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In the second half of the movie, Guido, his uncle, and Joshua are taken to a [[concentration camp]] on Joshua's birthday. Dora demands to join her family and is permitted to do so. In an attempt to keep up Joshua's spirits, Guido convinces him that the camp is just a game – a game in which the first person to get a thousand points wins a tank. He tells Joshua that if you complain for hunger you lose points, while quiet boys who hide from the camp guards earn points, etc. He convinces Joshua that the camp guards are mean because they want the tank for themselves, that all the other children are hiding in order to win the game, and puts off every attempt of Joshua's ending the game and returning home by convincing him that they are in the lead for the tank. Despite being surrounded by rampant death and people and all their sicknesses, Joshua doesn't question this fiction both because of his father's convincing performance and his own innocence.
In the second half of the movie, Guido, his uncle, and Joshua are taken to a [[concentration camp]] on Joshua's birthday. Dora demands to join her family and is permitted to do so. In an attempt to keep up Joshua's spirits, Guido convinces him that the camp is just a game – a game in which the first person to get a thousand points wins a tank. He tells Joshua that if you complain for hunger you lose points, while quiet boys who hide from the camp guards earn points, etc. He convinces Joshua that the camp guards are mean because they want the tank for themselves, that all the other children are hiding in order to win the game, and puts off every attempt of Joshua's ending the game and returning home by convincing him that they are in the lead for the tank. Despite being surrounded by rampant death and people and all their sicknesses, Joshua doesn't question this fiction both because of his father's convincing performance and his own innocence.


Guido maintains this story right until the end, when – in the chaos caused by the American advance drawing near – he tells his son to stay in a [[The Box (torture)|sweatbox]] until everybody has left, this being the final test before the tank is his. After trying to find Dora, Guido is caught, taken away, and is shot by a Nazi guard, but not before making his son laugh one last time. Joshua managed to survive, and he thinks he won the game when an [[M4 Sherman|American tank]] arrives to liberate the camp, and is reunited with Dora, his mother. The last scene, in which an American tank and not a Russian one (Russia was at war with Germany and won the war. America did not win or participate to a great extent in World War II as popular fiction would have us believe), rescues the Holocaust victims, might have been deemed necessary for a bid for the Oscars.
Guido maintains this story right until the end, when – in the chaos caused by the American advance drawing near – he tells his son to stay in a [[The Box (torture)|sweatbox]] until everybody has left, this being the final test before the tank is his. After trying to find Dora, Guido is caught, taken away, and is shot by a Nazi guard, but not before making his son laugh one last time. Joshua managed to survive, and he thinks he won the game when an [[M4 Sherman|American tank]] arrives to liberate the camp, and is reunited with Dora, his mother. The last scene, in which an American tank rescues the Holocaust victims, might have been deemed necessary for a bid for the Oscars.


==Music==
==Music==

Revision as of 19:46, 8 October 2007

Life Is Beautiful
Original film poster
Directed byRoberto Benigni
Written byRoberto Benigni
Vincenzo Cerami
Produced byGianluigi Braschi
John M. Davis
Elda Ferri
StarringRoberto Benigni
Nicoletta Braschi
Giorgio Cantarini
Giustino Durano
Distributed byMiramax Films (USA)
Release dates
Italy 20 December 1997
United States 23 October, 1998
Canada 6 November, 1998
Australia 26 December, 1998
United Kingdom 12 February, 1999
New Zealand 5 March, 1999
Running time
116 minutes
LanguagesItalian, German, English

Life Is Beautiful (Italian: La vita è bella) is a 1997 Italian language film which tells the story of a Jewish Italian, Guido Orefice (played by Roberto Benigni, who also directed and co-wrote the film), who must learn how to use his fertile imagination to help his son survive their internment in a Nazi concentration camp.

Title

The title derives from Leon Trotsky's last testament; while in exile in Mexico, expecting to die shortly from high blood pressure (or from agents loyal to his rival Joseph Stalin), Trotsky wrote,

"Natasha has just come up to the window from the courtyard and opened it wider so that the air may enter more freely into my room. I can see the bright green strip of grass beneath the wall, and the clear blue sky above the wall, and sunlight everywhere. Life is beautiful. Let the future generations cleanse it of all evil, oppression and violence, and enjoy it to the full."

Plot

The first half of the movie is a whimsical, romantic comedy and often slapstick. Guido (Roberto Benigni), a young Italian Jew, arrives in Arezzo where he sets up a bookstore. Guido is both funny and charismatic, especially when he romances Dora (Italian, but not Jewish. Protrayed by Nicoletta Braschi), whom he steals – at her engagement – from her rude and loud fiancé. Several years pass, in which Guido and Dora have a son, Joshua (written Giosuè in the Italian version. Portrayed by Giorgio Cantarini). In the film, Joshua is around five years old. However, both the beginning and ending of the film is narrated by an older Joshua.

In the second half of the movie, Guido, his uncle, and Joshua are taken to a concentration camp on Joshua's birthday. Dora demands to join her family and is permitted to do so. In an attempt to keep up Joshua's spirits, Guido convinces him that the camp is just a game – a game in which the first person to get a thousand points wins a tank. He tells Joshua that if you complain for hunger you lose points, while quiet boys who hide from the camp guards earn points, etc. He convinces Joshua that the camp guards are mean because they want the tank for themselves, that all the other children are hiding in order to win the game, and puts off every attempt of Joshua's ending the game and returning home by convincing him that they are in the lead for the tank. Despite being surrounded by rampant death and people and all their sicknesses, Joshua doesn't question this fiction both because of his father's convincing performance and his own innocence.

Guido maintains this story right until the end, when – in the chaos caused by the American advance drawing near – he tells his son to stay in a sweatbox until everybody has left, this being the final test before the tank is his. After trying to find Dora, Guido is caught, taken away, and is shot by a Nazi guard, but not before making his son laugh one last time. Joshua managed to survive, and he thinks he won the game when an American tank arrives to liberate the camp, and is reunited with Dora, his mother. The last scene, in which an American tank rescues the Holocaust victims, might have been deemed necessary for a bid for the Oscars.

Music

The movie twice includes music from Jacques Offenbach's operetta Les Contes d'Hoffmann (Tales of Hoffmann), with its melody "Barcarola". It is first played at an opera house during Guido's and Dora's courtship; later, Guido surreptitiously plays it over the concentration camp's loudspeaker in an effort to communicate hope to his wife and others.

Awards

The movie made the Cannes Film Festival in 1998, winning the Grand Prize of the Jury. It then went on to win Academy Awards for Best Music, Original Dramatic Score and Best Foreign Language Film. Benigni won Best Actor for his role. The film was additionally nominated for Academy Awards for Directing, Film Editing, Best Picture, and Best Original Screenplay, and is ranked 90th on the Internet Movie Database's list of top 250 rated films as voted by nearly sixty thousand users as of September 2007.

Trivia

  • Life is Beautiful is Former Pope John Paul II's favorite movie[1]

See also

Preceded by Grand Prix, Cannes
1998
Succeeded by
Preceded by Academy Award for Best Foreign Language Film
1999
Succeeded by