Barbara Vanderlinden: Difference between revisions
Content deleted Content added
No edit summary |
m Minor change to citation |
||
| Line 1: | Line 1: | ||
[[File:Barbara04BW.jpg|thumb|Barbara Vanderlinden]] |
[[File:Barbara04BW.jpg|thumb|Barbara Vanderlinden]] |
||
'''Barbara Vanderlinden''' is an art critic, editor and curator. Involved throughout the 1990s with commissioned works intimately linked to Roomade and his [[Laboratorium (art exhibition)]] exposure.<ref>{{cite journal |
'''Barbara Vanderlinden''' is an art critic, editor and curator. Involved throughout the 1990s with commissioned works intimately linked to Roomade and his [[Laboratorium (art exhibition)]] exposure.<ref>{{cite journal|last=Bishop|first=Claire|year=2004|title=Antagonism and Relational Aesthetics|url=http://www.mitpressjournals.org/doi/abs/10.1162/0162287042379810#.VqJzvm70-B4|journal=October Magazine|volume=Fall 2004|issue=110|pages=51–79|via=|work=[[October (journal)|October]]}}</ref> A series of projects for different websites that contains many artists and exhibitions on innovation and the exploration of art forms and the way in which they are exposed. She served as director of the Brussels Biennial<ref>{{cite news |title=Première Biennale de Bruxelles |language=French |work=[[La Libre Belgique]] |date=11 September 2008 |url=http://www.lalibre.be/regions/bruxelles/premiere-biennale-de-bruxelles-51b89f16e4b0de6db9b3848f |accessdate=22 January 2016}}</ref> and organised more than 50 exhibitions as wells as various international [[biennale]]s including the ''Taipei Biennial: Do You Believe in Reality?'' at the [[Taipei Fine Arts Museum]],<ref>{{cite web |title=Taipei Biennial |url=http://universes-in-universe.org/eng/bien/taipei_biennial |work=Universe in Universe |accessdate=22 January 2016}}</ref><ref>{{cite web |title=Do You Believe in Reality? 2004 Taipei Biennial is to Open in October |url=http://www.e-flux.com/announcements/do-you-believe-in-reality-2004-taipei-biennial-is-to-open-in-october/ |work=[[E-flux]] |accessdate=22 January 2016}}</ref> [[Manifesta|''Manifesta 2, biennale européenne d'art contemporain'']], ''Generation Z'' at [[MoMA PS1]] in New York,<ref>{{cite web| first=Klaus |last=Biesenbach |first2=Alanna |last2=Heiss |first3=Barbara |last3=Vanderlinden |year=1999 |title=Generation Z | work=[[MoMA PS1]] |url=http://momaps1.org/exhibitions/view/233 |accessdate=22 January 2016}}</ref> and "Two Hours Wide, Two Hours Long 58/98" at [[Cultural Centre of Belém]] in Lisbon. |
||
More recently, she has served as professor and director of the center for study and research Exhibition Laboratory of [[University of the Arts Helsinki]] (Taideyliopisto) in Finland and has organized Laboratory of Hearing.<ref>{{cite web|title=Laboratory of Hearing |work=Art & Education |year=2015 |url=http://www.artandeducation.net/announcement/laboratory-of-hearing-launches-exhibition-laboratory/ |accessdate=22 January 2016}}</ref> Previously, she has been a professor and initiator of the International Curatorial Programme (2001)<ref>{{cite web |title=Gwangju Biennale International Curator Course |work=Art & Education |url=http://www.artandeducation.net/announcement/gwangju-biennale-international-curator-course/ |accessdate=22 January 2016}}</ref> of the [[Gwangju Biennale]] Foundation, at [[Gwangju]], South Korea, Associate Professor of curatorial studies for the CCS Bard Master of Arts Program in Curatorial Studies in [[Annandale-on-Hudson, New York]], Associate Professor (2016-2017) in curatorial studies and history of exhibitions at the [[San Francisco Art Institute]]. Vanderlinden is the author of a reference book in the field of exhibitions and biennials stories in Europe called ''The Manifesta Decade: Debates on Contemporary Art Exhibitions and Biennials in Post-Wall Europe'' [The Manifesta Decade: Debates on exhibitions biennials and contemporary art in Europe after the fall of the Berlin Wall] (MIT Press, 2005). |
