Visions of Cody: Difference between revisions
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| genre = [[Novel]] |
| genre = [[Novel]] |
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| publisher = [[McGraw-Hill]] |
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| release_date = [[ |
| release_date = [[1972 in literature|1972]] |
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| media_type = Print ([[Hardcover|Hardback]] & [[Paperback]]) |
| media_type = Print ([[Hardcover|Hardback]] & [[Paperback]]) |
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| pages = 448 pp |
| pages = 448 pp |
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| followed_by = [[Lonesome Traveler]] </br> (1960) |
| followed_by = [[Lonesome Traveler]] </br> (1960) |
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'''''Visions of Cody''''' is an experimental novel by [[Jack Kerouac]]. It was written in 1951-1952, and though not published in its entirety until |
'''''Visions of Cody''''' is an experimental novel by [[Jack Kerouac]]. It was written in 1951-1952, and though not published in its entirety until 1972, it had by then achieved an underground reputation. Since its first printing, ''Visions of Cody'' has been published with an introduction by [[Beat Generation|Beat]] poet [[Allen Ginsberg]] titled "The Visions of the Great Rememberer." |
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==Origins== |
==Origins== |
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==Themes and literary style== |
==Themes and literary style== |
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Like nearly all of Kerouac's works, ''Visions of Cody'' involves a "mythologizing" of his life, here as "Jack Duluoz", renaming characters and imposing grander themes on actual events while rapturously describing the mundane around him.{{Or|date=February 2011}} It is also heavily focused on his perception of and relationship to [[Neal Cassady]], renamed "Cody Pomeray." According to Kerouac, the book represented a vertical metaphysical study of Cassady as a character and its relationship to the general America.<ref>Preface, Kerouac, J. (1972). Visions of |
Like nearly all of Kerouac's works, ''Visions of Cody'' involves a "mythologizing" of his life, here as "Jack Duluoz", renaming characters and imposing grander themes on actual events while rapturously describing the mundane around him.{{Or|date=February 2011}} It is also heavily focused on his perception of and relationship to [[Neal Cassady]], renamed "Cody Pomeray." According to Kerouac, the book represented a vertical metaphysical study of Cassady as a character and its relationship to the general America.<ref>Preface, Kerouac, J. (1972). Visions of Cody. New York: Penguin books</ref> Continuing to experiment with the spontaneous prose method he had outlined in 1950, he aimed to find "the wild form that can grow with my wild heart".<ref>Kerouac,letter to John Clellon Holmes, quoted on cover of 1993 Penguin books edition</ref> The tape recorder transcriptions injects the presence of speech into the text.<ref>Riley, J. 'I am a Recording Angel': Jack Kerouac's Visions of Cody and the Recording Process. Electronic Book Review. http://www.electronicbookreview.com/thread/musicsoundnoise/angelic</ref> The style has been described as [[New Journalism]] fifteen years early.<ref>McNally, D. Desolate Angel, Da Capo Press edition, 2003</ref> There are several meta passages in the book in which Kerouac in the words of Allen Ginsberg "writes about writing",<ref>Ginsberg, A. (1972). Visions of the Great Rememberer. Afterword, in Penguin books 1993 edition.</ref> at one point in French. Donald Allen states that the book seems self-consciously unfinished in order to convey 'an undisturbed flow from the mind of personal secret idea words'.<ref>Kerouac, Jack, 'The Essentials of Spontaneous Prose' in Good Blonde and Others ed. by Donald Allen (USA: Grey Fox Press, 1993), p.73.</ref> |
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==References== |
==References== |
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{{DEFAULTSORT:Visions Of Cody}} |
{{DEFAULTSORT:Visions Of Cody}} |
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[[Category:1972 novels]] |
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[[Category:Novels by Jack Kerouac]] |
[[Category:Novels by Jack Kerouac]] |
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Revision as of 10:11, 15 April 2012
 1st edition cover | |
| Author | Jack Kerouac |
|---|---|
| Language | English |
| Genre | Novel |
| Publisher | McGraw-Hill |
Publication date | 1972 |
| Publication place | United States |
| Media type | Print (Hardback & Paperback) |
| Pages | 448 pp |
| ISBN | 0-14-017907-0 |
| OCLC | 27642070 |
| 813.54 B 20 | |
| LC Class | PS3521.E735 V5 1993 |
| Preceded by | Tristessa (1960) |
| Followed by | Lonesome Traveler (1960) |
Visions of Cody is an experimental novel by Jack Kerouac. It was written in 1951-1952, and though not published in its entirety until 1972, it had by then achieved an underground reputation. Since its first printing, Visions of Cody has been published with an introduction by Beat poet Allen Ginsberg titled "The Visions of the Great Rememberer."
