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|classification= idiophone, could be made from wood, gourd, metal, plastic or fiberglass
|classification= idiophone, could be made from wood, gourd, metal, plastic or fiberglass
|hornbostel_sachs=112.23
|hornbostel_sachs=112.23
|hornbostel_sachs_desc=Indirectly struck [[idiophone]]
|hornbostel_sachs_desc=Scraped [[idiophone]], vessel
|range=Speed of scrape produces some variation
|range=Speed of scrape produces some variation
|midi=Notes 73 (short scrape) and 74 (long scrape) (C# and D)
|midi=Notes 73 (short scrape) and 74 (long scrape) (C# and D)

Revision as of 22:42, 8 July 2012

Güiro
A modern fibreglass güiro.
Percussion instrument
Other namesCalabazo, guayo, ralladera, rascador
Classification idiophone, could be made from wood, gourd, metal, plastic or fiberglass
Hornbostel–Sachs classification112.23
(Scraped idiophone, vessel)
Playing range
Speed of scrape produces some variation
Related instruments
Güira, reco-reco, slit drum, washboard

The güiro (Spanish pronunciation: [ˈɡwiɾo]) is a Latin-American percussion instrument consisting of an open-ended, hollow gourd with parallel notches cut in one side. It is played by rubbing a stick or tines along the notches to produce a ratchet-like sound. The güiro is commonly used in Latin-American music, and plays a key role in the typical rhythm section of important genres like cumbia and salsa. Playing the güiro usually requires both long and short sounds, which are made by scraping both up and down in long or short strokes. The güiro, like the maracas, is usually played by a singer. There's still another type of güiro, commonly found in Brazil (where it's called "reco-reco"), which is made of a cylindrical metal box that encases two or three steel springs. These are stretched over a lid, against which a metal stick is rubbed.

Construction and design

The güiro, which was adapted from a pre-Columbian instrument, is a notched, hollowed-out gourd.[1] The güiro is made by carving parallel fluting on the surface of the shell of the gourd. It is played by holding the güiro in the left hand with the thumb inserted into the back sound hole to keep the instrument in place. With the Brazilian güiro, after frictioning the springs it's possible to make use of the prolonged reverberation, or muffle them with the fingers. In some models, the box also has a bottom hole, allowing the musician to change the internal reverb by covering it or not.

Other meanings

Güiro is also another term for a shekere as well as the ensemble and rhythm used when playing this instrument. In Regla de Ocha, a güiro is a musical performance/ceremony that uses shequeres, hoe blade, and at least one conga to accompany the religious songs of the Orishas.[2]

See also

References