Wikipedia:Featured article candidates/Kannada literature in the Kingdom of Mysore/archive1

Kannada literature in the Kingdom of Mysore

Nominator(s): Dineshkannambadi (talk)

• Featured article candidates/Kannada literature in the Kingdom of Mysore/archive1

I am nominating this for featured article because it meets all the required criteria. It is well cited and has been copyedited by User:Michael Devore and User:Finetooth. It has been peerreviewd by User:Ruhrfisch, User:Taxman, user:Michael Devore, User:Kensplanet, user:Finetooth, and User:Redtigerxyz. The article covers an important period in the development of Kannada literature.

• Peer review of Kannada literature in the Kingdom of Mysore

Some comments by the primary author seeking advice from constructive reviewers

I am the creator and primary author of the article. I began to expand the article around November 7 2008, and by December 16 2008, the article had expanded sufficiently to cover all the literary aspects I felt was necessary to give the reader the full picture of events. I changed the article's title to "Kannada literature, 1600–1900 CE", which I felt was the appropriate name for the article, a title that did not impose any geographical limitations on the Kannada literature written in this period. However, claiming inconsistancy of the changed name (relative to other literature related FA articles I have written) and that the main article, Kingdom of Mysore was in a FAR (now closed with "keep"), User:Fowler&fowler (the nominator of the FAR), reverted my move, bringing the article's title back to what it is now: "Kananda literature in the Kingdom of Mysore". Fowler's comments are available on the archived PR page and the talk page of this article. Taking advice from two well established administrators, User:YellowAssessmentMonkey and User:Dank55, I decided to bring the issue here, to let the reviewers help choose the best title for this article in a constructive way. On the peer reivew, two well established users, User:Taxman and User:Ruhrfisch suggested a more flexible approach and a sort of compromise. The contents of the article are now balanced, giving the reader full info on the development of each literary genre. So, keeping the content together is vital from the point of view of balance and completeness. I am seeking constructive and helpful comments to resolve this simple issue. Dineshkannambadi (talk) 02:44, 11 February 2009 (UTC)

• Oppose. The article cited only few references, the article do not cite any information for any other more references.--Johnlemartirao (talk) 12:25, 11 February 2009 (UTC)
  • I am sorry, but I dont understand your comment. If you mean to say 162 citations (with numerous clubbed citations from multiple sources) from some 20 sources are not good enough, then I must say your comment in inactionable. However, if you can point out where you want more citations, I can provide it gladly. Literature is one of those subjects where information after some point become repetitive and adding more and more sources to the article becomes meaningless. Regards,Dineshkannambadi (talk) 12:30, 11 February 2009 (UTC)
    • The article cites roughly 20 sources. How is this too few? Nishkid64 _{(Make articles, not wikidrama)} 23:43, 12 February 2009 (UTC)

This opposer hasn't edited much and has only two other nomming contributions to the FAC process, one was completely unreferenced and closed about 0-7, and the other was deleted as a copyright violation so he doesn't seem up to speed with FAC. YellowMonkey (click here to vote for world cycling's #1 model!) 01:25, 13 February 2009 (UTC)

I'm not involved in this FAC on the merits of the article, but now I'm watching the FAC itself for off-topic discussion per SG's nudge. Information on the process of getting an article to FAC has been moved to the discussion page. More may be moved. Please focus on the merits of this article and what can be done to promote this article, or archive it until it can be nominated again. --Moni3 (talk) 15:38, 21 February 2009 (UTC)

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F&f's Post 1

• Oppose Fowler&fowler«Talk» 02:26, 22 February 2009 (UTC)
• Here are some comments.
  • Poorly written. See my two sets of remarks on the article talk page: F&f's critique of first paragraph in lead and F&f's critique of third paragraph in lead (selected at random)
  • Why is the Mysore Palace photograph relevant to an article that is about literature? The palace was built between 1897 and 1912, and its own page says nothing about literature. The lead paragraph in the KLKM article says, "The available writings date from around 1600 CE to the early 20th century." How was a palace that was completed in 1912 relevant to these "available writings?" It is especially irrelevant, when the primary author is attempting to change the name of the article to "Kannada literature, 1600–1900 CE" and is inviting others to discuss that issue in this FAC.
    • PS Since I made this post here, the primary author has changed the caption of photograph (without informing us here) from "Mysore palace" to "Mysore palace, centre of the court and its literary circle." Who were the members of this literary circle that existed in the narrow window of time between the completion of the palace in 1912 and the end of the "early 20th century" in ... ? Fowler&fowler«Talk» 13:42, 22 February 2009 (UTC)
  • I have tagged File:KRWIII.JPG (used in the article) for deletion. The image has no source information. No name of artist or when s/he lived or any documentation that the portrait is whose it is claimed to be, has been provided. (My own personal view is that it is not a painting at all, but rather an old colored-in photograph, which is likely not of KRWIII for reasons I won't go into here.) Fowler&fowler«Talk» 02:26, 22 February 2009 (UTC)

F&f's post 2

(Reply to user:DK's post below of 19:00, 22 February 2009) I'm afraid you keep changing your story about why the image is relevant. I have posted a response to your latest rationale in the article talk page section, Mysore palace image As for your response to my criticism of the article's prose (in the article talk page sections F&f's critique of first paragraph in lead and F&f's critique of third paragraph in lead (selected at random), I would like to suggest that you take it seriously if you are interested in improving this article, Regards, Fowler&fowler«Talk» 20:19, 22 February 2009 (UTC)

F&f's Post 3

(Reply to user:DK's post of 22:16, 22 February 2009) Citations or no citations, how can a palace whose construction was begun in 1897 and completed in 1912 be home to a theater in 1881, and how can its image then be meaningful in the lead of an article whose scope doesn't extend beyond the "early 20th century?" Fowler&fowler«Talk» 03:19, 23 February 2009 (UTC)

F&f's Post4

I have moved the post to the talk page subsection: F&f Post 4 from FAC. I note that I made a similar post in the peer-review, but user:DK never responded to it.

I note too that user:DK has not responded to my other posts on the article's talk page (which link to my posts 1 and 2 above). Regards, Fowler&fowler«Talk» 20:50, 24 February 2009 (UTC)

F&f's post 5

I note again that user:DK had not responded to my posts on the prose and the logic in the first and third lead paragraphs (See article talk page sections F&f's critique of first paragraph in lead and F&f's critique of third paragraph in lead (selected at random)) which are linked to my posts 1 and 2 above. After having stated, "Regarding 'poorly written,' feel free to suggest prose improvements and I will incorporate it if necessary, considering every user has his/her own views," he has done nothing with my posts—neither incorporated any variant of them, nor given reasons for not doing so.

