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==References==
==References==
* Berger, Martin A. ''[http://www.ucpress.edu/book.php?isbn=9780520222090 Man Made: Thomas Eakins and the Construction of Gilded Age Manhood].'' Berkeley: University Of California Press, 2000. ISBN: 9780520222090
* Bolger, Doreen; Cash, Sarah; et al. ''Thomas Eakins and the Swimming Picture''. Amon Carter Museum, 1996. ISBN 0-88360-085-4
* Bolger, Doreen; Cash, Sarah; et al. ''Thomas Eakins and the Swimming Picture''. Amon Carter Museum, 1996. ISBN 0-88360-085-4
* Braddock, Alan C. ''Thomas Eakins and the Cultures of Modernity.'' University of California Press, 2009. ISBN 0520255208
* Braddock, Alan C. ''Thomas Eakins and the Cultures of Modernity.'' University of California Press, 2009. ISBN 0520255208

Revision as of 20:35, 3 July 2011

Photograph of Thomas Eakins circa 1882

This is a list of professionally authenticated paintings, drawings, and sculptures by Thomas Eakins. As there is no catalogue raisonné of Eakins' works,[1] this is an aggregation of existing published catalogs.

Background

During his lifetime, Thomas Eakins sold few paintings. On his death, ownership of his unsold works passed to his widow, Susan Macdowell Eakins, who kept them in their Philadelphia home. She dedicated the remaining years of her life to burnishing his legacy. In this, she was quite successful; in the period between Thomas Eakins' death and her own, she donated many of the strongest remaining pictures to museums around the world. The Philadelphia Museum of Art benefited particularly from these donations.

After Susan Macdowell Eakins' death in 1938, her executors emptied the house of anything which could be sold at auction. When former Eakins student Charles Bregler arrived at the house after it had been stripped he was horrified at what he found, describing it as the "most tragic and pitiful sight I ever saw. Every room was cluttered with debris as all the contents of the various drawers, closets etc were thrown upon the floor as they removed the furniture. All the life casts were smashed... I never want to see anything like this again."[2] The number of works lost or destroyed at this time will never be known.

Bregler carefully collected what was left. Most of what remained were drawings and other preparatory studies. He was highly secretive about the contents of his collection and rarely allowed anyone to see it. After Bregler's death, ownership of the collection passed to his second wife, Mary Louise Picozzi Bregler, who was even more guarded as to its contents. In 1986, shortly before her death, Mary Bregler agreed to sell the works to the Pennsylvania Academy of Fine Arts.[3]

Historiography

In the early 1930s, Susan Macdowell Eakins invited art historian Lloyd Goodrich into her home. Goodrich inventoried the collection in the house, interviewed Eakins' surviving associates, and studied Eakins' personal notes. In 1933, Goodrich published Thomas Eakins: His Life and Works. Though it was incomplete, unillustrated, and did not include Eakins' photographs, Goodrich's book was the first definitive study of Eakins and the first attempt to catalog his artistic output.[4]

In the 1970s, Gordon Hendricks published two Eakins catalogs. The Photographs of Thomas Eakins (1972; ISBN 0670552615) is a fully illustrated catalog of photographs by Thomas Eakins and his associates. Because Eakins did not keep detailed records of his photographs, nor did he sign, title, or date them, many of the dates and photographers listed in the catalog are educated guesses on Hendricks' part. It is difficult to know who took a particular photograph because Eakins often had his students use it. Hence, the attribution on many of these photographs is "Circle of Eakins" to indicate that a photograph was taken either by Eakins or one of his associates. The Life and Work of Thomas Eakins (1974; ISBN 0670427950) included a "checklist" of Eakins works, a number of which had not been included in the 1933 Goodrich catalog.

In the 1980s, Lloyd Goodrich returned to the subject of Thomas Eakins. He began writing a three volume book, Thomas Eakins. The first two volumes, published in 1982, were biographic in nature. Goodrich was unable to complete the third volume, a Thomas Eakins catalogue raisonné, before he died in 1987. He donated his papers to the Philadelphia Museum of Art, in the hopes that the curators there would finish the catalogue raisonné. This has not happened.

Until 1986, the Charles Bregler collection was effectively unknown to art historians. A few of the works in the Bregler collection were included in the 1933 Goodrich catalog, but after that they effectively disappeared from the scholarly community. A proper inventory became possible only after their 1986 sale to the Pennsylvania Academy of Fine Arts. In 1997, art historian Kathleen Foster published a definitive catalog of the Bregler collection, Thomas Eakins Rediscovered. (ISBN 0300061749)

List organization

Paintings, drawings, and sculptures are listed, where possible, by their Goodrich catalog number supplemented with modifications from Goodrich's notes for his never-completed Eakins catalogue raisonné.[5] The Goodrich catalog can be subdivided into three parts:

  • Juvenalia – Goodrich classified several early works by Thomas Eakins (works made prior to Eakins' arrival in Paris) as juvenalia, and prefaced with a "J". Though mentioned throughout the Eakins literature, the catalog itself was not published. However, the list is accessible in the Goodrich papers in the Philadelphia archives.
  • 1933 catalog works – "G" followed by a number indicates it is from Goodrich's 1933 Eakins catalog.
  • 1980s catalog works – "G" followed by a number and then a letter indicates a work that was not included in the 1933 Goodrich catalog, but was included in his two volume Thomas Eakins, or in notes for the third volume, the never-finished catalog.

Works in the Charles Bregler collection at the Pennsylvania Academy of Fine Arts are listed according to their number in Thomas Eakins Rediscovered.

Goodrich catalogue of Eakins' paintings and sculptures

Title Catalog # Format Year Dimensions (inches) Note Collection Picture
Map of Switzerland J1 Pen, ink, and watercolor on paper circa 1856–1857 Hirshhorn Museum and Sculpture Garden, Washington, D.C.[6][7]
Map of France, Spain, Portugal, and Italy J2 Pen, ink, and watercolor on paper circa 1856–1857 16 × 20 Collection of Mr. and Mrs. Francis Walters[8]
Spanish Scene: Peasant Crossing a Stream J3 Pencil and chalk on paper March 1858 10 1/16 × 14 7/16 Hirshhorn Museum and Sculpture Garden, Washington, D.C.[9][10]
Spanish Scene: Peasants and Travellers Among Ruins J4 Pencil and ink on paper 1858 11½ × 16 15/16 Hirshhorn Museum and Sculpture Garden, Washington, D.C.[9][11]
Camel and Rider J5 Pencil and ink on paper 1858 Collection of Mr. and Mrs. Daniel Dietrich II[12]
Perspective of a Lathe J6 Pencil and ink on paper 1860 16 5/16 × 22 Hirshhorn Museum and Sculpture Garden, Washington, D.C.[13][14]
Drawing of Gears J7 Pen, ink, and pencil on paper Circa 1860 11 7/16 × 16⅞ Hirshhorn Museum and Sculpture Garden, Washington, D.C.[15][16]

Visiting Card with Landscape J8 circa late 1850s Hirshhorn Museum and Sculpture Garden, Washington, D.C.[17]
Machinery J9 Circa 1860
The Icosahedron J10 Circa 1860 Pennsylvania Academy of Fine Arts, Philadelphia, Pennsylvania[18]
"Freedom" J11 Circa 1860 An drawing after the Statue of Freedom by Thomas Crawford Pennsylvania Academy of Fine Arts, Philadelphia, Pennsylvania[19]
Nude woman, seated, wearing a mask 1 Charcoal on paper circa 1863–1866 24¼ × 18⅝ inches Philadelphia Museum of Art, Philadelphia, Pennsylvania[20]
Nude woman, back turned 2 Charcoal on paper Philadelphia Museum of Art, Philadelphia, Pennsylvania[21]
Nude boy 3 Charcoal on paper Philadelphia Museum of Art, Philadelphia, Pennsylvania[22]
Nude man, seated 4 Charcoal on paper Philadelphia Museum of Art, Philadelphia, Pennsylvania[23]
Nude woman reclining, back turned 5 Charcoal on paper Philadelphia Museum of Art, Philadelphia, Pennsylvania[24]
Nude woman, reclining, seen from the front 6 Charcoal on paper Philadelphia Museum of Art, Philadelphia, Pennsylvania[25]

Head, bust and arm of a child 7 Charcoal on paper Philadelphia Museum of Art, Philadelphia, Pennsylvania[26]
Arm resting on the back of a chair 8 Charcoal on paper Philadelphia Museum of Art, Philadelphia, Pennsylvania[27]
Nude man with a beard, seated on the floor 9 Charcoal on paper 1869 On the reverse is the middle section of a nude man. Philadelphia Museum of Art, Philadelphia, Pennsylvania[28]
Nude man standing 10 Charcoal on paper
Legs of a seated model 11 Charcoal on paper Newark Museum, Newark, New Jersey[29]
Legs of a standing model 12 Charcoal on paper
Head and bust of an Arab man with a turban 13 Charcoal on paper 1866–1867 Fine Arts Museums of San Francisco, San Francisco[30]
Torso and arm of a nude man 14 Charcoal on paper
Nude woman reclining on a couch 15 Charcoal on paper 1863–1866 Fogg Art Museum, Cambridge, Massachusetts[31]
Nude woman reclining, wearing a mask 16 Charcoal on paper
Nude woman standing 17 Charcoal on paper 1876
Nude man seated 18 Charcoal on paper Circa 1869 Double sided with "Head of a warrior". Sold at auction, December 8, 2008, for $50,000[32]

Illustrated letter to his Mother, Nov. 8–9, 1866 18A Hirshhorn Museum and Sculpture Garden, Washington, D.C.[33][34]

Antique study, female head 19 Oil on heavy paper circa 1867–1869 Lost[35]
Antique study, male roman head 20 Oil on canvas circa 1867–1869 Lost[35]
Study of a leg 21 Oil on heavy paper circa 1867–1869 Joslyn Art Museum, Omaha, Nebraska
Study of a ram's head 22 Oil on canvas circa 1867–1869 Lost[35]
Study of a girl's head 23 Oil on canvas circa 1868–1869 Private collection[35]
Study of a girl's head 24 Oil on canvas circa 1867–1874 Hirshhorn Museum and Sculpture Garden, Washington, D.C.[36][37]
Study of a girl's head 25 Oil on canvas circa 1867–1869 Philadelphia Museum of Art, Philadelphia, Pennsylvania[38]
The Strong Man 26 Oil on canvas circa 1867–1869 Study Philadelphia Museum of Art, Philadelphia, Pennsylvania[39]
Bust of a Man (Study of a Nude Man) 27 Oil on canvas circa 1867–1869 Philadelphia Museum of Art, Philadelphia, Pennsylvania[40]
Study of a student's head 28 Oil on canvas mounted on cardboard circa 1867–1878 Thought to have been lost.[35] Sold at auction in May 2001 for $46,750[41]
Study of a student's head 29 Oil on canvas mounted on cardboard circa 1867–1879 Collection of William E. Stokes[42]
A Negress 30 Oil on canvas M. H. de Young Memorial Museum, San Francisco, California[43]
Scene in a Cathedral 31 Oil on canvas Study, unfinished Hirshhorn Museum and Sculpture Garden, Washington, D.C.[44]
Carmelita Requena 32 Oil on canvas 1869 Metropolitan Museum of Art, New York City, New York[45]
A Street Scene in Seville 33 Oil on canvas 1870 Collection of Erving and Joyce Wolf[46]
A Spanish Woman (Also known as "Dolores") 34 Oil on canvas
Francis Eakins 35 Oil on canvas Late 1870/Early 1871 Nelson-Atkins Museum of Art, Kansas City, Missouri[47]
At the Piano 36 Oil on canvas Late 1870/Early 1871 Blanton Museum of Art, Austin, Texas[48]
Home Scene 37 Oil on canvas Late 1870/Early 1871 Brooklyn Museum of Art, New York City, New York[49]
Benjamin Eakins 38 Watercolor on paper Circa 1870 Private collection
Margaret in Skating Costume 39 Oil on canvas 1871 Philadelphia Museum of Art, Philadelphia, Pennsylvania[50]
Margaret (study) 40 Oil on canvas Circa 1871 Deaccessioned from Hirshhorn Museum and Sculpture Garden. For auction at Sotheby's NYC, 19 May 2010, Lot 109.[51][52]
Margaret (sketch) 41 Oil on canvas Circa 1871 Mitchell Museum at Cedarhurst, Mount Vernon, Illinois[53]
Hiawatha 42 Watercolor on paper No longer exists.[54]
Hiawatha 43 Oil on canvas Study for Hiawatha watercolor. Described erroneously as unfinished.[54] Hirshhorn Museum and Sculpture Garden, Washington, D.C.[54][55]
Max Schmitt in a Single Scull 44 Oil on canvas 1871 Metropolitan Museum of Art, New York City, New York[56]
Drawing of the Girard Avenue Bridge 44A Drawing Double sided: reverse side depicts the sketch for an oar. Hirshhorn Museum and Sculpture Garden, Washington, D.C.[57][58]

