Seven Lucky Gods: Difference between revisions
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==History== |
==History== |
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Many figures in Japanese myth were transmitted from [[China]] (some having entered China from [[India]]), including all of the Seven Lucky Gods except Ebisu. Another god, [[Kichijōten]], goddess of happiness, is sometimes found depicted along with the seven traditional gods, replacing Jurōjin, the reasoning being that Jurōjin and Fukurokuju were originally manifestations of the same Taoist deity, the Southern Star. However, as is often the case in folklore, Japanese gods sometimes represent different things in different places. |
Many figures in Japanese myth were transmitted from [[China]] (some having entered China from [[India]]), including all of the Seven Lucky Gods except Ebisu and Daikokuten. Another god, [[Kichijōten]], goddess of happiness, is sometimes found depicted along with the seven traditional gods, replacing Jurōjin, the reasoning being that Jurōjin and Fukurokuju were originally manifestations of the same Taoist deity, the Southern Star. However, as is often the case in folklore, Japanese gods sometimes represent different things in different places. |
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The seven gods are often depicted on their ship, the Takarabune (宝船), or "Treasure Ship." The tradition holds that the seven gods will arrive in town on the New Year and distribute fantastic gifts to worthy people. Children often receive red envelopes emblazoned with the Takarabune which contain gifts of money around the New Year. The Takarabune and its passengers are often depicted in art in varied locations, from the walls of museums to cuddly caricatures. |
The seven gods are often depicted on their ship, the Takarabune (宝船), or "Treasure Ship." The tradition holds that the seven gods will arrive in town on the New Year and distribute fantastic gifts to worthy people. Children often receive red envelopes emblazoned with the Takarabune which contain gifts of money around the New Year. The Takarabune and its passengers are often depicted in art in varied locations, from the walls of museums to cuddly caricatures. |
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Revision as of 22:52, 11 February 2014
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The Seven Gods of Fortune (七福神, Shichi Fukujin), commonly referred to in English as the Seven Lucky Gods, are the seven gods of good fortune in Japanese mythology and folklore. They are often the subject of netsuke carvings and other representations.
Names and patronage
Each has a traditional attribute:
- Hotei, the fat and happy god of abundance and good health
- Jurōjin, god of long life
- Fukurokuju, god of happiness, wealth and longevity
- Bishamonten, god of warriors
- Benzaiten (Benten-sama), goddess of knowledge, art and beauty, especially music
- Daikokuten (Daikoku), god of wealth, commerce and trade. Ebisu and Daikoku are often paired and represented as carvings or masks on the walls of small retail shops
- Ebisu, god of fishers or merchants, often depicted carrying a sea bream
History
Many figures in Japanese myth were transmitted from China (some having entered China from India), including all of the Seven Lucky Gods except Ebisu and Daikokuten. Another god, Kichijōten, goddess of happiness, is sometimes found depicted along with the seven traditional gods, replacing Jurōjin, the reasoning being that Jurōjin and Fukurokuju were originally manifestations of the same Taoist deity, the Southern Star. However, as is often the case in folklore, Japanese gods sometimes represent different things in different places.
The seven gods are often depicted on their ship, the Takarabune (宝船), or "Treasure Ship." The tradition holds that the seven gods will arrive in town on the New Year and distribute fantastic gifts to worthy people. Children often receive red envelopes emblazoned with the Takarabune which contain gifts of money around the New Year. The Takarabune and its passengers are often depicted in art in varied locations, from the walls of museums to cuddly caricatures.
Culture references
- Happy Seven is an anime about a school club consisting of seven girls, each one having a different power from the Seven Gods of Fortune.
- A character in Dan Brown's Digital Fortress prays to the "seven deities of good luck" at one point, but uses the term shichigosan, which actually refers to the festivals for children of the special ages of seven, five, and three.
- Pink film directors Toshiya Ueno, Shinji Imaoka, Yoshitaka Kamata, Toshiro Enomoto, Yūji Tajiri, Mitsuru Meike and Rei Sakamoto are known collectively as the "Seven Lucky Gods of Pink" (ピンク七福神, pinku shichifukujin).[1]
- The first Ranma ½ film, Ranma ½: Big Trouble in Nekonron, China, featured the seven lucky gods of martial arts as the primary antagonists.
- In a chapter from Ghost Sweeper Mikami, five of the Seven Lucky Gods left their boat. Mikami tries to convince them return to the boat.
- In The Eccentric Family, the members of the Friday Fellows share the names of the seven gods.
Location of Shrines
- Toka ebisu shrine - Fukuoka
- Nanyo - Kanjizaiji (観自在寺)- Shikoku
Gallery
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The Seven Lucky Gods at Watatsumi Shrine in Tarumi-ku, Kobe -
The Seven Lucky Gods in a woodblock print by Utagawa Kuniyoshi -
The Seven Lucky Gods, in an 1882 woodblock print by Tsukioka Yoshitoshi
See also
- Three Star Gods, a similar group of auspicious deities from Chinese folk religion
Notes
- ^ Domenig, Roland (2002). "Vital flesh: the mysterious world of Pink Eiga". Archived from the original on 2004-11-18. Retrieved 2007-07-12.
External references