In addition, he has only obliquely responded to my post 4 above (by describing the entire post as "off-topic"). Since the Kingdom of Mysore lasted until 1947, there also seems to be inconsistency in the logic of his arguments: on the one hand he wants to keep the image of the Mysore palace (the latter was completed in 1912) on the grounds that the article's name has not yet been changed to "Kannada literature, 1600–1900;" on the other hand he is restricting the scope of the literature to the early 20th century, as if the change to the new name has already happened. Why shouldn't the scope of the literature be synchronous with the life of the kingdom, i.e. 1600 to the mid-20th century? Fowler&fowler«Talk» 13:01, 27 February 2009 (UTC)

Fowler&fowler's post 6 (note for SandyGeorgia and Moni3

I note that user:Dineshkannambadi has continued to not respond to my post 4 above, except obliquely by singling out one point in part 4 of that post and holding it up as "off-topic," but not explaining why it is off-topic. user:DK has stated in his introduction, "I am seeing (sic) constructive and helpful comments to resolve this simple issue (i.e. of changing the page name to 'Kannada literature, 1600–1900 CE')." However, after having stated that, he has repeatedly ignored my arguments. I have stated that 1600–1900 corresponds to no known periodization of Kannada literature. If user:DK would like to change the name of the article, he needs to answer that objection. I would like to request him again (this third time) to answer my objections in posts 4 and 5 above. Regards, Fowler&fowler«Talk» 14:08, 1 March 2009 (UTC)

F&f post 7

In the various points below, which I will keep adding as and when I find time, I will show that this article involves both synthesis of disparate material and undue weight given to topics that are typically not included in Kannada literature; in addition, the primary author has—over and over again—incorrectly paraphrased the secondary sources. (Later, I will say something about the sources themselves.)

