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*{{mojo title|id=cloverfield|title=Cloverfield}}
*{{mojo title|id=cloverfield|title=Cloverfield}}
*{{amg movie|id=1:413038|title=Cloverfield}}
*{{amg movie|id=1:413038|title=Cloverfield}}
*[http://www.hollywoodsnitch.com/?q=node/822 Cloverfield Review]


{{Box Office Leaders USA
{{Box Office Leaders USA

Revision as of 07:08, 23 January 2008

Cloverfield
American theatrical poster
Directed byMatt Reeves
Written byDrew Goddard
Produced byJ. J. Abrams
Bryan Burk
StarringMichael Stahl-David
Mike Vogel
Odette Yustman
Lizzy Caplan
Jessica Lucas
T. J. Miller
Distributed byParamount Pictures
Release dates
January 17 2008 (NZ[1] and AU)[2]
January 18 2008 (US and Canada)
February 1 2008 (UK)[3]
Running time
84 min.
CountryUnited States
LanguageEnglish
Budget$25 million[4]
Box office$40,037,000[5]

Cloverfield is a 2008 American monster movie produced by J. J. Abrams, directed by Matt Reeves, and written by Drew Goddard. First publicized in advance screenings of Transformers, the project was released on January 17 in New Zealand and Australia, and on January 18 in North America. It is scheduled for a February 1 release in the United Kingdom. Prior to the film's release, Paramount Pictures carried out a viral marketing campaign to promote the film. The campaign included viral tie-ins similar to the Lost Experience.[6] The film follows five young New Yorkers who throw their friend a going-away party the night a giant creature attacks the city.

Plot summary

On the night of May 22, 2009, in which five friends throw a going-away party, a giant monster attacks Manhattan. The film depicts their attempts to survive the attack, presented as a recording from their hand-held video camera.

Jason (Mike Vogel) and his girlfriend Lily (Jessica Lucas) throw a surprise going-away party for Jason's brother, Rob (Michael Stahl-David) after he accepts a job in Japan. "Hud" (T. J. Miller) is given the task of documenting Rob's last night in the United States and attempts to attract the attention of his crush, Marlena (Lizzy Caplan). A confrontation occurs between Rob and his friend, Beth (Odette Yustman), after it is revealed the two have had sex. Beth is upset at Rob for not calling her for a month afterwards, and she leaves the party with her date. Gaps in the footage reveal scenes from a trip Rob and Beth took to Coney Island one month beforehand.

Suddenly the building rocks with earthquake intensity as loud animal-like noises reverberate outside. Large parts of the city briefly lose power. From the roof, the friends see a large explosion in the distance and they flee to the street where the head of the Statue of Liberty crashes to the ground as further explosions and a gargantuan creature are glimpsed in the distance. The friends attempt to leave Manhattan via the Brooklyn Bridge where they see a decapitated Statue of Liberty and capsized oil tanker off in the distance, but stop when Rob receives a phone call from Beth who is trapped in her apartment. The bridge then begins to collapse after the creature attacks it. Jason dies in the ensuing chaos.

U.S. Military ground forces arrive to battle the creature and are attacked by smaller creatures which fall from its body. Rob and his remaining friends resolve to rescue Beth and make their way to her apartment via a subway tunnel, where Marlena is bitten by one of the smaller creatures after saving Hud while the group was being attacked. The group then reaches a U.S. Army field hospital where Marlena begins to bleed through various orifices. She is taken behind a screen, where her torso appears to explode.

After receiving information regarding the evacuation of the city, and a warning that Manhattan will be bombed by the military should they fail to contain the creature, the friends continue to Beth's apartment, which has partially toppled into a neighboring building. Finding Beth alive, but injured, they make their way to the evacuation site. Lily is placed in the last seat of a departing helicopter. Rob, Beth and Hud board another helicopter and watch as a B-2 Stealth Bomber drops several bombs on the creature, creating a cloud of dust and debris. However, the creature survives this bombing and lunges up, hitting the friends' helicopter and sending it out of control. They survive the crash in Central Park, but Hud is killed by the creature after it attempts to consume him.

