected target (now selecting the Kodlosk [[Intercontinental ballistic missile|ICBM]] complex, not the plane's secondary target but still within its range), which will in turn set off the doomsday machine. The bay doors jam closed, and in trying to open them, the pilot of the B-52, Major "King" Kong (in one of [[Hollywood]]'s most memorable film moments) inadvertently ends up riding one of the bombs down to global destruction — with Kong cheering all the way. Kong straddles the bomb, gripping it with one hand and waving his [[cowboy hat]] in the air with his other in an homage to [[rodeo]] [[bullriding]] technique, whooping and hollering as he plummets to his thermonuclear doom.
====Group Captain Lionel Mandrake====
Peter Sellers is said to have improvised much of his dialogue during filming. For his role as Lionel Mandrake, it is said that he was aided by his experience of mimicking his uptight superiors as a [[Royal Air Force]] airman during [[World War II]]{{fact}}. His appearance and interpretation of Mandrake's manners are reminiscent of actor [[Terry-Thomas]]{{fact}}.


====President Merkin Muffley====
The doomsday device is apparently activated. According to the Soviet ambassador, life on [[Earth]]'s surface will be extinct in ten months; Dr. Strangelove recommends to the President that a group of about 100,000 humans be relocated deep in a mine shaft, where the nuclear fallout cannot reach, so the Earth can be repopulated. Because of obvious limits to space in the mines, Strangelove suggests a gender ratio of "ten females to each male." The chosen women would be selected based on their youth and beauty (to ensure the males would want to impregnate them), while the chosen males would be selected based on their intellectual and physical strength. The Soviet ambassador states at that point, "I must confess, that is an astonishingly good idea you've got there..." Turgidson, however rants that the Soviets will likely create an even better bunker than the West, likely with nuclear weapons stores inside, and cautions the President that America "cannot allow a mine shaft gap" (spoofing the [[missile gap]] fears) and begins planning a war for when they emerge in a hundred years. During this rant, the Soviet ambassador retreats into the shadows and takes pictures of the war room display screens. In the concluding scenes, a visibly excited Strangelove bolts out of his wheelchair shouting "Mein [[Führer]], I can walk!", mere seconds before the movie ends with a barrage of nuclear explosions, set to the song "[[We'll Meet Again (song)|We'll Meet Again]]".
For his performance as President Merkin Muffley, a decent character, understandably flustered somewhat by the situation, Sellers drew inspiration from unsuccessful presidential contender [[Adlai Stevenson]]. Sellers had to flatten his natural English accent to sound like an American [[Midwestern United States|Midwesterner]] (Stevenson was from [[Illinois]]){{fact}}. In early takes Sellers faked [[common cold|cold]] symptoms to amplify the character's apparent impotence, although this was ultimately deemed inappropriate by Kubrick (the film crew burst out laughing every time Sellers spoke, ruining take after take) and in the takes used in the film he played the President straight{{fact}}.
{{endspoiler}}


==Cast and crew==
====Dr. Strangelove====
The title character, Dr. Strangelove, serves as President Muffley's scientific advisor in the War Room, presumably making use of prior expertise as a Nazi physicist: upon becoming an American citizen, he translated his German surname "Merkwürdigliebe" to the English equivalent. Twice in the film, he accidentally addresses the President as "Mein Führer."
''Dr. Strangelove'' stars British actor/comedian [[Peter Sellers]], who improvised much of his dialogue during filming. Sellers plays three roles:
* '''[[Group Captain]] Lionel Mandrake''' &mdash; a sane, well-meaning, "by-the-book" [[United Kingdom|British]] exchange officer with an upper-class [[English accent]]. It is said that Sellers' experience mimicking his uptight superiors as an [[Royal Air Force|RAF]] airman during [[World War II]] aided him in creating this character. Mandrake's appearance and manner are reminiscent of actor [[Terry-Thomas]].


The character is an amalgamation of [[RAND Corporation]] strategist [[Herman Kahn]], [[National Socialist German Workers Party|Nazi]] SS officer-turned-[[NASA]] rocket scientist [[Wernher von Braun]], and "father of the [[hydrogen bomb]]" [[Edward Teller]].{{fact}} At one point, Strangelove refers to a study which he had commissioned from the BLAND Corporation (a pun on the RAND Corporation, a US military think tank). In his interpretation of Dr. Strangelove, Sellers' accent was influenced by that of Austrian-American photographer [[Weegee]] (the pseudonym of Arthur Fellig), who was hired by Kubrick as a special effects consultant{{fact}}.<!--this is mentioned in the DVD documentaries-->
* '''[[President of the United States|President]] Merkin Muffley''' — the [[Adlai Stevenson]]-esque American [[Commander in Chief]] — a decent character understandably flustered somewhat by the situation. The President's first and last name each crudely imply that he is a ''[[pussy]]'' by nature ("[[merkin]]" and "[[muff]]" both refer to female pubic hair). This fundamental quality becomes evident during the famous [[Hot Line]] scene with [[Soviet Premier]] Dmitri Kisof. For the role, Sellers flattened his natural English accent to sound like an American [[Midwestern United States|Midwesterner]] (another reference to Stevenson, who was from [[Illinois]]). In early takes Sellers faked [[common cold|cold]] symptoms to amplify the character's apparent impotence, although this was ultimately deemed inappropriate by Kubrick (the film crew burst out laughing every time Sellers spoke, ruining take after take) and in the takes used in the film he played the President straight.


Strangelove's appearance echoes the movie villains of the [[Fritz Lang]] era in 1920s Germany, in which sinister characters were often portrayed as having some disability. Sellers improvised Dr. Strangelove's lapse into the Nazi salute, borrowing one of Kubrick's black gloves for the uncontrollable hand that makes the gesture. Kubrick perpetually wore the gloves on the film set in order to avoid being burned when handling hot lights, and Sellers found the gloves to be especially menacing. {{fact}}<!--this is mentioned in the DVD documentaries-->
* '''Dr. Strangelove''' — the sinister German title-character — an amalgamation of [[RAND Corporation]] strategist [[Herman Kahn]], [[National Socialist German Workers Party|Nazi]] SS officer-turned-[[NASA]] rocket scientist [[Wernher von Braun]], and "father of the [[hydrogen bomb]]" [[Edward Teller]]. Dr. Strangelove serves as President Muffley's scientific advisor in the War Room, presumably making use of prior expertise as a Nazi physicist: upon becoming an American citizen, he translated his German surname "Merkwürdigliebe" to the English equivalent. Twice in the film, he accidentally addresses the President as "Mein Führer." Sellers' accent is reportedly based on that of [[Weegee]] (pseudonym of [[Austria|Austrian]]-American photographer [[Arthur Fellig]]), who was hired by Kubrick as a special effects consultant. Throughout the film, the speeches made by the character of Dr. Strangelove are interrupted by his erratic fits of [[alien hand syndrome]] (which is now also known as "Dr. Strangelove syndrome"). At one point, Strangelove's hand reaches out in an attempt to strangle his neck; at another it thrusts itself out in a [[Hitler salute|Nazi salute]]; at still another, it forcefully attempts to masturbate (not shown, but ''strongly'' implied). Strangelove's menacing black glove was actually Kubrick's; Sellers saw Kubrick using it to handle the hot lights on the set one day and thought it would be a good addition to his costume.


At the end of the film, Dr. Strangelove is animated by the thought of a post-war, centrally controlled, male-dominated society whose members have been specially selected from the population. This idea is evocative of Nazi visions.
At the start of ''Dr. Strangelove'' 's production, Sellers was set to play a fourth role; that of Air Force Major T. J. "King" Kong, the [[B-52 Stratofortress]] bomber captain. However, Sellers fractured his leg while filming the bomb-straddling sequence (he fell off the bomb), and could not play the role because technical constraints would have confined him to cramped space of the cockpit set. It has been suggested that Sellers, who was concerned about correctly reproducing the [[Texas|Texan]] accent required, contrived the injury&mdash;or at least exaggerated it.


=== Slim Pickens as Major Kong ===
[[Slim Pickens]], an established [[character actor]] and veteran of many Western films, was quickly tapped to replace Sellers as Major Kong. It is no coincidence that his performance turned out so authentic; fellow actor [[James Earl Jones]] recalls, "He was Major Kong on and off the set&mdash;he didn't change a thing&mdash;his temperament, his language, his behavior." According to some sources, the British film crew thought he was a [[method actor]], and his mannerisms were his way of "finding" his performance for the character, unaware that that was the way he really behaved. It has also been said that, for the entire course of filming, Pickens was apparently unaware that ''Strangelove'' was a comedy and instead played the role straight, (though many find this difficult to believe given the nature of the role){{fact}}.
At the start of production, Sellers was set to play a fourth role,Air Force Major T. J. "King" Kong, the [[B-52 Stratofortress]] bomber captain. From the beginning, Sellers was reluctant to play the role, concerned that he could not reproduce the [[Texas|Texan]] accent required. Kubrick pleaded with him and requested Terry Southern (who had been raised in Texas) to record a tape with Kong's lines spoken in the correct accent. Using Southern's tape, Sellers finally managed to get the accent right and started shooting the scenes in the airplane. However, the actor sprained an ankle while going to a restaurant and could not play the role, as technical constraints would have confined him to cramped space of the cockpit set. <ref name=Southern/><ref name=Southern2/>

[[Slim Pickens]], an established [[character actor]] and veteran of many Western films, was quickly tapped to replace Sellers as Major Kong. It is no coincidence that his performance turned out so authentic; fellow actor [[James Earl Jones]] recalls, "He was Major Kong on and off the set&mdash;he didn't change a thing&mdash;his temperament, his language, his behavior." According to some sources, the British film crew thought he was a [[method actor]], and his mannerisms were his way of "finding" his performance for the character, unaware that that was the way he really behaved.