1. Why is Yakshagana included in an article on Kannada literature? Yakshagana is a folk dance-drama. It is not included in any of the major sources on Kannada literature used in the article: for example, 1) Narasimhacharya's History of Kannada literature, 2) E. P. Rice's Kannada literature, 3) Shiva Prakash's "Medieval Kannada literature," 4) M. Narasimha Murthy's "Modern Kannada literature, or 5) D. R. Nagaraj's "Critical tensions in the history of Kannada literature."
   1. Added after user:DK's response. Four and a half sentence out of 85 pages (Narasimhacharya) and three sentences out of 127 pages (Rice) does not constitute significant mention, and what Narasimhacharya says is not very charitable (see below). Neither work includes "Yakshagana" in its index. How is that a recommendation for two sections in an article on Kannada literature? As for your sources, I'd like to see a modern survey of Kannada literature that describes Yakshagana as a significant literary movement of the period 1600–1947, one deserving its own section. (I'm sure there are some Google links that refer to Yakshagana as literary; however, that is hardly an argument agains WP:UNDUE) Fowler&fowler«Talk» 16:20, 3 March 2009 (UTC)
2. The point is not made anywhere that the Kingdom of Mysore, for all but 40 years between 1600 and 1947, was less than half of the entire Kannada speaking region in Southern India (what later became Karnataka). The map File:Anglo-Mysore War 4.png shown in the lead of the article, is not only out of context, but is also misleading. Between 1600 and 1760, the Kannada-speaking regions of the Kingdom of Mysore accounted for about a third of the entire Kannada-speaking region of Southern India, what later became Karnataka (see maps File:MysoreRegion1625b.jpg and File:SouthIndia1704SubrahCIA2001.jpg); after 1800, the Kingdom of Mysore accounted for about half the Kannada-speaking region. A more accurate map for the lead would be File:Mysore1617to1799b.jpg.
3. The section Yakshagana theatre, which has two long paragraphs, mentions the birth of Yakshagana in South Kanara and North Kanara (as do most references on Yakshagana; see, for example, map from the book, Yakshagana). However, neither region was a part of the Kingdom of Mysore except very briefly from 1766 to 1792 under the Muslim Sultans of Mysore, Haidar Ali and Tipu Sultan (during which no Yakshagana artist is described in the article anyway). Why are two paragraphs being devoted to Yakshagana's birth outside the Kingdom? Is there a single sentence in these two paragraphs—but especially the second—that is relevant to the title of the page: "Kannada literature in the Kingdom of Mysore" (with scope 1600–1947)? Why aren't these two paragraphs examples of both synthesis and undue stress?
   1. PS In his reply to the point above, user:Dineshkannambadi says, "You seem to have left out Shimoga district (Ikkeri, Keladi, Soraba and Nagara towns) as one of the places of evolution of Yakshagana in that very map. I am sure you are aware that Shimoga remained very much part of Kingdom of Mysore from 1799-1947. More over, North and South Kanara are very much needed for context, completion and well-roundedness of a FA. I did not read anywhere that Yakshagana went out of vogue during the period 1760-1799 when Haider Ali and Tipu (rulers of Mysore) captured the Kanara region." He once again misreads both my post and the book he quotes. The Shimoga district was not a part of the Kingdom of Mysore during the period 1600–1763 during which Yakshagana developed; how does it matter if it became a part of the Kingdom of Mysore during the years 1799–1947 ? We are talking about the evolution of the folk-art form in that section. The book, Yakshagana, says on pages 21–22, "... one of its feudatories, the Keladi Kingdom (1563–1763) during which the Yaksagana of Andhra and the Yaksagana of Karnataka State might have developed." Fine, for the "well-roundedness of an FA" you could include a sentence or two, but an entire section with two long paragraphs? If that's not undue stress, then I don't know what is.
4. The second section on Yakshagana, Proliferation of Yakshagana is another example of synthesis used for the creation of "padding," which in this case consists of two paragraphs, the second quite long. The third sentence states, "However literary developments progressed unhindered even within the royal family, with King Narasaraja Wodeyar II, Nanjaraja and Queen Cheluvambe making important contributions." What are these three references? Well, the first two are to the Bangalore University dissertation in Music (with no ISBN information), Musical Composers during Wodeyar Dynasty (1638–1947 A.D.) by M. Pranesh, and the third is to Narasimhacharya (published in 1934), p. 25 (please see). What does Narasimhacharya, in fact say about Yakshagana and the royal family on that page? Here he is: "These (i.e. Yakshaganas) are opera pieces or rude forms of dramatic presentation suited to rustic audiences. As a rule, they are characterised neither by dramatic skill nor by literary merit. The works are mostly based on some incident or other of that inexhaustible store-house of old stories, the Puranas, and are generally acted in villages to the immense joy of the masses. It is not to be understood that there were no other kinds of literature during this period, though the number of Jaina and Virasaiva authors of any merit is very small." Then Narasimhacharya mentions a lists of some 18th century works, among which is a work of the Queen of the Wodeyar court. How does all this translate into: "However literary developments progressed unhindered even within the royal family, ..."? This is what I mean by incorrect paraphrasing (often involving drastically optimistic readings), all this when the three modern surveys of Kannada literature used in the article say nothing about Yakshagana.
   1. PS In his reply to the above post, user:Dineshkannambadi says, "Narasimhacharya's personal views on Yakshagana are not important. Wikipedia gives importance to majority views. There are no shortage of sources that discuss the importance of Yakshagana in the genre of South Indian theatrical literature. The fact that Sahitya Akademi, an organisation supported and recognised by the Govt of India, has provided several pages of information on this is proof enough." I'm afraid I don't understand. Narasimhacharya has been footnoted, 32 times in this article. Why do his views on Yakshagana only become "personal views?" The survey articles on "Medieval Kannada Literature" (1997) by H. H. Shiva Prakash (footnoted 20 times in the article) and on "Modern Kannada literature" (1992) by M. Narasimha Murthy (footnoted 26 times in the article) are both in collections published by India's National Academy of Letters (Sahitya Akademi). Neither mentions Yakshagana. The article, "Critical tensions in the History of Kannada literature" by D. R. Nagaraj, in the book, Literary cultures in history edited by Sheldon Pollock, and footnoted a dozen times, says nothing about Yakshagana. Why do we need "majority" references in this instance, when we didn't in all their other footnotes?
5. Sarvajna Why is Sarvajna included in an article on Kannada literature in the Kingdom of Mysore? He was born in Northern Karnataka, which was very far away from the Kingdom of Mysore. See map File:SouthIndia1704SubrahCIA2001.jpg for how far this was in 1704; in Sarvagnya's time, the Kingdom of Mysore was smaller, so the distance was even farther. True, he was a wandering mendicant, but he was never identified with the Kingdom of Mysore in any way. His major influence has been in Norther Karnataka, which was not only far away from Mysore, but the movement he inspired was quite the opposite of the literature popular in the Kingdom of Mysore. Here is D. R. Nagaraj (footnoted 12 times, see above), "... a new brand of writer, in the class of Ratnakaravarni and Sarvajna—one that was unaffiliated with any established monastery—was wandering throughout north Karnataka writing a vital kind of lyric; ... (These writers) composed poetry, remarkable for its style, that served as a curtain raiser to modern Kannada poetry. The class of writers that produced poetry at and for the Mysore court, by contrast, was not only conventional in its literary tastes but also socially conservative. ... (This) privileged class that kept on producing old texts with more archaic themes and ancient tales was left behind in history; to the contemporary reader, at least, they look boring and dull. The centers of textual production in both the court and monasteries had lost their social energy." Moreover, the biography Sarvajna by K. B. Prabhu Prasad and published by Indian National Academy of Letters, regards Sarvajna to be a 16th century poet. With these sorts of uncertainties, how does Sarvajna become included in "Kannada literate in the Kingdom of Mysore?" This, I'm afraid, is quite blatant original research.
6. Sources. Two books, Musical Composers during Wodeyar Dynasty (1638–1947 A.D.) (a Bangalore University Music dissertation published locally in Bangalore, India, and without an ISBN information) and A concise history of Karnataka : from pre-historic times to the present also published locally in Bangalore and also without ISBN information (and written by a historian with publicly stated Hindu nationalist views) have been footnoted 37 times and 27 times respectively. Can user:DK point to any publication (in English) on Kannada literature that cites these books, (let alone cite them 37 and 25 times respectively)?
7. Reply to user:Ruhrfisch and the page name question I believe we have made some progress. user:Ruhrfisch (and I'm guessing user:Dineshkannambadi) are agreeing with me that this article is not about "Kannada literature in the Kingdom of Mysore." Yes, I did oppose the page name change, which took place in the middle of an FAR of the parent article Kingdom of Mysore. Here is the basic problem. You can choose to make the article about Kannada literature in the Kingdom of Mysore or you can make it about Kannada literature in general. If you choose the former option, the literature will be limited by the spatial and temporal boundaries of the Kingdom; if you choose the latter option, you will be limited by the periodizations of the literature in the secondary sources. The problem is that there is no known periodization of Kannada literature that corresponds to 1600–1900. Scholars have unanimously regarded the end of the 18th century to be the end of late-medieval- or early-modern stage of Kannada literature, which means Modern Kannada literature begins around 1800. (See four sources here, including three published by India's National Academy of Letters which are liberally footnoted in this article.) This is in fact the convention adopted in the parent article Kannada literature and sister article Modern Kannada literature. If user:DK would like to change of the article to "Kannada literature, 1600–1800," I will have no objection (or call it late medieval/early-modern Kannada literature), but that's is a different article and a third of the present text will have to be removed. The problem with this article is that it was written to be "Kannada literature in the Kingdom of Mysore," but then towards the end of the writing (likely for many of the reasons I have given) was changed to another name, without significantly altering the content. Unfortunately, we are not free to do this at our own whim; we have to respect scholarly convention. user:Ruhrfisch's proposed title, "Kannada literature during the Kingdom of Mysore," has similar problems. For example, for the period, 1600–1760, why is the "Kingdom of Mysore" even important for Kannada literature? Mysore was a small principality which covered less than a third of the area of the Kannada-speaking region of southern India. Fowler&fowler«Talk» 09:07, 3 March 2009 (UTC)

End of Fowler&fowler's posts

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Replies by DK to F &f's post 1,2,3

• I have cited why the palace image is useful. It is the location of the royal archives, containing manuscripts and records about Mysore poets and composers under royal patronage, covering a period of over a century, their dates of appointments, their salary, promotions etc etc. I dont see any need to name poets.
• Regarding "poorly written", feel free to suggest prose improvements and I will incorporate it if necessary, considering every user has his/her own views.Dineshkannambadi (talk) 19:00, 22 February 2009 (UTC)
• I have removed the image 'KRWIII.JPG' for now. Will add back if it remains undeleted.Dineshkannambadi (talk) 19:47, 22 February 2009 (UTC)
• Mysore palace image : Comment by Fowler - It is especially irrelevant, when the primary author is attempting to change the name of the article to "Kannada literature, 1600–1900 CE". The name change is a suggestion I have put forward to reviewers, since Fowler reverted the article name to what it is today. Removing an image before the actual name change happens, is a hypotheical approach. If the name change seems to be popular among the reviewers, then we can revisit the issue.Dineshkannambadi (talk) 18:18, 24 February 2009 (UTC)

To Sandy Gerogia

Sandy, Fowler has deleted a piece of information I added (with citation from Kamath) calling it "false", that the Palace was the home of Kannada stage called Chandrasala since 1881. I dont want to revert this, but wanted you to know of this. Here is the full quote for your interest if you like: Quote:"Modern drama took shape with the founding of a stage called Chandrasala in the Mysore palace and organising the palace troupe in 1881".Dineshkannambadi (talk) 22:16, 22 February 2009 (UTC)

DK's reply to F&f's post 4

Sandy, could you please explain to Fowler that I am open and flexible regarding the name of the article. I am not willing to discuss about off topic issues such as Modern Kannada literature here.Dineshkannambadi (talk) 23:36, 24 February 2009 (UTC)

Ref comments -- Errors found with WP:REFTOOLS.