Retrieving the camera, Rob and Beth take shelter under a bridge, where they each briefly address anyone who might find the film. Air-raid sirens sound and an explosion collapses the bridge, partially covering the camera with debris. Rob and Beth proclaim their love for each other before a second explosion covers the camera completely in rubble. The final scene returns to the footage from Coney Island, where in the background an object can be seen falling from the sky into the water.[7] After the credits are shown, a short radio transmission plays.[8]

Cast

To prevent the leaking of plot information, instead of auditioning the actors with scenes from the film, scripts from Abrams's previous productions were used, such as television series Alias and Lost. Some scenes were also written specifically for the audition process, not intended for use in the film. Despite not being told the premise of the film, Lizzy Caplan stated that she accepted a role in Cloverfield solely because she was a fan of the Abrams-produced television series Lost, and her experience of discovering its true nature initially caused her to state that she would not sign on for a film in the future "without knowing full well what it is." She indicated that her character was a sarcastic outsider, and that her role was "physically demanding."[9]

Production

Development

The poster for Escape from New York (1981) inspired the scene of the decapitated head of the Statue of Liberty in Cloverfield

J. J. Abrams conceived of a new monster after he and his son visited a toy store in Japan while promoting Mission: Impossible III. He explained, "We saw all these Godzilla toys, and I thought, we need our own [American] monster, and not King Kong, King Kong's adorable. I wanted something that was just insane and intense."[10] In February 2007, Paramount Pictures secretly greenlit Cloverfield, to be produced by Abrams, directed by Matt Reeves, and written by Drew Goddard. The project was produced by Abrams' company, Bad Robot Productions.[11]

The decapitated head of the Statue of Liberty was inspired by the poster of the 1981 film Escape from New York, which had shown the head lying in the streets in New York despite not appearing in the film itself. According to Reeves, "It's an incredibly provocative image. And that was the source that inspired [producer] J.J. [Abrams] to say, 'Now this would be an interesting idea for a movie.'"[12]

The film was titled Cloverfield from the beginning, but the title changed throughout production before it was finalized as the original title. Matt Reeves explained that the title was changed frequently due to the hype caused by the teaser trailer, "That excitement spread to such a degree that we suddenly couldn't use the name anymore. So we started using all these names like Slusho and Cheese.[13] And people always found out what we were doing!" The director said that "Cloverfield" was the government's case designate for the monster, comparing the titling to that of the Manhattan Project. "And it's not a project per se. It's the way that this case has been designated. That's why that is on the trailer, and it becomes clearer in the film. It's how they refer to this phenomenon [or] this case," said the director.[14] The film's final title, "Cloverfield", is the name of a main street in Santa Monica, CA, near Abrams's office.[15][13]

Filming

The casting process was carried out in secret, with no script being sent out to candidates. With production estimated to have a budget of $30 million, filming began in mid-June in New York.[11] One cast member indicated that the film would look like it cost $150 million, despite producers not casting recognizable and expensive actors.[9] Filmmakers used the F23 high-definition camera from Sony to film exterior scenes.[16] Filming took place on Coney Island, with scenes being shot at Deno's Wonder Wheel Amusement Park and the B&B Carousel.[17] Some interior shots were filmed on a soundstage at Downey, California.[18] The film was edited to look like it was filmed with one hand-held camera, including jump cuts similar to ones found in home movies. Director Matt Reeves described the presentation, "We wanted this to be as if someone found a Handicam, took out the tape and put it in the player to watch it. What you're watching is a home movie that then turns into something else." Reeves explained that the pedestrians documenting the severed head of the Statue of Liberty with the camera phones was reflective of the contemporary period. According to him: "Cloverfield very much speaks to the fear and anxieties of our time, how we live our lives. Constantly documenting things and putting them up on YouTube, sending people videos through e-mail – we felt it was very applicable to the way people feel now," [19].