Kubrick biographer John Baxter further explains in the documentary ''Inside the Making of Dr. Strangelove'':
Kubrick biographer John Baxter further explains in the documentary ''Inside the Making of Dr. Strangelove'':


:"As it turns out, Slim Pickens had never left the United States. He had to hurry and get his first passport. He arrived on the set, and somebody said, "Gosh, he's arrived in costume!," not realizing that that's how he always dressed… With the cowboy hat and the fringed jacket and the cowboy boots&mdash;and that he wasn't putting on the character&mdash;that's the way he talked."
:"As it turns out, Slim Pickens had never left the United States. He had to hurry and get his first passport. He arrived on the set, and somebody said, "Gosh, he's arrived in costume!," not realizing that that's how he always dressed… with the cowboy hat and the fringed jacket and the cowboy boots&mdash;and that he wasn't putting on the character&mdash;that's the way he talked."


Pickens, who previously only played minor supporting and character roles, stated that his appearance as Maj. Kong greatly improved his career. He would later comment, "After ''Dr. Strangelove'' the roles, the dressing rooms and the checks all started getting bigger."
Pickens, who had previously played only minor supporting and character roles, stated that his appearance as Maj. Kong greatly improved his career. He would later comment, "After ''Dr. Strangelove'' the roles, the dressing rooms and the checks all started getting bigger."


== Production ==
Also appearing in the film are:
[[Image:warroom.jpg|250px|right|thumb|The iconic Pentagon War Room set.]]
Filming took place at [[Shepperton Studios]] in [[London]] at three main [[sound stage]]s: the Pentagon War Room, the B-52 Stratofortress bomber and the last one containing both the motel room and General Ripper's office and outside corridor. The studio's buildings were used as the military airport's exterior.


===Novel and screenplay===
* [[George C. Scott]] as General Buck Turgidson, a [[strategic bombing]] enthusiast who serves as the thinly-disguised avatar of General [[Curtis LeMay]], the Air Force Chief of Staff who advocated a pre-emptive strike against bases in [[Cuba]] during the [[Cuban Missile Crisis|Missile Crisis]] of [[1962]], against Kennedy's better judgement.
Kubrick started with nothing but a vague idea to make a thriller about a nuclear accident, building on the widespread [[Cold War]] fear for survival.<ref name=Siano>[http://www.visual-memory.co.uk/amk/doc/0017.html Brian Siano, "A Commentary on Dr. Strangelove", 1995]</ref> While doing in-depth research for the planned film, Kubrick gradually became aware of the subtle and unstable "[[Balance of Terror]]" existing between nuclear powers and its intrinsic paradoxical character. At Kubrick's request, Alistair Buchan (the head of the Institute for Strategic Studies), recommended the thriller novel ''[[Red Alert (novel)|Red Alert]]'' (1958) by [[Peter George]].<ref>Alexander Walker, "Stanley Kubrick Directs", Harcourt Brace Co, 1972, ISBN 0156848929, cited in [http://www.visual-memory.co.uk/amk/doc/0017.html Brian Siano, "A Commentary on Dr. Strangelove", 1995]</ref> Kubrick was impressed with the book, which had also been praised by [[Game theory|game theorist]] and future [[Nobel Prize in Economics]] winner [[Thomas Schelling]] in an article written for the "Bulletin of the Atomic Scientists" and reprinted in the "Observer"
* [[Sterling Hayden]] plays General Jack D. Ripper, who is equally (and rabidly) paranoid and patriotic.
<ref>Phone interview with Thomas Schelling by Sharon Ghamari-Tabrizi, published in her book "The Worlds of Herman Kahn; The Intuitive Science of Thermonuclear War" (Harvard University Press, 2005) [http://www.visual-memory.co.uk/amk/doc/0097.html]</ref>, and immediately bought the film rights<ref name=Southern3>[http://www.filmmakermagazine.com/fall2004/line_items/strangelove.php Terry Southern, "Check-up with Dr. Strangelove"], article written in 1963 for Esquire but unpublished at the time</ref>.
* A young [[James Earl Jones]] acting in his first movie plays bombardier Lieutenant Lothar Zogg (prescient to his more famous movies where his character causes planetary destruction)
* [[Keenan Wynn]] plays a Colonel "Bat" Guano
* [[Peter Bull]] plays Soviet ambassador Alexei de Sadesky
* [[Shane Rimmer]] as Captain "Ace" Owens
* [[Tracy Reed]] plays Gen. Turgidson's seductive secretary Miss Scott, the film's only female character, also known as "Miss Foreign Affairs".


[[Image:Kubrickstrangelove.jpg|250px|left|thumb|Kubrick on the set of ''Dr. Strangelove''.]]
Photography: [[Gilbert Taylor]]
Kubrick, in collaboration with George, started work on writting a screenplay based on the book. While writing the screenplay, they benefited from some brief consultations with Schelling and, later, [[Herman Kahn]].<ref name=Ghamari-Tabrizi>[http://www.visual-memory.co.uk/amk/doc/0097.html Sharon Ghamari-Tabrizi, "The Worlds of Herman Kahn; The Intuitive Science of Thermonuclear War", Harvard University Press, 2005]</ref> Following his initial intention and the tone of the book, Stanley Kubrick originally intended to film the story as a serious drama. However, as he later explained during interviews, the comedy inherent in the idea of [[Mutual assured destruction]] became apparent as he was writing the first draft of the film's script. Kubrick stated:


:"My idea of doing it as a nightmare comedy came in the early weeks of working on the screenplay. I found that in trying to put meat on the bones and to imagine the scenes fully, one had to keep leaving out of it things which were either absurd or paradoxical, in order to keep it from being funny; and these things seemed to be close to the heart of the scenes in question."<ref>''Macmillan International Dictionary of Films and Filmmakers'', vol. 1, p. 126</ref>
Editor: [[Anthony Harvey]]


After deciding to turn the film into a bleak comedy, Kubrick brought in [[Terry Southern]] as a co-writer. The choice was influenced by reading Southern's comic novel ''[[The Magic Christian]]'' (1959), which Kubrick had received as a gift from [[Peter Sellers]].<ref name=Southern>[http://www.visual-memory.co.uk/amk/doc/0081.html Terry Southern, "Notes from The War Room", Grand Street, issue #49]</ref>
Production design: [[Ken Adam]]


===B-52s: Pentagon cooperation===
Special effects: [[Wally Veevers]]
Without the cooperation from [[The Pentagon]] in the making of the film, the set designers reconstructed the cockpit to the best of their ability by comparing the cockpit of a [[B-29 Superfortress]] and a single photograph of the cockpit of a B-52, and relating this to the geometry of the B-52's fuselage. The B-52 was state of the art in the 1960s, its cockpit was off limits to the film crew.
When some American Air Force personnel were invited to tour the B-52 set, they said that "it was absolutely correct, even to the little black box which was the CRM."<ref name=Inside/> It was so correct that Kubrik was concerned whether Ken Adam, the production designer, had done all of his research legally because they "could be in serious trouble, with a possible investigation by the FBI." <ref name=Inside/>


In several shots of the B-52 flying over the polar ice en route to Russia, the shadow of the actual camera plane, a [[Boeing]] [[B-17 Flying Fortress]], is visible on the snow below. The B-52 was a model composited into the arctic footage which was sped up to create a sense of jet speed. The camera ship, a former USAAF B-17G-100-VE, serial 44-85643, registered F-BEEA, had been one of four Flying Forts purchased from salvage at Altus, Oklahoma in December 1947 by the French [[Institut géographique national (France)|Institut Geographique National]] and converted for survey and photo-mapping duty. It was the last active B-17 of a total of fourteen once operated by the IGN, but it was destroyed in a take-off accident at RAF Binbrook in 1989 during filming of the movie ''[[Memphis Belle]]''. Home movie footage included in ''Inside the Making of Dr. Strangelove'' on the 2001 Special Edition DVD release of the film show clips of the Fortress with a cursive "Dr. Strangelove" painted over the rear entry hatch on the right side of the fuselage.
==Production==

===The Novel===
The movie is based upon the [[Cold War]] thriller novel ''[[Red Alert (novel)|Red Alert]]'' (1958) by [[Peter George]]. Stanley Kubrick had originally wanted to film the story as a serious drama. However, he explained during interviews that the comedy inherent in the idea of MAD became apparent as he was writing the first draft of the film's script. Kubrick stated:

:"My idea of doing it as a nightmare comedy came in the early weeks of working on the screenplay. I found that in trying to put meat on the bones and to imagine the scenes fully, one had to keep leaving out of it things which were either absurd or paradoxical, in order to keep it from being funny; and these things seemed to be close to the heart of the scenes in question." - ''Macmillan International Dictionary of Films and Filmmakers'', vol. 1, p. 126