• Shiva Prakash (1997), p. 191 Multiple refs contain this content, a named reference should be used instead
• Murthy (1992), p. 167 Multiple refs contain this content, a named reference should be used instead
• Murthy (1992), p. 169 Multiple refs contain this content, a named reference should be used instead
• Narasimhacharya (1988), p. 24 Multiple refs contain this content, a named reference should be used instead
• Sahitya Akademi (1992), p. 3934 Multiple refs contain this content, a named reference should be used instead
• Narasimhacharya (1988), p. 26 Multiple refs contain this content, a named reference should be used instead
• Murthy (1992), p. 168 Multiple refs contain this content, a named reference should be used instead--TRUCO 22:29, 22 February 2009 (UTC)

I guess I need to club citations calling upon a common referenced page. Will do .Dineshkannambadi (talk) 23:07, 22 February 2009 (UTC)

Done.Dineshkannambadi (talk) 01:31, 23 February 2009 (UTC)

Reference formatting found up to speed.--TRUCO 22:51, 23 February 2009 (UTC)

I removed commentary from an anonymous IP for not addressing issues in the article. --Moni3 (talk) 02:26, 23 February 2009 (UTC)

Comment from Moni3 on the direction of this FAC:

• I removed a comment about the above anonymous IP user and a peacock tag in the article. I'm going to distance myself from this FAC and make its goals very clear. I will remove any commentary that does not specifically address problems or merits of the article.
• Fowler&fowler and Dineshkannambadi, apparently there is some enmity between both of you that I was only vaguely aware of before jumping into this nomination. If neither of you are unable to see this article as an entity that is unrelated to your past interactions, then I advise you not to participate in this FAC. It can be archived until you are able to discuss the merits of the article unrelated to slights or misbehavior you have suffered in the past. Please do not use FAC as a battleground to score points or get back at each other.
• Fowler&fowler, I gather you have some experience in the topic. If you could please keep your comments strictly about the points in the article you think would be a detriment to an FA. Be specific, neutral, and please do not use hyperbole in your FAC commentary. Do not make comments about editors involved in the construction of this article, other reviewers, or make reference to issues outside of this FAC, please. I also ask that you keep all of your comments in one location in this nomination, as opposed to spreading them out among other reviewers' comments.
• Dineshkannambadi, your job here is to overcome objections from reviewers. I see the tag, which is a mis-tag and should be {{peacock term}}. It can be easily rectified by removing the "noted" from in front of the author's name. He is still an author and is inherently notable on the subject. It appears to be inevitable that you and Fowler&fowler will have some issues that may not be overcome. That does not mean that the article will not be promoted. If you come across an objection that you simply feel you are unable to be rectify, explain why please, for SandyGeorgia to read when she closes this nomination, in a simple statement that will read: SandyGeorgia, I am unable to overcome this objection because it is my experience that... Please base your comment on your experience researching the topic, not on Fowler&fowler's behavior. --Moni3 (talk) 14:24, 23 February 2009 (UTC)

Thanks Moni3. I am in the process of improving the wording for clarity, wherever "vague" tag was added. W.r.t the "sic" tag, which to me means the reviewer found some form of inaccuracy, I am trying to make it more accurate. If I find a tag that I feel is unjustified, I will mention it here.Dineshkannambadi (talk) 18:16, 23 February 2009 (UTC)

I have gone through the list of "vague" and "sic" tags and made the content clearer and and more accurate.Dineshkannambadi (talk) 23:27, 23 February 2009 (UTC)

Reply to F&F's post5

• Sentence 1: body of literature composed in the Kannada language- Says in what language the literature was written.

• Sentence 2: Available? Is that needed? - Removed available.

• Sentence 3: Many of the works of this literature are labeled Veerashaiva or Vaishnava (Fowler wrote-You make it sound that the faiths were charitable foundations). DK reply: I believe this was your input, not mine. Please see this [1]

• Sentence 4: clarified.

• Sentence 5: Secular themes dealing with a wide range of subjects were also written on. Fowler wrote: We were never told that V- and V- were sacred writings--Specified the Vaishnava and Veerashaiva writings were religious.

• Sentence 6:Organised Kannada literature flourished for a short while in the neighbouring kingdom of the Nayakas of Keladi--clarified it was written in the court and hence "organised". Improved wording.Dineshkannambadi (talk) 18:16, 27 February 2009 (UTC)

Other comments by Fowler about Lead:

• Sentence 1:Not only were the court poets prolific writers-- Copied Fowler's example.

• Sentence 2: Wandering mendicant-poets wrote compositions meant for the country folk--Specified post-Vijayanagara period.

• Sentence 3:Sentence 3: "A wide range of metres, indigenous and Sanskritic--reduced list to just a few, to give the reader an idea about metrical forms.Dineshkannambadi (talk) 00:22, 28 February 2009 (UTC)

Reply to later part of post5 regarding image and coverage of literature

• Please read the article before making oblique remarks about author intentions and such. The literature does cover upto 1949. No matter which title is eventually choosen, the period 1600-1947 is covered.Dineshkannambadi (talk) 00:32, 28 February 2009 (UTC)