Creature design

Visual effects supervisor Phil Tippett and his company Tippett Studio were enlisted to develop the visual effects for Cloverfield.[20] Because the visual effects were incorporated after filming, cast members had to react to a non-existent creature during scenes, only being familiar with early conceptual renderings of the beast.[21] Artist Neville Page designed the monster, thoroughly creating a biological rationale for the creature, even if many of his ideas would not show up on screen. The key idea behind the monster was that he was an immature creature suffering from "separation anxiety". This recalls real-life elephants who get frightened and lash out at the circus, because the director felt "there's nothing scarier than something huge that's spooked".[22]

Marketing

Filmmakers decided to create a teaser trailer that would be a surprise in the light of commonplace media saturation, which they put together during the preparation stage of the production process. The teaser was then used as a basis for the film itself. Paramount Pictures encouraged the teaser to be released without a title attached, and the Motion Picture Association of America approved the move.[19] As Transformers showed high tracking numbers before its release in July 2007, the studio attached the teaser trailer for Cloverfield that showed the release date of January 18 2008 but not the title.[11] A second trailer was released on November 16, 2007, which confirmed the title.[23]

The studio had kept knowledge of the project secret from the online community, a cited rarity due to the presence of scoopers that follow upcoming films. The controlled release of information on the film has been observed as a risky strategy, which could succeed like The Blair Witch Project (1999) or disappoint like Snakes on a Plane (2006), the latter of which had generated online hype but failed to attract large audiences. Chad Hartigan of Exhibitor Relations Co. viewed the several issues with the potential of the film, including a lack of major stars, the underwhelming performance of Godzilla-style films in America, and the film's slated release in January, considered a "dumping ground for bad films".[24]

Pre-release plot speculation

The sudden appearance of the untitled trailer for Cloverfield fueled media speculation over the film's plot. USA Today reported the possibilities of the film being based on the works of H. P. Lovecraft, a live-action adaptation of Voltron, a new film about Godzilla, or a spin-off of the TV show Lost.[25] The Star Ledger also reported the possibility of the film being based on Lovecraft lore or Godzilla.[26] The Guardian also reported the possibility of a Lost spin-off,[27] while Time Out reported that the film was about an alien called The Parasite.[28] IGN also backed the possibility of the same premise, with The Parasite rumored to be a working title for the film.[14] Online, Slusho and Colossus had also been discussed as possible titles.[29] Entertainment Weekly also disputed reports that the film would be about a parasite or a colossal Asian robot such as Voltron.[30]

Visitors of the website Ain't It Cool News have pointed out 9/11 allusions based on the destruction in New York City such as the decapitated Statue of Liberty. The film has also drawn alternate reality game enthusiasts that have followed other viral marketing campaigns like those set up for the TV series Lost, the video game Halo 2, the Nine Inch Nails album Year Zero, and the upcoming Batman film The Dark Knight. Members of the forums at argn.com and unfiction.com have investigated the background of the film, with the "1-18-08" section at Unfiction generating over 7,700 posts in August 2007. The members have studied photographs on the film's official site, potentially related MySpace profiles,[31] and the Comic-Con teaser poster for the film.[24] A popular piece of fan art posited that the monster was a mutated blue whale.[22]

Viral tie-ins

File:1-18-08.JPG
Photos on the 1-18-08.com viral marketing website.

Puzzle websites containing Lovecraftian elements, such as Ethan Haas Was Right, were originally reported to be connected to the film.[25][27] On July 9 2007, producer J. J. Abrams stated that, while a number of websites were being developed to market the film, the only official site that had been found was 1-18-08.com.[32] At the site, a collection of time-coded photos are provided to visitors to piece together a series of events and interpret their meanings.[33]

As part of the viral marketing campaign, the drink Slusho! has served as a tie-in. The drink had previously appeared in producer Abrams' previous creation, the TV series Alias.[34] Viral websites for Slusho! and a Japanese drilling company named Tagruato (タグルアト, Taguruato) were launched to add to the mythology of Cloverfield.[6] When Cloverfield was hosted at Comic-Con 2007, gray Slusho! t-shirts were distributed to attendees.[35] Fans who had registered at the Slusho! website for Cloverfield received e-mails of fictional sonar images prior to the film's release that showed a deep-sea creature heading toward Manhattan.[36]