Portrait of M.H. Messchert 44B Painting
Katherin (Girl with a cat) 45 Oil on canvas 1872 Yale University Art Gallery, New Haven, Connecticut[59]
Study for Kathrine 45A Drawing
Elizabeth Crowell and her Dog 46 Oil on canvas Early 1870s San Diego Museum of Art, San Diego, California[60]
Mrs. James W. Crowell 47 Oil on canvas Early 1870s
Grouse 48 Oil on canvas 1872 Mint Museum of Art, Charlotte, North Carolina[61]
The Pair-Oared Shell 49 Oil on canvas 1872 Philadelphia Museum of Art, Philadelphia, Pennsylvania[62]
Perspective Drawing for The Pair-Oared Shell 50 Pencil and ink on paper mounted on cardboard Philadelphia Museum of Art, Philadelphia, Pennsylvania[63][64]
Perspective Drawing for The Pair-Oared Shell 51 Pencil, ink, and watercolor on paper mounted on cardboard 1872 Philadelphia Museum of Art, Philadelphia, Pennsylvania[65]
The Biglin Brothers Turning the Stake 52 Oil on canvas 1873 Cleveland Museum of Art, Cleveland, Ohio[66]
Perspective Drawing for the Biglin Brothers Turning the Stake 52A Drawing Cleveland Museum of Art, Cleveland, Ohio[67][68]
Perspective Drawing for the Biglin Brothers Turning the Stake 53 Pencil and ink on paper mounted on cardboard 1873 Hirshhorn Museum and Sculpture Garden, Washington, D.C.[69][70]
The Pair-Oared Race – John and Barney Biglin Turning the Stake 54 Watercolor 1874 Lost[71]
A Rower 55 Watercolor Given to Jean-Léon Gérôme by Thomas Eakins. "Present location unknown"[5]
John Biglin (also known as "The Sculler") 56 Watercolor 1874 16⅞ × 23 15/16 Yale University Art Gallery, New Haven, Connecticut[72][73]
John Biglin in a Single Scull 57 Watercolor on paper 1873 or early 1874 19 5/16 × 24⅞ Metropolitan Museum of Art, New York City, New York[74][75]
Perspective Drawing for John Biglin in a Single Scull 58 Pencil and ink on paper mounted on cardboard Circa 1874 27⅜ × 45¼ Museum of Fine Arts, Boston, Boston, Massachusetts[76][77]
John Biglin in a Single Scull 59 Oil on canvas 1873–1874 24⅜ × 16 Yale University Art Gallery, New Haven, Connecticut[78]
John Biglin in a Single Scull 60 Watercolor 1873–1874 Given to Jean-Léon Gérôme by Thomas Eakins.
The Biglin Brothers Racing 61 Oil on canvas Probably 1873 National Gallery of Art, Washington, D.C.[79]
Perspective Drawing for the Biglin Brothers Racing 62 Pencil and ink on paper mounted on cardboard Hirshhorn Museum and Sculpture Garden, Washington, D.C.[80][81][82]
Oarsmen on the Schuylkill 63 Oil on canvas Circa 1873 Brooklyn Museum of Art, New York City, New York
Oarsman in a Single Scull (also known as "Sketch of Max Schmitt in a Single Scull") 64 Oil on canvas Philadelphia Museum of Art, Philadelphia, Pennsylvania[83]
Oarsmen 65 Oil on canvas Probably circa 1873 Portland Art Museum, Portland, Oregon[84]
The Schreiber Brothers 66 Oil on canvas 1874 Yale University Art Gallery, New Haven, Connecticut[85][86]
Perspective Drawing 67 Pencil and ink on paper mounted on cardboard Pennsylvania Academy of Fine Arts, Philadelphia, Pennsylvania[87]
The Artist and His Father Hunting Reed Birds 68 Oil on canvas Circa 1874 Virginia Museum of Fine Arts, Richmond, Virginia[88]
Perspective Drawing for the Artist and His Father Hunting Reed Birds 69 Pencil and ink on paper mounted on cardboard
Pushing for the Rail 70 Oil on canvas 1874 Metropolitan Museum of Art, New York City, New York[89]
Whistling for Plover 71 Watercolor on paper 1874 Brooklyn Museum of Art, New York City, New York[90]
Whistling for Plover 72 Oil
Sketch for Hunting 73 Oil on canvas mounted on cardboard Circa 1874 Collection of Jamie Wyeth
Studies of Game-Birds (Also known as "Plover") 74 Oil on canvas mounted on cardboard Virginia Museum of Fine Arts, Richmond, Virginia
Landscape with a Dog 75 Oil on canvas Philadelphia Museum of Art, Philadelphia, Pennsylvania[91]
Sailboats Racing on the Delaware 76 Oil on canvas 1874 Philadelphia Museum of Art, Philadelphia, Pennsylvania[92]
Sailing 77 Oil on canvas Circa 1874 Philadelphia Museum of Art, Philadelphia, Pennsylvania[93]
Starting Out After Rail 78 Oil on canvas 1874 Museum of Fine Arts, Boston, Boston, Massachusetts[94]
Starting Out After Rail 79 Watercolor 1874 Wichita Art Museum, Wichita, Kansas[95]
Ships and Sailboats on the Delaware (also known as "Becalmed") 80 Oil on canvas 1874 Wadsworth Atheneum, Hartford, Connecticut[60]
Study for Ships and Sailboats on the Delaware 81 Oil on canvas mounted on cardboard Pennsylvania Academy of Fine Arts, Philadelphia, Pennsylvania[96]
Ships and Sailboats on the Delaware 82 Oil on canvas 1874 Philadelphia Museum of Art, Philadelphia, Pennsylvania[97]
Drifting 83 Watercolor Circa 1874 National Gallery of Art, Washington, D.C.[98]
Mrs. Benjamin Eakins 84 Oil on canvas Circa 1874 Collection of Mr. and Mrs. Daniel Dietrich II[99][100]
Portrait of Professor Benjamin H. Rand 85 Oil on canvas 1874 Ex Collection: Thomas Jefferson University, Philadelphia, PA; deaccessioned April 2007 (after 130 years in the collection).[101] Crystal Bridges Museum of American Art, Bentonville, Arkansas
Baseball Players Practicing 86 Watercolor on paper 1875 Rhode Island School of Design Museum, Providence, Rhode Island[102]
Perspective drawing for Baseball Players practicing 86A Drawing Hirshhorn Museum and Sculpture Garden, Washington, D.C.[103][104][105]
Elizabeth at the Piano 87 Oil on canvas 1875 Addison Gallery of American Art, Andover, Massachusetts[60]
The Gross Clinic 88 Oil on canvas 1875 Philadelphia Museum of Art[106] and the Pennsylvania Academy of Fine Arts, Philadelphia, Pennsylvania[107]
Sketch for the Gross Clinic 89 Oil on canvas 1875 Philadelphia Museum of Art, Philadelphia, Pennsylvania[108]
Dr. Gross (Study for "The Gross Clinic) 90 Oil on canvas 1875 Worcester Art Museum, Worcester, Massachusetts[109]
Black and White version 91 India ink on cardboard 1875 Drawn after the painting. Was photographed and reproduced as a collotype Metropolitan Museum of Art, New York City, New York[110]
Drawing of Two Heads 92 "India ink on paper, with pen and brush" 1876 Philadelphia Museum of Art, Philadelphia, Pennsylvania[111]
Robert C.V. Meyers 93 Oil on brown paper 1875 Collection of Mr. and Mrs. Daniel Dietrich II[112][113]
The Zither Player 94 Watercolor on paper 1876 Art Institute of Chicago, Chicago, Illinois[114]
J. Harry Lewis 95 Oil on canvas 1876 Philadelphia Museum of Art, Philadelphia, Pennsylvania[115]
The Chess Players 96 Wood 1876 Metropolitan Museum of Art, New York City, New York[116]
Perspective Drawing for the Chess Players 97 Pencil and ink on paper 1875–1876 Metropolitan Museum of Art, New York City, New York[117]
M. Gardel 98 Oil on paper mounted on cardboard Philadelphia Museum of Art, Philadelphia, Pennsylvania[118]
Baby at Play 99 Oil on canvas 1876 National Gallery of Art, Washington, DC.[119]
Studies of a Baby 100 Oil on canvas Double sided. Duke-Semans Fine Arts Foundation (in the care of the Nasher Museum of Art, Durham, North Carolina)
Dr. John H. Brinton 101 Oil on canvas 1876 The National Museum of Health and Medicine of the Armed Forces Institute of Pathology, Washington, D.C. On long-term loan to the National Gallery of Art[120]
Mrs. Samuel Hall Williams (Portrait of Abbie Williams) 102 Wood Circa 1876 Art Institute of Chicago, Chicago, Illinois[121]
Columbus in Prison 103 Oil on canvas Circa 1876 Kennedy Galleries, New York City, New York
Sketch for the Surrender of General Lee to General Grant at Appomatox 103A Oil on canvas Hirshhorn Museum and Sculpture Garden, Washington, D.C.[60][122]
Sketch for the Surrender of General Lee to General Grant at Appomatox 103B Oil on canvas Museum of Fine Arts, Boston, Boston, Massachusetts[123]
Will Schuster and Blackman Going Shooting 104 Oil on canvas 1876 Yale University Art Gallery, New Haven, Connecticut[124]
Perspective Drawing for Will Schuster and Blackman Going Shooting 104A Drawing Collection of Mr. and Mrs. Daniel Dietrich II[125]
Rail Shooting 105 Oil on canvas "Present whereabouts or existence unknown"[5]
In Grandmother's Time 106 Oil on canvas 1876 Smith College Museum of Art, Northampton, Massachusetts[126]
In Grandmother's Time 106A Oil on wood Originally double sided with G106B until the two images were split[5]
Landscape 106B Oil on wood Originally double sided with G106A until the two images were split[5]
Archbishop James Frederick Wood 107 Oil on canvas 1877 St. Charles Borromeo Seminary, Wynnewood, Pennsylvania[127]
Study for the portrait of James Frederick Wood 108 Oil on canvas 1876 Yale University Art Gallery, New Haven, Connecticut[128]
Scenes in a Cathedral 108A, 108B, 108C, 108D, 108E, 108F, 108G, 108H, 108I Drawings Hirshhorn Museum and Sculpture Garden, Washington, D.C.[129][130]
William Rush and His Model 109 Oil on canvas 1876–1877 Philadelphia Museum of Art, Philadelphia, Pennsylvania[131]
Studies for "William Rush" 109A, 109B, 109C, 109D, 109E, 109F, 109G, 109H, Drawings Hirshhorn Museum and Sculpture Garden, Washington, D.C.













Study for William Rush and His Model 110 Oil on cardboard, circa 1877 8¼ × 10½ Farnsworth Art Museum, Rockland, Maine[132]
Study for William Rush and His Model 111 Oil on canvas 1876 Yale University Art Gallery, New Haven, Connecticut[133][134]
Interior of Rush's Shop 112 Oil on canvas 1876–1877 Philadelphia Museum of Art, Philadelphia, Pennsylvania[135]
The Model (Nude: Study for William Rush) 113 Oil on canvas 1876 Art Institute of Chicago, Chicago, Illinois[136]
Seventy Years Ago 114 Watercolor on paper 1877 Princeton University Art Museum, Princeton, New Jersey[137]
Sketch for Seventy Years Ago 115 Oil on canvas Seattle Art Museum, Seattle, Washington[138]
Young Girl Meditating 116 Watercolor on paper 1877 Metropolitan Museum of Art, New York City, New York[139]
Sketch for Young Girl Meditating 117 Oil on canvas Pennsylvania Academy of Fine Arts, Philadelphia, Pennsylvania[140]
Study for Young Girl Meditating 117A Oil on canvas 1877 Collection of Martin Perez.[141]
In Washington (Lafayette Park, Washington, D.C.) 118 Wood 1877 Philadelphia Museum of Art, Philadelphia, Pennsylvania[142]
The Courtship 119 Oil on canvas Circa 1878 M. H. de Young Memorial Museum, San Francisco, California[143]
Sketch for the Courtship 120 Oil on canvas 14 × 17 Sold at auction in 1983 for $80,000[144] File:Sketch for the Courtship G120.png
The Spinner (sketch) 121 Oil on canvas Circa 1878 Worcester Art Museum, Worcester, Massachusetts[60]
The Spinner (sketches) 122 Wood Has a sketch of Dr. Andrews on the reverse side. Private collection.[5]
The Young Man (sketch) 123 Oil on canvas
Anna Williams 123A
Study for Anna Williams 123B
Negro Boy Dancing (also known as "The Dancing Lesson") 124 Watercolor on paper 1878 Metropolitan Museum of Art, New York City, New York[145]
Drawing for the Negro Boy dancing 124A Drawing 1878 Pennsylvania Academy of Fine Arts, Philadelphia, Pennsylvania[146][147]
Study for Negro Boy Dancing 125 Oil on canvas National Gallery of Art, Washington, D.C.[148]
Study for Negro Boy Dancing 125A National Gallery of Art, Washington, D.C.[149]
Mrs. John H. Brinton 126 Oil on canvas 1878 Collection of Mrs. Rodolphe Meyer de Schauensee[150]
The Spelling Bee at Angel's 127 1878 Published in Scribner's Magazine, November 1878 N/A
Thar's a New Game Down in Frisco 127A Oil on canvas Study for the central standing figure in the Spelling Bee at Angel's. Study for The Spelling Bee at Angel's. Pennsylvania Academy of Fine Arts, Philadelphia, Pennsylvania[151]
The Spelling Bee at Angel's 128 1878 Published in Scribner's Magazine, November 1878 N/A
Mr. Neelus Peeler's Conditions 129 Black ink and Chinese white on paper 1879 Published in Scribner's Magazine, June 1879 Brooklyn Museum of Art, New York City, New York[152]
Perspective drawing for Mr. Neelus Peeler's Conditions 129A Drawing Hirshhorn Museum and Sculpture Garden, Washington, D.C.[153]
Sketch for Mr. Neelus Peeler's Conditions 130 Wood Double sided. Often incorrectly referred to as "The Timer"[154] New Britain Museum of American Art, New Britain, Connecticut[155][156]

Four anatomical drawings 130A, 130B, 130C, 130D Drawings Hirshhorn Museum and Sculpture Garden, Washington, D.C.[157][158]

A Quiet Moment 131 Oil on canvas 1879 Lost[159]
Sewing 132 Oil on wood circa 1879 Reverse side contains the sketch of an interior. New Britain Museum of American Art, New Britain, Connecticut[160]

Study of a Woman Knitting 132A Oil Hirshhorn Museum and Sculpture Garden, Washington, D.C.[161]
The Fairman Rogers Four-in-Hand 133 Oil on canvas 1879–1880 Philadelphia Museum of Art, Philadelphia, Pennsylvania[162]
Sketches for the Fairman Rogers Four-in-Hand 134 Oil on wood 1879 Double sided: one side depicts the coach being driven across the picture; the other side is a study of Mrs. Rogers. Philadelphia Museum of Art, Philadelphia, Pennsylvania[163][164]

Landscape sketch for the Fairman Rogers Four-in-Hand 135 Oil on wood Originally composed of five or six sketches, which were later split.[165]


Reverse of G135 as it appeared in 1933.
Study of the Delaware River 135A Oil Originally part of G135 until they were split.[165]
Study of a Man's Head for Mending the Net 135B Oil Originally part of G135 until they were split.[165]
Study of a Woman's Head for Mending the Net 135C Oil Originally part of G135 until they were split.[165]
Landscape sketch for the Fairman Rogers Four-in-Hand 136 Oil on wood Double sided: one side is a study in Fairmount park. The other is a color note. Philadelphia Museum of Art, Philadelphia, Pennsylvania

Study of Horse for The Fairman Rogers Four-in-Hand 137 Oil on wood 1879 Originally double sided with 137A until the two images were split[5] Ex collection: Hirshhorn Museum and Sculpture Garden. Sold at auction in the same lot with other Eakins works in 2009 for $119,500[166]
Study of Horses for The Fairman Rogers Four-in-Hand 137A Oil on canvas 1879 Originally double sided with 137 until the two images were split[5] Ex collection: Hirshhorn Museum and Sculpture Garden. Sold at auction in the same lot with other Eakins works in 2009 for $119,500[166]
Fan 137B Sold at auction, January 24, 1994, for $160,000.
General George Cadwalader 138 Oil on canvas 1880 Butler Institute of American Art, Youngstown, Ohio[167]
General George Cadwalader 139 Oil on canvas 1880 Collection of the Mutual Assurance Company of Philadelphia.[168]
Retrospection 140 Oil on wood 1880 Yale University Art Gallery, New Haven, Connecticut[169]
Retrospection (Watercolor) 141 Watercolor on paper Philadelphia Museum of Art, Philadelphia, Pennsylvania[170]
Walter MacDowell 141A Oil Private collection[5]
The Crucifixion 142 Oil on canvas 1880 Philadelphia Museum of Art, Philadelphia, Pennsylvania[171]
Sketch for the Crucifixion 143 Oil on canvas 1880 Hirshhorn Museum and Sculpture Garden, Washington, D.C.[172][173]
J. Laurie Wallace posing 143A Oil Sold at auction in 1987 for $160,000[174]
Spinning 144 Watercolor on paper 1881 Collection of Mrs. John Randolph Garrett Sr.[175]
Drawing for Spinning 144A Drawing
Sketch for Spinning 145 Oil on wood Pennsylvania Academy of Fine Arts, Philadelphia, Pennsylvania[176]
Spinning (also called "Homespun") 146 Watercolor on paper 1881 Metropolitan Museum of Art, New York City, New York[177]
Sketch for Spinning 147 Oil on wood Double sided – the reverse side also contains a sketch for Spinning Yale University Art Gallery, New Haven, Connecticut[178]

The Pathetic Song 148 Oil on canvas 1881 Corcoran Museum of Art, Washington, DC.[60]
Sketch for the Pathetic Song 149 Oil on wood 1881 Hirshhorn Museum and Sculpture Garden, Washington, DC.[179]
The Pathetic Song 149A Watercolor Metropolitan Museum of Art, New York City, New York[180]
Rail Shooting 150 Drawing 1881 Published in Scribner's Magazine, July 1881 Yale University Art Gallery, New Haven, Connecticut[181]
A Pusher (also known as "Poleman in the Ma'sh) 151 Drawing 1881 11 × 5⅞ National Gallery of Art, Washington, D.C.[182]
Drawing for William Rush Carving The Allegorical Figure Of The Schuylkill 151A Drawing Hirshhorn Museum and Sculpture Garden, Washington, D.C.[183]
Shad-Fishing at Gloucester on the Delaware River (also called "Taking up the Net") 152 Oil on canvas 1881 Philadelphia Museum of Art, Philadelphia, Pennsylvania[184]
Shad-Fishing at Gloucester on the Delaware River (also called "Taking up the Net") 153 Watercolor on paper 1881 Metropolitan Museum of Art, New York City, New York[185]
Shad-Fishing at Gloucester on the Delaware River 154 Oil 1881 Ball State University Art Museum, Muncie, Indiana[186]
Mending the Net 155 Oil on canvas 1881 Philadelphia Museum of Art, Philadelphia, Pennsylvania[187]
Drawing for Mending the Net 155A Drawing
A Fisherman 156 Oil on cardboard Pennsylvania Academy of Fine Arts, Philadelphia, Pennsylvania[188]

The Tree 157 Oil on wood Originally double sided with G157A until the two images were split.[5]
Mending the Net: Study of the Tree 157A Oil on wood Originally double sided with G157 until the two images were split.[5]
Mending the Net 158 Watercolor on paper 1882 Sold at auction in 1997 for $1,400,000[189]
Drawing the Seine 159 Watercolor on paper 1882 Philadelphia Museum of Art, Philadelphia, Pennsylvania[190]
Hauling the Seine 160 Oil on canvas 1882 Princeton University Art Museum, Princeton, New Jersey[191]
"The Meadows, Gloucester, New Jersey" 161 Oil on canvas Circa 1882 Philadelphia Museum of Art, Philadelphia, Pennsylvania[192]
"Sketch for The Meadows, Gloucester, New Jersey" 162 Oil on wood Originally double sided with G162A until the two images were split.[5]
Study 162A Oil Originally double sided with G162 until the two images were split.[5]
In the Country 163 Oil on canvas circa 1882 10¼ × 14 Sold at auction, November 29, 1990.[193] Private collection[5]
Near the Sea (Also known as "Landscape study") 164 Oil on canvas Collection of Mr. and Mrs. Daniel Dietrich II[5]
Untitled landscape sketch 165 Oil on wood Originally double sided with G165A until the two images were split.[5]
Study of a horse 165A Oil Originally double sided with G165 until the two images were split.[5]
Untitled landscape sketch 166 Oil on canvas Philadelphia Museum of Art, Philadelphia, Pennsylvania[194]
Delaware River Scene 167 Oil on canvas Pennsylvania Academy of Fine Arts, Philadelphia, Pennsylvania[195]
Untitled landscape sketch 168 Oil on canvas
Untitled landscape sketch 169 Oil on cardboard Philadelphia Museum of Art, Philadelphia, Pennsylvania[196]