===Pentagon cooperation===
[[The Pentagon]] did not cooperate in making the film, as it did in making ''[[Strategic Air Command (film)|Strategic Air Command]]'' (1955). Because the B-52 was state of the art in the 1960s, its cockpit was off limits to the film crew; the cockpit was reconstructed by educated guesses made in comparing the interior of a [[B-29 Superfortress]]'s cockpit and a single photo of a [[B-52 Stratofortress]]'s cockpit to the geometry of the B-52's fuselage. The imagined cockpit was so accurate that the [[Department of Defense]] suspected the film crew of sneaking into a B-52 and taking pictures.{{citation needed}}


=== ''Fail-Safe'' and ''Seven Days in May''===
=== ''Fail-Safe'' and ''Seven Days in May''===
''Red Alert'' author Peter George collaborated on the screenplay with Kubrick and [[satire|satirist]] [[Terry Southern]]. ''Red Alert'' was far more solemn in tone than its film version and the character of Dr. Strangelove never even existed on its pages. The main plot and technical elements, however, were quite similar. A [[novelization]] of the actual film, rather than a re-print of the original novel, was later penned by George. George committed suicide two years later.
''Red Alert'' author Peter George collaborated on the screenplay with Kubrick and satirist [[Terry Southern]]. ''Red Alert'' was far more solemn in tone than its film version and the character of Dr. Strangelove never even existed on its pages. The main plot and technical elements, however, were quite similar. A [[novelization]] of the actual film, rather than a re-print of the original novel, was later penned by George. George committed suicide in 1966.


During the filming of ''Dr. Strangelove'', Stanley Kubrick learned that ''[[Fail-Safe (1964 film)|Fail-Safe]]'', a project with a similar theme, was being produced. Although ''Fail-Safe'' was to be an ultra-realistic thriller, Kubrick feared that its overall plot resemblances would damage ''Strangelove'''s box office run, especially if it were to be released first. (The book was widely acknowledged to be a near carbon-copy of ''Red Alert''.) What worried Kubrick the most about ''Fail-Safe'' was that it boasted an acclaimed director ([[Sidney Lumet]]) and first-rate dramatic actors ([[Henry Fonda]] as the American President and [[Walter Matthau]] as the bold ex-Nazi advisor to the Pentagon, Professor Groepenschelesche). Ever the cunning strategist, Kubrick decided that it would be in his and his film's best interests for a legal wrench to be thrown into the gears of the ''Fail-Safe'' production efforts. Director Sidney Lumet reluctantly recalls in the documentary, ''Inside the Making of Dr. Strangelove'':
During the filming of ''Dr. Strangelove'', Stanley Kubrick learned that ''[[Fail-Safe (1964 film)|Fail-Safe]]'', a film with a similar theme, was being produced. Although ''Fail-Safe'' was to be an ultra-realistic thriller, Kubrick feared that its overall plot resemblances would damage ''Strangelove'''s box office run, especially if it were to be released first. Indeed, the novel ''Fail-Safe'' (on which the film of the same name is based) is so similar to ''Red Alert'' that Peter George sued on charges of plagarism and settled out of court[http://www.ebookmall.com/ebook/72987-ebook.htm]. What worried Kubrick the most about ''Fail-Safe'' was that it boasted an acclaimed director, [[Sidney Lumet]], and first-rate dramatic actors, [[Henry Fonda]] as the American President and [[Walter Matthau]] as the bold ex-Nazi advisor to the Pentagon, Professor Groepenschelesche. Kubrick decided that it would be in his film's best interests for a legal wrench to be thrown into the gears of the ''Fail-Safe'' production. Director Sidney Lumet recalls in the documentary, ''Inside the Making of Dr. Strangelove'':


<blockquote>We started casting. Fonda was already set... which of course meant a big commitment in terms of money. I was set, Walter [Bernstein, the screenwriter] was set... And suddenly, this lawsuit arrived, filed by Stanley Kubrick and Columbia Pictures.</blockquote>
<blockquote>We started casting. Fonda was already set... which of course meant a big commitment in terms of money. I was set, Walter [Bernstein, the screenwriter] was set... And suddenly, this lawsuit arrived, filed by Stanley Kubrick and Columbia Pictures.</blockquote>
Line 109: Line 118:


=== The Kennedy assassination ===
=== The Kennedy assassination ===
A first test screening of the movie was actually scheduled for [[November 22]], [[1963]], the day of the [[John F. Kennedy assassination]]. The film was just weeks from its scheduled premiere. The release was delayed until late January 1964 as it was felt that the public was in no mood for such a film any sooner.
A first test screening of the film was scheduled for [[November 22]], [[1963]], the day of the [[John F. Kennedy assassination]]. The film was just weeks from its scheduled premiere, but as a result of the assassination, the release was delayed until late January 1964, as it was felt that the public was in no mood for such a film any sooner.


Additionally, one line by Slim Pickens ("a fella could have a pretty good weekend in [[Dallas, Texas|Dallas]] with all that stuff") was dubbed to become "in [[Las Vegas, Nevada|Vegas]]". The dub is just barely visible if Pickens' lips are watched closely when he speaks. Also, a climactic pie-fight scene that was originally intended to appear at the end of the movie (but was cut out in editing) was scripted to include General Turgidson exclaiming, "Gentlemen! Our gallant young president has been struck down in his prime!" after Muffley takes a pie in the face. This line, no matter how coincidental, would have hit too close to home to be used.
Additionally, one line by Slim Pickens ("a fella could have a pretty good weekend in [[Dallas, Texas|Dallas]] with all that stuff") was dubbed to become "in [[Las Vegas, Nevada|Vegas]]". The dub is apparent if Pickens' lips are watched closely when he speaks.


=== Alternate ending ===
==Themes==
[[Image:Pie Fight.jpg|250px|right|thumb|The cream pie fight removed from the final cut.]]
===Sexuality===
The movie ends with Dr. Strangelove exclaiming "Meine Fuehrer, I can walk!" And cuts to shots of nuclear explotions. They are all actual US nuclear tests. Many of them were shot at [[Bikini Atoll]], and old warships (such as the German [[Prinz Eugen]] heavy cruiser) expended as targets are plainly visible. In others the smoke trails of rockets used to create a calibration backdrop on the sky behind the explosion can be seen. Reportedly, [[Spike Milligan]] was responsible for suggesting the montage ending. When asked what would be best for the ending song, not knowing how the film would end, [[Tracy Reed (English actress)|Tracy Reed]], suggested "We'll Meet Again".[[citation needed]]
The film is also uncompromisingly sexual. From the opening scene, depicting the refueling of a B-52 jet bomber (penetration and insemination), to General Ripper's sexual frustration being at the root of the eventual apocalypse, to Strangelove's plans to build a society of "ten females to each male" in the postapocalyptic mine shafts, sexual references are readily apparent.


This nuclear explosion ending was a replacement to the original climactic cream pie fight scene, which has become one of the most famous "deleted" scenes in cinema history; the scene was never released to the general public and not included in the laserdisc and DVD releases of Dr. Strangelove. The only known public showing of the footage was in the 1999 screening at the [[National Film Theatre]] in London following Kubrick's death.{{fact}}
*The character of Strangelove is laced with innuendo—aside from his suggestive name, he is the character responsible for creating fantasies of a [[polygamy|polygamous]] postwar society—during this explanation, it is even strongly implied that his uncontrollable right hand has started to [[masturbate]].


Accounts varies as to why the scene was cut. In a 1969 interview, Kubrick said: "I decided it was farce and not consistent with the satiric tone of the rest of the film."<ref name=interview69>"An Interview with Stanley Kubrick (1969)", published in Joseph Gelmis, "The Film Director as Superstar", 1970, Doubleday and Company: Garden City, New York.[http://www.visual-memory.co.uk/amk/doc/0069.html]</ref>
*Strangelove's newfound ability to walk at the thrill of this world to come has even been seen as analogous to the male erection.


Film critic and Kubrick biographer [[Alexander Walker (critic)|Alexander Walker]] observed that "the cream pies were flying around so thickly that people lost definition, and you couldn't really say whom you were looking at."<ref name=Inside>"Inside the Making of Dr. Strangelove", a documentary included with the 40th Anniversary Special Edition DVD of the film</ref>
*General Turgidson, who is initially depicted as being in an apartment preparing to have sex with his secretary, is named using the word [[turgid]], a biological term meaning full of fluid to the point of hardness, as in an erection.


Nile Southern, son of screenwriter Terry Southern, suggests that the fight was intended to be less jovial. "Since they were laughing, it was unusable, because instead of having that totally black, which would have been amazing, like, this blizzard, which in a sense is metaphorical for all of the the missiles that are coming, as well, you just have these guys having a good old time. So, as Kubrick later said, 'it was a disaster of [[Homer]]ic proportions.' "<ref name=Inside/>
*General Jack D. Ripper is named after [[Jack the Ripper]], the famous serial killer who murdered prostitutes.


However, editor Anthony Harvey states that "it would have stayed, except that Columbia Pictures were horrified, and thought it would offend the president's family."<ref name=NoFighting>"No Fighting in the War Room Or: Dr. Strangelove and the Nuclear Threat", a documentary included with the 40th Anniversary Special Edition DVD of the film</ref>
*General Ripper's primary concern about Communism communicated to Mandrake is the plot of fluoridating water affecting "our precious bodily fluids" which he "first became aware of...during the physical act of love" when he experienced extreme fatigue caused by his "loss of essence". He continues to explain that women "seek the life essence" and then states, "I do not avoid women...but I do deny them my essence".