Producer Bryan Burk explained the viral tie-in, "[It] was all done in conjunction with the studio… The whole experience in making this movie is very reminiscent [of] how we did Lost."[6] Director Matt Reeves described Slusho! as "part of the involved connectivity" with Abrams' Alias and that the drink represented a "meta-story" for Cloverfield. The director explained, "It's almost like tentacles that grow out of the film and lead, also, to the ideas in the film. And there's this weird way where you can go see the movie and it's one experience… But there's also this other place where you can get engaged where there's this other sort of aspect for all those people who are into that. […] All the stories kind of bounce off one another and inform each other. But, at the end of the day, this movie stands on its own to be a movie. […] The Internet sort of stories and connections and clues are, in a way, a prism and they're another way of looking at the same thing. To us, it's just another exciting aspect of the storytelling."[34]

Merchandise

A four installment manga series by Yoshiki Togawa titled Cloverfield/Kishin (クローバーフィールド／ＫＩＳＨＩＮ, Kurōbāfīrudo/KISHIN) is being released by Japanese publisher Kadokawa Shoten.[37] The story focuses on a Japanese high school student named Kishin Aiba, who is trapped on a Tagruato freighter ship, and will be a prequel to the film.[38]

Based on the successful opening weekend of Cloverfield in theaters, Hasbro began accepting orders for a 14-inch collectible toy figure of the monster and its parasites to be shipped to fans by September 30 2008.[39]

Reception

Cloverfield opened in 3,411 theaters on January 18, 2008 and grossed a total of $16,930,000 on its opening day in the United States and Canada. It made $41,000,000 on its opening weekend, making it the most successful January release gross of all time.[40] As of January 19, 2008, review aggregate website Rotten Tomatoes reported that 76% of critics gave the film positive write-ups, based on 117 reviews.[41] According to Metacritic, the film has received an average critic score of 62%, based on 34 reviews.[42]

Marc Savlov of The Austin Chronicle calls the film "the most intense and original creature feature I've seen in my adult moviegoing life […] a pure-blood, grade A, exultantly exhilarating monster movie." He cites Matt Reeves' direction, the "whip-smart, stylistically invisible" script and the "nearly subconscious evocation of our current paranoid, terror-phobic times" as the keys to the film's success, saying that telling the story through the lens of one character's camera "works fantastically well."[43] Michael Rechtshaffen of The Hollywood Reporter called it "chillingly effective", praising the effects and the film's "claustrophobic intensity". He said that though the characters "aren't particularly interesting or developed", there was "something refreshing about a monster movie that isn't filled with the usual suspects."[44] Lisa Schwarzbaum of Entertainment Weekly said that the film was "surreptitiously subversive, [a] stylistically clever little gem", and that while the characters were "vapid, twenty-something nincompoops" and the acting "appropriately unmemorable", the decision to tell the story through amateur footage was "brilliant".[45] Roger Ebert in the Chicago Sun-Times wrote that the film is "pretty scary at times" and cites "unmistakable evocations of 9/11". He concludes that "all in all, it is an effective film, deploying its special effects well and never breaking the illusion that it is all happening as we see it."[46]

Todd McCarthy of Variety called the film an "old-fashioned monster movie dressed up in trendy new threads", praising the special effects, "nihilistic attitude" and "post-9/11 anxiety overlay", but said, "In the end, [it's] not much different from all the marauding creature features that have come before it."[47] Scott Foundas of LA Weekly was critical of the film's allusions to the September 11, 2001 attacks and called it "cheap and opportunistic". He compared its "stealth" attempts at social commentary unfavorably to the films of Don Siegel, George A. Romero and Steven Spielberg, saying, "Where those filmmakers all had something meaningful to say about the state of the world and […] human nature, Abrams doesn't have much to say about anything."[48] Manohla Dargis in the New York Times called the allusions "tacky", saying, "[The images] may make you think of the attack, and you may curse the filmmakers for their vulgarity, insensitivity or lack of imagination", but that "the film is too dumb to offend anything except your intelligence." She concludes that the film "works as a showcase for impressively realistic-looking special effects, a realism that fails to extend to the scurrying humans whose fates are meant to invoke pity and fear but instead inspire yawns and contempt."[49] Stephanie Zacharek of Salon.com calls the film "badly constructed, humorless and emotionally sadistic", and sums up by saying that the film "takes the trauma of 9/11 and turns it into just another random spectacle at which to point and shoot."[50] Michael Phillips of the Chicago Tribune warned that the viewer may feel "queasy" at the references to September 11, but that "other sequences […] carry a real jolt" and that such tactics were "crude, but undeniably gripping". He called the film "dumb", but "quick and dirty and effectively brusque", concluding that despite it being "a harsher, more demographically calculating brand of fun", he enjoyed the film.[51] Bruce Paterson of Cinephilia described the film as "a successful experiment in style but not necessarily a successful story for those who want dramatic closure."[52]