Untitled landscape sketch 170 Oil on paper Pennsylvania Academy of Fine Arts, Philadelphia, Pennsylvania[197]

Untitled landscape sketch 171 Oil on paper
Untitled landscape sketch 172 Oil on canvas Pennsylvania Academy of Fine Arts, Philadelphia, Pennsylvania[198]
Untitled landscape sketch 173 Oil on canvas Collection of Mr. and Mrs. Daniel Dietrich II[199]
Untitled landscape sketch 174 Oil on canvas University at Buffalo, The State University of New York art gallery, Buffalo, New York[5]
Untitled landscape sketch 175 Oil on cardboard Collection of Mr. and Mrs. Daniel Dietrich II[200]
Untitled landscape sketch 176 Oil on canvas
Untitled landscape sketch 177 Oil on cardboard
The Brinton House 177A Oil 1878
Study for Old Man in Taking The Count 178 Oil on canvas circa 1898 13¼ × 10 Sold at auction in 2007 for $78,000[201] David Dufour. On loan to Mount Holyoke College Art Museum
Untitled sketch 179 Oil on canvas mounted on cardboard
Untitled sketch ("Girl in Shade") 180 Oil on cardboard Joslyn Art Museum, Omaha, Nebraska
Untitled sketch 181 Oil on wood
Boatman 182 Oil on wood Circa 1879 Double sided: one side is a study for the left leader horse in The Fairman Rogers Four-In-Hand. The reverse side is the Study of a Groom. Philadelphia Museum of Art, Philadelphia, Pennsylvania[202][203]

Untitled sketch 183 Oil on cardboard Collection of Mr. and Mrs. Daniel Dietrich II[204]
Untitled sketch 184 Oil on heavy paper mounted on cardboard La Salle University art gallery, Philadelphia, Pennsylvania
Study of Three Balls of Wool and a Rosebush 185 Oil on canvas Joslyn Art Museum, Omaha, Nebraska
Two Cylinders and a Ball 185A Oil Joslyn Art Museum, Omaha, Nebraska
Untitled sketch 186 Oil on heavy paper
Study of a woman seated 187 Oil on canvas mounted on cardboard Put up for auction in 2007 but not sold.[205]
Street Scene 187A Oil Hirshhorn Museum and Sculpture Garden, Washington, D.C.[206]
The Writing Master 188 Canvas 1882 Metropolitan Museum of Art, New York City, New York[207]
Sketch for the Writing Master 189 Oil on wood Double sided – one side is a sketch for The Writing Master. The other side is Sketch of a Man and Study of Drapery Philadelphia Museum of Art, Philadelphia, Pennsylvania[208][209]

The Swimming Hole 190 Oil on canvas 1884–1885 Amon Carter Museum, Fort Worth, Texas[210]
Sketch for the Swimming Hole 191 Oil on wood 1884 Study for the Swimming Hole Hirshhorn Museum and Sculpture Garden, Washington, DC.[211]
Sketch of the landscape for the Swimming Hole 192 Oil on wood Study for the Swimming Hole Collection of Mr. I David Orr[212]
Sketches for the Swimming Hole 193 Oil on cardboard "Double-sided, both sides are studies for The Swimming Hole" Collection of Mr. and Mrs. Daniel Dietrich II[213][214]

Sketches for the Swimming Hole 194 Oil on cardboard "Double-sided, both sides are studies for The Swimming Hole" Amon Carter Museum, Fort Worth, Texas[215]

Sketch for the Swimming Hole 195 Oil on cardboard "Double-sided, obverse side contains study of the fisherman's hand from Mending the Net" Collection of Mr. and Mrs. Daniel Dietrich II[216][217]
Arcadia 196 Oil on canvas 1883 Metropolitan Museum of Art, New York City, New York[218]
Sketch for Arcadia 197 Oil on wood Pennsylvania Academy of Fine Arts, Philadelphia, Pennsylvania[219][220]
Youth Playing Pipes 198 Oil on wood Carnegie Museum of Art, Pittsburgh, Pennsylvania[221]
Boy Reclining 199 Oil on wood Originally double sided with G199A until the two images were split.[5] Hirshhorn Museum and Sculpture Garden, Washington, DC.[222]
Study of a Horse 199A Drawing Originally double sided with G199 until the two images were split.[5] Ex Collection: Hirshhorn Museum and Sculpture Garden. Sold at auction in the same lot with other Eakins works in 2009 for $119,500[223]
An Arcadian 200 Oil on canvas Circa 1883
Study for An Arcadian 201 Oil on wood Originally double sided with G201A until the two images were split.[5] Hirshhorn Museum and Sculpture Garden, Washington, D.C.[60]
Studies of a horse 201A Drawing Originally double sided with G201 until the two images were split.[5] Ex Collection: Hirshhorn Museum and Sculpture Garden. Sold at auction in the same lot with other Eakins works in 2009 for $119,500[224]
Weda Cook and Statue 201B Oil
A Woman's Back: Study 202 Oil on wood 1879 Collection of Mr. and Mrs. Daniel Dietrich II[225][226]
Female Nude 203 Oil on canvas Probably early 1880s Hirshhorn Museum and Sculpture Garden, Washington, D.C.[227][228]
Female Nude 204 Oil on canvas Probably early 1880s Nelson-Atkins Museum of Art, Kansas City, Missouri[229]
Female Nude 205 Watercolor on paper Philadelphia Museum of Art, Philadelphia, Pennsylvania[5]
Study for female nude 205A Oil Previously in the collection of the Hirshhorn Museum and Sculpture Garden. Sold at auction on September 29, 2010 for $50,000.[230]
J. Laurie Wallace 206 Oil on canvas Circa 1883 Joslyn Art Museum, Omaha, Nebraska[231]
Drawing for J. Laurie Wallace 206A Drawing Joslyn Art Museum, Omaha, Nebraska[5]
Professionals at Rehearsal 207 Oil on canvas Circa 1883 Philadelphia Museum of Art, Philadelphia, Pennsylvania[232]
Perspective Study Of Boy Viewing an Object 207A Hirshhorn Museum and Sculpture Garden, Washington, D.C.[233]
Perspective drawing of a table 207B Hirshhorn Museum and Sculpture Garden, Washington, D.C.[234]
Perspective drawing of two tables 207C
In the Studio 208 Oil on canvas 1884 The Hyde Collection, Glens Falls, New York[235]
In the Studio 209 Watercolor on paper Unfinished Philadelphia Museum of Art, Philadelphia, Pennsylvania[236]
A.B. Frost 210 Oil on canvas Circa 1884 Philadelphia Museum of Art, Philadelphia, Pennsylvania[237]
Study for A.B. Frost 210A Oil on cardboard Detroit Institute of Arts, Detroit, Michigan[5]
The Veteran 211 Oil on canvas Circa 1886 Yale University Art Gallery, New Haven, Connecticut[238]
Mrs. William Shaw Ward 212 Oil on canvas Sold at auction at Sothebys, December 2, 2010, for $242,500[239]
The Artist's Wife and His Setter Dog 213 Oil on canvas 1885 Metropolitan Museum of Art, New York City, New York[240]
Professor George F. Barker[241] 214 Oil on canvas 1886 Originally 3/4-length and 60×40 inches, cut down to head-and-bust and 24×20 inches. Mitchell Museum at Cedarhurst, Mount Vernon, Illinois[242]


Barker's portrait as it appeared originally.
Sketch for Professor George F. Barker 215 Oil on cardboard 1886 Doubled sided – one side is a sketch for Professor George F. Barker. The other side depicts seated figures. Philadelphia Museum of Art, Philadelphia, Pennsylvania[243][244]

Professor William D. Marks 216 Oil on canvas 1886 Washington University Gallery of Art, St. Louis, Missouri[245]
Professor William D. Marks (unfinished) 217 Oil on canvas circa 1886 76 × 54 Iris & B. Gerald Cantor Center for Visual Arts, Stanford, California
Miss Sophie Brooks 217A Oil
Frank McDowell 218 Oil on canvas Circa 1886 Sold at auction in 1983 for $80,000[246]
Frank MacDowell (unfinished) 219 Oil on canvas Hirshhorn Museum and Sculpture Garden, Washington, D.C.[247]
Portrait of Walt Whitman 220 Oil on canvas 1887–1888 Pennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania[248]
Sketch for Walt Whitman 221 Oil on wood Probably 1887 Museum of Fine Arts, Boston, Boston, Massachusetts[249]
Mrs. Letitia Wilson Jordan 222 Oil on canvas 1888 Brooklyn Museum of Art, New York City, New York[250]
Sketch for Mrs. Letitia Wilson Jordan Bacon 223 Oil on cardboard Philadelphia Museum of Art, Philadelphia, Pennsylvania[251]
Cowboys in the Badlands 224 Oil on canvas 1888 Sold for US$5,383,500 at a 22 May 2003 auction at Christie's New York, setting a record for an Eakins painting. Anschutz collection, Denver, Colorado
Sketches for Cowboys in the Badlands 225 Oil on cardboard Originally part of the same work with G-225A and G-225B.[252] Albright-Knox Art Gallery, Buffalo, New York[253]
Sketch of a saddle 225A Oil on canvas on cardboard 1887 Originally part of the same work with G-225 and G-225B.[252] Philadelphia Museum of Art, Philadelphia, Pennsylvania[254]
Study of a stirrup 225B Originally part of the same work with G-225 and G-225A.[252]
Sketch for Cowboys in the Badlands 226 Oil on canvas Ex Collection: Philadelphia Museum of Art; deaccessioned April 2008, to fund the 2007 purchase of The Gross Clinic. Denver Art Museum, Denver, Colorado[255][256]
The Bad Lands 227 Oil on canvas mounted on cardboard Philadelphia Museum of Art, Philadelphia, Pennsylvania[257]
Study for Cowboys in the Badlands 227A Oil on canvas 10⅜ × 13½ Sold by Sothebys, October 17, 1980[252]
Landscape sketch for Cowboys in the Badlands 228 Oil on canvas mounted on cardboard Originally double sided with G-228A. Philadelphia Museum of Art, Philadelphia, Pennsylvania[258]
Landscape sketch for Cowboys in the Badlands 228A Oil on canvas mounted on cardboard Originally double sided with G-228. Philadelphia Museum of Art, Philadelphia, Pennsylvania[259]
Cowboy Riding 229 Oil on canvas mounted on cardboard Ex Collection: Philadelphia Museum of Art; deaccessioned April 2008, to fund the 2007 purchase of The Gross Clinic. Denver Art Museum, Denver, Colorado[255][256]
Cowboy (sketches) 230 Oil on canvas mounted on cardboard
Cowboy Riding 230A Oil on canvas 10¼ × 14¼ Sold at auction on June 22, 2003 for $12,000[260]
Cowboy (sketch) 231 Oil on canvas mounted on cardboard
Edward W. Boulton 232 Circa 1888 Damaged in an accident – "The portrait of Boulton (Edward W.) by Eakins was lent to the University Club for an exhibit, and a waiter ran amuck and slashed it up."[261]
Douglass M. Hall 233 Oil on canvas Circa 1888 Philadelphia Museum of Art, Philadelphia, Pennsylvania[262]
Girl in a Big Hat (Portrait of Lillian Hammit) 234 Oil on canvas Circa 1888 Hirshhorn Museum and Sculpture Garden, Washington, D.C.[263]
The Agnew Clinic 235 Oil on canvas 1889 University of Pennsylvania School of Medicine, Philadelphia, Pennsylvania[264]
Drawing of David Hayes Agnew 235A
Sketch for the Agnew Clinic 236 Oil on canvas mounted on cardboard Private collection[5]
Dr. D. Hayes Agnew: Study 237 Oil on canvas 1889 Yale University Art Gallery, New Haven, Connecticut[265]
Samuel Murray 238 Oil on canvas 1889 Mitchell Museum at Cedarhurst, Mount Vernon, Illinois[266]
Dr. Horatio C. Wood 239 Oil on canvas Circa 1889 Detroit Institute of Arts, Detroit, Michigan[60]
Professor George W. Fetter 240 Oil on canvas 1890 Rediscovered in 2004 by janitors in the boiler room a Philadelphia school[267] Currently in an undisclosed location Collection of the School District of Philadelphia, Philadelphia, Pennsylvania
Drawing for Professor George W. Fetter 241 Black ink on white tile
Portrait of Talcott Williams 242 Oil on canvas Circa 1890 National Portrait Gallery, Washington, D.C.[268]
The Bohemian: Portrait of Franklin Louis Schenk 243 Oil on canvas Circa 1890 Philadelphia Museum of Art, Philadelphia, Pennsylvania[269]
F.L. Schenk 244 Oil on canvas Circa 1890 Delaware Art Museum, Wilmington, Delaware
F.L. Schenk 245 Oil on cardboard Circa 1890 Private collection[5]
The Father of F.L. Schenk 246 Oil on canvas Circa 1890 Collection of Nelson C. White[270]
Head of a Cowboy 247 Oil on canvas Circa 1890 Mead Art Museum, Amherst, Massachusetts[271]
Home Ranch 248 Oil on canvas Circa 1890 Philadelphia Museum of Art, Philadelphia, Pennsylvania[272]
Cowboy Singing 249 Watercolor on paper Circa 1890 Metropolitan Museum of Art, New York City, New York[273]
Cowboy Singing 250 Oil on canvas Circa 1890 Ex Collection: Philadelphia Museum of Art; deaccessioned April 2008, to fund the 2007 purchase of The Gross Clinic. Jointly owned by Anschutz collection and Denver Art Museum, Denver, Colorado[255][256]
Thomas B. Harned 251 Oil on canvas Circa 1890 Private collection. On long-term loan to the Ackland Art Museum, Chapel Hill, North Carolina
Dr. Joseph Leidy II (also known as "Portrait of Man with Red Necktie") 252 Oil on canvas 1890 Newark Museum, Newark, New Jersey[274]
Dr. Joseph Leidy II (unfinished) 253 Oil on canvas
William H. Macdowell 254 Oil on canvas Circa 1890 Yale University Art Gallery, New Haven, Connecticut[275]
Phidias Studying for the Frieze of the Parthenon 255 Oil on wood Circa 1890 Originally double sided with G255A until the two images were split.[5] Collection of the Eakins Press Foundation[276]
Two Nude Youths on Prancing Horses 255A Oil on wood Circa 1890 Originally double sided with G255 until the two images were split.[5]
The Red Shawl 256 Oil on canvas Circa 1890 Philadelphia Museum of Art, Philadelphia, Pennsylvania[277]
Francis J. Ziegler (also known as "The Critic") 257 Oil on canvas Circa 1890 Fogg Art Museum, Cambridge, Massachusetts[278]
The Art Student: Portrait of James Wright 258 Oil on canvas Circa 1890 Ex collection: Maloogian Collection, Detroit Institute of Arts, Detroit, Michigan Crystal Bridges Museum of American Art, Bentonville, Arkansas
The Black Fan 259 Oil on canvas Circa 1891 Philadelphia Museum of Art, Philadelphia, Pennsylvania[279]
William H. Macdowell 260 Oil on canvas Circa 1891 Taubman Museum of Art, Roanoke, Virginia
William H. Macdowell (study) 261 Oil on canvas Circa 1891 Randolph-Macon Woman's College Art Gallery, Lynchburg, Virginia[60]
Portrait of William H. MacDowell 262 Paper on a stretcher Unfinished Baltimore Museum of Art, Baltimore, Maryland
Study for William H. MacDowell 262A Oil on canvas Hirshhorn Museum and Sculpture Garden, Washington, D.C.[280]
Miss Amelia Van Buren 263 Oil on canvas Circa 1891 The Phillips Collection, Washington, D.C.[60]
Professor Henry A. Rowland 264 Oil on canvas 1897 Addison Gallery of American Art, Andover, Massachusetts[60]
Sketch for Professor Henry A. Rowland 265 Oil on canvas Addison Gallery of American Art, Andover, Massachusetts[281]
The Concert Singer 266 Oil on canvas 1890–1892 Philadelphia Museum of Art, Philadelphia, Pennsylvania[282]
Sketch for the Concert Singer 267 Oil on canvas mounted on wood Philadelphia Museum of Art, Philadelphia, Pennsylvania[283]
Study for Weda Cook and Statue 267A Oil on canvas Also known as "The Opera Singer." On the reverse is "Woman on balcony waving white handkerchief." Blanton Museum of Art, Austin, Texas