The scene included General Turgidson exclaiming, "Gentlemen! Our gallant young president has been struck down in his prime!" after Muffley takes a pie in the face. In the wake of the Kennedy assassination, this line, no matter how coincidental, would have hit too close to home to be used.
*Group Captain Lionel Mandrake's last name refers to the [[Mandrake (plant)|Mandrake plant]] which has mythical fertility properties.


*The name of the target, Laputa, is a derogatory Spanish word for prostitute, ''la puta'' meaning "the whore" (''[[Laputa]]'' is also the name of the flying island in [[Jonathan Swift]]'s [[Gulliver's Travels]], later also used in the animated movie [[Castle in the Sky]] by [[Hayao Miyazaki]] of [[Studio Ghibli]]).


*During the "survival kit contents check", Kong confirms that its contents include "one issue of prophylactics, three lipsticks, three pairs of nylon stockings" invoking his comment, "Shoot, a fella could have a pretty good weekend in Vegas with that stuff." Even to the end of the Cold War, actual USAF aircrew survival kits, even the most minimal kits, included a condom (although labeled as a "water bag").


==Reception==
*The Soviet Ambassador Alexei de Sadesky is named for the Marquis de Sade. The Soviet premier is Dimitri Kissoff.


===Critical views===
*President Merkin Muffley's name is formed by [[Merkin]] (referring to a female pubic wig used mainly by prostitutes in the 18th century), and "[[Pubic hair|muff]]" (referencing to the area where the wig is applied).

*A written statement from General Ripper, read out by Turgidson, seems to evoke the idea of both sexual lubricant and [[semen]]: "God willing, we will prevail, in peace and freedom from fear, and in true health, through the purity and essence of our natural... fluids."

*When Major Kong is riding a nuclear bomb to the ground, he is straddling it, turning the bomb into a phallic symbol.

===Suspenseful comedy===
Although it is a [[comedy]], ''Dr. Strangelove'' is also suspenseful and engrossing and not the least bit "madcap". Two major scenes of action are the immense War Room, dominated by the Big Board showing the location of every American bomber in the world'; and the meticulously represented B-52 interior. The remainder of the film is set in General Ripper's headquarters at Burpleson Air Force Base.

===Satirizing the Cold War===
''Dr. Strangelove'' takes passing shots at numerous [[Cold War]] attitudes, but focuses its satire on the theory of [[mutual assured destruction]] (MAD), in which each side is supposed to take comfort in the fact that a nuclear war would be a cataclysmic disaster. [[Herman Kahn]] in his 1960 ''On Thermonuclear War'' used the concept of a doomsday machine in order to mock mutually assured destruction - in effect, Kahn argued, both sides already had a sort of doomsday machine. Kahn was a leading critic of American strategy during the 1950s, urged Americans to plan for a limited nuclear war, and later became one of the architects of the MAD doctrine in the 1960s. The prevailing thinking that a nuclear war was inherently unwinnable and suicidal was illogical to the physicist turned strategist. Kahn came off as cold and calculating; for instance, in his works, he estimated how many human lives the United States could lose and still rebuild economically. This attitude is reflected in Turgidson's remark to the president about the outcome of a pre-emptive nuclear war: "Now I'm not saying we wouldn't get our hair mussed, but I am saying no more than 10 to 20 million killed. Tops!" In the War Room, Turgidson also has a binder which is labeled “World Targets in Mega-deaths”.

===Satirizing Hollywood===
''Dr. Strangelove'' satirizes the conventions of Hollywood war movies, as well as the curious "[[red telephone]]" relationship between heads of state, in which a first-name intimacy competes with a culturally conditioned dislike for the other and for the entire political system which he heads.

President Muffley's famous phonecall to the Soviet Premier (improvised by Sellers):

<blockquote>Hello?... Uh... Hello D- uh hello Dmitri? Listen uh uh I can't hear too well. Do you suppose you could turn the music down just a little?... Oh-ho, that's much better... yeah... huh... yes... Fine, I can hear you now, Dmitri... Clear and plain and coming through fine... I'm coming through fine, too, eh?... Good, then... well, then, as you say, we're both coming through fine... Good... Well, it's good that you're fine and... and I'm fine... I agree with you, it's great to be fine... a-ha-ha-ha-ha... Now then, Dmitri, you know how we've always talked about the possibility of something going wrong with the Bomb... The ''Bomb'', Dmitri... The ''hydrogen'' bomb!... Well now, what happened is... ahm... one of our base commanders, he had a sort of... well, he went a little funny in the head... you know... just a little... funny. And, ah... he went and did a silly thing... Well, I'll tell you what he did. He ordered his planes... to attack your country... Ah... Well, let me finish, Dmitri... Let me finish, Dmitri... Well listen, how do you think I feel about it?... Can you ''imagine'' how I feel about it, Dmitri?... Why do you think I'm calling you? Just to say hello?... ''Of course'' I like to speak to you!... ''Of course'' I like to say hello!... Not now, but anytime, Dmitri. I'm just calling up to tell you something terrible has happened... It's a ''friendly'' call. Of course it's a friendly call... Listen, if it wasn't friendly... you probably wouldn't have even got it... They will ''not'' reach their targets for at least another hour... I am... I am positive, Dmitri... Listen, I've been all over this with your ambassador. It is not a trick... Well, I'll tell you. We'd like to give your air staff a complete run-down on the targets, the flight plans, and the defensive systems of the planes... Yes! I mean i-i-i-if we're unable to recall the planes, then... I'd say that, ah... well, ah... we're just gonna have to help you destroy them, Dmitri... I know they're our boys... All right, well listen now. Who should we call?... ''Who'' should we call, Dmitri? The... wha-wha, the People... you, sorry, you faded away there... The People's Central Air Defense Headquarters... Where is that, Dmitri?... In Omsk... Right... Yes... Oh, you'll call them first, will you?... Uh-huh... Listen, do you happen to have the phone number on you, Dmitri?... Wha-ah, what? I see, just ask for Omsk information... Ah-ah-eh-uhm-hm... I'm sorry, too, Dimitri... I'm very sorry... ''all right'', you're sorrier than I am, but I am as sorry as well... I am as sorry as you are, Dimitri! Don't say that you're more sorry than I am, because I'm capable of being just as sorry as you are... so we're both sorry, all right?!... All right.</blockquote>

===Use of ex-Nazis in government===
The title character, Dr. Strangelove, is a comment on the US government's use of Nazi scientists in programs such as nuclear weapons research. Dr. Strangelove, played by Peter Sellers, retains a thick German accent, and mistakenly calls the President "Mein Führer" on more than one occasion. He once refers to a study, that he commissioned, by the Bland Corporation (a parody of the [[Rand Corporation]]). His appearance echoes the villains of the [[Fritz Lang]] era in 1920s Germany whose sinister and evil characters were usually offset by some disability. Sellers improvised Dr. Strangelove's lapse into the Nazi salute, borrowing one of Kubrick's black gloves for the uncontrollable hand that makes the gesture. Sellers found the director's gloves that Kubrick perpetually wore to avoid direct contact with hot lights to be especially menacing. The thought of the new, post-war centrally controlled, underground, male-dominated society with its members specially selected from the population is evocative of Nazi visions and animates Dr. Strangelove at the end.

=== Fake machismo vs Geniuine heroism ===
We see Ripper as a he-man dedicated (if delusionally) to rooting out the communists, while Mandrake is an effete English chap who won't go about without his headgear (hat). Yet it transpires that Ripper is a coward terrified of being tortured, who shoots himself rather than face the consequences of what he has done; while Mandrake was in fact tortured by the Japanese, and yet has survived it quite reasonably and goes on to (almost) save the day.

==Alternative Ending==
{{spoiler}}
The planned original ending to the film was a chaotic pie-fight scene with the Soviet ambassador in the war room; this sequence was supposed to be in color. It was cut from the final print because Kubrick thought it was too silly.{{fact}}

The custard pie fight has become one of the most famous "deleted" scenes in the history of movies; it was not included in the laserdisc and DVD releases, and the only known public showing of it was in the 1999 screening at the [[National Film Theatre]] in [[London]] following Kubrick's death.{{fact}}<!-- it has been added to the DVD version-->

The final cut of the film ends with Strangelove stepping out of his wheelchair (saying, "Mein Führer, I can walk!") before cutting to a montage of nuclear explosions, accompanied by [[Vera Lynn]]'s singing of the WWII standard "[[We'll Meet Again (song)|We'll Meet Again]]." Reportedly, [[Spike Milligan]] was responsible for suggesting the montage ending, while [[Tracy Reed]] suggested "We'll Meet Again" for the ending song when asked what would be best, not knowing the film would end in global destruction.

