Maurice Jarre: Difference between revisions
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==Music style== |
==Music style== |
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Jarre wrote mainly for [[orchestra]]s, but began to favor [[synthesizer|synthesized]] music in the 1980s, mostly for practical rather than aesthetic motivations, many critics feel.{{Fact|date=February 2007}} Jarre denies this and has pointed out that his electronic score for ''[[Witness (1985 film)|Witness]]'' was actually more laborious, time-consuming and expensive to produce than an orchestral score. Jarre's electronic scores from the 80s also include ''[[Fatal Attraction]]'', ''[[The Year of Living Dangerously]]'' and ''[[No Way Out (1987 film)|No Way Out]]''. A number of his scores from that era also feature electronic/acoustic blends, such as ''[[Gorillas in the Mist]]'', ''[[Dead Poets Society]]'', ''[[The Mosquito Coast]]'' and ''[[Jacob's Ladder (movie)|Jacob's Ladder]]''. |
Jarre wrote mainly for [[orchestra]]s, but began to favor [[synthesizer|synthesized]] music in the 1980s, mostly for practical rather than aesthetic motivations, many critics feel.{{Fact|date=February 2007}} Jarre denies this and has pointed out that his electronic score for ''[[Witness (1985 film)|Witness]]'' was actually more laborious, time-consuming and expensive to produce than an orchestral score. Jarre's electronic scores from the 80s also include ''[[Fatal Attraction]]'', ''[[The Year of Living Dangerously]]'' and ''[[No Way Out (1987 film)|No Way Out]]''. A number of his scores from that era also feature electronic/acoustic blends, such as ''[[Gorillas in the Mist]]'', ''[[Dead Poets Society]]'', ''[[The Mosquito Coast]]'' and ''[[Jacob's Ladder (movie)|Jacob's Ladder]]''. |
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==Quotes== |
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Nowadays, if a studio assumes that his film is bad, there is always an executive that gets more nervous than usual and thinks that if they change the music, the film will become a masterpiece. |
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One could say my life itself has been one long soundtrack. Music was my life, music brought me to life, and music is how I will be remembered long after I leave this life. When I die there will be a final waltz playing in my head and that only I can hear. |
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When I was 15, I did not know nothing about what concerned the world of music |
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Soon I worked during twelve years in theater works of the prestigious Theatre National Populaire. It was the best time of my life, the most difficult, the most interesting, the most exciting. |
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==Family== |
==Family== |
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Revision as of 02:29, 30 March 2009
 | This article is currently being heavily edited because its subject has recently died. Information about their death and related events may change significantly and initial news reports may be unreliable. The most recent updates to this article may not reflect the most current information. |
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Maurice Jarre | |
|---|---|
| Born | Maurice-Alexis Jarre |
| Years active | 1952-2001 |
Maurice Jarre (born in Lyon, France, September 13, 1924, died March 29, 2009) [1] was a French composer and conductor. Although he has composed several concert works, he is best known for his film scores for motion pictures, particularly those of David Lean: Lawrence of Arabia (1962), Doctor Zhivago (1965), and A Passage to India (1984). All three of these scores won Academy Awards. Other notable scores of his include The Message (1976), Dead Poets Society (1989) and Ghost (1990). Jarre has been awarded a star on the Hollywood Walk of Fame.[2]
Early life
Jarre started studying music at a late age, unlike many of his fellow musicians. He first enrolled in the engineering school at the Sorbonne. However, he decided to pursue his education in music instead. He left the Sorbonne, against his father's will, and enrolled at Conservatoire de Paris to study composition, harmony and chose percussion as his major instrument. [1]He became the Théâtre National Populaire director, and recorded his first movie score in France in 1951. [3]
Film scoring
In 1961 Jarre musical life experienced a major turn when the movie producer Sam Spiegel asked him to write the score of Lawrence of Arabia for which he won his first Academy Award.[2] He followed with The Train (1964), then had another great success in Doctor Zhivago, which earned him his second Oscar.
Jarre continued making movie scores that earned him several awards and recognition. He scored by Luchino Visconti's The Damned (1969), John Huston's The Man Who Would Be King (1975).
He was again nominated for an Academy award for scoring The Message (aka Mohammad, Messenger of God) in 1976 for the director and producer Moustapha Akkad. He followed with Top Secret! (1984), Julia and Julia (1987), Dead Poets Society (1989)—for which he won a British Academy Award—and Jacob's Ladder (1990).
His television work includes the score for the miniseries Jesus of Nazareth (1977), directed by Franco Zeffirelli, Shogun (1980), and the theme for PBS's Great Performances. [1]
His other works include the music for Witness, his passionate love theme from Fatal Attraction, and the moody electronic soundscapes of After Dark, My Sweet. His score for David Lean's Ryan's Daughter (1970), set in Ireland, completely eschews traditional Irish music styles, owing to Lean's preferences. The song "It was a Good Time," from Ryan's Daughter went on to be recorded by musical stars such as Liza Minnelli who used it in her critically acclaimed television special Liza With a Z as well as others during the 1970s. In the 1970s and 1980s, Jarre turned his hand to science fiction, with scores for The Island at the Top of the World (1974), Enemy Mine (1985) and Mad Max Beyond Thunderdome (1985). The latter is written for full orchestra, augmented by a chorus, four grand pianos, a pipe organ, digeridoo, fujara, a battery of exotic percussion and three ondes Martenot (which feature in several of Jarre's other scores, including Lawrence of Arabia, Jesus of Nazareth, The Bride) and Prancer (1989).