Joshua Ballinger Lippincott 268 Oil on canvas 1892 Philadelphia Museum of Art, Philadelphia, Pennsylvania[284]
Study for Joshua Ballinger Lippincott 268A Oil 1892 Hirshhorn Museum and Sculpture Garden, Washington, D.C.[285]
Miss Blanche Hurlburt 269 Oil on canvas Circa 1892 Philadelphia Museum of Art, Philadelphia, Pennsylvania[286]
Dr. Jacob M. Da Costa 270 Oil on canvas 1893 Pennsylvania Hospital[127][287]
Jacob M. Da Costa 270A Oil on canvas Destroyed by Thomas Eakins after DaCosta rejected it.[288]
Sketch for Dr. Jacob M. Da Costa 271 Oil on canvas mounted on cardboard Philadelphia Museum of Art, Philadelphia, Pennsylvania[289]
Girl with Puff Sleeves 272 Oil on canvas Previously in the collection of the Hirshhorn Museum and Sculpture Garden. Sold at auction on September 29, 2010 for $18,750[290]
Frank Hamilton Cushing 273 Oil on canvas Late 1894 or 1895 Gilcrease Museum, Tulsa, Oklahoma[291]
Sketch for Frank Hamilton Cushing 274 Oil on canvas Hirshhorn Museum and Sculpture Garden, Washington, D.C.[292]
Mrs. Frank Hamilton Cushing 275 Oil on canvas Circa 1894 or 1895 Philadelphia Museum of Art, Philadelphia, Pennsylvania[293]
James MacAlister (also known as "Man in the Ned Necktie") 276 Oil on canvas mounted on cardboard ca. 1895 Sketch. Originally double sided with G276A until the two images were split.[5] Metropolitan Museum of Art, New York City, New York[294]
Study for William L. MacLean 276A Oil on canvas mounted on cardboard ca. 1895 Originally double sided with G276 until the two images were split.[5]
Weda Cook 277 Oil on canvas Circa 1895 Columbus Museum of Art, Columbus, Ohio[295]
The Pianist (Stanley Addicks) 278 Oil on canvas Circa 1895 Indianapolis Museum of Art, Indianapolis, Indiana[296]
Katherine Maud Cook 279 Oil on canvas 1895 Yale University Art Gallery, New Haven, Connecticut[297]
Riter Fitzgerald 280 Oil on canvas 1895 Art Institute of Chicago, Chicago, Illinois[298]
Sketch for Riter Fitzgerald 281 Oil on canvas mounted on cardboard The Huntington Library, San Marino, California[299]
Sketch for Riter Fitzgerald 282 Oil on canvas
Study for Mrs. Hubbard 283 Oil on canvas mounted on cardboard Circa 1895 Study for now-destroyed Mrs. Hubbard. Sold at auction in 1999 for $34,500.[300] Sewell C. Biggs Museum of American Art, Dover, Delaware[301]
John McLure Hamilton 284 Oil on canvas 1895 Wadsworth Atheneum, Hartford, Connecticut[60]
Sketch for John McLure Hamilton 285 Oil on canvas mounted on cardboard 14⅝ × 10⅝ Georgia Museum of Art, Athens, Georgia
Mrs. Charles L. Leonard 286 Oil on cardboard 1895 Put up for auction in 2009 but not sold.[302] Hirshhorn Museum and Sculpture Garden, Washington, D.C.[302]
Miss Gertrude Murray 287 Oil on canvas 1895 Dallas Museum of Art, Dallas, Texas[60]
Charles Linford 288 Oil on canvas Circa 1895 Previously in the IBM collection. Sold at auction in 1995 for $80,000[303]
Captain Joseph Lapsley Wilson 289 Oil on canvas Circa 1895 30 × 22 Collection of the First Troop Philadelphia City Cavalry
Sketch for Captain Joseph Lapsley Wilson 290 Oil on canvas mounted on cardboard 7¾ × 5¼ Sold at auction in 1983 for $9000[304]
The Cello Player 291 Oil on canvas 1896 Ex collection: Pennsylvania Academy of the Fine Arts, Philadelphia, PA; deaccessioned 2007, to fund 2007 purchase of The Gross Clinic.
Sketch for the Cello Player 292 Oil on canvas 1896 Heckscher Museum of Art, Huntington, New York[305]
Mrs. James Mapes Dodge 293 Oil on canvas 1896 Philadelphia Museum of Art, Philadelphia, Pennsylvania[306]
Harrison S. Morris 294 Oil on canvas 1896 Pennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania[307]
Sketch for Harrison S. Morris 295 Oil on canvas mounted on cardboard Newark Museum, Newark, New Jersey[308]
Professor William Woosley Johnson 295A Oil on canvas Circa 1896 M. H. de Young Memorial Museum, San Francisco, California[309]
Dr. Charles Lester Leonard 296 Oil on canvas 1897 Collection of the University of Pennsylvania School of Medicine, Philadelphia, Pennsylvania
Jennie Dean Kershaw (Mrs. Samuel Murray) 297 Oil on canvas Circa 1897 Sheldon Museum of Art, Lincoln, Nebraska[310]
Mrs. Samuel Murray (unfinished) 298 Oil on canvas Baltimore Museum of Art, Baltimore, Maryland
Miss Lucy Lewis 299 Oil on canvas circa 1897 Philadelphia Museum of Art, Philadelphia, Pennsylvania [311]
Miss Anna Lewis 300 Oil on canvas Circa 1898 Hirshhorn Museum and Sculpture Garden, Washington, D.C.[312]
William H. MacDowell with a Hat 301 Oil on canvas Circa 1898 Taubman Museum of Art, Roanoke, Virginia
General E. Burd Grubb 302 Oil on canvas Probably 1898 Yale University Art Gallery, New Haven, Connecticut[313]
Taking the Count 303 Oil on canvas 1898 Yale University Art Gallery, New Haven, Connecticut[314]
Sketch for Taking the Count 304 Oil on canvas mounted on cardboard 1898 Yale University Art Gallery, New Haven, Connecticut[315]
Sketch for Taking the Count 305 Oil on canvas Hirshhorn Museum and Sculpture Garden, Washington, D.C.[316]
The Referee, H. Walter Schlichter 306 Oil on canvas 1898 Hirshhorn Museum and Sculpture Garden, Washington, D.C.[317]
Maybelle 307 Oil on canvas 1898 Frye Art Museum, Seattle, Washington[318]
Sketch for Maybelle 308 Oil on canvas mounted on cardboard
John N. Fort 309 Oil on canvas 1898 Williams College Museum of Art, Williamstown, Massachusetts[319]
Salutat 310 Oil on canvas 1898 Addison Gallery of American Art, Phillips Academy[60]
Study for Salutat 311 Oil on canvas 1898 Carnegie Museum of Art, Pittsburgh, Pennsylvania[320]
Between Rounds 312 Oil on canvas 1898–1899 Philadelphia Museum of Art, Philadelphia, Pennsylvania[321]
Sketch for Between Rounds 313 Oil on cardboard Double sided – one side is a study for Between Rounds. The other side is a landscape sketch. Hirshhorn Museum and Sculpture Garden, Washington, D.C.[322]

Billy Smith (sketch) 314 Oil on canvas circa 1898 Philadelphia Museum of Art, Philadelphia, Pennsylvania[323]
Billy Smith (study) 315 Oil on canvas 1898 Wichita Art Museum, Wichita, Kansas[324]
The Timer 316 Oil on canvas 1898 New Britain Museum of American Art, New Britain, Connecticut[60]
Wrestlers 317 Oil on canvas 1899 Los Angeles County Museum of Art, Los Angeles County, California[325]
Study for Wrestlers 318 Oil on canvas Los Angeles County Museum of Art, Los Angeles County, California[326]
Wrestlers (unfinished) 319 Oil on canvas 1899 Philadelphia Museum of Art, Philadelphia, Pennsylvania[327]
The Fairman Rogers Four-in-Hand (black & white) 320 Oil on canvas 1899 Black & white version of 1879–80 original. Painted as an illustration for Fairman Rogers, A Manual of Coaching (Philadelphia, 1900). St. Louis Art Museum, St. Louis, Missouri[328]
T. Ellwood Potts 321 1890–1900
Mrs. T Ellwood Potts 322 Circa 1890–1900
Addie: A Woman in Black (Portrait of Miss Mary Adeline Williams) 323 Oil on canvas Circa 1899 In his book Eakins Revealed pp. 369–371, Henry Adams claims Eakins' friend Mary Adeline Williams was the nude model for #451 William Rush and his Model in the collection of the Honolulu Academy of Arts, Honolulu, Hawaii, and related studies #'s 445,446, 447,452,453 and 454. Art Institute of Chicago, Chicago, Illinois[329]
Benjamin Eakins 324 Oil on canvas Circa 1899 Philadelphia Museum of Art, Philadelphia, Pennsylvania[330]
Mrs. Thomas Eakins 325 Oil on canvas Circa 1899 Hirshhorn Museum and Sculpture Garden, Washington, D.C.[331]
Mrs. William H. Green 326 Oil on canvas 1899 Previously in the collection of the Hirshhorn Museum and Sculpture Garden. Sold at auction on September 29, 2010 for $31,250.[332]
The Dean's Roll Call 327 Oil on canvas 1899 Museum of Fine Arts, Boston, Boston, Massachusetts[333]
Louis Husson 328 Oil on canvas 1899 National Gallery of Art, Washington, D.C.[334]
David Wilson Jordan 329 Oil on canvas 1899 The Huntington Library, San Marino, California[335]
Study for David Wilson Jordan 329A Oil
William Merritt Chase 330 Oil on canvas Circa 1899 Hirshhorn Museum and Sculpture Garden, Washington, DC.[336][337]
The Thinker: Portrait of Louis N. Kenton 331 Oil on canvas 1900 Metropolitan Museum of Art, New York City, New York[338]
Sketch for The Thinker 332 Oil on cardboard mounted on wood Originally double sided with 365A until the two images were split.[5] Farnsworth Art Museum, Rockland, Maine[339]
Addie (also known as "Portrait of Mary Adeline Williams") 333 Oil on canvas 1900 Philadelphia Museum of Art, Philadelphia, Pennsylvania[340]
Mrs. Mary Arthur 334 Oil on canvas 1900 Metropolitan Museum of Art, New York City, New York[341]
Robert M. Lindsay 335 Oil on canvas 1900 Detroit Institute of Arts, Detroit, Michigan[342]
Sketch for Robert M. Lindsay 336 Oil on wood Detroit Institute of Arts, Detroit, Michigan[343]
Frank Jay St. John 337 Oil on canvas 1900 M. H. de Young Memorial Museum, San Francisco, California[344]
Antiquated Music: Portrait of Sarah Sagehorn Frishmuth 338 Oil on canvas 1900 Philadelphia Museum of Art, Philadelphia, Pennsylvania[345]
Mrs. Joseph H. Drexel 339 Oil on canvas unstretched 1900 Hirshhorn Museum and Sculpture Garden, Washington, D.C.[346][347] File:Mrs Joseph H. Drexel.png
Sketch for Mrs. Joseph H. Drexel 340 Oil on cardboard Circa 1900
Dr. Daniel Garrison Brinton 340A Oil Collection of the American Philosophical Society.[348]
Clara J. Mather 341 Oil on canvas Circa 1900 Musée d'Orsay, Paris, France[349]
A Woman in Black (Portrait of Clara J. Mather) 342 Oil on wood
Elizabeth R. Coffin 343 Oil on canvas Circa 1900 Coffin School collection, Egan Institute of Maritime Studies, Nantucket, Massachusetts[350]
Dr. Edward J. Nolan 344 Oil on canvas Circa 1900 Philadelphia Museum of Art, Philadelphia, Pennsylvania[351]
Henry O. Tanner 345 Oil on canvas Circa 1900 The Hyde Collection, Glens Falls, New York[60]
Honorable John A. Thorton 346 Oil on canvas Schwarz Gallery, Philadelphia, Pennsylvania
Monsignor James P. Turner 347 Oil on canvas circa 1900 St. Charles Borromeo Seminary, Wynnewood, Pennsylvania[127]
Portrait of Leslie W. Miller 348 Oil on canvas 1901 Philadelphia Museum of Art, Philadelphia, Pennsylvania[352]
Sketch for Professor Leslie W. Miller 349 Oil on cardboard circa 1892–1894 Double sided: one side depicts Leslie W. Miller. The reverse depicts Thomas Eakins' dog, Harry. Philadelphia Museum of Art, Philadelphia, Pennsylvania[353][354]