Origins
Visions of Cody derived from experimental spontaneous prose inserts that Kerouac added to the original manuscript of On the Road in 1951-52. Part of the novel is a fast-forward recapitulation of the events described in On the Road, which was also about Kerouac and Cassady. When Kerouac appeared on The Steve Allen Show in 1959, he secretly read from the introduction to the, at the time, unpublished Visions of Cody although he was supposed to read from On The Road, the book he was holding.
Book structure
The first section of the book is essentially a collection of short stream-of-consciousness essays, which Kerouac called "sketches", many simply describing elements of Duluoz's (Kerouac's) post-World War II New York City environment, from the texture and smells of a lunch counter to St. Patrick's Cathedral, or minor events like the decision to masturbate in a public restroom—all interlaced with Kerouac's internal dialogue. Along the way through these descriptions, Duluoz meanders towards a decision to go visit Cody in San Francisco.
The third section consists mainly of the transcription of taped conversations between Kerouac and Cassady (and occasionally "Evelyn"—Cassady's last wife, Carolyn and various friends) that extended over five nights as they drank and smoked marijuana. This is followed by a brief section entitled "Imitation of the Tape," a writing experiment by Kerouac in which he attempted to work from the spontaneity and speech patterns of the tape. The remainder of the book contains Kerouac's recounting of his travels with Cassady and the effect they had on their spiraling relationship.
Character key
"Because of the objections of my early publishers I was not allowed to use the same personae names in each work."[1]
| Real-life person[2] | Character name |
|---|---|
| Jack Kerouac | Jack Duluoz |
| Justin W. Brierly | Justin G. Mannerly |
| William S. Burroughs | Bull Hubbard |
| Bill Cannastra | Finistra |
| Lucien Carr | Julien Love |
| Carolyn Cassady | Evelyn |
| Neal Cassady | Cody Pomeray |
| Hal Chase | Val Hayes |
| Duke Chungas | Duke Gringas |
| Henri Cru | Deni Bleu |
| Bill Garver | Harper |
| Allen Ginsberg | Irwin Garden |
| Diane Hansen | Diane |
| Luanne Henderson | Joanna Dawson |
| Al Hinkle | Slim Buckle |
| Helen Hinkle | Helen Buckle |
| Jim Holmes | Tom Watson |
| John Clellon Holmes | Tom Wilson |
| Herbert Huncke | Huck |
| Frank Jeffries | Dave Sherman |
| David Kammerer | Dave Stroheim |
| Jerry Newman | Danny Richman |
| Edie Parker | Elly |
| Allan Temko | Allen Minko |
| Bill Tomson | Earl Johnson |
| Ed Uhl | Ed Wehle |
| Joan Vollmer | June |
Themes and literary style
Like nearly all of Kerouac's works, Visions of Cody involves a "mythologizing" of his life, here as "Jack Duluoz", renaming characters and imposing grander themes on actual events while rapturously describing the mundane around him.[original research?] It is also heavily focused on his perception of and relationship to Neal Cassady, renamed "Cody Pomeray." According to Kerouac, the book represented a vertical metaphysical study of Cassady as a character and its relationship to the general America.[3] Continuing to experiment with the spontaneous prose method he had outlined in 1950, he aimed to find "the wild form that can grow with my wild heart".[4] The tape recorder transcriptions injects the presence of speech into the text.[5] The style has been described as New Journalism fifteen years early.[6] There are several meta passages in the book in which Kerouac in the words of Allen Ginsberg "writes about writing",[7] at one point in French. Donald Allen states that the book seems self-consciously unfinished in order to convey 'an undisturbed flow from the mind of personal secret idea words'.[8]
References
- ^ Kerouac, Jack. Visions of Cody. London and New York: Penguin Books Ltd. 1993.
- ^ Sandison, Daivd. Jack Kerouac: An Illustrated Biography. Chicago: Chicago Review Press. 1999
- ^ Preface, Kerouac, J. (1972). Visions of Cody. New York: Penguin books
- ^ Kerouac,letter to John Clellon Holmes, quoted on cover of 1993 Penguin books edition
- ^ Riley, J. 'I am a Recording Angel': Jack Kerouac's Visions of Cody and the Recording Process. Electronic Book Review. http://www.electronicbookreview.com/thread/musicsoundnoise/angelic
- ^ McNally, D. Desolate Angel, Da Capo Press edition, 2003
- ^ Ginsberg, A. (1972). Visions of the Great Rememberer. Afterword, in Penguin books 1993 edition.
- ^ Kerouac, Jack, 'The Essentials of Spontaneous Prose' in Good Blonde and Others ed. by Donald Allen (USA: Grey Fox Press, 1993), p.73.
- 1960. Visions of Cody ISBN 0-14-017907-0