Reply to F &f's post 7

• Yakshagana has been touched upon briefly by both Narasimhacharya and Rice. Yakshagana is a folk theatrical literature combining poetry, dance, dialogue and costume, and I have included aleast 4 sources (including a Sahitya Akademi publication) which discusses it as such. I can point you to another dozen reliable sources but they are all available on google search anyway. I don't think there is a rule in wiki that every source book in the article should discuss every topic detailed in the article.
• I will replace the mapDineshkannambadi (talk) 15:01, 3 March 2009 (UTC)
• 1)There are no shortage of books that describe the importance of Yakshagana in the field of South Indian theatre. That is proof enough I think. example (Sahitya Akademi, vol 3):Quote":Yakshagana (Kannada) is a fascinating form of folk theatre now fostered in the coastal and hill tracts of Karnataka...."
• 3)You seem to have left out Shimoga district (Ikkeri, Keladi, Soraba and Nagara towns) as one of the places of evolution of Yakshagana in that very map. I am sure you are aware that Shimoga remained very much part of Kingdom of Mysore from 1799-1947. More over, North and South Kanara are very much needed for context, completion and well-roundedness of a FA. I did not read anywhere that Yakshagana went out of vogue during the period 1760-1799 when Haider Ali and Tipu (rulers of Mysore) captured the Kanara region. A Mysore king was a famous Yakshagana writer, Mysore was very much a hotbed of Yakshagana stage and troupes in the 18-19th century. Do I need to give more context that this?Dineshkannambadi (talk) 00:05, 4 March 2009 (UTC)
• 4)Narasimhacharya's personal views on Yakshagana are not important. Wikipedia gives importance to majority views. There are no shortage of sources that discuss the importance of Yakshagana in the genre of South Indian theatrical literature. The fact that Sahitya Akademi, an organisation supported and recognised by the Govt of India, has provided several pages of information on this is proof enough. I have rephrased that sentence you pointed out.Dineshkannambadi (talk) 00:05, 4 March 2009 (UTC)
  • Fowler has it occured to you that these sources you are talking about may be focussing on "classical literature" only and not "folk literature". Any why should we limit ourselves to these sources. You mention that two of the sources whose work is published by Sahitya Akademi (Prabhu Prasad and Shiva Prakash) do not mention Yakshagana, but I have sourced other publications by Sahitya Akademi that dwell at length on Yakshagana. See vol 3 of "Encyclopaedia of Indian literature" I have referenced. Why should we limit ourselves to Narasimhacharya, Pollock and Shiva Prakash when it comes to Yakshagana.?Dineshkannambadi (talk) 10:46, 4 March 2009 (UTC)
• 5)Regarding Sarvajna: Fowler, you finally came to the point I had expected you to. Sarvajna is a drifter. Just every book, including Prabhu Prasad, Shiva Prakash and Naikar call him "poet of Karnataka". Not poet of North Karnataka or Poet of Dharwad. His impact is felt everywhere. Remember, you changed the name of the article which had no geographical limitations. Now you cant say "Gotcha". We come to wikipedia to build articles. Not "gotcha" the author and drown the article. If the article had been called Kannada literature, xyz, you could not have made this an issue. You changed the name of the article to what it was before my expansion of the article.Dineshkannambadi (talk) 10:36, 4 March 2009 (UTC)
• 6)Fowler, you have been through this act of condemning my sources in other FAC's too without understanding what information those sources bring to the article.Dineshkannambadi (talk) 10:39, 4 March 2009 (UTC)

To Sandy

Fowler has moved my response to his post 6 to the talk page.Dineshkannambadi (talk) 15:04, 3 March 2009 (UTC)

Comments by Ruhrfisch As noted I peer reviewed this and find that it has improved, but still has some places needing improvement. I am not an expert on India or any of its many cultures and their literatures. These are just points I found on a careful reading of the article that may need to be fixed (or may be my ignorance showing). Because of time constraints I will only comment on the Lead and Overview for now.

Issues resolved (more coming) Ruhrfisch _><>°^° 05:06, 1 March 2009 (UTC)

• Watch overlinking - Vachana is linked twice in the lead, one time as "Vachana" and once as "vachana" - this should also be consistent, although I do not know which is preferred.
• The last sentence in the lead also seems to say vachana is free verse (A wide range of metres, indigenous and Sanskritic, were popular including tripadi (3-line verse), shatpadi (6-line verse), vachana (free verse) ...) but the Lit. prior to the 16th Cent. section says they can be in several metres ... pithy poems called Vachanas (lit, "utterance" or "saying")[17][18] propagated devotion to the god Shiva and were written in the native prose-poem, tripadi, hadugabba (song-poem) and free verse metres.[19][20] I realize in the elad one is capitalized and one not, but both link to the same article and seem to be the same thing
• In the lead, I do not think of prose as a metre, so perhaps change this A wide range of metres, indigenous and Sanskritic, were popular including tripadi (3-line verse), shatpadi (6-line verse), vachana (free verse) and gadya (prose) metres.[12] to something like ...including tripadi (3-line verse), shatpadi (6-line verse) and vachana (free verse) metres, and gadya (prose).[12]
• To provide context to the reader, I think it would be helpful to add an explanatory phrase describing both Veerashaivism and Vaishnavism (not in the lead, but at their first mention in the Literature prior to 16th century section) which explains that they are worshippers primarily of Shiva and Vishnu (I think more than a link is needed). I note that Shiva is mentioned later in this section, but not Vishnu that I can see.
• Per WP:HEAD, should the section named "Literature prior to 16th century" just be "Prior to 16th century" (already know this is about Literature)?
• Problem sentence "The early Veerashaiva literature (1150–1200 CE), comprising pithy poems called Vachanas (lit, "utterance" or "saying")[17][18] [which?] propagated devotion to the god Shiva and were written in the native prose-poem, tripadi, hadugabba (song-poem) and free verse metres.[19][20]" I think a word is missing and have suggested "which". I also think lit, should be literally or perhaps lit. (full stop or period, not a comma at the end). Italicized "lit" followed by a comma is used again in the artticle, so if it is changed here it should be fixed throughout
• The capitalization of Kannada words seems inconsistent, although this could be reflecting their transliteration into English (they may be capitalized differently in Kannada). For example why are these lower case: "native prose-poem, tripadi, hadugabba (song-poem)" while these are capitalized: "such as the Kirthane (compositions based on rhythm and melody), the Suladi (rhythm-based) and the Ugabhoga (melody-based).[27]"?
• Although Keladi is linked in the lead, I would link it again in The Kingdom of Keladi was centred at Keladi and near by Ikkeri town in the modern Shivamogga district. I also think it should be "nearby" not "near by"
• I would also link Karnataka on its first use in the next sentence
• Would adding a word help here A spurt in Vaishnava writings resulted in [new] renderings of the epics, the Mahabharata, ...?
• The caption Yakshagana artists preparing for the play is a bit cryptic and makes it sound as if there is only one play they ever perform. Looking at the image information, would something like Yakshagana artists applying makeup to prepare for a play be clearer?
• I am not clear why some Kannada words are italicized (which seems proper by the MOS) but others are just given in quotations, such as in Yakshagana theatre where the usage is with quotation marks such as this: The "Yakshagana Tenkutittu" (lit, "Yakshagana of the southern style") is popular primarily in the Mangalore region ... why is it not like this: The Yakshagana Tenkutittu (lit, "Yakshagana of the southern style") is popular primarily in the Mangalore region ... ?
• Unclear what the names Nagachandra and Aggala after the dates in the parentheses are in a term which appears in the 12th century Kannada writings Mallinathapurana (c. 1105, Nagachandra) and the Chandraprabha Purana (c. 1189, Aggala[40]).[41] If they are authors, perhaps ...Mallinathapurana (c. 1105, by Nagachandra)... would be clearer
• Inconsistent citation in According to the scholar M.M. Bhat (Yakshagana-Stage in Karnataka, 1963), Chattana, a native composition adaptable to singing ... "Yakshagana-Stage in Karnataka, 1963" should be in an inline ref I think
• Missing word? WOuld this read better as the Vaishnava bhakti (devotion) movement which started with the 6th century Alvars of modern Tamil Nadu and spread northwards, reached [its] peak influence on South Indian devotionalism with the advent of the Haridasas of Karnataka.[47]  ?
• Any way to avoid using "poets" four times in two sentences in Though some poets, such as Tontada Siddhalingayati (1540), Swatantra Siddhalingeswara (1565), Ganalingideva (1560), Shanmukha Swamy (1700), Kadasiddheswara (1725) and Kadakolu Madivallappa (1780) attempted to re-popularise the tradition with noteworthy poems, they lacked the mastery of the 12th century poets.[50] The most notable of the later day Vachanakaras ("Vachana poets") were undoubtedly the wandering poets, Sarvajna and Sisunala Sherif (late 18th century).[51][52] ?
• Would this A new genre of mystic literature, a synthesis of the Veerashaiva and the Advaitha philosophy, called the Kaivalya literature,... be clearer as A new genre of mystic Kaivalya literature, a synthesis of the Veerashaiva and the Advaitha philosophy, ...?
• Missing an "and" I think English language education, the role of missionaries, their translation of the Bible into Kannada in 1820, the arrival of the printing press, publication of newspapers and periodicals, [and] the earliest Kannada-English and English-Kannada dictionaries helped to modernise Kannada prose.[58]
• Is the verb tense "has" correct in This was followed by the earliest social plays with similar themes, a trend that has already set roots in the modern literatures of Marathi and Bengali languages.[60]? It seems like it should be "had" .