Signature for 'Leslie W. Miller' 349A Drawing Hirshhorn Museum and Sculpture Garden, Washington, D.C.[355]
Mrs. Leslie W. Miller 350 Oil on canvas 1901
Mrs. Elizabeth Duane Gillespie 351 Oil on canvas 1901 Collection of the Women's Committee of the Philadelphia Museum of Art[356]
Sketch for Mrs. Elizabeth Duane Gillespie 352 Oil on canvas Hirshhorn Museum and Sculpture Garden, Washington, D.C.[357]
George Morris 353 Oil on canvas 1901
Reverend Philip R. McDevitt 354 Oil on canvas 1901 Snite Museum of Art, Notre Dame, Indiana[358]
Charles F. Haseltine 355 Oil on canvas Circa 1901 Montclair Art Museum, Montclair, New Jersey[60]
Elbridge Ayer Burbank 356 Circa 1901
Alfred F. Watch 357 Circa 1901
Self-Portrait 358 Oil on canvas 1902 National Academy of Design, New York City, New York[60]
Self-portrait 358A Oil on canvas Circa 1902 Hirshhorn Museum and Sculpture Garden, Washington, D.C.[60][359]
Colonel Alfred Reynolds 359 Oil on canvas 1902 Taubman Museum of Art, Roanoke, Virginia[360]
Signora Gomez D'Arza 360 Oil on canvas 1902 Metropolitan Museum of Art, New York City, New York[361]
His Eminence Sebastiano Cardinal Martinelli 361 Oil on canvas 1901–02 Hammer Museum, Los Angeles[60]
Perspective drawing for his Eminence Sebastiano Cardinal Martinelli 361A Drawing Joslyn Art Museum, Omaha, Nebraska[5]
Perspective drawing for his Eminence Sebastiano Cardinal Martinelli 361B Drawing Joslyn Art Museum, Omaha, Nebraska[5]
Very Reverend John J. Fedigan 362 Oil on canvas 1902 In the collection of the Augstinian Province of St. Thomas of Villanova.[362] On permanent loan to Villanova University, Villanova, Pennsylvania[363]
Sketch for the Very Reverend John J. Fedigan 363 Oil on canvas Hirshhorn Museum and Sculpture Garden, Washington, D.C.[60]
The Translator 364 Oil on canvas 1902 St. Charles Borromeo Seminary, Wynnewood, Pennsylvania
Monsignor James F. Loughlin 365 Oil on canvas 1902 St. Charles Borromeo Seminary, Wynnewood, Pennsylvania[127]
Study for Monsignor James F. Loughlin 365A Oil on cardboard mounted on wood Originally double sided with 332 until the two images were split.[5][5] Sold at auction for $15,000 in 2005.[364]
John Seely Hart 366 Oil on canvas 1902 Rediscovered in 2004 by janitors in the boiler room a Philadelphia school[267] Currently in an undisclosed location. Collection of the School District of Philadelphia, Philadelphia, Pennsylvania
Charles E. Dana 367 Oil on canvas Circa 1902 Pennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania[365]
The Young Man (Kern Dodge) 368 Oil on canvas Circa 1902 Philadelphia Museum of Art, Philadelphia, Pennsylvania[366]
Miss Mary Perkins (unfinished) 369 Oil on canvas Circa 1902
Girl with a Fan 370 Oil on canvas Circa 1902 Pennsylvania Academy of Fine Arts, Philadelphia, Pennsylvania[367]
Adam S. Bare 371 Oil on canvas 1903
Walter Copeland Bryant 372 Oil on canvas 1903 Collection of the Brockton public library, Brockton, Massachusetts
Dr. Matthew H. Cryer 373 Oil on canvas 1903 Private collection
Archbishop William Henry Elder 374 Oil on canvas 1903 66 3/16 × 45 3/16 Cincinnati Art Museum, Cincinnati, Ohio[368]
Mother Patricia Waldron 375 Sketch. Oil on canvas mounted on cardboard 1903 Philadelphia Museum of Art, Philadelphia, Pennsylvania[369]
Bishop Edmond F. Prendergast 376 Oil on canvas Lost, possibly destroyed: "Murray told Eakins biographer Lloyd Goodrich that he had it 'from a reliable source' that the painting, which Murray considered 'superb' was somehow disposed of."[370]
James A. Flaherty 377 Oil on canvas 1903 St. Charles Borromeo Seminary, Wynnewood, Pennsylvania[127]
William B. Kurtz 378 Oil on canvas 1903 Collection of Mr. and Mrs. Daniel W. Dietrich II[371][372]
Miss Alice Kurtz 379 Oil on canvas 1903 Fogg Art Museum, Cambridge, Massachusetts[373]
Mrs. Mary Hallock Greenewalt 380 Oil on canvas 1903 Wichita Art Museum, Wichita, Kansas[374]
Dr. Frank Lindsay Greenewalt 381 Oil on canvas 1903 Private collection, Delaware
Dr. Frank Lindsay Greenewalt 381A Oil
Mrs. Anna A. Kershaw 382 Oil on canvas 1903 Sheldon Museum of Art, Lincoln, Nebraska
Ruth (Portrait of Ruth Harding) 383 Oil on canvas 1903 White House Art Collection, Washington, D.C.
An Actress: Portrait of Suzanne Santje 384 Oil on canvas 1903 Philadelphia Museum of Art, Philadelphia, Pennsylvania[375]
Sketch for an Actress 385 Oil on canvas mounted on cardboard Hirshhorn Museum and Sculpture Garden, Washington, D.C.[376] File:Study for an Actress G385.png
Miss Betty Reynolds 386 Oil on canvas Circa 1903 Hirshhorn Museum and Sculpture Garden, Washington, D.C.
The Oboe Player 387 Oil on canvas 1903 Philadelphia Museum of Art, Philadelphia, Pennsylvania[377]
Rear-Admiral Charles D. Sigsbee 388 Oil on canvas 1903 Sold at auction in 2008 for $1,945,000[378]
Mrs. M.S. Stokes 389 Oil on canvas 1903 Arkell Museum, Canajoharie, New York[379]
Mrs. Richard Day 390 Oil on canvas Circa 1903 Hirshhorn Museum and Sculpture Garden, Washington, D.C.[380]
Mother (Portrait of Annie Williams Gandy) 391 Oil on canvas Circa 1903 Donated to the Smithsonian by Annie Gandy's daughters, Lucy Rodman and Helen Gandy. Smithsonian American Art Museum[381]
Mrs. Helen MacKnight (also known as "The Lady in Grey" and "Portrait of a Mother") 392 Oil on canvas Circa 1903 Hirshhorn Museum and Sculpture Garden, Washington, D.C.[382]
Francesco Romano 393 Circa 1903 Sold at auction in 1994 for $80,000[383]
Robert C. Ogden 394 Oil on canvas 1904 Deaccessioned from Hirshhorn Museum and Sculpture Garden. Auctioned at Christie's New York, 20 May 2009, Sale #2171, Lot 128, sold for $338,500.[384][385]
Study for Robert C. Ogden 394A Oil Hirshhorn Museum and Sculpture Garden, Washington, D.C.[386]
J. Carroll Beckwith 395 Oil on canvas 1904 San Diego Museum of Art, San Diego, California[60]
Charles Percival Buck 396 Oil on canvas 1904 Princeton University Art Museum, Princeton, New Jersey[387]
Mrs. James G. Carville (Portrait of Harriet Husson Carville) 397 Oil on canvas 1904 National Gallery of Art, Washington, D.C.[388]
Mrs. Kern Dodge 398 Oil on canvas 1904
Mrs. Kern Dodge 399 Oil on canvas
Miss Beatrice Fenton (also known as "The Coral Necklace") 400 Oil on canvas 1904 Butler Institute of American Art, Youngstown, Ohio[167]
William R. Hallowell 401 Oil on canvas 1904
Music 402 Oil on canvas 1904 Albright-Knox Art Gallery, Buffalo, New York[389]
Sketch for Music 403 Oil on canvas mounted on cardboard Philadelphia Museum of Art, Philadelphia, Pennsylvania[390]
The Violinist 404 Oil on canvas 1904 Hirshhorn Museum and Sculpture Garden, Washington, D.C.[391]
Samuel Myers 405 Oil on canvas 1904 Hirshhorn Museum and Sculpture Garden, Washington, D.C.[392]
Frank B.A. Linton 406 Oil on canvas 1904 Hirshhorn Museum and Sculpture Garden, Washington, D.C.[393]
Mrs. Edith Mahon 407 Oil on canvas 1904 Smith College Museum of Art, Northampton, Massachusetts[394]
Rear-Admiral George W. Melville 408 Oil on canvas 1904 Philadelphia Museum of Art, Philadelphia, Pennsylvania[395]
William Murray 409 Oil on canvas Circa 1904
Mrs. Matilda Searight 410 Oil on canvas 1904 La Salle University art gallery, Philadelphia, Pennsylvania
Edward Taylor Snow 411 Oil on canvas 1904 Philadelphia Museum of Art, Philadelphia, Pennsylvania[396]
B.J. Blommers 412 1904 Toledo Museum of Art, Toledo, Ohio[60]
Mrs. B.J. Blommers 413 1904
Charles P. Gruppe 414 Oil on canvas 1904 22" × 18" David Dufour, New York
A. Bryan Wall 414A Oil Bowdoin College Museum of Art, Brunswick, Maine[397]
Joseph R. Woodwell 415 Oil on canvas 1904 Carnegie Museum of Art, Pittsburgh, Pennsylvania[398]
William H. MacDowell 416 Oil on canvas Circa 1904 Memorial Art Gallery, University of Rochester, New York[399]
Walter MacDowell 417 Oil on canvas Circa 1904 Taubman Museum of Art, Roanoke, Virginia[360]
William H. Lippincott 418 Late 1904 or early 1905
Edward W. Redfield 419 Oil on canvas 1905 National Academy of Design, New York City, New York
Rear-Admiral George W. Melville 420 Oil on canvas 1905 National Gallery of Art, Washington, D.C.[400]
Mrs. George Morris 421 Oil on canvas 1905
Professor William Smith Forbes 422 Oil on canvas 1905 Thomas Jefferson University, Philadelphia, Pennsylvania[401]
Charles L. Fussell 423 Oil on canvas Circa 1905 Montclair Art Museum, Montclair, New Jersey[402]
Study for Charles L. Fussell 423A Oil Hirshhorn Museum and Sculpture Garden, Washington, D.C.[5]
Miss Florence Einstein 424 Oil on canvas 1905 Currier Museum of Art, Manchester, New Hampshire[403]
Monsignor Diomede Falconio 425 Oil on canvas 1905 National Gallery of Art, Washington, D.C.[404]
John B. Gest 426 Oil on canvas 1905 Museum of Fine Arts, Houston, Houston, Texas[405]
Asbury.W. Lee 427 Oil on canvas 1905 Reynolda House Museum of American Art, Winston-Salem, North Carolina[406]
Miss Elizabeth L. Burton 428 Oil on canvas Circa 1905 Minneapolis Institute of Arts, Minneapolis, Minnesota[60]
Dr. Thomas H. Fenton 429 Oil on canvas Circa 1905 Delaware Art Museum, Wilmington, Delaware
Mrs. Louis Husson (Annie C. Lochrey) 430 Oil on canvas Circa 1905 National Gallery of Art, Washington, D.C.[407]
Maurice Feeley 431 Oil on canvas Circa 1905 Hirshhorn Museum and Sculpture Garden, Washington, D.C.[60] File:Maurice Feely G431.png
Genjiro Yeto 432 1906
A Singer: Portrait of Mrs. W.H. Bowden 433 Oil on canvas 1906 Princeton University Art Museum, Princeton, New Jersey[408]
A Singer: Portrait of Mrs. Leigo 434 Oil on canvas Circa 1906 Berry-Hill Galleries, New York City, New York
Richard Wood 435 Oil on canvas 1906
Master Alfred Douty 436 Oil on canvas 1906 Santa Barbara Museum of Art, Santa Barbara, California[409]
A Little Girl 437 Oil on canvas Circa 1906 Philadelphia Museum of Art, Philadelphia, Pennsylvania[410]
Monsignor James P. Turner 438 Oil on canvas Circa 1906 Nelson-Atkins Museum of Art, Kansas City, Missouri[411]
Sketches 439 Oil on cardboard Double sided: one side is a sketch for Monsignor James P. Turner. The reverse is a sketch for William Rush and His Model Philadelphia Museum of Art, Philadelphia, Pennsylvania[412][413]

Thomas J. Eagan 440 Oil on canvas 1907 Terra Museum, Chicago, Illinois[414]
Dr. Albert C. Getchell 441 Oil on canvas 1907 North Carolina Museum of Art, Raleigh, North Carolina[60]
Dr. William Thomson 442 Oil on canvas 1907 Mütter Museum, College of Physicians of Philadelphia, Philadelphia, Pennsylvania
Dr. William Thomson (unfinished) 443 Oil on canvas National Gallery of Art, Washington, D.C.[415][416]
Major Manuel Waldteufel 444 Oil on canvas 1907 Ex Collection: French Benevolent Society of Philadelphia, Philadelphia, Pennsylvania.[417] Deaccessioned 2003 Hirschl and Adler Galleries, New York
William Rush and His Model 445 Oil on canvas 1908 Brooklyn Museum of Art, New York City, New York[418]
Sketch for William Rush and His Model 446 Oil on wood 1908 8¾ × 10
Sketch for William Rush and His Model 447 Oil on wood Hirshhorn Museum and Sculpture Garden, Washington, D.C.[419]
Studies of Rush 448 Oil on wood Originally a collage with 448A and 448B until the images were split.[5]
Study of Rush 448A Oil on wood Originally a collage with 448 and 448B until the images were split.[5]
Study of Rush 448B Oil on wood Originally a collage with 448 and 448A until the images were split.[5]
Study of Rush 449 Oil on canvas Sold at auction in November 2009[420]
Study of the Negress (The Chaperone) 450 Oil on canvas Circa 1908 National Gallery of Art, Washington, DC[421]
William Rush and His Model 451 Oil on canvas 1907–1908 In his book Eakins Revealed pp. 369–371, Henry Adams claims Eakins' friend #323, Miss Mary Adeline Williams was the nude model for William Rush and his Model in the collection of the Honolulu Academy of Arts, Honolulu, Hawaii, and related studies #'s 445,446, 447,452,453 and 454. Honolulu Academy of Arts, Honolulu, Hawaii[422]
The Model 452 Oil on canvas Auctioned at Sotheby's New York, 22 May 2008, sold for US$1,273,000.[423]
William Rush and His Model 453 Oil on canvas 1908 Smithsonian American Art Museum, Washington, D.C.[424]
Study for "William Rush's Model" 454 Oil on canvas Circa 1908 Deaccessioned from Hirshhorn Museum and Sculpture Garden. Auctioned at Christie's New York, 20 May 2009, Sale #2171, Lot 72, sold for $122,500.[425]
Miss Eleanor S.F. Pue 455 Oil on canvas 1907 Virginia Museum of Fine Arts, Richmond, Virginia[60]
Miss Rebecca MacDowell 456 Oil on canvas Circa 1908
The Old-Fashioned Dress: Portrait of Miss Helen Parker 457 Oil on canvas Circa 1908 Philadelphia Museum of Art, Philadelphia, Pennsylvania[426]
Sketch for the Old-Fashioned Dress 458 Oil on cardboard Collection of Mr. and Mrs. Daniel Dietrich II[427]
Study for the Old-Fashioned Dress 459 Oil on canvas 1908 Collection of Mr. and Mrs. Daniel Dietrich II[428][429]
Mrs. Lucy Langdon W. Wilson 460 Oil on canvas 1908 Sold at auction in 1998 for $65,000[430]
Mrs. Lucy Langdon W. Wilson 461 Oil on canvas Early 1909
Dr. William P. Wilson 462 Oil on canvas 1909
Dr. Henry Beates Jr. 463 Oil on canvas 1909
Henry Beates 464 Oil on canvas Circa 1909
Edward A. Schmidt 465 Oil on canvas Circa 1909
Reverend Cornelius J. O'Neill 466 Oil on canvas Circa 1909
John J. Borie 467 Oil on canvas Hood Museum of Art, Hanover, New Hampshire[431]
Mrs. Nicholas Douty 468 Oil on canvas 1910 Cummer Gallery of Art, Jacksonville, Florida[60]
Dr. Gilbert Lafayette Parker 469 Oil on canvas 1910 Sold at auction in 1986 for $125,000[432]
Mrs. Gilbert Parker 470 Oil on canvas 1910 Museum of Fine Arts, Boston, Boston, Massachusetts[433]
Gilbert Sunderland Parker 471 Oil on canvas 1910
Ernest Lee Parker 472 Oil on canvas 1910 Ex-collection of the Westmoreland Museum of American Art. Sold in 2002 for $101,575[434]
President Rutherford B. Hayes 473 Oil on canvas 1912 or 1913 Philipse Manor Hall, Yonkers, New York
Dr. Edward Anthony Spitzka 474 Oil on canvas Circa 1913 Eakins' last painting. This originally showed a full length Dr. Spitzka holding the cast of a brain. Sometime after it was cataloged in the 1933 Goodrich catalog (measuring 84×43½ inches), someone cut away the rest of the painting, leaving only the head and bust (30½×25? inches).[435] Hirshhorn Museum and Sculpture Garden, Washington, D.C.[436]
President Rutherford B. Hayes 475 1877 "Probably no longer in existence"
James L. Wood 476 Circa 1890 "Probably no longer in existence"
William Rudolf O'Donovan 477 1891 or early 1892 "Probably no longer in existence"
Miss Emily Sartain 478 Sometime in the 1890s Thought to have been lost ("Probably no longer in existence".) Later rediscovered. Passed on through the Sartain family to the Babcock Galleries, and was sold to Rita and Daniel Fraad in 1957. Sold at auction in 2004 for $198,400.[437]
Miss Emily Sartain 479 Sometime in the 1890s "Probably no longer in existence"
Dr. Hugh A. Clarke 480 Circa 1893 "Probably no longer in existence"
James MacAlister 481 Circa 1893 "Probably no longer in existence"
Circus People 482 Before 1876 Sketch. "Probably no longer in existence"
Stewart Culin 483 Circa 1899 "Probably no longer in existence"
Dr. George B. Wood 484 Circa 1900 "Probably no longer in existence"
Dr. Patrick J. Garvey 485 Oil on canvas 1902 Thought to have been destroyed, rediscovered in 1959 St. Charles Borromeo Seminary, Wynnewood, Pennsylvania[127]
Right Reverend Denis J. Dougherty 486 1903 Private Collection[438]
Mother Patricia Waldron 487 1903 "Probably no longer in existence" – loaned by the Sisters of Mercy to William Antrim, who had been commissioned to paint a new portrait of Waldron. Antrim stored the portrait in the attic of his studio. The portrait was lost when the building was demolished.[439]
Mrs. Margaret Jane Gish 488 Circa 1903 "Probably no longer in existence"
Robert C. Ogden 489 "Probably no longer in existence"
Dr. J. William White 490 1904 "Probably no longer in existence"
Adolphie Borie 491 Circa 1910 "Probably no longer in existence"
Mrs. Charles Lester Leonard 492 1895 No longer in existence
Mrs. Hubbard 493 Circa 1895 No longer in existence
Mrs. McKeever 494 1898 No longer in existence
Bishop Edmond F. Prendergast 495 Oil on canvas Circa 1903 No longer in existence
Frank W. Stokes 496 1903 No longer in existence
Edward S. Buckley 497 1906 No longer in existence. According to Buckley's daughter: "It was so unsatisfactory that we destroyed it, not wishing his descendants to think of their grandfather as resembling the portrait."[440]
Studies for William Rush and His Model 498 Sculpture, pigmented wax 1876–1877 Five studies Philadelphia Museum of Art, Philadelphia, Pennsylvania [441]







The Mare 'Josephine' 499 Sculpture, bronze 1878 Philadelphia Museum of Art, Philadelphia, Pennsylvania
The Mare 'Josephine': Skeleton 500 Sculpture, bronze 1878 Butler Institute of American Art, Youngstown, Ohio[442]
Ecorche 501 Sculpture National Gallery of Art, Washington, D.C.[443]
Ecorche 502 Sculpture 1882 Philadelphia Museum of Art, Philadelphia, Pennsylvania [442]
Studies for The Fairman Rogers Four-in-Hand 503 Sculpture, bronze with marble bases 1897 Philadelphia Museum of Art, Philadelphia, Pennsylvania
Spinning 504 Sculpture Late 1882/early 1883 Philadelphia Museum of Art, Philadelphia, Pennsylvania
Knitting 505 Sculpture 1881 Philadelphia Museum of Art, Philadelphia, Pennsylvania [175]
Arcadia 506 Sculpture, bronze 1883 Hirshhorn Museum and Sculpture Garden, Washington, D.C.[444]
An Arcadian 507 Sculpture
The Youth Playing the Pipes 508 Sculpture 1883
Abraham Lincoln's horse 509 Sculpture 1893–1894 Originally paired with G509A in the 1933 Goodrich catalog.[5] Soldiers' and Sailors' Memorial Arch, Prospect Park, New York City, New York
General Grant's Horse 509A Sculpture, bronze 1892 Originally listed as G509 in the 1933 Goodrich catalog.[5] Soldiers' and Sailors' Memorial Arch, Prospect Park, New York City, New York