Soundtrack

Cloverfield, being presented as if it were a recording by one of the characters, has no film score save for the composition "ROAR! (Cloverfield Overture)" by Michael Giacchino that plays over the end credits[51] and music played during Rob's goodbye party, which includes songs by artists such as Gorillaz ("19-2000"), Sean Kingston ("Beautiful Girls"), Spoon ("The Underdog"), Kings of Leon ("Taper Jean Girl"), Ratatat ("Seventeen Years"), Coconut Records ("West Coast"), Bright Eyes ("Four Winds"), and culminating with Of Montreal ("Wraith Pinned to the Mist and Other Games").[citation needed]

A sampler disc was distributed to guests at Rob's Going Away Party at the Dark Room in New York City on 17 January, 2008.[citation needed]

DVD release

According to website VideoETA.com, the film is estimated to have a possible DVD release June 2008.[53]

Sequel

At the premiere of the film Matt Reeves talked about possibilities on how a sequel will turn out if the film succeeds. Reeves states,

"While we were on set making the film we talked about the possibilities and directions of how a sequel can go. The fun of this movie was that it might not have been the only movie being made that night, there might be another movie! In today’s day and age of people filming their lives on their iphones and handy cams, uploading it to youtube…That was kind of exciting thinking about that.[54]

There's a moment on the Brooklyn Bridge, and there was a guy filming something on the side of the bridge, and Hud sees him filming and he turns over and he sees the ship that's been capsized and sees the headless Statue of Liberty, and then he turns back and this guy's briefly filming him. In my mind that was two movies intersecting for a brief moment, and I thought there was something interesting in the idea that this incident happened and there are so many different points of view, and there are several different movies at least happening that evening and we just saw one piece of another."

Reeves also points out that the end scene on Coney Island, shows something falling into the ocean in the background.[22]