This ending is grimly amusing, since it depicts the end of the entire world, but at the same time, the song heard over the montage is a war anthem of optimism and hope, creating a black irony. Even as the Cold War's ultimate doomsday scenario plays itself out, in the ultimate failure of brinksmanship and mutually assured destruction, the song suggests that the strategic suspicion and tragic paranoia thereof are inescapable. As the Russian ambassador snaps surreptitious photos of the American warroom, General Turgidson's final advice to the President assures us that [[missile gap]] thinking will remain alive and well among the survivors:

<blockquote>I think we should look at this from the military point of view. I mean, supposing the Russkies stashes away some big bomb, see. When they come out in a hundred years they could take over! [...] I think it would be extremely naive of us, Mr. President, to imagine that these new developments are going to cause any change in Soviet expansionist policy. I mean, we must be... increasingly on the alert to prevent them from taking over other mineshaft space, in order to breed more prodigiously than we do, thus, knocking us out in superior numbers when we emerge! Mr. President, we must not allow... a mine shaft gap![http://www.visual-memory.co.uk/amk/doc/0055.html]</blockquote>

''[[Jean-Baptiste Alphonse Karr|Plus ça change]]''...

{{endspoiler}}

==Critical views==
''Dr. Strangelove'' was listed as #26 on the [[American Film Institute]]'s 100 Years, 100 Movies and #3 on its 100 Years, 100 Laughs. Sellers' line "Gentlemen, you can't fight in here! This is the [[Presidential Emergency Operations Center|War Room]]!" made #64 on AFI's 100 Years, 100 Quotes. The film has also been selected for preservation in the United States [[National Film Registry]]. In 2000, readers of ''[[Total Film]]'' magazine voted it the 24th greatest comedy film of all time.
''Dr. Strangelove'' was listed as #26 on the [[American Film Institute]]'s 100 Years, 100 Movies and #3 on its 100 Years, 100 Laughs. Sellers' line "Gentlemen, you can't fight in here! This is the [[Presidential Emergency Operations Center|War Room]]!" made #64 on AFI's 100 Years, 100 Quotes. The film has also been selected for preservation in the United States [[National Film Registry]]. In 2000, readers of ''[[Total Film]]'' magazine voted it the 24th greatest comedy film of all time.


[[Roger Ebert]] has ''Dr. Strangelove'' in his list of Great Movies[http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=%2F19990711%2FREVIEWS08%2F907110301%2F1023], saying it is "arguably the best political satire of the century."
[[Roger Ebert]] has ''Dr. Strangelove'' in his list of Great Movies<ref name=Ebert/>, saying it is "arguably the best political satire of the century."


This film is number 53 on [[Bravo (television network)|Bravo's]] "100 Funniest Movies".
This film is number 53 on [[Bravo (television network)|Bravo's]] "100 Funniest Movies".


== Academy Awards ==
===Awards===
The film was nominated for four academy awards and three [[BAFTA]] awards and won four BAFTA awards. It was nominated for the following Academy Awards: [[Academy Award for Best Actor|best actor]] (Peter Sellers), [[Academy Award for Writing Adapted Screenplay|best adapted screenplay]], [[Academy Award for Directing|best director]], and [[Academy Award for Best Picture|best picture]], and for the following BAFTA awards: best British actor (Peter Sellers), best British screenplay, and best foreign actor (Sterling Hayden). It won the following BAFTA awards: best British art direction (B/W) (Ken Adam), best British film, best film from any source, and the UN award. In addition, the film won the best written American comedy award from the [[Writers Guild of America]] and a [[Hugo Award for Best Dramatic Presentation]]. Kubrik himself won two awards for best director from the New York Film Critics Circle Awards and the Italian National Syndicate of Film Journalists and was nominated for one by the Directors Guild of America.
{| border="1" cellpadding="2" cellspacing="0" bgcolor="#000000"
| bgcolor="#75B5F6" | '''Award'''
| bgcolor="#75B5F6" | '''Person'''
|-
| colspan="3" bgcolor="#F2D5A6" | '''Nominated:'''
|-
| bgcolor="#ffffff" | [[Academy Award for Best Actor|Best Actor]]
| bgcolor="#ffffff" | [[Peter Sellers]]
|-
| bgcolor="#ffffff" | [[Academy Award for Writing Adapted Screenplay|Best Adapted Screenplay]]
| bgcolor="#ffffff" | [[Stanley Kubrick]]<br>[[Peter George]]<br>[[Terry Southern]]
|-
| bgcolor="#ffffff" | [[Academy Award for Directing|Best Director]]
| bgcolor="#ffffff" | [[Stanley Kubrick]]
|-
| bgcolor="#ffffff" | [[Academy Award for Best Picture|Best Picture]]
| bgcolor="#ffffff" | [[Stanley Kubrick]]
|}

== Songs ==
* An instrumental version of "Try a Little Tenderness", a sentimental pop song from the 1930s, is played during the opening titles sequence which features shots of [[aerial refueling]] of a B52 bomber.
* "[[Johnny I Hardly Knew Ye]]", [[Ireland|Irish]] traditional anti-war song. The tune is also used for the American patriotic song "[[When Johnny Comes Marching Home]]" And the "The Animals Went in Two by Two". An instrumental version is used to accompany the B-52 flight, leaving an ambiguity as to which set of words is being referred to.
* "[[We'll Meet Again (song)|We'll Meet Again]]", an optimistic, sentimental [[World War II]] song, is played as the bombs explode at the end of the film.
* Mandrake suspects that all is not as it seems, when he turns on an unconfiscated radio and hears pop music when there should be [[Civil Defense]] alerts, but the music itself is anonymous. Later, in Ripper's office, the radio is turned on again, this time to a jazz rendition of "[[Greensleeves]]".


==Trivia==
==Trivia==
*During the filming, Stanley Kubrick and George C. Scott had differences of opinions regarding certain scenes. However, Kubrick got Scott to conform based largely upon his ability to beat Scott at chess (which they played frequently on the set)<ref>[http://www.visual-memory.co.uk/amk/doc/interview.ts.html "Kubrick on The Shining"] from Michel Ciment, "Kubrick", Holt, Rinehart, and Winston; 1st American ed edition (1983), ISBN: 0030616875</ref>.
{{unref}}
*The photographic mural in General Ripper's office, is actually a view of [[Heathrow Airport]], London.
*It was typical for actual Strategic Air Command bomber crews to watch this movie while in the hardened Air Force crew facilities for nuclear alert, located a short distance from their jets fully loaded with nuclear bombs spring-loaded to respond to an Emergency War Order.
*On the opening title sequence, the movie proclaims "'''Base''' on the book ''[[Red Alert (novel)|Red Alert]]'' by [[Peter George]]". A spelling error wasn't noticed until the final print had been made.
*In several shots of the B-52 flying over the polar ice en route to Russia, the shadow of the actual camera plane, a [[Boeing]] [[B-17 Flying Fortress]], is visible on the snow below. The B-52 was a model composited into the arctic footage which was sped up to create a sense of jet speed. The camera ship, a former USAAF B-17G-100-VE, serial 44-85643, registered F-BEEA, had been one of four Flying Forts purchased from salvage at Altus, Oklahoma in December 1947 by the French [[Institut géographique national (France)|Institut Geographique National]] and converted for survey and photo-mapping duty. It was the last active B-17 of a total of fourteen once operated by the IGN, but it was destroyed in a take-off accident at RAF Binbrook in 1989 during filming of the movie ''[[Memphis Belle]]''. Home movie footage included in ''Inside the Making of Dr. Strangelove'' on the 2001 Special Edition DVD release of the film show clips of the Fortress with a cursive "Dr. Strangelove" painted over the rear entry hatch on the right side of the fuselage.
*"Peace is Our Profession" is the actual motto of the [[Strategic Air Command]].
*The nuclear explosions at the end of the film are all actual US nuclear tests. Many of them were shot at [[Bikini Atoll]], and old warships (such as the German [[Prinz Eugen]] heavy cruiser) expended as targets are plainly visible. In others the smoke trails of rockets used to create a calibration backdrop on the sky behind the explosion can be seen.
*In the novelisation, the "mineshaft" survival technique succeeded, at least for a while, as the story is said to have been reconstructed from documents found at the bottom of deep mineshafts.
*During the filming, Stanley Kubrick and George C. Scott had differences of opinions regarding certain scenes. However, Kubrick got Scott to conform based largely upon his ability to beat Scott at chess (which they played frequently on the set).
*The photographic mural in General Ripper's office, presumably showing an aerial view of Burpelson AFB, is actually a view of [[Heathrow Airport]], London.
*The line "I can walk" given by Peter Sellers in this film is repeated by Sellers in ''[[Revenge of the Pink Panther]]'' when he has to walk on his knees in his Toulouse-Lautrec disguise.
*According to the ''Inside the Making of Dr. Strangelove'', Kubrick had the round table in the War Room covered with green felt. Although the movie was shot in black and white and no one viewing the film would see the color green, Kubrick wanted to set a reference to a poker table as realistically as possible. Kubrick thought of that to emphasize how the few men at the table would be gambling on the world's fate.
*One of the primary targets of the B52 bomber is [[Laputa]], which is a floating city in [[Jonathan Swift]]'s satire [[Gulliver's Travels]].
*The attack on the military airport was an 'attack' on the studio buildings in London where Kubrick made the film.
*The opening title sequence contains the grammatically incorrect spelling error "'''Base''' on the book ''[[Red Alert (novel)|Red Alert]]'' by [[Peter George]]" instead of "'''Based''' on the book ''[[Red Alert (novel)|Red Alert]]'' by [[Peter George]]". The error wasn't noticed until the final print had been made and was left in.
*In one scene where the army is attempting to infiltrate Burpleson, there is a shot of men shooting it out under a billboard that reads "Peace is Our Profession!", the actual motto of the [[Strategic Air Command]].
*While Dr. Strangelove is answering President Merkin Muffley's question about whether the survivors of the looming nuclear holocaust will be so grief-stricken that they will, "...envy the dead, and not wanna go on living...," actor [[Peter Bull]], portraying Amb. Alexei de Sadesky, is standing in the background, and appears to be struggling mightily to maintain his character's dour expression as Strangelove's black-gloved hand develops a will of its own.
*Major Kong's B-52, The Leper Colony, has a designation similar to the name of a B-17 in the movie [[12 O'Clock High]]. In that movie, "Leper Colony" is crewed by the worst airmen in the 918th Bombing group.
*Major Kong's B-52, The Leper Colony, has a designation similar to the name of a B-17 in the movie [[12 O'Clock High]]. In that movie, "Leper Colony" is crewed by the worst airmen in the 918th Bombing group.
*The right-wing [[John Birch Society]] opposed fluoridation at the time claiming it was a government-mandated and involuntary medical treatment that violated citizens' civil rights <ref>[http://archive.salon.com/health/feature/2000/11/06/fluoride/print.html Randy Dotinga, "The tooth will out. Fluoride proponents and foes battle over conflicting scientific claims -- and the attention of voters", 6 Nov. 2000]</ref>.
*Peter Sellers struggles with his right nazi arm acting against his will were allegedly influenced by Al (David) Hedison's struggles with his right fly arm in ''[[The Fly (1958)|The Fly'']] (1958).
*"[[Johnny I Hardly Knew Ye]]", a traditional [[Ireland|Irish]] anti-war song shares the same tune with the American patriotic song "[[When Johnny Comes Marching Home]]" and the "The Animals Went in Two by Two". The tune is used to accompany the B-52 flight.