In 1990 Jarre was again nominated for an Academy Award scoring the supernatural love story / thriller Ghost. His music for the final scene of the film is based on "Unchained Melody" composed by fellow film composer Alex North.[1]
Jarre scored his last film in 2001, a TV movie about the Holocaust entitled Uprising.[1]
Music style
Jarre wrote mainly for orchestras, but began to favor synthesized music in the 1980s, mostly for practical rather than aesthetic motivations, many critics feel.[citation needed] Jarre denies this and has pointed out that his electronic score for Witness was actually more laborious, time-consuming and expensive to produce than an orchestral score. Jarre's electronic scores from the 80s also include Fatal Attraction, The Year of Living Dangerously and No Way Out. A number of his scores from that era also feature electronic/acoustic blends, such as Gorillas in the Mist, Dead Poets Society, The Mosquito Coast and Jacob's Ladder.
Quotes
Nowadays, if a studio assumes that his film is bad, there is always an executive that gets more nervous than usual and thinks that if they change the music, the film will become a masterpiece.
One could say my life itself has been one long soundtrack. Music was my life, music brought me to life, and music is how I will be remembered long after I leave this life. When I die there will be a final waltz playing in my head and that only I can hear.
When I was 15, I did not know nothing about what concerned the world of music
Soon I worked during twelve years in theater works of the prestigious Theatre National Populaire. It was the best time of my life, the most difficult, the most interesting, the most exciting.
Family
He is the father of Jean Michel Jarre, a French composer who is one of the pioneers in the electronic music field.
His youngest son Kevin Jarre is a screenwriter, with credits on such movies as Tombstone and Glory.
Jarre has been married four times:
- to Francette Pejot (in the 1940s, after World War II), who is Jean Michel Jarre's mother.
- to French actress Dany Saval (1965-1967), who is Stephanie Jarre's mother.
- to American actress Laura Devon (1967-1984), who is Kevin Jarre's mother.
- to Fong F. Khong (1984-)
Filmography and awards
![[icon]](/wiki/File:Wiki_letter_w_cropped.svg){kind=small} | This section needs expansion. You can help by adding to it. (September 2008) |
| Year | Title | Role | Awards |
|---|---|---|---|
| 1958 | Head Against the Wall | ||
| 1959 | Eyes Without a Face | ||
| 1962 | Sundays and Cybele | Nominated for Best Music, Scoring of Music, Adaptation or Treatment | |
| 1962 | Lawrence of Arabia | Won the 1962 Academy Award for Best Music, Score - Substantially Original | |
| 1963 | Judex | ||
| 1966 | Is Paris Burning? | ||
| 1966 | Grand Prix | ||
| 1967 | Doctor Zhivago | Grammy Award for Grammy Award for Best Score Soundtrack Album for a Motion Picture, Television or Other Visual Media, Won 1967 Academy Award for Best Music, Score | |
| 1968 | Isadora | ||
| 1969 | Topaz | ||
| 1970 | Ryan's Daughter | ||
| 1972 | The Life and Times of Judge Roy Bean | Nominated for Best Music, Song for the song "Marmalade, Molasses & Honey" | |
| 1974 | The Island at the Top of the World | ||
| 1976 | The Last Tycoon | ||
| 1977 | Mohammad, Messenger of God | Nominated for Best Music, Original Score | |
| 1980 | Shōgun | ||
| 1982 | Firefox | ||
| 1982 | The Year of Living Dangerously | ||
| 1984 | A Passage to India | Won the 1984 Academy Award for Best Score | |
| 1984 | Top Secret! | ||
| 1985 | Witness | Nominated for Best Music, Original Score | |
| 1985 | Mad Max Beyond Thunderdome | ||
| 1986 | The Mosquito Coast | ||
| 1986 | Solarbabies | ||
| 1987 | No Way Out | ||
| 1988 | Cocktail | ||
| 1988 | Gorillas in the Mist: The Story of Dian Fossey | Nominated for Best Music, Original Score | |
| 1989 | Dead Poets Society | British Academy Awards, 1989, Best Original Music Score | |
| 1989 | Prancer | ||
| 1990 | Jacob's Ladder | ||
| 1990 | Ghost | Nominated for Best Music Academy Award | |
| 1993 | Fearless | ||
| 1995 | A Walk in the Clouds | Golden Globe, 1995, Best Original Score | |
| 1996 | The Sunchaser | ||
| 1999 | Sunshine | ||
| 2000 | I Dreamed of Africa |
See also
- In the Tracks of Maurice Jarre, documentary about Jarre
References
External links
{{subst:#if:Jarre, Maurice|}} [[Category:{{subst:#switch:{{subst:uc:1924}}
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| #default = 1924 births
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