Clinker as it originally appeared.
Clinker 510 Sculpture 1892 Hirshhorn Museum and Sculpture Garden, Washington, D.C.[445]
Clinker 511 Sculpture, bronze 1892 Philadelphia Museum of Art, Philadelphia, Pennsylvania [442]
Billy 512 Sculpture, plaster Circa 1892–1893
The American Army Crossing the Delaware 513 Sculpture, bronze relief Circa 1893 New Jersey State Museum, Trenton, New Jersey[446]
The Opening of the Fight, The Battle of Trenton 514 Sculpture, bronze relief Circa 1893 New Jersey State Museum, Trenton, New Jersey[447]
Man on Horseback: Relief 514A Hirshhorn Museum and Sculpture Garden, Washington, D.C.[5]
Mrs. Mary Hallock Greenewalt 515 Sculpture 1905

Notes

  1. ^ Adams, Eakins revealed, 537
  2. ^ Foster, 1
  3. ^ Foster, 2–3
  4. ^ "Previous to Goodrich's monograph, only short essays on Eakins and checklists of his works had been published. NO monographic studies or commentaries on the artist appeared during his lifetime. Most notable of the early works on Eakins are Alan Burrough;s three articles which appeared in The Arts during 1923 and 1924 and Henri Marceau's essay and checklist (announcing the receipt of Susan Eakins' bequest). According to Goodrich, he was encouraged to write the Eakins monograph by close friend Reginald Marsh, an avid admirer of the older artist." – Milroy, 30, footnote 9
  5. ^ a b c d e f g h i j k l m n o p q r s t u v w x y z aa ab ac ad ae af ag ah ai aj ak al am an ao ap aq Lloyd and Edith Havens Goodrich, Whitney Museum of American Art, Record of Works by Thomas Eakins: Series VII. catalogue raisonné.
  6. ^ Rosenzweig, 23
  7. ^ http://hirshhorn.si.edu/visit/collection_object.asp?key=32&subkey=6344
  8. ^ Hendricks, 1974, 7
  9. ^ a b Rosenzweig, 24
  10. ^ http://hirshhorn.si.edu/visit/collection_object.asp?key=32&subkey=6319
  11. ^ http://hirshhorn.si.edu/visit/collection_object.asp?key=32&subkey=6318
  12. ^ Homer, 1980, Dietrich catalogue #13
  13. ^ Rosenzweig, 26
  14. ^ http://hirshhorn.si.edu/visit/collection_object.asp?key=32&subkey=6345
  15. ^ Rosenzweig, 27
  16. ^ http://hirshhorn.si.edu/visit/collection_object.asp?key=32&subkey=6340
  17. ^ Rosenzweig, 16 and 22
  18. ^ Foster, #5
  19. ^ Foster, 294–295
  20. ^ http://www.philamuseum.org/collections/permanent/42532.html
  21. ^ Siegl, cat #16
  22. ^ Siegl, cat #19
  23. ^ Siegl, cat #18
  24. ^ http://www.philamuseum.org/collections/permanent/42524.html?mulR=31770
  25. ^ Siegl, cat #2
  26. ^ Siegl, cat #3
  27. ^ Siegl, cat #1
  28. ^ Foster, 236, footnote 8
  29. ^ National Gallery of Art, 36
  30. ^ http://gallery.famsf.org/gallery/artworkDetails.htm?record=60503
  31. ^ Fogg Museum Web entry for Nude woman reclining on a couch
  32. ^ Head of a Warrior; and Seated Nude: A Double-sided Work. Christie's auction website.
  33. ^ Homer, 2009, insert
  34. ^ Rosenzweig, 35
  35. ^ a b c d e "On the basis of Susan Eakins' opinion, Goodrich listed twelve paintings in his 1933 catalogue raisonne of Eakins' works which he identified as having been executed by the artist in Paris. All are small oil sketches measuring approximately eighteen by twelve inches in size: two studies from the antique; one of a ram's head and nine remaining studies from the male or female model. Of this dozen five have since disappeared, including the antique studies, the ram's head and two studies Goodrich described as portraits of an unidentified fellow student". Milroy 188–189. A chapter note for this paragraph says: "Goodrich, Thomas Eakins (1933) cat. nos. 19–30. Goodrich cat no. 23 (Study of a Girl's Head) is now in a private collection; no. 24 (Study of a Girl's Head) is in the Hirshhorn Museum; nos. 25–27 are in the Philadelphia Museum of Art and no. 30 (A Negress) is in the collection of the Fine Arts Museum of San Francisco." Adams, 149 is taken almost word-for-word from this thesis.
  36. ^ Rosenzweig, 42
  37. ^ http://hirshhorn.si.edu/visit/collection_object.asp?key=32&subkey=6293
  38. ^ http://www.philamuseum.org/collections/permanent/42536.html
  39. ^ http://www.philamuseum.org/collections/permanent/42498.html
  40. ^ http://www.philamuseum.org/collections/permanent/42537.html
  41. ^ Southeby's Listing for "Thomas Eakins: study of a student's head"
  42. ^ Homer, 92, pg 42
  43. ^ http://gallery.famsf.org/gallery/artworkDetails.htm?record=132271
  44. ^ Rosenzweig, 44
  45. ^ http://www.metmuseum.org/works_of_art/collection_database/all/carmelita_requena_thomas_eakins/objectview.aspx?page=7&sort=2&sortdir=desc&keyword=%22Thomas%20Eakins%22&fp=4&dd1=0&dd2=0&vw=1&collID=0&OID=20011163&vT=1
  46. ^ Kirkpatrick, 125
  47. ^ http://www.nelson-atkins.org/art/CollectionDatabase_ImageView.cfm?id=594&theme=American
  48. ^ Johns, XIII
  49. ^ http://www.brooklynmuseum.org/opencollection/objects/1026/Home_Scene/set/f75d18be541e880b9f38a2b247b910b0?referring-q=Eakins
  50. ^ http://www.philamuseum.org/collections/permanent/42494.html
  51. ^ G-40 at Sotheby's
  52. ^ Rosenzweig, 17 and 46
  53. ^ http://www.cedarhurst.org/PhotoViewer.php?gallery=1 (10 of 23)
  54. ^ a b c Rosenzweig, 53–54
  55. ^ http://hirshhorn.si.edu/visit/collection_object.asp?key=32&subkey=6291
  56. ^ http://www.metmuseum.org/works_of_art/collection_database/all/the_champion_single_sculls_max_schmitt_in_a_single_thomas_eakins/objectview.aspx?page=7&sort=2&sortdir=desc&keyword=%22Thomas%20Eakins%22&fp=4&dd1=0&dd2=0&vw=1&collID=0&OID=20011170&vT=1
  57. ^ http://www.hirshhorn.si.edu/visit/collection_object.asp?key=32&subkey=6346
  58. ^ Rosenzweig, 49
  59. ^ http://ecatalogue.art.yale.edu/detail.htm?objectId=52927
  60. ^ a b c d e f g h i j k l m n o p q r s t u v w x y z aa ab Christopher Wright. The World's Master Paintings. Routledge, 1992. ISBN 0415022401. Entry for Thomas Eakins: Volume I, Pages 718–719
  61. ^ Sewell, 2001, pg. 241
  62. ^ http://www.philamuseum.org/collections/permanent/42516.html
  63. ^ Sewell, 1982, 20
  64. ^ http://www.philamuseum.org/collections/permanent/49126.html
  65. ^ http://www.philamuseum.org/collections/permanent/49125.html
  66. ^ http://www.clevelandart.org/global/collection/Collection%20Object.aspx?coid=5890297
  67. ^ Homer, 92, pg 60–61
  68. ^ http://www.clevelandart.org/global/collection/Collection%20Object.aspx?coid=3504668
  69. ^ Rosenzweig, 50
  70. ^ http://hirshhorn.si.edu/visit/collection_object.asp?key=32&subkey=6315
  71. ^ Foster, 128
  72. ^ Sewell, 2001, 98
  73. ^ http://ecatalogue.art.yale.edu/detail.htm?objectId=75112
  74. ^ Cooper, 62
  75. ^ http://www.metmuseum.org/works_of_art/collection_database/all/john_biglin_in_a_single_scull_thomas_eakins/objectview.aspx?page=7&sort=2&sortdir=desc&keyword=%22Thomas%20Eakins%22&fp=4&dd1=0&dd2=0&vw=1&collID=0&OID=20011169&vT=1
  76. ^ http://www.mfa.org/collections/search_art.asp?recview=true&id=157614
  77. ^ Homer, 1992, pg 66
  78. ^ http://ecatalogue.art.yale.edu/detail.htm?objectId=5464
  79. ^ http://www.nga.gov/fcgi-bin/tinfo_f?object=42848
  80. ^ Cooper, 49
  81. ^ Rosenzweig, 52
  82. ^ http://hirshhorn.si.edu/visit/collection_object.asp?key=32&subkey=6316
  83. ^ http://www.philamuseum.org/collections/permanent/44144.html
  84. ^ Cooper, 55
  85. ^ Kirkpatrick, 144
  86. ^ http://ecatalogue.art.yale.edu/detail.htm?objectId=26326
  87. ^ Foster, #117
  88. ^ Homer, 92, pgs 70–71
  89. ^ http://www.metmuseum.org/works_of_art/collection_database/all/pushing_for_rail_thomas_eakins/objectview.aspx?page=6&sort=2&sortdir=desc&keyword=%22Thomas%20Eakins%22&fp=6&dd1=0&dd2=0&vw=1&collID=0&OID=20011175&vT=1
  90. ^ http://www.brooklynmuseum.org/opencollection/objects/2869/Whistling_for_Plover/set/f75d18be541e880b9f38a2b247b910b0?referring-q=Eakins
  91. ^ http://www.philamuseum.org/collections/permanent/50431.html
  92. ^ http://www.philamuseum.org/collections/permanent/42508.html
  93. ^ http://www.philamuseum.org/collections/permanent/42077.html
  94. ^ http://www.mfa.org/collections/search_art.asp?recview=true&id=32538
  95. ^ http://wichitaartmuseum.org/acm/detail.php?action=v&id=1278084330112216
  96. ^ Foster, #233
  97. ^ http://www.philamuseum.org/collections/permanent/42506.html
  98. ^ Drifting – John Wilmerding Collection. National Gallery of Art.
  99. ^ Goodrich, 1982, volume I, page 3
  100. ^ Homer, 1980, Dietrich catalogue #1
  101. ^ Julie S. Berkowitz. "Adorn the Halls": History of the Art Collection at Thomas Jefferson University. Thomas Jefferson University, 1999, ISBN 0967438411. PAGE 140.
  102. ^ Kirkpatrick, 161
  103. ^ Homer, 92, pg 72
  104. ^ Rosenzweig, 56
  105. ^ http://hirshhorn.si.edu/visit/collection_object.asp?key=32&subkey=6338
  106. ^ http://www.philamuseum.org/collections/permanent/299524.html
  107. ^ http://www.pafa.org/Museum/The-Collection/View-All-Works/Collection-Detail/89/let__E/artistId__2532/colId__11951/
  108. ^ http://www.philamuseum.org/collections/permanent/42512.html
  109. ^ http://www.worcesterart.org/Collection/American/1929.124.html
  110. ^ http://www.metmuseum.org/works_of_art/collection_database/all/gross_clinic_thomas_eakins/objectview.aspx?page=7&sort=2&sortdir=desc&keyword=Thomas%20Eakins&fp=4&dd1=0&dd2=0&vw=1&collID=0&OID=20011166&vT=1
  111. ^ Sewell, 1982, 42
  112. ^ Homer, 1980, Dietrich catalogue #4
  113. ^ Sewell, 2001, 392, footnote 67
  114. ^ http://www.artic.edu/aic/collections/artwork/31289
  115. ^ http://www.philamuseum.org/collections/permanent/42510.html
  116. ^ http://www.metmuseum.org/works_of_art/collection_database/all/the_chess_players_thomas_eakins/objectview.aspx?page=7&sort=2&sortdir=desc&keyword=%22Thomas%20Eakins%22&fp=4&dd1=0&dd2=0&vw=1&collID=0&OID=20011164&vT=1
  117. ^ http://www.metmuseum.org/works_of_art/collection_database/all/perspective_drawing_for_the_chess_players_thomas_eakins/objectview.aspx?page=7&sort=2&sortdir=desc&keyword=%22Thomas%20Eakins%22&fp=4&dd1=0&dd2=0&vw=1&collID=0&OID=20011174&vT=1
  118. ^ http://www.philamuseum.org/collections/permanent/44145.html
  119. ^ http://www.nga.gov/fcgi-bin/tinfo_f?object=61251
  120. ^ http://bottledmonsters.blogspot.com/2009/11/dr-john-h-brinton.html?utm_source=feedburner&utm_medium=feed&utm_campaign=Feed%3A+ArchivesBlogs+%28ArchivesBlogs%29
  121. ^ http://www.artic.edu/aic/collections/artwork/104672
  122. ^ Rosenzweig, 55
  123. ^ http://www.mfa.org/collections/search_art.asp?recview=true&id=315827
  124. ^ http://ecatalogue.art.yale.edu/detail.htm?objectId=52629
  125. ^ Homer, 1980, Dietrich catalogue #14
  126. ^ http://museums.fivecolleges.edu/detail.php?t=objects&type=ext&f=&s=&record=1&maker=Eakins
  127. ^ a b c d e f Michael Kimmelman. In the Company of Eakins. The New York Times, January 27, 2000
  128. ^ http://ecatalogue.art.yale.edu/detail.htm?objectId=52611
  129. ^ Rosenzweig, 57–58
  130. ^ http://hirshhorn.si.edu/visit/collection_object.asp?key=32&subkey=6320
  131. ^ http://www.philamuseum.org/collections/permanent/42507.html
  132. ^ http://browser.farnsworthmuseum.org/collection/results.do?view=detail&db=object&id=210
  133. ^ Sewell, 1982, 54
  134. ^ http://ecatalogue.art.yale.edu/detail.htm?objectId=23954
  135. ^ http://www.philamuseum.org/collections/permanent/49998.html
  136. ^ http://www.artic.edu/aic/collections/artwork/28860
  137. ^ http://mcis2.princeton.edu/emuseum/code/emuseum.asp?emu_action=searchrequest&newsearch=1&moduleid=1&profile=objects&currentrecord=1&searchdesc=Seventy%20Years%20Ago&style=single&rawsearch=id/,/is/,/9793/,/false/,/true
  138. ^ http://www.seattleartmuseum.org/SAMcollection/code/emuseum.asp?style=browse&currentrecord=1&page=search&profile=objects&searchdesc=Eakins&quicksearch=Eakins&newvalues=1&newstyle=single&newcurrentrecord=2
  139. ^ http://www.metmuseum.org/works_of_art/collection_database/all/young_girl_meditating_thomas_eakins/objectview.aspx?page=6&sort=2&sortdir=desc&keyword=%22Thomas%20Eakins%22&fp=6&dd1=0&dd2=0&vw=1&collID=0&OID=20011180&vT=1
  140. ^ Foster, #241
  141. ^ Foster, 87
  142. ^ http://www.philamuseum.org/collections/permanent/44128.html
  143. ^ http://gallery.famsf.org/gallery/artworkDetails.htm?record=133285
  144. ^ http://artsalesindex.artinfo.com/asi/lots/1161936
  145. ^ http://www.metmuseum.org/works_of_art/collection_database/all/negro_boy_dancing_thomas_eakins/objectview.aspx?page=7&sort=2&sortdir=desc&keyword=%22Thomas%20Eakins%22&fp=4&dd1=0&dd2=0&vw=1&collID=0&OID=20011172&vT=1
  146. ^ Foster, plate 8
  147. ^ http://www.pafa.org/Museum/The-Collection/View-All-Works/Collection-Detail/89/let__E/artistId__2532/colId__7220/
  148. ^ http://www.nga.gov/fcgi-bin/tinfo_f?object=66414
  149. ^ http://www.nga.gov/fcgi-bin/tinfo_f?object=66413
  150. ^ Sewell, 1982, 123
  151. ^ Foster, 436–437
  152. ^ http://www.brooklynmuseum.org/opencollection/objects/30648/Illustration_for_Mr._Neelus_Pealers_Conditions/set/f75d18be541e880b9f38a2b247b910b0?referring-q=Eakins
  153. ^ http://hirshhorn.si.edu/visit/collection_object.asp?key=32&subkey=6317
  154. ^ Henricks, 1974, CL-10
  155. ^ Hendricks, 316 (CL10)
  156. ^ http://ink.nbmaa.org:8080/emuseum/view/objects/asitem/People$0040482/1;jsessionid=86B58DA8FE22D15759998F2DE4074024?t:state:flow=9b588855-ea17-4e36-aa62-5da6ab60630d
  157. ^ http://hirshhorn.si.edu/visit/collection_object.asp?key=32&subkey=6341
  158. ^ http://hirshhorn.si.edu/visit/collection_object.asp?key=32&subkey=6373
  159. ^ Sewell, 2001, 219
  160. ^ http://ink.nbmaa.org:8080/emuseum/view/objects/asitem/13/2/primaryMaker-asc/title-asc;jsessionid=92CF81D2B363058FCE6E62AF4BC4D527?t:state:flow=34259510-5b68-4f19-a030-e9bf121d253e
  161. ^ http://hirshhorn.si.edu/visit/collection_object.asp?key=32&subkey=6352
  162. ^ http://www.philamuseum.org/collections/permanent/43938.html
  163. ^ http://www.philamuseum.org/collections/permanent/44130.html
  164. ^ http://www.philamuseum.org/collections/permanent/44131.html
  165. ^ a b c d Foster, 439
  166. ^ a b Sotheby's listing for Four Studies for 'The Fairman Rogers Four-In-Hand". The auction lists only Goodrich 137.
  167. ^ a b http://www.butlerart.com/pc_book/pages/thomas_cowperthwait_eakins_1844.htm
  168. ^ The Green Tree: highlights from the collection of the Mutual Assurance Company of Philadelphia. Schwarz, 2007. Available online
  169. ^ http://ecatalogue.art.yale.edu/detail.htm?objectId=52621
  170. ^ PMA accession number 1930-32-2
  171. ^ http://www.philamuseum.org/collections/permanent/42505.html
  172. ^ Rosenzweig, 18
  173. ^ http://hirshhorn.si.edu/visit/collection_object.asp?key=32&subkey=6350
  174. ^ http://artsalesindex.artinfo.com/asi/lots/1473219
  175. ^ a b Sewell, 1982, 63
  176. ^ Foster, #243
  177. ^ http://www.metmuseum.org/works_of_art/collection_database/all/homespun_thomas_eakins/objectview.aspx?page=7&sort=2&sortdir=desc&keyword=%22Thomas%20Eakins%22&fp=4&dd1=0&dd2=0&vw=1&collID=0&OID=20011167&vT=1
  178. ^ http://ecatalogue.art.yale.edu/detail.htm?objectId=22295
  179. ^ http://hirshhorn.si.edu/visit/collection_object.asp?key=32&subkey=6275
  180. ^ http://www.metmuseum.org/works_of_art/collection_database/all/the_pathetic_song_thomas_eakins/objectview.aspx?page=7&sort=2&sortdir=desc&keyword=%22Thomas%20Eakins%22&fp=4&dd1=0&dd2=0&vw=1&collID=0&OID=20011173&vT=1
  181. ^ http://ecatalogue.art.yale.edu/detail.htm?objectId=33915
  182. ^ http://www.nga.gov/fcgi-bin/tinfo_f?object=62978
  183. ^ http://hirshhorn.si.edu/visit/collection_object.asp?key=32&subkey=6339
  184. ^ http://www.philamuseum.org/collections/permanent/42514.html
  185. ^ http://www.metmuseum.org/works_of_art/collection_database/all/taking_up_the_net_thomas_eakins/objectview.aspx?page=6&sort=2&sortdir=desc&keyword=%22Thomas%20Eakins%22&fp=6&dd1=0&dd2=0&vw=1&collID=0&OID=20011177&vT=1
  186. ^ http://libx.bsu.edu/cdm4/document.php?CISOROOT=/MuseumBSU&CISOPTR=1383&REC=14
  187. ^ http://www.philamuseum.org/collections/permanent/42515.html
  188. ^ Foster, #249
  189. ^ http://artsalesindex.artinfo.com/asi/lots/2442952
  190. ^ http://www.philamuseum.org/collections/permanent/102843.html
  191. ^ http://mcis2.princeton.edu/emuseum/code/emuseum.asp?collection=594&collectionname=American%20Art&style=Text&currentrecord=1&page=search&profile=objects&searchdesc=Collection%20is%20American%20Art%20...&quicksearch=Eakins&sessionid=FB010CF8-829B-4B5A-8E31-7390BE0A0DD4&action=collectionquicksearch&style=single&currentrecord=5
  192. ^ http://www.philamuseum.org/collections/permanent/42513.html
  193. ^ http://artsalesindex.artinfo.com/asi/lots/1667841
  194. ^ http://www.philamuseum.org/collections/permanent/76887.html?mulR=32613
  195. ^ Foster, #250
  196. ^ http://www.philamuseum.org/collections/permanent/50427.html?mulR=20082
  197. ^ Foster, #235, #236, and possibly #234
  198. ^ Foster, 232
  199. ^ Homer, 1980, Dietrich catalogue #2
  200. ^ Homer, 1980, Dietrich catalogue #5
  201. ^ http://www.christies.com/LotFinder/lot_details.aspx?from=searchresults&intObjectID=4907556&sid=1b006865-eb79-4ec6-ab61-66641cae6d70
  202. ^ http://www.philamuseum.org/collections/permanent/44120.html
  203. ^ http://www.philamuseum.org/collections/permanent/44119.html
  204. ^ Homer, 1980, Dietrich catalogue #3
  205. ^ http://artsalesindex.artinfo.com/asi/lots/3686052
  206. ^ http://hirshhorn.si.edu/visit/collection_object.asp?key=32&subkey=6353
  207. ^ http://www.metmuseum.org/works_of_art/collection_database/all/the_writing_master_thomas_eakins/objectview.aspx?page=6&sort=2&sortdir=desc&keyword=%22Thomas%20Eakins%22&fp=6&dd1=0&dd2=0&vw=1&collID=0&OID=20011179&vT=1
  208. ^ http://www.philamuseum.org/collections/permanent/44142.html
  209. ^ http://www.philamuseum.org/collections/permanent/44143.html
  210. ^ http://www.cartermuseum.org/works-of-art/1990-19-1
  211. ^ http://hirshhorn.si.edu/visit/collection_object.asp?key=32&subkey=6302
  212. ^ Boldger, plate 12
  213. ^ Homer, 1980, Dietrich catalogue #8
  214. ^ Bolger, plates 17–18
  215. ^ Bolger, plates 15–16
  216. ^ Homer, 1980, Dietrich catalogue #9
  217. ^ Bolger, plate 19
  218. ^ http://www.metmuseum.org/works_of_art/collection_database/all/arcadia_thomas_eakins/objectview.aspx?page=7&sort=2&sortdir=desc&keyword=%22Thomas%20Eakins%22&fp=4&dd1=0&dd2=0&vw=1&collID=0&OID=20011161&vT=1
  219. ^ http://www.pafa.org/Museum/The-Collection/View-All-Works/Collection-Detail/89/let__E/artistId__2532/colId__7155/
  220. ^ Foster, #251
  221. ^ http://www.cmoa.org/searchcollections/details.aspx?item=1026084
  222. ^ http://hirshhorn.si.edu/visit/collection_object.asp?key=32&subkey=6309
  223. ^ Sotheby's listing for Four Studies for 'The Fairman Rogers Four-In-Hand". The auction lists only Goodrich 137. However, Sewell, 1982, 68 depicts Goodrich 199 and shows the first image in the Sotheby's listing.
  224. ^ Sotheby's listing for Four Studies for 'The Fairman Rogers Four-In-Hand". The auction lists only Goodrich 137. However, Sewell, 1982, 68 depicts Goodrich 201 and shows the second image in the Sotheby's listing.
  225. ^ Homer, 1980, Dietrich catalogue #11