==Notes and References==
==Popular culture references==
<references/>
{{main|List of cultural references to Dr. Strangelove}}


==See also==
==See also==
*[[List of cultural references to Dr. Strangelove]]
*[[Slim Pickens]] for listing of the survival pack
*[[Slim Pickens]]
*[[Films that have been considered the greatest ever]]
*[[Films that have been considered the greatest ever]]
*[[Water fluoridation]]
*[[Water fluoridation]]
Line 238: Line 173:
==External links==
==External links==
{{wikiquote}}
{{wikiquote}}
* {{imdb title|id=0057012|title=Dr. Strangelove}}
* {{filmsite|id=drst|title=Dr. Strangelove}}
* {{filmsite|id=drst|title=Dr. Strangelove}}
* [http://www.dvdjournal.com/reviews/d/drstrangelove_40ae.shtml "Dr. Strangelove" at DVD Journal]
* [http://www.dvdjournal.com/reviews/d/drstrangelove_40ae.shtml "Dr. Strangelove" at DVD Journal]

Revision as of 16:22, 10 November 2006

Template:Current Cinema COTW[original research?]

Dr. Strangelove
or: How I Learned to Stop Worrying and Love the Bomb
File:DrstrangeloveCover.jpg
DVD cover, based on the film poster by Tommy Ungar
Directed byStanley Kubrick
Written byPeter George (novel and screenplay)
Stanley Kubrick
Terry Southern
Peter Sellers (uncredited)
James B. Harris (uncredited).
Produced byStanley Kubrick
StarringPeter Sellers
George C. Scott
Sterling Hayden
Keenan Wynn
Slim Pickens
James Earl Jones
Tracy Reed
CinematographyGilbert Taylor
Music byLaurie Johnson
Distributed byColumbia Pictures
Release dates
January 29, 1964
Running time
94 min.
CountryUK / US
LanguageEnglish
Budget$1,800,000

Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb is a 1964 film directed by Stanley Kubrick. Based loosely upon the Cold War thriller novel Red Alert (also known as Two Hours to Doom) by Peter George, the source material was refashioned as a black comedy by screenwriter Terry Southern. Dr. Strangelove satirizes the fragile nature of the Cold War conflict and the doctrine of mutual assured destruction. The film opens at the fictional Burpelson Air Force Base, where the insane General Jack D. Ripper has just ordered a first strike nuclear attack on the Soviet Union, and proceeds to follow the President of the United States, his advisors, the Joint Chiefs of Staff, and an RAF officer as they try to recall Ripper's bombers in order to prevent a nuclear apocalypse.

In 1989 the United States Library of Congress deemed the film "culturally significant" and selected it for preservation in the National Film Registry. Additionally, it was listed as #26 on the American Film Institute's "100 Years, 100 Movies" and #3 on its "100 Years, 100 Laughs." Film critic Roger Ebert included Dr. Strangelove in his list of Great Movies, saying it is "arguably the best political satire of the century."[1]

Plot

Template:Spoiler Jack D. Ripper, a delusional United States Air Force general, executes his plan to strike the Soviet Union with nuclear weapons, in order to thwart a Communist conspiracy which he believes threatens to "sap and impurify" the "precious bodily fluids" of the American people with fluoridated water. Exceeding his authority, Ripper convinces everyone at Burpelson Air Force Base that the United States is in a "shooting war" with the Soviet Union, and orders the 843rd Bomb Wing (which is then airborne in a training exercise called "Operation Dropkick") past its fail-safe points and into Russia. Group Captain Lionel Mandrake, an RAF officer participating in an "exchange program" with the USAF, suspects that all is not as it seems when he turns on a radio and hears pop music instead of Civil Defense alerts.

File:Slim-pickens riding-the-bomb.jpg
Major Kong, the captain of the "Leper Colony," riding the bomb to nuclear oblivion.

General Ripper is unaware that the Soviets have constructed a doomsday machine which will automatically destroy all life on Earth if it detects a nuclear attack on the Soviet Union. The president asks nuclear war expert and German expatriate Dr. Strangelove to discuss the possibility of the doomsday machine. Strangelove himself is a type of "mad scientist", whose eccentricities include a severe case of alien hand syndrome — his right hand, clad in an intimidating black leather glove, alternates between attempting to strangle Strangelove and shooting out in a Nazi salute. Strangelove explains to the staff assembled in the Pentagon war room that the device is a natural extension to the Cold War stratagem of mutually assured destruction as a deterrent to a nuclear exchange. Moreover, the machine cannot be turned off as this would mitigate its value as a deterrent.

The United States government cooperates with the Soviets in shooting the American planes down until they can be recalled. As American troops attack Ripper's base, Ripper commits suicide. The feckless commander of the unit attacking the base, Colonel "Bat" Guano, fails to recognise Mandrake's RAF uniform as that of an allied nation, and believes that Mandrake is leading a mutiny of "deviated preverts" (sic) against General Ripper. However, Guano ultimately relents, and helps Mandrake to call the President to tell him the recall code, which Mandrake has deduced from Ripper's doodles. Mandrake is forced to use a telephone booth to inform the President. Not having enough change, he tells Guano to shoot the coinbox on a vending machine, which Guano, still suspicious of Mandrake, does reluctantly.

However, one B-52 ("The Leper Colony") cannot be recalled, as a Soviet anti-aircraft missile has triggered the self-destruct system of the airplane's radio (presumably designed to prevent the CRM114 code machine from being reverse-engineered should it be captured). Damaged by the missile hit, and leaking fuel, the aircraft cannot reach its intended target, the Laputa Missile Complex, where the remaining Soviet defenses have been concentrated. The plane continues instead to the Kodlosk ICBM complex (not the plane's secondary target, but still within its range), evading the combined efforts of both the US and the USSR to stop it. However, the B-52's bay doors have jammed, and in forcing them open, the pilot, Major "King" Kong, ends up riding one of the bombs to the ground, cheering all the way. Kong straddles the bomb, gripping it with one hand and waving his cowboy hat in the air with his other fashioned to rodeo bull riding technique, whooping and hollering as he plummets to his thermonuclear death.