See Also

References

  1. ^ "Cloverfield New Zealand Release Date". Paramount Pictures. Retrieved 2008-01-14.
  2. ^ "Cloverfield Australian Release Date". Paramount Pictures. Retrieved 2008-01-02.
  3. ^ "Cloverfield UK Release Date". Paramount Pictures. Retrieved 2007-12-18.
  4. ^ ""Cloverfield" a refreshing monster mashup". Reuters. Retrieved 2008-01-17.
  5. ^ "Weekend Box Office". IGN. Retrieved 2008-01-22.
  6. ^ a b c Tara DiLullo Bennett (2007-12-17). "Producer Talks Cloverfield". Sci Fi Wire. Retrieved 2007-12-22. {{cite news}}: Check date values in: |date= (help)
  7. ^ "Origin of the 'Cloverfield' Monster Revealed... IN MOVIE!". Bloody-disgusting.com. Retrieved 2008-01-22.
  8. ^ "Cloverfield Monster: It's Still Alive?". 1-18-08 Project Cloverfield. Retrieved 2008-01-22.
  9. ^ a b "Lizzy Caplan: The Meanest Girl in Hollywood?". BlackBook Magazine. 2007-11-15. Retrieved 2007-11-16. {{cite web}}: Check date values in: |date= (help)
  10. ^ Alex Billington (2007-07-26). "Comic-Con Live: Paramount Panel - Star Trek, Indiana Jones IV, and More…". FirstShowing.net. Retrieved 2007-09-17. {{cite news}}: Check date values in: |date= (help)
  11. ^ a b c Borys Kit (2007-07-06). "Paramount rolls in the 'Cloverfield'". The Hollywood Reporter. Retrieved 2007-07-06. {{cite news}}: Check date values in: |date= (help); Unknown parameter |coauthors= ignored (|author= suggested) (help)
  12. ^ Scott Collura (2007-12-14). "Exclusive: Cloverfield Director Speaks! Part Two". IGN. Retrieved 2007-12-22. {{cite news}}: Check date values in: |date= (help)
  13. ^ a b Peter Sciretta (2007-09-05). "What will Cloverfield/1-18-08 Be Titled?". SlashFilm. Retrieved 2007-09-05. {{cite news}}: Check date values in: |date= (help)
  14. ^ a b Scott Collura (2007-12-14). "Exclusive: Cloverfield Director Speaks!". IGN. Retrieved 2007-12-22. {{cite news}}: Check date values in: |date= (help) Cite error: The named reference "ign" was defined multiple times with different content (see the help page).
  15. ^ Bruce Newman (2008-01-18). "'Cloverfield': A monster for the MySpace generation". Mercury News. Retrieved 2008-01-18. {{cite news}}: Check date values in: |date= (help)
  16. ^ "SONY'S F23 HIGH-DEFINITION CAMERA CUTS ITS TEETH IN THE MAKING OF "CLOVERFIELD"". Sony Electronics. 2008-01-21. Retrieved 2008-01-22. {{cite news}}: Check date values in: |date= (help)
  17. ^ Farrah Weinstein (2007-07-16). "Bait Balls of Fire". New York Post. Retrieved 2007-07-17. {{cite news}}: Check date values in: |date= (help)
  18. ^ Lisa Blake (2007-08-22). "Bases harnessed for double duty". Variety. Retrieved 2007-08-27. {{cite news}}: Check date values in: |date= (help)
  19. ^ a b Ryan Rotten (2007-12-14). "EXCL: Cloverfield Director Speaks!". ShockTillYouDrop.com. Retrieved 2007-12-22. {{cite news}}: Check date values in: |date= (help)
  20. ^ Ryan Ball (2007-09-27). "Tippett Making Abrams' Monster". Animation Magazine. Retrieved 2007-12-06. {{cite news}}: Check date values in: |date= (help)
  21. ^ Ryan Rotten (2008-01-02). "EXCL: Michael Stahl-David Talks Cloverfield Experience". ShockTillYouDrop.com. Retrieved 2008-01-08. {{cite news}}: Check date values in: |date= (help)
  22. ^ a b c Max Evry (2008-01-21). "Reeves Runs Merrily Through Cloverfield". ComingSoon.net. Retrieved 2008-01-21. {{cite news}}: Check date values in: |date= (help)
  23. ^ Olly Richards (2007-11-19). "Exclusive: The New Cloverfield Trailer". Empire. Retrieved 2007-11-19. {{cite news}}: Check date values in: |date= (help)
  24. ^ a b Omar L. Gallaga (2007-08-03). "To market a movie, no name is needed; just create mystery and some Web buzz". Austin American-Statesman. {{cite news}}: Check date values in: |date= (help)
  25. ^ a b Anthony Breznican (2007-07-09). "Mystifying trailer transforms marketing". USA Today. Retrieved 2007-07-16. {{cite news}}: Check date values in: |date= (help)
  26. ^ Lisa Rose (2007-07-09). "Hush-hush project stirs wild speculation". The Star Ledger. Retrieved 2007-07-09. {{cite news}}: Check date values in: |date= (help)
  27. ^ a b "Trailer for Abrams film lost on moviegoers". The Guardian. 2007-07-11. Retrieved 2007-07-26. {{cite news}}: Check date values in: |date= (help)