Hope this helps, Ruhrfisch _><>°^° 20:57, 27 February 2009 (UTC)

More comments, on 17th century writings

• Better wording for From this period, the foundation of an independent state that would influence regional polity and culture was laid. perhaps T he foundation of an independent state that would influence regional polity and culture was laid in this period.
• Clarify this - is the earliest available ever or just in the Mysore Kingdom or just in the 17th century? The earliest available writings are by Tirumalarya I (or Tirumala Iyengar), ...
• Can the other works be briefly explained His other writings are the Ashwashastra, Hayasara Samucchaya and Brahmottra Kanda.[64] Are they religious works? Political? Historical?
• Missing word? Toward the end, impressed with Arjuna's devotion, Shiva bestows [on?] him a weapon called Pashuptastra.[69][72]
• Last paragraph of "Transition from Vijayanagara" - some works have just title, some have title and year, some have title, year, and brief description - probably should be consistent in terms of information provided for noted works
• Missing "and"? The king's other works are commentaries on the Bhagavata and the later chapters of the epic Mahabharata, a thirty verse poem called Chikkadevaraya binappa ("Kings Petition"), [and?] a collection of devotional poems composed in praise of the god Cheluva Narayanaswamy of Melkote.[82][83]
• Problem sentence: Singaraya, a brother of Tirumalarya II, wrote Mitravinda Govinda (1680), the earliest available classical drama in Kannada, a play inspired by the Sanskrit drama Ratnavali ("Pearl necklace" by King Harsha of Kannauj).[95] Among notable women poets, Srirangamma (1685) wrote Padmini Kalyana ("Marriage of Padmini"), and Sanchi Honnamma (lit. "betel bag"), a Vokkaliga from Yelandur ... First are the italics correct for "Sanchi Honnamma"? Second, this is a very long sentence and could be split after (lit. "betel bag"). The Vokkaliga phrase starts oddly as it is. Wait, I think Sanchi Honnanama is the new subject and was a Vokkaliga?? Anyway this is unclear and probably should be split.
• Would it help to add king before "Chikka Devaraja" a few more times in Golden Age to remind readers who he was?
• Need a ref for A few of his later poems give more hints about his adulthood, his Guru and a possible unsuccessful marriage.

Looking better, hope this helps, will work through the other sections too, Ruhrfisch _><>°^° 05:06, 1 March 2009 (UTC)

Yet more Ruhrfisch comments (almost all on 18th and 19th and 20th centuries). I have made some copyedits too - please revert if I introduced errors or changed the meaning:

• One last 17th century comment - do the two poems by Sarvajna need inline refs? Also might need an inline ref for the poem from Giriyamma.
• Problem sentence - not sure how to fix it Musical instruments the prasanga is rendered to include maddale and chende (types of drums), and a sruti (harmonium-like instrument).
• Is there a date for the discovery in His fourteen Yakshagana compositions, written in various languages but in the Kannada script, were discovered at the government manuscripts library in Chennai.[115]
• The regular spelling is "minstrel" - is this correct these itinerant Haridasas made valuable contributions as "ministrals of God".[117] ?

• Final comment - I have pointed out or corrected all the places needing attention that I could find. I have read and in some cases reviewed the other Kannada literature articles - the ones for a particular period are also organized by a particular kingdom or empire, so I think the title and scope covered here is fine. I also know Jainism experienced a general decline in this time period, so it seems reasonable to me to expect that were fewer notable Jain authors and works in this era. I hope my comments help, Ruhrfisch _><>°^° 21:30, 2 March 2009 (UTC)
• I am leaning towards support, but want to reread the article and perhaps do some more copyedits first. However, I will have to wait until tomorrow to do that. I did look at the lead just now and have two comments. First, could the sentence The writings date from around 1600 CE to the mid-20th century. also talk about the kingdom, so perhaps The writings date from the Kingdom of Mysore, which existed from around 1600 CE to the establishment of modern India in 1947. I think it would tie the literature into the title better. Second, per WP:LEAD a lead is supposed to summarize an article and give an idea of the broad themes and trends in it, without too much detail. I found the four tags which are now in the first paragraph of the lead (ambiguous, vague (twice), and off topic) to be unnecessary and unhelpful. Ruhrfisch _><>°^° 02:19, 3 March 2009 (UTC)
• Thanks to Laser brain for the copyedit (I did not do any more copyedits). I find the article is well written and nicely illustrated. There are many references and to my eye they appear to be used correctly and from reliable sources. I take Fowler&fowler's critiques seriously, but it also seems to me that at least part of the problem is different perceptions as to what should and should not be in the article. It seems to me that there are at least two ways to look at Kannada literature: time and space. When I peer reviewed this article, the title was soemthing like "Kannada literature from 1600-1900", which was only limited in time. Fowler&fowler was the loudest voice insisting the title be reverted to the current version. The problem is that doing so can be seem as limiting the scope of the article only to literature composed within the Kingdom (limited to space), which seems to be much of Fowler&fowler's criticism. I see the article as covering all literature written in Kannada, during the time of the Kingdom of Mysore (limited to the time period 1600 to 1947, limited in space only to southern India). If this is correct, it seems to render much of Fowler&fowler's critiques moot. I wonder if both Fowler&fowler Dineshkannambadi could please comment on this? If my understanding is correct, then perhaps if the title were something like "Kannada literature during the Kingdom of Mysore" this would be less contentious? If I have understood the article correctly and this title would be better, then there are other places where this emphasis could be made clearer / more explicit. Ruhrfisch _><>°^° 05:14, 4 March 2009 (UTC)
  • I agree with Ruhrfisch. Fowler's revert of the article's name is a primary problem here. Though not the author of the article, he reverted the name hence limiting the scope to Mysore only, when the intention of the author (myself) was never to limit the scope of the literature within any geographical constraints. This is why I brought up the issue in the nomination. I agree that the article's name should be moved to a more inclusive one. Wikipedia is about concensus and Fowler can't dictate the "title" and the "content".Dineshkannambadi (talk) 10:54, 4 March 2009 (UTC)