The doomsday device is triggered. According to the Soviet ambassador, life on Earth's surface will be extinct in ten months; Dr. Strangelove recommends to the President that a group of about 100,000 humans be relocated deep in a mine shaft, where the nuclear fallout cannot reach, so that the Earth can be repopulated. Because of obvious limits to space in the mines, Strangelove suggests a gender ratio of "ten females to each male." The chosen women would be selected based on their youth and beauty (to ensure the males would want to impregnate them), while the chosen males would be selected based on their intellectual and physical strength. The Soviet ambassador states at that point, "I must confess, that is an astonishingly good idea you've got there..." Turgidson, however rants that the Soviets will likely create an even better bunker than the West, with nuclear weapons stores inside, cautions the President that America "cannot allow a mine shaft gap" (spoofing the missile gap fears), and begins planning a war to take place when their decendents emerge a century later. During this rant, the Soviet ambassador retreats into the shadows and takes pictures of the war room display screens. In the concluding scenes, a visibly excited Strangelove bolts out of his wheelchair shouting "Mein Führer, I can walk!", mere seconds before the film ends with a barrage of nuclear explosions, accompanied by the voice of Vera Lynn singing the famous World War II song "We'll Meet Again". Template:Endspoiler

Cast

File:Strangelove123.jpg
Peter Sellers as Dr. Strangelove.
  • Peter Sellers as:
    • Group Captain Lionel Mandrake, a British exchange officer with an upper-class English accent
    • President Merkin Muffley, the American Commander-in-Chief
    • Dr. Strangelove, the sinister German nuclear war expert
  • George C. Scott as General Buck Turgidson, a strategic bombing enthusiast
  • Sterling Hayden as General Jack D. Ripper, who is equally (and rabidly) paranoid and patriotic.
  • Slim Pickens as Air Force Major T. J. "King" Kong, the B-52 Stratofortress bomber captain
  • A young James Earl Jones, acting in his first film, plays bombardier Lieutenant Lothar Zogg
  • Keenan Wynn as Colonel "Bat" Guano
  • Peter Bull as Soviet ambassador Alexei de Sadesky
  • Shane Rimmer as Captain "Ace" Owens
  • Tracy Reed as Gen. Turgidson's seductive secretary Miss Scott, the film's only female character; she also appears as the centerfold in the "Playboy" magazine that Major Kong is reading [2]

Peter Sellers' roles

Columbia Pictures agreed to provide financing for the film only under the condition that Peter Sellers would play at least four major roles. This condition stemmed from the studio's impression that much of the boxoffice success of Lolita (1962), Kubrick's previous film, was based on Sellers' playing multiple roles. Kubrick accepted the demand considering that "such crass and grotesque stipulations are the sine qua non of the motion-picture business"[3][4].

File:3SellersRoles.jpg
Peter Sellers plays three roles: Dr. Strangelove, President Merkin Muffley and Group Captain Lionel Mandrake (left to right).

Group Captain Lionel Mandrake

Peter Sellers is said to have improvised much of his dialogue during filming. For his role as Lionel Mandrake, it is said that he was aided by his experience of mimicking his uptight superiors as a Royal Air Force airman during World War II[citation needed]. His appearance and interpretation of Mandrake's manners are reminiscent of actor Terry-Thomas[citation needed].

President Merkin Muffley

For his performance as President Merkin Muffley, a decent character, understandably flustered somewhat by the situation, Sellers drew inspiration from unsuccessful presidential contender Adlai Stevenson. Sellers had to flatten his natural English accent to sound like an American Midwesterner (Stevenson was from Illinois)[citation needed]. In early takes Sellers faked cold symptoms to amplify the character's apparent impotence, although this was ultimately deemed inappropriate by Kubrick (the film crew burst out laughing every time Sellers spoke, ruining take after take) and in the takes used in the film he played the President straight[citation needed].

Dr. Strangelove

The title character, Dr. Strangelove, serves as President Muffley's scientific advisor in the War Room, presumably making use of prior expertise as a Nazi physicist: upon becoming an American citizen, he translated his German surname "Merkwürdigliebe" to the English equivalent. Twice in the film, he accidentally addresses the President as "Mein Führer."

The character is an amalgamation of RAND Corporation strategist Herman Kahn, Nazi SS officer-turned-NASA rocket scientist Wernher von Braun, and "father of the hydrogen bomb" Edward Teller.[citation needed] At one point, Strangelove refers to a study which he had commissioned from the BLAND Corporation (a pun on the RAND Corporation, a US military think tank). In his interpretation of Dr. Strangelove, Sellers' accent was influenced by that of Austrian-American photographer Weegee (the pseudonym of Arthur Fellig), who was hired by Kubrick as a special effects consultant[citation needed].

Strangelove's appearance echoes the movie villains of the Fritz Lang era in 1920s Germany, in which sinister characters were often portrayed as having some disability. Sellers improvised Dr. Strangelove's lapse into the Nazi salute, borrowing one of Kubrick's black gloves for the uncontrollable hand that makes the gesture. Kubrick perpetually wore the gloves on the film set in order to avoid being burned when handling hot lights, and Sellers found the gloves to be especially menacing. [citation needed]

At the end of the film, Dr. Strangelove is animated by the thought of a post-war, centrally controlled, male-dominated society whose members have been specially selected from the population. This idea is evocative of Nazi visions.

Slim Pickens as Major Kong

At the start of production, Sellers was set to play a fourth role,Air Force Major T. J. "King" Kong, the B-52 Stratofortress bomber captain. From the beginning, Sellers was reluctant to play the role, concerned that he could not reproduce the Texan accent required. Kubrick pleaded with him and requested Terry Southern (who had been raised in Texas) to record a tape with Kong's lines spoken in the correct accent. Using Southern's tape, Sellers finally managed to get the accent right and started shooting the scenes in the airplane. However, the actor sprained an ankle while going to a restaurant and could not play the role, as technical constraints would have confined him to cramped space of the cockpit set. [3][4]

Slim Pickens, an established character actor and veteran of many Western films, was quickly tapped to replace Sellers as Major Kong. It is no coincidence that his performance turned out so authentic; fellow actor James Earl Jones recalls, "He was Major Kong on and off the set—he didn't change a thing—his temperament, his language, his behavior." According to some sources, the British film crew thought he was a method actor, and his mannerisms were his way of "finding" his performance for the character, unaware that that was the way he really behaved.

Kubrick biographer John Baxter further explains in the documentary Inside the Making of Dr. Strangelove:

"As it turns out, Slim Pickens had never left the United States. He had to hurry and get his first passport. He arrived on the set, and somebody said, "Gosh, he's arrived in costume!," not realizing that that's how he always dressed… with the cowboy hat and the fringed jacket and the cowboy boots—and that he wasn't putting on the character—that's the way he talked."

Pickens, who had previously played only minor supporting and character roles, stated that his appearance as Maj. Kong greatly improved his career. He would later comment, "After Dr. Strangelove the roles, the dressing rooms and the checks all started getting bigger."

Production

File:Warroom.jpg
The iconic Pentagon War Room set.

Filming took place at Shepperton Studios in London at three main sound stages: the Pentagon War Room, the B-52 Stratofortress bomber and the last one containing both the motel room and General Ripper's office and outside corridor. The studio's buildings were used as the military airport's exterior.

Novel and screenplay

Kubrick started with nothing but a vague idea to make a thriller about a nuclear accident, building on the widespread Cold War fear for survival.[2] While doing in-depth research for the planned film, Kubrick gradually became aware of the subtle and unstable "Balance of Terror" existing between nuclear powers and its intrinsic paradoxical character. At Kubrick's request, Alistair Buchan (the head of the Institute for Strategic Studies), recommended the thriller novel Red Alert (1958) by Peter George.[5] Kubrick was impressed with the book, which had also been praised by game theorist and future Nobel Prize in Economics winner Thomas Schelling in an article written for the "Bulletin of the Atomic Scientists" and reprinted in the "Observer" [6], and immediately bought the film rights[7].

File:Kubrickstrangelove.jpg
Kubrick on the set of Dr. Strangelove.

Kubrick, in collaboration with George, started work on writting a screenplay based on the book. While writing the screenplay, they benefited from some brief consultations with Schelling and, later, Herman Kahn.[8] Following his initial intention and the tone of the book, Stanley Kubrick originally intended to film the story as a serious drama. However, as he later explained during interviews, the comedy inherent in the idea of Mutual assured destruction became apparent as he was writing the first draft of the film's script. Kubrick stated:

"My idea of doing it as a nightmare comedy came in the early weeks of working on the screenplay. I found that in trying to put meat on the bones and to imagine the scenes fully, one had to keep leaving out of it things which were either absurd or paradoxical, in order to keep it from being funny; and these things seemed to be close to the heart of the scenes in question."[9]

After deciding to turn the film into a bleak comedy, Kubrick brought in Terry Southern as a co-writer. The choice was influenced by reading Southern's comic novel The Magic Christian (1959), which Kubrick had received as a gift from Peter Sellers.[3]

B-52s: Pentagon cooperation

Without the cooperation from The Pentagon in the making of the film, the set designers reconstructed the cockpit to the best of their ability by comparing the cockpit of a B-29 Superfortress and a single photograph of the cockpit of a B-52, and relating this to the geometry of the B-52's fuselage. The B-52 was state of the art in the 1960s, its cockpit was off limits to the film crew. When some American Air Force personnel were invited to tour the B-52 set, they said that "it was absolutely correct, even to the little black box which was the CRM."[10] It was so correct that Kubrik was concerned whether Ken Adam, the production designer, had done all of his research legally because they "could be in serious trouble, with a possible investigation by the FBI." [10]

In several shots of the B-52 flying over the polar ice en route to Russia, the shadow of the actual camera plane, a Boeing B-17 Flying Fortress, is visible on the snow below. The B-52 was a model composited into the arctic footage which was sped up to create a sense of jet speed. The camera ship, a former USAAF B-17G-100-VE, serial 44-85643, registered F-BEEA, had been one of four Flying Forts purchased from salvage at Altus, Oklahoma in December 1947 by the French Institut Geographique National and converted for survey and photo-mapping duty. It was the last active B-17 of a total of fourteen once operated by the IGN, but it was destroyed in a take-off accident at RAF Binbrook in 1989 during filming of the movie Memphis Belle. Home movie footage included in Inside the Making of Dr. Strangelove on the 2001 Special Edition DVD release of the film show clips of the Fortress with a cursive "Dr. Strangelove" painted over the rear entry hatch on the right side of the fuselage.