  28. ^ Chris Tilly (2007-07-11). "What is 'Cloverfield'?". Time Out. Retrieved 2007-07-26. {{cite news}}: Check date values in: |date= (help)
  29. ^ Greg Morago (2007-08-22). "Our summer of mystery ads". Daily Press. {{cite news}}: Check date values in: |date= (help)
  30. ^ Jeff Jensen (2007-07-26). "J.J.'s Mystery Movie: Secrets revealed!". Entertainment Weekly. Retrieved 2007-07-26. {{cite news}}: Check date values in: |date= (help)
  31. ^ chapinyoung (2008-01-17). "Cloverfield's" Fake MySpace Pages". Current. Retrieved 2008-01-17. {{cite news}}: Check date values in: |date= (help)
  32. ^ Harry Knowles (2007-07-09). "JJ Abrams drops Harry a Line on all this 1-18-08 stuff!". Ain't It Cool News. Retrieved 2007-07-09. {{cite news}}: Check date values in: |date= (help)
  33. ^ Rodney Chester (2007-08-11). "Movie codenamed Cloverfield next blockbuster". The Courier-Mail. Retrieved 2007-08-13. {{cite news}}: Check date values in: |date= (help)
  34. ^ a b Silas Lesnick (2007-12-14). "IESB EXCLUSIVE INTERVIEW: Cloverfield Director Matt Reeves!". IESB.net. Retrieved 2007-12-22. {{cite news}}: Check date values in: |date= (help)
  35. ^ Larry Carroll (2007-07-27). "Comic-Con: J.J. Abrams' Secret Project And 'The Dark Knight' Go Guerrilla With Marketing Tactics". MTV. Retrieved 2007-12-22. {{cite news}}: Check date values in: |date= (help)
  36. ^ Will Pavia (2008-01-02). "The cloak-and-dagger approach to hype". The Australian. {{cite news}}: Check date values in: |date= (help)
  37. ^ Kadokawa Shoten (2008-01-19). "Kadokawa Shoten Official Website". Kadokawa Shoten. Retrieved 2008-01-19. {{cite news}}: Check date values in: |date= (help)
  38. ^ Anime News Network (2008-01-16). "Shonen Ace Posts Cloverfield Movie Tie-In Manga Online". Anime News Network. Retrieved 2008-01-19. {{cite news}}: Check date values in: |date= (help)
  39. ^ Marc Graser (2008-01-21). "Hasbro toys with 'Cloverfield' monster". Variety. Retrieved 2008-01-22. {{cite news}}: Check date values in: |date= (help)
  40. ^ Associated Press (2008-01-20). "Creature-Feature 'Cloverfield' Is Monster Hit at Box Office". Fox News. Retrieved 2008-01-20. {{cite news}}: Check date values in: |date= (help)
  41. ^ "Cloverfield – Movie Reviews". Rotten Tomatoes. Retrieved 2008-01-19.
  42. ^ "Cloverfield (2008): Reviews". Metacritic. Retrieved 2008-01-18.
  43. ^ Marc Savlov (2008-01-18). "Cloverfield". The Austin Chronicle. Retrieved 2008-01-18. {{cite news}}: Check date values in: |date= (help)
  44. ^ Michael Rechtshaffen (2008-01-17). "Bottom Line: It's "The Blair Godzilla Project"--and that's a compliment". The Hollywood Reporter. Retrieved 2008-01-17. {{cite news}}: Check date values in: |date= (help)
  45. ^ Lisa Schwarzbaum (2008-01-16). "Movie Review: Cloverfield". Entertainment Weekly. Retrieved 2008-01-17. {{cite news}}: Check date values in: |date= (help)
  46. ^ Roger Ebert (2008-01-17). "Review: Cloverfield". Chicago Sun-Times. Retrieved 2008-01-18. {{cite news}}: Check date values in: |date= (help)
  47. ^ Todd McCarthy (2008-01-16). "Cloverfield review". Variety. Retrieved 2008-01-17. {{cite news}}: Check date values in: |date= (help)
  48. ^ Scott Foundas (2008-01-16). "Cloverfield Is a Horror". LA Weekly. Retrieved 2008-01-17. {{cite news}}: Check date values in: |date= (help)
  49. ^ Manohla Dargis (2008-01-18). "We're All Gonna Die! Grab Your Video Camera!". The New York Times. Retrieved 2008-01-18. {{cite news}}: Check date values in: |date= (help)
  50. ^ Stephanie Zacharek (2008-01-17). "Cloverfield: Do we really need the horror of 9/11 to be repackaged and presented to us as an amusement-park ride?". Salon.com. Retrieved 2008-01-18. {{cite news}}: Check date values in: |date= (help)
  51. ^ a b Michael Phillips (2008-01-16). "Movie review: Cloverfield". Chicago Tribune. Retrieved 2008-01-22. {{cite news}}: Check date values in: |date= (help)
  52. ^ Cinephilia
  53. ^ "Cloverfield".
  54. ^ SpookyDan (2008-01-17). "'Cloverfield' Sequel Talk, Violent Plans!". Bloody Disgusting. Retrieved 2008-01-17. {{cite news}}: Check date values in: |date= (help)

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