DK Reply to Ruhrfisch

Thank you for your review. I will pay close attention to your comments starting tonight. regards Dineshkannambadi (talk) 21:28, 27 February 2009 (UTC)

Glad to help - these are pretty nitpicky, one reason why I stopped was so that if a problem can be fixed throughout the article (or if I did not understand something), then I do not have to mention it again in later sections, Ruhrfisch _><>°^° 21:41, 27 February 2009 (UTC)

Ongoing Corrections based on Ruhrfisch comments

• Removed Vachana since it was mentioned twice in lead. Replaced with Sanskritic Shatpadi metre.
• Removed Hadugabba (song-poem). This is an ancient native form. Nothing to do with Vachanas though some Vachana poets are known to have popularised singing the Vachanas (which are written as rythemic prose-poems).
• Seperated Gadya prose from list of metres.
• Clarified what is Veerashaivism and Vaishnavism
• Trimmed title of first section after lead per WP:HEAD
• Added suggested [which], corrected lit, to lit. Will find other examples and correct them.Dineshkannambadi (talk) 01:14, 28 February 2009 (UTC)
• Made composition styles all lower case for consistancy.Dineshkannambadi (talk) 02:42, 28 February 2009 (UTC)
• Wikilinked and corrected suggested word
• Wikilinked
• Added suggsted word
• Fixed image caption
• I normally use italics for metres, genres, other composition styles, names of Writings, Honorifics, Titles in vernacular. "Yakshagana Tenkutittu", "Yakshagana Badagatittu Bayalaata" and "Nagamandalam" dont come under any of these categories. They are local names. But I will make it italics any. I will keep Yakshagana as is without italics because it is a borad term like the English word "Stage".
• Specified poet names

Dineshkannambadi (talk) 02:59, 28 February 2009 (UTC)

• Created inline note for inconsistant citation.
• Added missing word
• Reduced over usage of "poet" in two sentences
• Fixed sentence on Kaivalya literature
• Added missing "and"
• Fixed tense.

I have started to and will continue to read the article for similar errors and make necessary corrections. Thanks again.Dineshkannambadi (talk) 03:25, 28 February 2009 (UTC)

Corrections based on Ruhrfisch comments on 17th century writings

• Corrected sentence per example
• Specified earliest available from Mysore period
• Ashwashastra, Hayasara Samucchaya and Brahmottra Kanda-- I will try to find more information on these works.
  • Corrected wording. Multiple sources concur that Chamarajokti was written by the king himself, but the the three mentioned above were written "during" his reign but does not say who wrote it and about what it was. I will remove it for now, if it is sticking out.Dineshkannambadi (talk) 20:44, 1 March 2009 (UTC)
• Added missing word
• Last paragraph of "Transition from Vijayanagara"--I have specified 17th century for works whose exact dates I don't have. Will look for them in more sources though. Same w.r.t brief information on content of writing. If the exact dates are not available, the patron king's ruling years would give the idea.Dineshkannambadi (talk) 19:17, 1 March 2009 (UTC)
• Actully the 30 verse poems is Chikkadevaraya binappa. Improved wording.
• Problem sentence--Improved sentence. Removed italics for Sanchi to reduce complexity, reworded for clarity. Please see if this reads okay.
• Added "king" few more times.Dineshkannambadi (talk) 19:43, 1 March 2009 (UTC)
• Provided citation. Modified to avoid speculation by source.Dineshkannambadi (talk) 20:13, 1 March 2009 (UTC)

Improvements based on Ruhrfisch's comments dated March 1st

• Provided inline refs
• Simplified sentence regarding musical instruments
• Will look for a date of discovery at Chennai (in the sentence fourteen Yakshagana compositions)
• Corrected spelling
• Thank you for you comment on the decline of Jain literature and the title of the article. As I have mentioned earlier, I am flexible with the title, so long as the content of the article is "intact". Again, thank you for your decent and patient review. Whether this article becomes a FA or not, Kannada will remain a classical language, something the Govt of India has recognised on Nov 1, 2008. It's wealth and contribution to Indian culture can't be diminished by the success or failure of this article at FAC.Regards,Dineshkannambadi (talk) 00:38, 3 March 2009 (UTC)

• I have changed the sentence in the lead per your advice.Dineshkannambadi (talk) 02:55, 3 March 2009 (UTC)

---

The article is biased in that there is a deliberate attempt in it to downplay the Jain literary heritage. "Despite a gradual decline in the popularity of Jainism, authors devoted to the faith produced some works of merit." This statement doesn't go well with the rest of the article which mentions many Jain writers as notable and the single author (Bhattakalanka Deva) most elaborated upon in the article is a Jain.

The intro itself is poorly written. "During an age of revival and innovation, some Mysore court poets brought back the classical champu (a composition in prose-verse) form of writing." When did this age happen? Throughout the period of several centuries which spans the scope of this article? It is vague. I have added a citation-needed tag in the intro, too.59.91.253.126 (talk) 03:49, 2 March 2009 (UTC)

To Sandy and Moni3

Sandy, The above IP appears to be that of a banned user I had mentioned earlier.Dineshkannambadi (talk) 14:01, 2 March 2009 (UTC) earlier.