Fail-Safe and Seven Days in May

Red Alert author Peter George collaborated on the screenplay with Kubrick and satirist Terry Southern. Red Alert was far more solemn in tone than its film version and the character of Dr. Strangelove never even existed on its pages. The main plot and technical elements, however, were quite similar. A novelization of the actual film, rather than a re-print of the original novel, was later penned by George. George committed suicide in 1966.

During the filming of Dr. Strangelove, Stanley Kubrick learned that Fail-Safe, a film with a similar theme, was being produced. Although Fail-Safe was to be an ultra-realistic thriller, Kubrick feared that its overall plot resemblances would damage Strangelove's box office run, especially if it were to be released first. Indeed, the novel Fail-Safe (on which the film of the same name is based) is so similar to Red Alert that Peter George sued on charges of plagarism and settled out of court[4]. What worried Kubrick the most about Fail-Safe was that it boasted an acclaimed director, Sidney Lumet, and first-rate dramatic actors, Henry Fonda as the American President and Walter Matthau as the bold ex-Nazi advisor to the Pentagon, Professor Groepenschelesche. Kubrick decided that it would be in his film's best interests for a legal wrench to be thrown into the gears of the Fail-Safe production. Director Sidney Lumet recalls in the documentary, Inside the Making of Dr. Strangelove:

We started casting. Fonda was already set... which of course meant a big commitment in terms of money. I was set, Walter [Bernstein, the screenwriter] was set... And suddenly, this lawsuit arrived, filed by Stanley Kubrick and Columbia Pictures.

Kubrick tried to halt production on Fail-Safe by arguing that its own 1960 source novel of the same name had been plagiarized from Peter George's Red Alert, to which Kubrick himself owned the creative rights. Also, he pointed out the unmistakable similarities in intentions between the characters Groeteschele and Strangelove. The plan ended up working exactly as Kubrick intended; Fail-Safe opened a full eight months behind Dr. Strangelove to critical acclaim, but mediocre box office results.

Also released in 1964 was Paramount Pictures' Seven Days in May (now owned by Warner Bros. Pictures). The plot involves a coup attempt by the Joint Chiefs of Staff to prevent the President of the United States from signing a nuclear disarmament treaty with the Soviets, who, they believe, cannot be trusted.

The Kennedy assassination

A first test screening of the film was scheduled for November 22, 1963, the day of the John F. Kennedy assassination. The film was just weeks from its scheduled premiere, but as a result of the assassination, the release was delayed until late January 1964, as it was felt that the public was in no mood for such a film any sooner.

Additionally, one line by Slim Pickens ("a fella could have a pretty good weekend in Dallas with all that stuff") was dubbed to become "in Vegas". The dub is apparent if Pickens' lips are watched closely when he speaks.

Alternate ending

The cream pie fight removed from the final cut.

The movie ends with Dr. Strangelove exclaiming "Meine Fuehrer, I can walk!" And cuts to shots of nuclear explotions. They are all actual US nuclear tests. Many of them were shot at Bikini Atoll, and old warships (such as the German Prinz Eugen heavy cruiser) expended as targets are plainly visible. In others the smoke trails of rockets used to create a calibration backdrop on the sky behind the explosion can be seen. Reportedly, Spike Milligan was responsible for suggesting the montage ending. When asked what would be best for the ending song, not knowing how the film would end, Tracy Reed, suggested "We'll Meet Again".citation needed

This nuclear explosion ending was a replacement to the original climactic cream pie fight scene, which has become one of the most famous "deleted" scenes in cinema history; the scene was never released to the general public and not included in the laserdisc and DVD releases of Dr. Strangelove. The only known public showing of the footage was in the 1999 screening at the National Film Theatre in London following Kubrick's death.[citation needed]

Accounts varies as to why the scene was cut. In a 1969 interview, Kubrick said: "I decided it was farce and not consistent with the satiric tone of the rest of the film."[11]

Film critic and Kubrick biographer Alexander Walker observed that "the cream pies were flying around so thickly that people lost definition, and you couldn't really say whom you were looking at."[10]

Nile Southern, son of screenwriter Terry Southern, suggests that the fight was intended to be less jovial. "Since they were laughing, it was unusable, because instead of having that totally black, which would have been amazing, like, this blizzard, which in a sense is metaphorical for all of the the missiles that are coming, as well, you just have these guys having a good old time. So, as Kubrick later said, 'it was a disaster of Homeric proportions.' "[10]

However, editor Anthony Harvey states that "it would have stayed, except that Columbia Pictures were horrified, and thought it would offend the president's family."[12]

The scene included General Turgidson exclaiming, "Gentlemen! Our gallant young president has been struck down in his prime!" after Muffley takes a pie in the face. In the wake of the Kennedy assassination, this line, no matter how coincidental, would have hit too close to home to be used.


Reception

Critical views

Dr. Strangelove was listed as #26 on the American Film Institute's 100 Years, 100 Movies and #3 on its 100 Years, 100 Laughs. Sellers' line "Gentlemen, you can't fight in here! This is the War Room!" made #64 on AFI's 100 Years, 100 Quotes. The film has also been selected for preservation in the United States National Film Registry. In 2000, readers of Total Film magazine voted it the 24th greatest comedy film of all time.

Roger Ebert has Dr. Strangelove in his list of Great Movies[1], saying it is "arguably the best political satire of the century."

This film is number 53 on Bravo's "100 Funniest Movies".

Awards

The film was nominated for four academy awards and three BAFTA awards and won four BAFTA awards. It was nominated for the following Academy Awards: best actor (Peter Sellers), best adapted screenplay, best director, and best picture, and for the following BAFTA awards: best British actor (Peter Sellers), best British screenplay, and best foreign actor (Sterling Hayden). It won the following BAFTA awards: best British art direction (B/W) (Ken Adam), best British film, best film from any source, and the UN award. In addition, the film won the best written American comedy award from the Writers Guild of America and a Hugo Award for Best Dramatic Presentation. Kubrik himself won two awards for best director from the New York Film Critics Circle Awards and the Italian National Syndicate of Film Journalists and was nominated for one by the Directors Guild of America.

Trivia

  • During the filming, Stanley Kubrick and George C. Scott had differences of opinions regarding certain scenes. However, Kubrick got Scott to conform based largely upon his ability to beat Scott at chess (which they played frequently on the set)[13].
  • The photographic mural in General Ripper's office, is actually a view of Heathrow Airport, London.
  • On the opening title sequence, the movie proclaims "Base on the book Red Alert by Peter George". A spelling error wasn't noticed until the final print had been made.
  • "Peace is Our Profession" is the actual motto of the Strategic Air Command.
  • Major Kong's B-52, The Leper Colony, has a designation similar to the name of a B-17 in the movie 12 O'Clock High. In that movie, "Leper Colony" is crewed by the worst airmen in the 918th Bombing group.
  • The right-wing John Birch Society opposed fluoridation at the time claiming it was a government-mandated and involuntary medical treatment that violated citizens' civil rights [14].
  • "Johnny I Hardly Knew Ye", a traditional Irish anti-war song shares the same tune with the American patriotic song "When Johnny Comes Marching Home" and the "The Animals Went in Two by Two". The tune is used to accompany the B-52 flight.

Notes and References

  1. ^ a b Roger Ebert, "Dr. Strangelove (1964)", 11 July 1999 [1]
  2. ^ a b Brian Siano, "A Commentary on Dr. Strangelove", 1995
  3. ^ a b c Terry Southern, "Notes from The War Room", Grand Street, issue #49
  4. ^ a b "Interview with a Grand Guy" - interview with Terry Southern by Lee Hill
  5. ^ Alexander Walker, "Stanley Kubrick Directs", Harcourt Brace Co, 1972, ISBN 0156848929, cited in Brian Siano, "A Commentary on Dr. Strangelove", 1995
  6. ^ Phone interview with Thomas Schelling by Sharon Ghamari-Tabrizi, published in her book "The Worlds of Herman Kahn; The Intuitive Science of Thermonuclear War" (Harvard University Press, 2005) [2]
  7. ^ Terry Southern, "Check-up with Dr. Strangelove", article written in 1963 for Esquire but unpublished at the time
  8. ^ Sharon Ghamari-Tabrizi, "The Worlds of Herman Kahn; The Intuitive Science of Thermonuclear War", Harvard University Press, 2005
  9. ^ Macmillan International Dictionary of Films and Filmmakers, vol. 1, p. 126
  10. ^ a b c d "Inside the Making of Dr. Strangelove", a documentary included with the 40th Anniversary Special Edition DVD of the film
  11. ^ "An Interview with Stanley Kubrick (1969)", published in Joseph Gelmis, "The Film Director as Superstar", 1970, Doubleday and Company: Garden City, New York.[3]
  12. ^ "No Fighting in the War Room Or: Dr. Strangelove and the Nuclear Threat", a documentary included with the 40th Anniversary Special Edition DVD of the film
  13. ^ "Kubrick on The Shining" from Michel Ciment, "Kubrick", Holt, Rinehart, and Winston; 1st American ed edition (1983), ISBN: 0030616875
  14. ^ Randy Dotinga, "The tooth will out. Fluoride proponents and foes battle over conflicting scientific claims -- and the attention of voters", 6 Nov. 2000

See also