  226. ^ Goodrich, 1982, volume I, page 177
  227. ^ Sewell, 1982, 55
  228. ^ http://hirshhorn.si.edu/visit/collection_object.asp?key=32&subkey=6274
  229. ^ http://www.nelson-atkins.org/art/CollectionDatabase.cfm?id=11944&theme=American
  230. ^ http://www.sothebys.com/app/live/lot/LotDetail.jsp?lot_id=159621424
  231. ^ http://www.joslyn.org/Collection/Search-Detail.aspx?ID=ec627db6-23e7-4fe4-89c7-d1eb9e11a40a
  232. ^ http://www.philamuseum.org/collections/permanent/48396.html
  233. ^ http://www.hirshhorn.si.edu/visit/collection_object.asp?key=32&subkey=6510
  234. ^ http://www.hirshhorn.si.edu/visit/collection_object.asp?key=32&subkey=6337
  235. ^ Hoopes, 76
  236. ^ http://www.philamuseum.org/collections/permanent/52013.html?mulR=20082
  237. ^ http://www.philamuseum.org/collections/permanent/42490.html
  238. ^ http://ecatalogue.art.yale.edu/detail.htm?objectId=52625
  239. ^ http://www.sothebys.com/app/live/lot/LotDetail.jsp?lot_id=159637565
  240. ^ http://www.metmuseum.org/works_of_art/collection_database/all/the_artist_s_wife_and_his_setter_dog_thomas_eakins/objectview.aspx?page=7&sort=2&sortdir=desc&keyword=%22Thomas%20Eakins%22&fp=4&dd1=0&dd2=0&vw=1&collID=0&OID=20011162&vT=1
  241. ^ "Prof. Barker was a chemist, and no doubt a learned man in his profession.— I think Mr. Eakins painted him because he was worthy to be remembered, it was not an order [commission]." —Mrs. Eakins to Clarence Cranmer, July 4, 1929, Archives of American Art, Smithsonian Institution.
  242. ^ http://www.cedarhurst.org/PhotoViewer.php?gallery=1 (9 of 23)
  243. ^ http://www.philamuseum.org/collections/permanent/44146.html
  244. ^ http://www.philamuseum.org/collections/permanent/44147.html
  245. ^ http://kemperartmuseum.wustl.edu/collection/explore/artwork/86
  246. ^ http://artsalesindex.artinfo.com/asi/lots/1197237
  247. ^ http://hirshhorn.si.edu/visit/collection_object.asp?key=32&subkey=6287
  248. ^ http://www.pafa.org/Museum/The-Collection/View-All-Works/Collection-Detail/89/let__E/artistId__2532/colId__6457/
  249. ^ http://www.mfa.org/collections/search_art.asp?recview=true&id=32369
  250. ^ http://www.brooklynmuseum.org/opencollection/objects/307/Letitia_Wilson_Jordan/set/f75d18be541e880b9f38a2b247b910b0?referring-q=Eakins
  251. ^ http://www.philamuseum.org/collections/permanent/44148.html
  252. ^ a b c d Foster, pg 278, footnote 18
  253. ^ http://66.251.89.230/detail.php?type=related&kv=487&t=objects
  254. ^ http://www.philamuseum.org/collections/permanent/72520.html
  255. ^ a b c http://www.artsjournal.com/culturegrrl/2008/04/whats_gross_about_the_gross_cl.html
  256. ^ a b c http://www.theartnewspaper.com/articles/Denver-deal-under-investigation/16064
  257. ^ http://www.philamuseum.org/collections/permanent/44122.html
  258. ^ http://www.philamuseum.org/collections/permanent/50430.html
  259. ^ http://www.philamuseum.org/collections/permanent/50429.html
  260. ^ http://www.freemansauction.com/asp/fullCatalogue.asp?salelot=1176++++++74+&refno=++417814
  261. ^ Adams, Eakins revealed, 528
  262. ^ http://www.philamuseum.org/collections/permanent/70399.html
  263. ^ http://hirshhorn.si.edu/visit/collection_object.asp?key=32&subkey=6292
  264. ^ http://sceti.library.upenn.edu/PennArt/SlideShow/index_slide.cfm, slide 11
  265. ^ http://ecatalogue.art.yale.edu/detail.htm?objectId=52922
  266. ^ http://www.cedarhurst.org/PhotoViewer.php?gallery=1 (8 of 23)
  267. ^ a b David Zucchino, Schools' Art Cache Is a Study in Forgotten Treasures. Los Angeles Times, July 19, 2004
  268. ^ Accession number NPG.85.50.
  269. ^ http://www.philamuseum.org/collections/permanent/42495.html
  270. ^ Hendricks, The Life and Work of Thomas Eakins, 189
  271. ^ http://museums.fivecolleges.edu/detail.php?t=objects&type=ext&f=&s=&record=0&maker=Eakins
  272. ^ http://www.philamuseum.org/collections/permanent/42493.html
  273. ^ http://www.metmuseum.org/works_of_art/collection_database/all/cowboy_singing_thomas_eakins/objectview.aspx?page=7&sort=2&sortdir=desc&keyword=%22Thomas%20Eakins%22&fp=4&dd1=0&dd2=0&vw=1&collID=0&OID=20011165&vT=1
  274. ^ Porter, plate 40
  275. ^ http://ecatalogue.art.yale.edu/detail.htm?objectId=52931
  276. ^ Bolger, plate 9
  277. ^ http://www.philamuseum.org/collections/permanent/42492.html
  278. ^ Fogg Museum Web entry for Francis J. Ziegler
  279. ^ http://www.philamuseum.org/collections/permanent/42511.html
  280. ^ http://hirshhorn.si.edu/visit/collection_object.asp?key=32&subkey=6295
  281. ^ Sewell, 1982, 103
  282. ^ http://www.philamuseum.org/collections/permanent/42499.html
  283. ^ http://www.philamuseum.org/collections/permanent/42501.html
  284. ^ Paintings from Europe and the Americas in the Philadelphia Museum of Art. Philadelphia Museum of Art, 1994. ISBN 0876330936. Pages 269–278
  285. ^ http://hirshhorn.si.edu/visit/collection_object.asp?key=32&subkey=6354
  286. ^ http://www.philamuseum.org/collections/permanent/42533.html
  287. ^ Kirkpatrick, 384
  288. ^ Goodrich, 1982, volume II, page 81
  289. ^ http://www.philamuseum.org/collections/permanent/44127.html
  290. ^ http://www.sothebys.com/app/live/lot/LotDetail.jsp?lot_id=159621423
  291. ^ http://www.gilcrease.org/FineArt_Sample.aspx
  292. ^ http://hirshhorn.si.edu/visit/collection_object.asp?key=32&subkey=6313
  293. ^ http://www.philamuseum.org/collections/permanent/42521.html
  294. ^ http://www.metmuseum.org/works_of_art/collection_database/all/james_macalister_sketch_thomas_eakins/objectview.aspx?page=7&sort=2&sortdir=desc&keyword=%22Thomas%20Eakins%22&fp=4&dd1=0&dd2=0&vw=1&collID=0&OID=20011168&vT=1
  295. ^ http://collection.cmaohio.org/art,1948.017,Weda-Cook.php
  296. ^ http://www.imamuseum.org/art/collections/artwork/pianist-stanley-addicks-eakins-thomas
  297. ^ http://ecatalogue.art.yale.edu/detail.htm?objectId=52619
  298. ^ http://www.artic.edu/aic/collections/artwork/72864
  299. ^ http://emuseum.huntington.org/code/emuseum.asp?action=newpage&style=single&singlepage=3&searchxml=%3CeMuseum_search+site%3D%22Huntington%22+date%3D%222010-07-10%22%3E%3Ccriteria%3E%3Cparams+searchcode%3D%22-1%22+pagesize%3D%226%22+currentpage%3D%221%22+orderfield%3D%22%22+orderdir%3D%22%22+profile%3D%22objects%22%2F%3E%3Cbasic+criteria%3D%22Eakins%22%2F%3E%3C%2Fcriteria%3E%3C%2FeMuseum_search%3E%0D%0A&style=browse&pagesize=6&currentpage=1&page=search&browsepagesize=6&searchtype=basic&profile=objects&wandering=no&term=Eakins&basicterm=Eakins&pagetotal=4&pagestart=1&pageend=4
  300. ^ Sotheby's listing for the Portrait of Mrs. Hubbard
  301. ^ The Sewell C. Biggs Collection of American Art: A Catalogue. Volume II – Paintings and Sculpture. Biggs Museum of American Art, 2002. ISBN 189328705X
  302. ^ a b Hirshhorn Gets $461,000 in Auction of Eakins Works. May 21, 2009
  303. ^ http://artsalesindex.artinfo.com/asi/lots/2198183
  304. ^ http://artsalesindex.artinfo.com/asi/lots/1162326
  305. ^ http://www.heckscher.org/pages.php?which_page=collection_image_detail&which_image=1969_003
  306. ^ http://www.philamuseum.org/collections/permanent/52571.html
  307. ^ http://www.pafa.org/Museum/The-Collection/View-All-Works/Collection-Detail/89/let__E/artistId__2532/colId__7159/
  308. ^ Hendricks, 331 (CL159)
  309. ^ http://gallery.famsf.org/gallery/artworkDetails.htm?record=132532
  310. ^ http://www.sheldonartmuseum.org/collection/search.html?topic=detail&clct_id=5944
  311. ^ [1]
  312. ^ http://hirshhorn.si.edu/visit/collection_object.asp?key=32&subkey=6270
  313. ^ http://ecatalogue.art.yale.edu/detail.htm?objectId=23931
  314. ^ http://ecatalogue.art.yale.edu/detail.htm?objectId=5463
  315. ^ http://ecatalogue.art.yale.edu/detail.htm?objectId=34823
  316. ^ http://hirshhorn.si.edu/visit/collection_object.asp?key=32&subkey=6305
  317. ^ http://hirshhorn.si.edu/visit/collection_object.asp?key=32&subkey=6283
  318. ^ http://fryemuseum.org/collection_list/
  319. ^ http://www.wcma.org/press/08/08_Model_Am_Men.shtml
  320. ^ http://www.cmoa.org/searchcollections/details.aspx?item=1021940
  321. ^ http://www.philamuseum.org/collections/permanent/42496.html
  322. ^ http://hirshhorn.si.edu/visit/collection_object.asp?key=32&subkey=6303
  323. ^ http://www.philamuseum.org/collections/permanent/42497.html
  324. ^ http://wichitaartmuseum.org/acm/detail.php?action=v&id=1278084330282700
  325. ^ http://collectionsonline.lacma.org/mwebcgi/mweb.exe?request=record&id=156181&type=101
  326. ^ http://collectionsonline.lacma.org/mwebcgi/mweb.exe?request=record;id=14525;type=101
  327. ^ http://www.philamuseum.org/collections/permanent/55532.html
  328. ^ http://stlouis.art.museum/emuseum/code/emuseum.asp?style=Browse&currentrecord=1&page=search&profile=objects&searchdesc=92:1954&quicksearch=92:1954&newvalues=1&newstyle=single&newcurrentrecord=1
  329. ^ http://www.artic.edu/aic/collections/artwork/31285
  330. ^ http://www.philamuseum.org/collections/permanent/42517.html
  331. ^ http://hirshhorn.si.edu/visit/collection_object.asp?key=32&subkey=6314
  332. ^ http://www.sothebys.com/app/live/lot/LotDetail.jsp?lot_id=159621422
  333. ^ http://www.mfa.org/collections/search_art.asp?recview=true&id=32882
  334. ^ http://www.nga.gov/fcgi-bin/tinfo_f?object=43673
  335. ^ http://emuseum.huntington.org/code/emuseum.asp?action=newpage&style=single&singlepage=1&searchxml=%3CeMuseum_search+site%3D%22Huntington%22+date%3D%222010-07-10%22%3E%3Ccriteria%3E%3Cparams+searchcode%3D%22-1%22+pagesize%3D%226%22+currentpage%3D%221%22+orderfield%3D%22%22+orderdir%3D%22%22+profile%3D%22objects%22%2F%3E%3Cbasic+criteria%3D%22Eakins%22%2F%3E%3C%2Fcriteria%3E%3C%2FeMuseum_search%3E%0D%0A&style=browse&pagesize=6&currentpage=1&page=search&browsepagesize=6&searchtype=basic&profile=objects&wandering=no&term=Eakins&basicterm=Eakins&pagetotal=4&pagestart=1&pageend=4
  336. ^ Rosenzweig, 19
  337. ^ http://hirshhorn.si.edu/visit/collection_object.asp?key=32&subkey=6278
  338. ^ http://www.metmuseum.org/works_of_art/collection_database/all/the_thinker_portrait_of_louis_n_kenton_thomas_eakins/objectview.aspx?page=6&sort=2&sortdir=desc&keyword=%22Thomas%20Eakins%22&fp=6&dd1=0&dd2=0&vw=1&collID=0&OID=20011178&vT=1
  339. ^ http://browser.farnsworthmuseum.org/collection/results.do?view=detail&db=object&id=211
  340. ^ http://www.philamuseum.org/collections/permanent/42491.html
  341. ^ http://www.metmuseum.org/works_of_art/collection_database/all/mrs_mary_arthur_thomas_eakins/objectview.aspx?page=7&sort=2&sortdir=desc&keyword=%22Thomas%20Eakins%22&fp=4&dd1=0&dd2=0&vw=1&collID=0&OID=20011171&vT=1
  342. ^ Thomas Cowperthwaite Eakins – Robert M. Lindsay – 1900 Amica Digital Library. 2003.
  343. ^ Porter, plate 63
  344. ^ http://gallery.famsf.org/gallery/artworkDetails.htm?record=132325
  345. ^ http://www.philamuseum.org/collections/permanent/42535.html
  346. ^ Rosenzweig, 172–173
  347. ^ Sewell, 319
  348. ^ Braddock, 173
  349. ^ http://www.musee-orsay.fr/en/collections/index-of-works/notice.html?no_cache=1&zoom=1&tx_damzoom_pi1[zoom]=0&tx_damzoom_pi1[xmlId]=009447&tx_damzoom_pi1[back]=%2Fen%2Fcollections%2Findex-of-works%2Fnotice.html%3Fno_cache%3D1%26zsz%3D5%26lnum%3D
  350. ^ Institute of Maritime Studies – The Coffin School, Coffin School Collections
  351. ^ http://www.philamuseum.org/collections/permanent/42500.html?mulR=4909
  352. ^ http://www.philamuseum.org/collections/permanent/44493.html
  353. ^ http://www.philamuseum.org/collections/permanent/49535.html
  354. ^ http://www.philamuseum.org/collections/permanent/49536.html
  355. ^ http://hirshhorn.si.edu/visit/collection_object.asp?key=32&subkey=6348
  356. ^ Goodrich, 1982, volume II, page 76
  357. ^ http://hirshhorn.si.edu/visit/collection_object.asp?key=32&subkey=6272
  358. ^ http://nd.edu/~sniteart/collection/american/index.html
  359. ^ http://hirshhorn.si.edu/visit/collection_object.asp?key=32&subkey=6286
  360. ^ a b Kevin Kittredge. Peggy's gift – Peggy Macdowell Thomas leaves her art to Roanoke museum. The Roanoke Times, January 27, 2002
  361. ^ http://www.metmuseum.org/works_of_art/collection_database/all/signora_gomez_d_arza_thomas_eakins/objectview.aspx?page=6&sort=2&sortdir=desc&keyword=%22Thomas%20Eakins%22&fp=6&dd1=0&dd2=0&vw=1&collID=0&OID=20011176&vT=1
  362. ^ Foster, 417
  363. ^ http://www.villanova.edu/communication/assets/documents/magazine/spring_2007.pdf, pages 13–14
  364. ^ http://artsalesindex.artinfo.com/asi/lots/355081
  365. ^ http://www.pafa.org/Museum/The-Collection/View-All-Works/Collection-Detail/89/let__E/artistId__2532/colId__6556/
  366. ^ http://www.philamuseum.org/collections/permanent/42502.html?mulR=19362
  367. ^ Foster, #252
  368. ^ http://72.249.182.183/collection/results.do?id=14733&db=object&view=detail
  369. ^ http://www.philamuseum.org/collections/permanent/44123.html
  370. ^ Sidney Kirkpatrick. The Revenge of Thomas Eakins. Yale University Press, 2006, ISBN 0300108559. Page 475
  371. ^ Homer, 1980, Dietrich catalogue #10
  372. ^ Goodrich, 1982, volume II, page 207
  373. ^ Fogg Museum Web entry for Miss Alice Kurtz
  374. ^ http://wichitaartmuseum.org/acm/detail.php?action=v&id=1278084331834967
  375. ^ http://www.philamuseum.org/collections/permanent/42504.html
  376. ^ Sewell, 1982, 128
  377. ^ http://www.philamuseum.org/collections/permanent/50201.html
  378. ^ Sotheby's listing for the portrait of Charles Dwight Sigsbee
  379. ^ http://www.arkellmuseum.org/coll_am05_eakins_mrsstokes.html
  380. ^ http://hirshhorn.si.edu/visit/collection_object.asp?key=32&subkey=6351
  381. ^ Mother (Annie Williams Gandy). Smithsonian Museum of American Art
  382. ^ http://hirshhorn.si.edu/visit/collection_object.asp?key=32&subkey=6288
  383. ^ http://artsalesindex.artinfo.com/asi/lots/2093556
  384. ^ http://www.christies.com/LotFinder/lot_details.aspx?intObjectID=5199747
  385. ^ Rosenzweig, 20
  386. ^ Hendricks, 1974, CL-96
  387. ^ http://mcis2.princeton.edu/emuseum/code/emuseum.asp?collection=594&collectionname=American%20Art&style=Text&currentrecord=1&page=search&profile=objects&searchdesc=Collection%20is%20American%20Art%20...&quicksearch=Eakins&sessionid=FB010CF8-829B-4B5A-8E31-7390BE0A0DD4&action=collectionquicksearch&style=single&currentrecord=4
  388. ^ http://www.nga.gov/fcgi-bin/tinfo_f?object=55783
  389. ^ http://66.251.89.230/detail.php?type=related&kv=433&t=objects
  390. ^ http://www.philamuseum.org/collections/permanent/44149.html
  391. ^ http://hirshhorn.si.edu/visit/collection_object.asp?key=32&subkey=6271
  392. ^ http://hirshhorn.si.edu/visit/collection_object.asp?key=32&subkey=6285
  393. ^ http://hirshhorn.si.edu/visit/collection_object.asp?key=32&subkey=6284
  394. ^ http://museums.fivecolleges.edu/detail.php?t=objects&type=ext&f=&s=&record=3&maker=Eakins
  395. ^ http://www.philamuseum.org/collections/permanent/42534.html
  396. ^ http://www.philamuseum.org/collections/permanent/54251.html
  397. ^ http://www.bowdoin.edu/art-museum/exhibitions/2009/face-forward.shtml
  398. ^ http://www.cmoa.org/searchcollections/details.aspx?item=1006611
  399. ^ http://magart.rochester.edu/Obj356?sid=12820&x=226933
  400. ^ http://www.nga.gov/fcgi-bin/tinfo_f?object=72164
  401. ^ http://www.jefferson.edu/eakins/forbespic.cfm
  402. ^ http://www.montclairartmuseum.org.asp1-6.websitetestlink.com/mcmullen/ (16 of 20)
  403. ^ http://collections.currier.org/Obj76?sid=33365&x=200993
  404. ^ http://www.nga.gov/fcgi-bin/tinfo_f?object=33250
  405. ^ Sewell, 2001, page 429, footnote 8
  406. ^ http://www.reynoldahouse.org/discover/collections/services_detail02.php?service-id=303585981
  407. ^ http://www.nga.gov/fcgi-bin/tinfo_f?object=43674
  408. ^ http://mcis2.princeton.edu/emuseum/code/emuseum.asp?collection=594&collectionname=American%20Art&style=Text&currentrecord=1&page=search&profile=objects&searchdesc=Collection%20is%20American%20Art%20...&quicksearch=Eakins&sessionid=FB010CF8-829B-4B5A-8E31-7390BE0A0DD4&action=collectionquicksearch&style=single&currentrecord=3
  409. ^ http://www.sbmuseart.org/collection/american.web
  410. ^ http://www.philamuseum.org/collections/permanent/59552.html
  411. ^ http://www.nelson-atkins.org/art/CollectionDatabase_ImageView.cfm?id=12000&theme=American
  412. ^ http://www.philamuseum.org/collections/permanent/44125.html
  413. ^ http://www.philamuseum.org/collections/permanent/44126.html
  414. ^ http://terraamericanart.org/collections/code/emuseum.asp?XXX_QS_XXX&newvalues=1&rawsearch=constituentid/,/is/,/98/,/false/,/true&newstyle=single&newprofile=people&newsearchdesc=Thomas%20Eakins&newcurrentrecord=1&module=people
  415. ^ http://www.nga.gov/feature/wilmerding/jwcat08.htm
  416. ^ Myers, 83–84
  417. ^ Christie's auction. Lot 88, sale 2003: Major Manuel Waldteufel. "Property from the Collection of La Société de Française de Bienfaisance de Philadelphie"
  418. ^ http://www.brooklynmuseum.org/opencollection/objects/486/William_Rush_Carving_His_Allegorical_Figure_of_the_Schuylkill_River/set/f75d18be541e880b9f38a2b247b910b0?referring-q=Eakins
  419. ^ http://hirshhorn.si.edu/visit/collection_object.asp?key=32&subkey=6311
  420. ^ http://fineart.ha.com/common/view_item.php?Sale_No=638&Lot_No=24018
  421. ^ http://www.nga.gov/fcgi-bin/tinfo_f?object=72165
  422. ^ http://www.honoluluacademy.org/cmshaa/academy/index.aspx?id=985
  423. ^ http://www.sothebys.com/app/live/lot/LotDetail.jsp?lot_id=159451555
  424. ^ http://americanart.si.edu/collections/search/artwork/?id=7711
  425. ^ http://www.christies.com/LotFinder/lot_details.aspx?from=searchresults&intObjectID=5199691&sid=d926bf1b-b9a9-4019-9edb-5fa49690d8a8
  426. ^ http://www.philamuseum.org/collections/permanent/42509.html
  427. ^ Homer, 1980, Dietrich catalogue #6
  428. ^ Homer, 1980, Dietrich catalogue #7
  429. ^ Sewell, 1982, 131
  430. ^ Sothebys auction listing for the Portrait of Lucy Langdon Williams Wilson
  431. ^ http://hoodmuseum.dartmouth.edu/collections/overview/americas/northamerica/uscanada/painting/portraiture/P935119.html
  432. ^ http://artsalesindex.artinfo.com/asi/lots/1349645
  433. ^ http://www.mfa.org/collections/search_art.asp?recview=true&id=32441
  434. ^ http://www.christies.com/LotFinder/lot_details.aspx?from=searchresults&intObjectID=4013365&sid=c066c79f-b448-4b45-b4b9-aed21acb5015
  435. ^ Rosenzweig, 211–212
  436. ^ http://hirshhorn.si.edu/visit/collection_object.asp?key=32&subkey=6279
  437. ^ Southeby's – American Paintings, Drawings and Sculpture including Property from the Collection of Rita and Daniel Fraad
  438. ^ Wilmderding, 1999, page 249
  439. ^ Eakins Outrages a Convent, Connoisseur Magazine. July 1989, pages 75–76.
  440. ^ Adams, 410
  441. ^ Sewell, 1982, 53
  442. ^ a b c Sewell, 1982, 79
  443. ^ Ecorché: Relief of a Horse (Josephine). National Gallery of Art.
  444. ^ http://hirshhorn.si.edu/visit/collection_object.asp?key=32&subkey=6362
  445. ^ http://hirshhorn.si.edu/visit/collection_object.asp?key=32&subkey=6361
  446. ^ Goodrich, 1982, volume II, page 122
  447. ^ Goodrich, 1982, volume II, page 123