Dineshkannambadi, I removed the previous IP comment because it was a vague generalization, barely civil, and not helpful. This is different, and I will allow it to stay. If you cannot overcome the IP's objection, state why so Sandy can take this into account when she closes the FAC. --Moni3 (talk) 14:36, 2 March 2009 (UTC)

• Reply to IP:No, the article is not biased. It is accepted widely that Jain writings in Kannada declined, a decline that began in the 13-14th century itself. Just claiming bias means nothing. True, I have mentioned some Jain writers, but the number of Veerashaiva and Vaishnava writers is far many more. However, if you can bring reliable citations from scholars to prove that Jain writers were equal in number to the other faiths, I would be glad to accomodate it. I have added a few citations, of which there is no shortage.
• The earlier period when champu form of writing dominated was 9th-12th century. Some champu's are available from 13th century also, but the decline is clear. Will provide more citations if necessary.Dineshkannambadi (talk) 15:05, 2 March 2009 (UTC)

• Comments, leaning toward support. This is quite good, and I think it's close to ready. I don't see any evidence of bias and it appears quite neutral. I did find a lot of minor prose issues, most of which I fixed as I went along. Those I couldn't sort out (or didn't have time) are listed below. Great work - there is an impressive amount of research and writing represented here. I just have to note that I love the Sarvajna verse about the tongue living amongst the teeth.
  • Why are we placing tags in the text instead of commenting here? It is difficult to track feedback in two different places. I simply do not see any reason why these tags are warranted; they should be removed.
  • Normally citations are not required in the lead unless a statement is particularly controversial - why are they present?
  • You are not consistently writing "best-known" and "best known"; there are more of these than I care to look for and fix. Choose one.
  • You aren't consistent with serial commas in lists. I fixed what I saw but please check throughout.
  • "This literature saw a revival in the 18th and 19th centuries." Please revise this... living things "see", literature doesn't.
  • "The work differs from the original in that the god Krishna and his Gopikas' are the protagonists of the play instead of Krishna and his consort Radha." I couldn't sort out why there is an apostrophe after "Gopikas". That's plural, not possessive.
  • When I saw them, I removed the word "town" written after city names. This doesn't seem to be an English-language standard, but please correct me if there is a good reason.
  • "The first half of the 18th century saw Mysore's independence delicately balanced ..." Same comment about "saw" as above.

--Laser brain (talk) 05:32, 3 March 2009 (UTC)

I will look into your concerns carefully today and address them.Dineshkannambadi (talk) 12:45, 3 March 2009 (UTC)

Response to Laser Brain

• I have removed the tags based on comments by Ruhrfisch and yourself.
• Regarding the citations in the lead, this came about in earlier FAC's on literature articles, where the reviewers requested it. So I have just continued the habit here. I am not sure how to proceed on this.Dineshkannambadi (talk) 00:18, 4 March 2009 (UTC)
• Took care of a few more best-known and well-known types issues. Will continue to be on the look out.Dineshkannambadi (talk) 00:57, 4 March 2009 (UTC)
• Removed "saw", made it "literature was revived".
• Removed apostrophe in Gopikas.
• The use of "town" after the name is a habit that came from other articles where reviewers insisted on it. I will remove it in this article.Dineshkannambadi (talk) 01:07, 4 March 2009 (UTC)
• removed several occurances of the word "town" after town name. More laterDineshkannambadi (talk) 01:17, 4 March 2009 (UTC)
• Removed re-occuring "saw". Reworded.Dineshkannambadi (talk) 01:48, 4 March 2009 (UTC)
• That Sarvajna poem is my favourite one too.Dineshkannambadi (talk) 01:50, 4 March 2009 (UTC)

Oppose. Sorry, this important article needs to be written to high standards because (i) it's an FAC, and (ii) it's on a literary topic. Nothing less than fine writing is required to do justice to Kannada literature.

• Opening repetitions and winding pathway: "Kannada literature in the Kingdom of Mysore is a body of literature composed in the Kannada language, a Dravidian language spoken in the historical Kingdom of Mysore in Southern India and written in the Kannada script." Literature/literature/language/language/written/script. Phew. Rather than circular statements (literature is literature) and redundancies ("composed", "the" and "language"), rationalise it and rob something from the subsequent sentences (time-range?). It's a very unengaging opening for what should be a fascinating topic. "of merit" is POV in this context; anyway, it's damning with faint praise. Leave the judgements until we read about it in greater detail below.
• "Secular themes dealing with a wide range of subjects were also written on." Clunky sentence, in which there's not much content for the number of words. Ouch.
• Comma after "Keladi", which is not a person, so "whose" is better avoided.

This needs the attention of copy-editors; it's not an easy task, since just about every sentence needs fixing throughout. Do you know how to find the right assistance? I suggest you "WRR" (withdraw, re-edit and resubmit, probably as a plainer-sailing FAC. Tony (talk) 05:40, 4 March 2009 (UTC)

Thanks Tony. I will try my best to have it copy edited.Dineshkannambadi (talk) 12:12, 4 March 2009 (UTC)

To all reviewers regarding earlier expansion of article

Fowlers claim that the article's name was changed without much addition to the article is false. The expansion began on Nov 7th 2008. On Dec 16th, after significant expansion I changed the name of the article, by which time, the article had virtually doubled in content and citations. Please see the edit summary when I moved the title .[2]. Also, I dont see why the title should cover the period 1600-1800 only, requiring a third of the article to be removed, when Fowler himself had voiced "why not 1600-20th century" multiple times in this FAC. Please see F &f's posts 4 [3]and 5. Why the switch? The intent is to protect well cited content and bring the info to the people.Dineshkannambadi (talk) 12:12, 4 March 2009 (UTC)

Some observations on F &f's post7.7

I would like to point out a contradition in Fowler's statement. Fowler wrote:For example, for the period, 1600–1760, why is the "Kingdom of Mysore" even important for Kannada literature? Mysore was a small principality which covered less than a third of the area of the Kannada-speaking region of southern India.

• All along, Fowler insisted that the title of the article should be "Kannada literature in the Kingdom of Mysore". But now Mysore has become a small principality between 1600-1760 whose contribution to Kannada literature is being questioned. How does the area of Mysore matter to literature?. And just above, in the same paragraph, Fowler wrote If user:DK would like to change of the article to "Kannada literature, 1600–1800," I will have no objection (or call it late medieval/early-modern Kannada literature), but that's is a different article and a third of the present text will have to be removed. These are contradictions within contradictions. Let me quote Fowler's favourite author D.R. Nagaraj (page 377) whom he has quoted above with regards to Yakshagana:
• Quote:"At least two courts have been mentioned earlier, Keladi (1500-1763) and Mysore (1610-1947)—had organised around themselves a cultural intelligentsia capable of writing on diverse subjects". I can provide another 20 quotes easily why Mysore is important.Dineshkannambadi (talk) 13:02, 4 March 2009 (UTC)