More recently, she has served as professor and director of the center for study and research Exhibition Laboratory of [[University of the Arts Helsinki]] (Taideyliopisto) in Finland and has organized Laboratory of Hearing.<ref>{{cite web|title=Laboratory of Hearing |work=Art & Education |year=2015 |url=http://www.artandeducation.net/announcement/laboratory-of-hearing-launches-exhibition-laboratory/ |accessdate=22 January 2016}}</ref> Previously, she has been a professor and initiator of the International Curatorial Programme (2001)<ref>{{cite web |title=Gwangju Biennale International Curator Course |work=Art & Education |url=http://www.artandeducation.net/announcement/gwangju-biennale-international-curator-course/ |accessdate=22 January 2016}}</ref> of the [[Gwangju Biennale]] Foundation, at [[Gwangju]], South Korea, Associate Professor of curatorial studies for the CCS Bard Master of Arts Program in Curatorial Studies in [[Annandale-on-Hudson, New York]], Associate Professor (2016-2017) in curatorial studies and history of exhibitions at the [[San Francisco Art Institute]]. Vanderlinden is the author of a reference book in the field of exhibitions and biennials stories in Europe called ''The Manifesta Decade: Debates on Contemporary Art Exhibitions and Biennials in Post-Wall Europe'' [The Manifesta Decade: Debates on exhibitions biennials and contemporary art in Europe after the fall of the Berlin Wall] (MIT Press, 2005). |
||
Revision as of 12:40, 19 November 2016
Barbara Vanderlinden is an art critic, editor and curator. Involved throughout the 1990s with commissioned works intimately linked to Roomade and his Laboratorium (art exhibition) exposure.[1] A series of projects for different websites that contains many artists and exhibitions on innovation and the exploration of art forms and the way in which they are exposed. She served as director of the Brussels Biennial[2] and organised more than 50 exhibitions as wells as various international biennales including the Taipei Biennial: Do You Believe in Reality? at the Taipei Fine Arts Museum,[3][4] Manifesta 2, biennale européenne d'art contemporain, Generation Z at MoMA PS1 in New York,[5] and "Two Hours Wide, Two Hours Long 58/98" at Cultural Centre of Belém in Lisbon.
More recently, she has served as professor and director of the center for study and research Exhibition Laboratory of University of the Arts Helsinki (Taideyliopisto) in Finland and has organized Laboratory of Hearing.[6] Previously, she has been a professor and initiator of the International Curatorial Programme (2001)[7] of the Gwangju Biennale Foundation, at Gwangju, South Korea, Associate Professor of curatorial studies for the CCS Bard Master of Arts Program in Curatorial Studies in Annandale-on-Hudson, New York, Associate Professor (2016-2017) in curatorial studies and history of exhibitions at the San Francisco Art Institute. Vanderlinden is the author of a reference book in the field of exhibitions and biennials stories in Europe called The Manifesta Decade: Debates on Contemporary Art Exhibitions and Biennials in Post-Wall Europe [The Manifesta Decade: Debates on exhibitions biennials and contemporary art in Europe after the fall of the Berlin Wall] (MIT Press, 2005).
References
- ^ Bishop, Claire (2004). "Antagonism and Relational Aesthetics". October Magazine. Fall 2004 (110): 51–79.
{{cite journal}}: More than one of|work=and|journal=specified (help) - ^ "Première Biennale de Bruxelles". La Libre Belgique (in French). 11 September 2008. Retrieved 22 January 2016.
- ^ "Taipei Biennial". Universe in Universe. Retrieved 22 January 2016.
- ^ "Do You Believe in Reality? 2004 Taipei Biennial is to Open in October". E-flux. Retrieved 22 January 2016.
- ^ Biesenbach, Klaus; Heiss, Alanna; Vanderlinden, Barbara (1999). "Generation Z". MoMA PS1. Retrieved 22 January 2016.
- ^ "Laboratory of Hearing". Art & Education. 2015. Retrieved 22 January 2016.
- ^ "Gwangju Biennale International Curator Course". Art & Education. Retrieved 22 January 2016.