References

  • Bolger, Doreen; Cash, Sarah; et al. Thomas Eakins and the Swimming Picture. Amon Carter Museum, 1996. ISBN 0-88360-085-4
  • Braddock, Alan C. Thomas Eakins and the Cultures of Modernity. University of California Press, 2009. ISBN 0520255208
  • Cooper, Helen A. Thomas Eakins: The Rowing Pictures. Yale University Art Gallery, 1996. ISBN 0300069391
  • Foster, Kathleen A. Thomas Eakins Rediscovered: Charles Bregler's Thomas Eakins Collection at the Pennsylvania Academy of the Fine Arts. Yale University Press, 1997. ISBN 0300061749.
  • Goodrich, Lloyd. Thomas Eakins: His Life and Works. William Edwin Rudge Printing House. New York, 1933. Catalogue of Works. Pages 161–209.
  • Hendricks, Gordon. The Life and Works of Thomas Eakins. New York: Grossman Publishers, 1974. ISBN 0-670-42795-0
  • Hendricks, Gordon. The Photographs of Thomas Eakins. New York: Grossman Publishers, 1972. ISBN 0-670-55261-5
  • Homer, William Innes. The Paris Letters of Thomas Eakins. Princeton University Press, 2009. ISBN 9780691138084
  • Homer, William Innes. Thomas Eakins: His Life and His Art. Abbeville Press, 1992. ISBN 1558592814
  • Homer, William Innes. Eakins at Avondale and Thomas Eakins: A Personal Collection. Science Press, 1980. Library of Congress catalogue no. 79-57527
  • Hoopes, Donelson F. Eakins Watercolors. Watson-Guptill Publications, 1971. Reprinted 1985. ISBN 0823015920
  • Johns, Elizabeth. Thomas Eakins: The Heroism of Modern Life. Princeton University Press, 1991. ISBN 0691002886.
  • Myers, Jane E. Eakins and the Medical Milieu: The Physicians' Portraits. Master's Thesis, December 1982.
  • Milroy, Elizabeth Lamotte Cates. Thomas Eakins Aristic Training, 1860–1870. Phd Dissertation, University of Pennsylvania, 1986
  • Rosenzweig, Phlyllis D. Thomas Eakins Collection of the Hirshhorn Museum and Sculpture Garden. Washington DC: Smithsonian Institution Press, 1977.
  • Siegl, Theodor. The Thomas Eakins Collection. Philadelphia Museum of Art, 1978. ISBN 0812211626
  • Sewell, Darrel. Thomas Eakins: Artist of Philadelphia. Philadelphia Museum of Art, 1982. ISBN 0876330472
  • Sewell, Darrel; et al. Thomas Eakins. Yale University Press, 2001. ISBN 0876330472.
  • Wilmerding, John. Thomas Eakins. Washington, DC: Smithsonian Institution Press, 1993. ISBN 1560983132
  • Wilmerding, John. Compass and Clock: Defining Moments in American Culture : 1800, 1850, 1900. Harry N. Abrams, 1999. ISBN 0810940965
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